Cabinet 64: The Nose
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Cabinet issue 64, with a special section on “The Nose,” includes Christopher Turner on Smell-O-Vision, Aromarama and other failed technologies for making cinema into an olfactory event; Jennifer Greenberg on how European colonialists characterized the relationship between race and nose shape; Anthony Harley on the political history of rhinoplasty in the US; and Thiago(...)
Cabinet 64: The Nose
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Cabinet issue 64, with a special section on “The Nose,” includes Christopher Turner on Smell-O-Vision, Aromarama and other failed technologies for making cinema into an olfactory event; Jennifer Greenberg on how European colonialists characterized the relationship between race and nose shape; Anthony Harley on the political history of rhinoplasty in the US; and Thiago Carvalho on the new scientific work on the relationship between smell, immunity and mating among animals. Elsewhere in the issue: Adam Bobbette on Indonesian men who train young birds to sing the songs of extinct birds; Indiana Seresin on the way a mythic Native American indigeneity has been used by children at American summer camps; Ara Merjian on the Situationists’ uses of Giorgio de Chirico’s early paintings, and more.
Magazines
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One day, a yellow chair appears in a sunlit forest clearing — and nobody knows how it got there. Then another arrives, and another. As the clearing fills with creatures of every kind, a tender and joyful home takes shape, built on the simple pleasure of sharing a space with others. But when exclusionary signs begin to appear overnight, that spirit is put to the test —(...)
The chairs: A story about the power of community
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One day, a yellow chair appears in a sunlit forest clearing — and nobody knows how it got there. Then another arrives, and another. As the clearing fills with creatures of every kind, a tender and joyful home takes shape, built on the simple pleasure of sharing a space with others. But when exclusionary signs begin to appear overnight, that spirit is put to the test — and the animals must find the strength to reclaim what they have built together. With her characteristic layered textures, glowing forest light, and richly populated scenes that reward slow looking, Teckentrup transforms a deceptively simple setting into a fully realized world where each creature has a face, a feeling, and a place to call its own.
Children's Books
books
Description:
xv, 327 pages : illustrations ; 24 cm
Chicago : University of Chicago Press, 1994.
A naturalist's guide to the Arctic / E.C. Pielou.
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xv, 327 pages : illustrations ; 24 cm
books
Chicago : University of Chicago Press, 1994.
audio
CAPOGIRI DEGLI DEI.
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1 online resource.
[Place of publication not identified] : EBM(T), 2015.
audio
[Place of publication not identified] : EBM(T), 2015.
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Fashion is political. From the red carpets of the Met Gala to online fast fashion, clothes tell a story of inequality, racism and climate crisis. In this book, Tansy E. Hoskins unpicks the threads of capitalist industry to reveal the truth about our clothes. Fashion brands entice us to consume more by manipulating us to feel ugly, poor and worthless, sentiments that line(...)
The anti-capitalist book of fashion
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Fashion is political. From the red carpets of the Met Gala to online fast fashion, clothes tell a story of inequality, racism and climate crisis. In this book, Tansy E. Hoskins unpicks the threads of capitalist industry to reveal the truth about our clothes. Fashion brands entice us to consume more by manipulating us to feel ugly, poor and worthless, sentiments that line the pockets of billionaires exploiting colonial supply chains. Garment workers on poverty pay risk their lives in dangerous factories, animals are tortured, fossil fuels extracted and toxic chemicals spread just to keep this season's collections fresh. This volume goes beyond ethical fashion and consumer responsibility showing that if we want to feel comfortable in our clothes, we need to reshape the system and ensure this is not our last season.
Social
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Manifesto Marathon is the third in Hans Ulrich Obrist's series of Marathon events at London's Serpentine Gallery. Coming at a moment when manifestos, having ceased to spearhead artistic movements, seem ripe for reinvention, Manifesto Marathon collects statements and declarations of all kinds from artists and contributors from the worlds of literature, design, science,(...)
Manifesto Marathon, Serpentine Gallery
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Manifesto Marathon is the third in Hans Ulrich Obrist's series of Marathon events at London's Serpentine Gallery. Coming at a moment when manifestos, having ceased to spearhead artistic movements, seem ripe for reinvention, Manifesto Marathon collects statements and declarations of all kinds from artists and contributors from the worlds of literature, design, science, philosophy, music and film. Highlights include Nicolas Bourriaud's “Altermodern,” Paul Chan's “Sex and the New Way, V.I.,” Jimmie Durham's “No More Silly Hats,” Fritz Haeg's “London : A Manifesto From Your Animals,” David Hockney's “Manifesto for Smoking,” Adam Pendleton's “Black Dada,” Agnès Varda's “What To Do?,” Ben Vautier's “I Don't Know What To Do,” Ai Wewei's “Despicable Things,” Vivienne Westwood's “AR,” Lebbeus Woods' “Slow Manifesto,” plus interviews with Eric Hobsbawm and Tino Sehgal, and photographs from the event.
Art Theory
The nonhuman turn
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Edited by Richard Grusin of the Center for 21st Century Studies, this is the first book to name and characterize--and therefore consolidate--a wide array of current critical, theoretical, and philosophical approaches to the humanities and social sciences under the concept of the nonhuman turn. Each of these approaches is engaged in decentering the human in favor of a(...)
The nonhuman turn
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Edited by Richard Grusin of the Center for 21st Century Studies, this is the first book to name and characterize--and therefore consolidate--a wide array of current critical, theoretical, and philosophical approaches to the humanities and social sciences under the concept of the nonhuman turn. Each of these approaches is engaged in decentering the human in favor of a concern for the nonhuman, understood by contributors in a variety of ways--in terms of animals, