10597 Results
Form:
books
books
Price:
$39.95
(available to order)
Summary:
This volume revives the work of late nineteenth-century landscape photographers who shaped the environmental attitudes of settlers in the colonies of the Tasman World and in California. Despite having little association with one another, these photographers developed remarkably similar visions of nature. In both the American West and the Tasman World, landscape(...)
$39.95
(available to order)
Summary:
This volume revives the work of late nineteenth-century landscape photographers who shaped the environmental attitudes of settlers in the colonies of the Tasman World and in California. Despite having little association with one another, these photographers developed remarkably similar visions of nature. In both the American West and the Tasman World, landscape(...)
Title:
Visions of nature: How landscape photography shaped settler colonialism
Actions:
Price:
$39.95
(available to order)
Summary:
This volume revives the work of late nineteenth-century landscape photographers who shaped the environmental attitudes of settlers in the colonies of the Tasman World and in California. Despite having little association with one another, these photographers developed remarkably similar visions of nature. In both the American West and the Tasman World, landscape photography fed into settler belonging and produced new ways of thinking about territory and history. During this key period of settler revolution, a generation of photographers came to associate “nature” with remoteness, antiquity, and emptiness, a perspective that disguised the realities of Indigenous presence and reinforced colonial fantasies of environmental abundance. This book lifts the work of these photographers out of their provincial contexts and repositions it within a new comparative frame.
Visions of nature: How landscape photography shaped settler colonialism
Actions:
Price:
$39.95
(available to order)
Summary:
This volume revives the work of late nineteenth-century landscape photographers who shaped the environmental attitudes of settlers in the colonies of the Tasman World and in California. Despite having little association with one another, these photographers developed remarkably similar visions of nature. In both the American West and the Tasman World, landscape photography fed into settler belonging and produced new ways of thinking about territory and history. During this key period of settler revolution, a generation of photographers came to associate “nature” with remoteness, antiquity, and emptiness, a perspective that disguised the realities of Indigenous presence and reinforced colonial fantasies of environmental abundance. This book lifts the work of these photographers out of their provincial contexts and repositions it within a new comparative frame.
Form:
books
books
Publication:
May 2022
May 2022
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Title:
Muybridge and mobility
Muybridge and mobility
Actions:
Price:
$34.95
(available to order)
Summary:
Coauthored by cultural geographer Tim Cresswell and art historian John Ott, this book reexamines the motion studies as historical forms of “mobility,” in which specific forms of motion are given extraordinary significance and accrued value. Through an interdisciplinary exchange, the authors explore how mobility is contextualized within the transformations of movement that(...)
$34.95
(available to order)
Summary:
Coauthored by cultural geographer Tim Cresswell and art historian John Ott, this book reexamines the motion studies as historical forms of “mobility,” in which specific forms of motion are given extraordinary significance and accrued value. Through an interdisciplinary exchange, the authors explore how mobility is contextualized within the transformations of movement that(...)
Title:
Muybridge and mobility
Actions:
Price:
$34.95
(available to order)
Summary:
Coauthored by cultural geographer Tim Cresswell and art historian John Ott, this book reexamines the motion studies as historical forms of “mobility,” in which specific forms of motion are given extraordinary significance and accrued value. Through an interdisciplinary exchange, the authors explore how mobility is contextualized within the transformations of movement that marked the nineteenth century and how mobility represents the possibilities of social movement for African Americans. Together, these complementary essays look to Eadweard Muybridge’s works as interventions in knowledge and experience and as opportunities to investigate larger social ramifications and possibilities.
Muybridge and mobility
Actions:
Price:
$34.95
(available to order)
Summary:
Coauthored by cultural geographer Tim Cresswell and art historian John Ott, this book reexamines the motion studies as historical forms of “mobility,” in which specific forms of motion are given extraordinary significance and accrued value. Through an interdisciplinary exchange, the authors explore how mobility is contextualized within the transformations of movement that marked the nineteenth century and how mobility represents the possibilities of social movement for African Americans. Together, these complementary essays look to Eadweard Muybridge’s works as interventions in knowledge and experience and as opportunities to investigate larger social ramifications and possibilities.
Form:
books
books
Publication:
March 2022
March 2022
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Price:
$107.99
(available to order)
Summary:
During the 1970s, London-based photographers joined together to form collectives which engaged with local and international political protest in cities across the UK. This book is a survey of the radical community photography that these collectives produced. The photographers derived inspiration from counterculture while finding new ways to produce, publish and exhibit(...)
$107.99
(available to order)
Summary:
During the 1970s, London-based photographers joined together to form collectives which engaged with local and international political protest in cities across the UK. This book is a survey of the radical community photography that these collectives produced. The photographers derived inspiration from counterculture while finding new ways to produce, publish and exhibit(...)
Title:
Photography of protest and community: The radical collectives of the 1970s
Actions:
Price:
$107.99
(available to order)
Summary:
During the 1970s, London-based photographers joined together to form collectives which engaged with local and international political protest in cities across the UK. This book is a survey of the radical community photography that these collectives produced. The photographers derived inspiration from counterculture while finding new ways to produce, publish and exhibit their work. They wanted to do things in their own way, to create their own magazines and exhibition networks, and to take their politicised photographic and textual commentary on the re-imagination of British cities in the post-war period into community centres, laundrettes, Working Men’s Clubs, polytechnics, nurseries – anywhere that would have them. This book reveals how they created a ‘history from below’, positioning themselves outside of established mainstream media, and aiming to make the invisible visible by bringing the disenfranchised and marginalised into the political debate.
Photography of protest and community: The radical collectives of the 1970s
Actions:
Price:
$107.99
(available to order)
Summary:
During the 1970s, London-based photographers joined together to form collectives which engaged with local and international political protest in cities across the UK. This book is a survey of the radical community photography that these collectives produced. The photographers derived inspiration from counterculture while finding new ways to produce, publish and exhibit their work. They wanted to do things in their own way, to create their own magazines and exhibition networks, and to take their politicised photographic and textual commentary on the re-imagination of British cities in the post-war period into community centres, laundrettes, Working Men’s Clubs, polytechnics, nurseries – anywhere that would have them. This book reveals how they created a ‘history from below’, positioning themselves outside of established mainstream media, and aiming to make the invisible visible by bringing the disenfranchised and marginalised into the political debate.
Form:
books
books
Publication:
December 2020
December 2020
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Title:
Écrits sur l'image
Écrits sur l'image
Actions:
Price:
$48.95
(available to order)
Summary:
Cette publication est le premier recueil des textes d'Alain Bergala sur la photographie. Durant plus de quarante ans, Alain Bergala, à la fois critique de cinéma, réalisateur et grand spécialiste de l'image fixe, a questionné le médium et ses acteurs parmi lesquels Carole Bellaïche, Sophie Calle, Raymond Depardon, Robert Frank, Jean Gaumy, Josef Koudelka, Bernard Plossu,(...)
$48.95
(available to order)
Summary:
Cette publication est le premier recueil des textes d'Alain Bergala sur la photographie. Durant plus de quarante ans, Alain Bergala, à la fois critique de cinéma, réalisateur et grand spécialiste de l'image fixe, a questionné le médium et ses acteurs parmi lesquels Carole Bellaïche, Sophie Calle, Raymond Depardon, Robert Frank, Jean Gaumy, Josef Koudelka, Bernard Plossu,(...)
Title:
Écrits sur l'image
Actions:
Price:
$48.95
(available to order)
Summary:
Cette publication est le premier recueil des textes d'Alain Bergala sur la photographie. Durant plus de quarante ans, Alain Bergala, à la fois critique de cinéma, réalisateur et grand spécialiste de l'image fixe, a questionné le médium et ses acteurs parmi lesquels Carole Bellaïche, Sophie Calle, Raymond Depardon, Robert Frank, Jean Gaumy, Josef Koudelka, Bernard Plossu, Wim Wenders et bien d'autres. L'ouvrage réunit au total 27 textes publiés entre 1976 et 2020.
Écrits sur l'image
Actions:
Price:
$48.95
(available to order)
Summary:
Cette publication est le premier recueil des textes d'Alain Bergala sur la photographie. Durant plus de quarante ans, Alain Bergala, à la fois critique de cinéma, réalisateur et grand spécialiste de l'image fixe, a questionné le médium et ses acteurs parmi lesquels Carole Bellaïche, Sophie Calle, Raymond Depardon, Robert Frank, Jean Gaumy, Josef Koudelka, Bernard Plossu, Wim Wenders et bien d'autres. L'ouvrage réunit au total 27 textes publiés entre 1976 et 2020.
Form:
books
books
Publication:
April 2022
April 2022
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Actions:
Price:
$54.95
(available to order)
Summary:
Our ideas of wilderness have evolved dramatically over the past one hundred and fifty years, from a view of wild country as an inviolable ''place apart'' to one that exists only within the matrix of human activity. This shift in understanding has provoked complicated questions about the importance of the wild in American environmentalism, as well as new aesthetic(...)
$54.95
(available to order)
Summary:
Our ideas of wilderness have evolved dramatically over the past one hundred and fifty years, from a view of wild country as an inviolable ''place apart'' to one that exists only within the matrix of human activity. This shift in understanding has provoked complicated questions about the importance of the wild in American environmentalism, as well as new aesthetic(...)
Subject:
Theory of Photography
Theory of Photography
Publication:
November 2022
November 2022
Title:
Wild visions: Wilderness as image and idea
Actions:
Price:
$54.95
(available to order)
Summary:
Our ideas of wilderness have evolved dramatically over the past one hundred and fifty years, from a view of wild country as an inviolable ''place apart'' to one that exists only within the matrix of human activity. This shift in understanding has provoked complicated questions about the importance of the wild in American environmentalism, as well as new aesthetic expectations as we reframe the wilderness as (to some degree) a human creation. ''Wild visions'' is distinctive in its union of landscape photography and environmental thought, a merging of short, thematic essays with a striking visual narrative. Often, the wild is viewed in binary terms: either revered as sacred and ecologically pure or dismissed as spoiled by human activities. This book portrays wilderness instead as an evolving gamut of understandings, a collage of views and ideas that is still in process.
Wild visions: Wilderness as image and idea
Actions:
Price:
$54.95
(available to order)
Summary:
Our ideas of wilderness have evolved dramatically over the past one hundred and fifty years, from a view of wild country as an inviolable ''place apart'' to one that exists only within the matrix of human activity. This shift in understanding has provoked complicated questions about the importance of the wild in American environmentalism, as well as new aesthetic expectations as we reframe the wilderness as (to some degree) a human creation. ''Wild visions'' is distinctive in its union of landscape photography and environmental thought, a merging of short, thematic essays with a striking visual narrative. Often, the wild is viewed in binary terms: either revered as sacred and ecologically pure or dismissed as spoiled by human activities. This book portrays wilderness instead as an evolving gamut of understandings, a collage of views and ideas that is still in process.
Form:
books
books
Publication:
November 2022
November 2022
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Price:
$34.95
(available to order)
Summary:
From the advent of early colonial photography in the 19th century to contemporary 'white savior' social-media images, photography continues to play an integral role in the maintenance of white sovereignty. As various scholars have shown, the technology of the camera is not innocent, and neither are the images it produces. The invention and continuation of the 'white(...)
$34.95
(available to order)
Summary:
From the advent of early colonial photography in the 19th century to contemporary 'white savior' social-media images, photography continues to play an integral role in the maintenance of white sovereignty. As various scholars have shown, the technology of the camera is not innocent, and neither are the images it produces. The invention and continuation of the 'white(...)
Title:
The image of whiteness: Contemporary photography and racialization
Actions:
Price:
$34.95
(available to order)
Summary:
From the advent of early colonial photography in the 19th century to contemporary 'white savior' social-media images, photography continues to play an integral role in the maintenance of white sovereignty. As various scholars have shown, the technology of the camera is not innocent, and neither are the images it produces. The invention and continuation of the 'white race' is not just a political, social and legal phenomenon; it is also a complexly visual one. What does whiteness look like, and how might we begin to trace an antiracist history of artistic resistance that works against it? ''The image of whiteness'' seeks to introduce its reader to some important extracts from the troubling story of whiteness, to describe its falsehoods, its paradoxes and its oppressive nature, and to highlight some of the crucial work photographic artists have done to subvert and critique its image.
The image of whiteness: Contemporary photography and racialization
Actions:
Price:
$34.95
(available to order)
Summary:
From the advent of early colonial photography in the 19th century to contemporary 'white savior' social-media images, photography continues to play an integral role in the maintenance of white sovereignty. As various scholars have shown, the technology of the camera is not innocent, and neither are the images it produces. The invention and continuation of the 'white race' is not just a political, social and legal phenomenon; it is also a complexly visual one. What does whiteness look like, and how might we begin to trace an antiracist history of artistic resistance that works against it? ''The image of whiteness'' seeks to introduce its reader to some important extracts from the troubling story of whiteness, to describe its falsehoods, its paradoxes and its oppressive nature, and to highlight some of the crucial work photographic artists have done to subvert and critique its image.
Form:
books
books
Publication:
July 2022
July 2022
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Price:
$69.00
(available to order)
Summary:
This publication accompanies the artist’s monographic exhibition at Glenstone, a survey of works made between 1978 and 2018. It is his largest exhibition in the US since his widely acclaimed 2007 midcareer survey at the Museum of Modern Art. Comprising nearly 30 artworks, the catalog appraises the full range of the artist’s pioneering oeuvre, from early pictures displayed(...)
$69.00
(available to order)
Summary:
This publication accompanies the artist’s monographic exhibition at Glenstone, a survey of works made between 1978 and 2018. It is his largest exhibition in the US since his widely acclaimed 2007 midcareer survey at the Museum of Modern Art. Comprising nearly 30 artworks, the catalog appraises the full range of the artist’s pioneering oeuvre, from early pictures displayed(...)
Title:
Jeff Wall
Actions:
Price:
$69.00
(available to order)
Summary:
This publication accompanies the artist’s monographic exhibition at Glenstone, a survey of works made between 1978 and 2018. It is his largest exhibition in the US since his widely acclaimed 2007 midcareer survey at the Museum of Modern Art. Comprising nearly 30 artworks, the catalog appraises the full range of the artist’s pioneering oeuvre, from early pictures displayed in backlit lightboxes and black-and-white silver gelatin prints to more recent large-scale inkjet color prints. It also features an introduction by Glenstone cofounder and director Emily Wei Rales and an essay by art critic and poet Barry Schwabsky.
Jeff Wall
Actions:
Price:
$69.00
(available to order)
Summary:
This publication accompanies the artist’s monographic exhibition at Glenstone, a survey of works made between 1978 and 2018. It is his largest exhibition in the US since his widely acclaimed 2007 midcareer survey at the Museum of Modern Art. Comprising nearly 30 artworks, the catalog appraises the full range of the artist’s pioneering oeuvre, from early pictures displayed in backlit lightboxes and black-and-white silver gelatin prints to more recent large-scale inkjet color prints. It also features an introduction by Glenstone cofounder and director Emily Wei Rales and an essay by art critic and poet Barry Schwabsky.
Form:
books
books
Publication:
August 2022
August 2022
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Actions:
Price:
$49.00
(available to order)
Summary:
Using the theme of Currency to invite reflection on the contemporary power of the photograph to relay and relate meaning across distance, the Triennial of Photography Hamburg explores the value of photography in the 21st century. The extension of this economic term to art and visual culture allows for a sustained engagement with photography and its relationship to(...)
$49.00
(available to order)
Summary:
Using the theme of Currency to invite reflection on the contemporary power of the photograph to relay and relate meaning across distance, the Triennial of Photography Hamburg explores the value of photography in the 21st century. The extension of this economic term to art and visual culture allows for a sustained engagement with photography and its relationship to(...)
Title:
Lucid knowledge: the currency of the photographic image
Actions:
Price:
$49.00
(available to order)
Summary:
Using the theme of Currency to invite reflection on the contemporary power of the photograph to relay and relate meaning across distance, the Triennial of Photography Hamburg explores the value of photography in the 21st century. The extension of this economic term to art and visual culture allows for a sustained engagement with photography and its relationship to value-making, canon-making, access, circulation, and knowledge production. At a time when the production, distribution, and consumption of photographic images has become ubiquitous and we have learned to structure our contemporary world through a lens, the digital image has become the currency of exchange on social platforms. Fostering interdisciplinary dialogue, this book gathers international perspectives that reflect on how photography shapes today’s narratives, as well as our perception and experience of the world.
Lucid knowledge: the currency of the photographic image
Actions:
Price:
$49.00
(available to order)
Summary:
Using the theme of Currency to invite reflection on the contemporary power of the photograph to relay and relate meaning across distance, the Triennial of Photography Hamburg explores the value of photography in the 21st century. The extension of this economic term to art and visual culture allows for a sustained engagement with photography and its relationship to value-making, canon-making, access, circulation, and knowledge production. At a time when the production, distribution, and consumption of photographic images has become ubiquitous and we have learned to structure our contemporary world through a lens, the digital image has become the currency of exchange on social platforms. Fostering interdisciplinary dialogue, this book gathers international perspectives that reflect on how photography shapes today’s narratives, as well as our perception and experience of the world.
Form:
books
books
Publication:
September 2022
September 2022
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Title:
Moving through the space of the picture and the page: photobook as artistic, architectural medium
Moving through the space of the picture and the page: photobook as artistic, architectural medium
Actions:
Price:
$40.00
(available to order)
Summary:
This publication brings together essays on six contemporary Belgian photobook makers and the way they deal with space, time, movement and surface within the book and within the photographic image. The artists discussed are Tine Guns, Dirk Braeckman, Els Martens, Max Pinckers, Vincent Delbrouck and Aglaia Konrad. In recent years, the book has firmly established itself as(...)
$40.00
(available to order)
Summary:
This publication brings together essays on six contemporary Belgian photobook makers and the way they deal with space, time, movement and surface within the book and within the photographic image. The artists discussed are Tine Guns, Dirk Braeckman, Els Martens, Max Pinckers, Vincent Delbrouck and Aglaia Konrad. In recent years, the book has firmly established itself as(...)
Title:
Moving through the space of the picture and the page: photobook as artistic, architectural medium
Actions:
Price:
$40.00
(available to order)
Summary:
This publication brings together essays on six contemporary Belgian photobook makers and the way they deal with space, time, movement and surface within the book and within the photographic image. The artists discussed are Tine Guns, Dirk Braeckman, Els Martens, Max Pinckers, Vincent Delbrouck and Aglaia Konrad. In recent years, the book has firmly established itself as an artistic medium for photography. Open a photobook today and with any luck you will enter a world full of visual twists and turns. A previously enclosed block suddenly becomes an open volume, and through that volume you can move and navigate. How you do so, through which spaces and at what pace, is largely determined by the book’s architecture.
Moving through the space of the picture and the page: photobook as artistic, architectural medium
Actions:
Price:
$40.00
(available to order)
Summary:
This publication brings together essays on six contemporary Belgian photobook makers and the way they deal with space, time, movement and surface within the book and within the photographic image. The artists discussed are Tine Guns, Dirk Braeckman, Els Martens, Max Pinckers, Vincent Delbrouck and Aglaia Konrad. In recent years, the book has firmly established itself as an artistic medium for photography. Open a photobook today and with any luck you will enter a world full of visual twists and turns. A previously enclosed block suddenly becomes an open volume, and through that volume you can move and navigate. How you do so, through which spaces and at what pace, is largely determined by the book’s architecture.
Form:
books
books
Publication:
September 2022
September 2022
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Title:
Pourquoi photograhier
Pourquoi photograhier
Actions:
Price:
$48.95
(available to order)
Summary:
Quatrième titre de la collection TXT dédiée aux diverses conceptions de l’image photographique et à l'évolution du médium, ce livre apporte un regard nouveau sur la photographie et sa pédagogie. Il rassemble une sélection d’essais sur les œuvres de plusieurs photographes parmi lesquels Ansel Adams, Eugène Atget, Dorothea Lange, Nicholas Nixon, Susan Meiselas, Michael(...)
$48.95
(available to order)
Summary:
Quatrième titre de la collection TXT dédiée aux diverses conceptions de l’image photographique et à l'évolution du médium, ce livre apporte un regard nouveau sur la photographie et sa pédagogie. Il rassemble une sélection d’essais sur les œuvres de plusieurs photographes parmi lesquels Ansel Adams, Eugène Atget, Dorothea Lange, Nicholas Nixon, Susan Meiselas, Michael(...)
Title:
Pourquoi photograhier
Actions:
Price:
$48.95
(available to order)
Summary:
Quatrième titre de la collection TXT dédiée aux diverses conceptions de l’image photographique et à l'évolution du médium, ce livre apporte un regard nouveau sur la photographie et sa pédagogie. Il rassemble une sélection d’essais sur les œuvres de plusieurs photographes parmi lesquels Ansel Adams, Eugène Atget, Dorothea Lange, Nicholas Nixon, Susan Meiselas, Michael Schmidt, Paul Strand, Edward Weston et leurs publications respectives. Le corpus de textes porte également sur différents genres, époques et sujets photographiques tels que l’expérience de l’espace dans l’Ouest américain chez les paysagistes du XIXe siècle, mais aussi des thèmes plus concrets comme les liens entre collectionneurs et photographes, ou comment vivre de sa pratique photographique. Robert Adams aborde également son thème de prédilection, qui sous-tend tout son travail, celui des questions environnementales et de la protection de la planète. Ces essais sont illustrés d’une trentaine de photographies et peintures reproduites en noir et blanc.
Pourquoi photograhier
Actions:
Price:
$48.95
(available to order)
Summary:
Quatrième titre de la collection TXT dédiée aux diverses conceptions de l’image photographique et à l'évolution du médium, ce livre apporte un regard nouveau sur la photographie et sa pédagogie. Il rassemble une sélection d’essais sur les œuvres de plusieurs photographes parmi lesquels Ansel Adams, Eugène Atget, Dorothea Lange, Nicholas Nixon, Susan Meiselas, Michael Schmidt, Paul Strand, Edward Weston et leurs publications respectives. Le corpus de textes porte également sur différents genres, époques et sujets photographiques tels que l’expérience de l’espace dans l’Ouest américain chez les paysagistes du XIXe siècle, mais aussi des thèmes plus concrets comme les liens entre collectionneurs et photographes, ou comment vivre de sa pratique photographique. Robert Adams aborde également son thème de prédilection, qui sous-tend tout son travail, celui des questions environnementales et de la protection de la planète. Ces essais sont illustrés d’une trentaine de photographies et peintures reproduites en noir et blanc.
Form:
books
books
Publication:
November 2022
November 2022
Subject:
Theory of Photography
Theory of Photography
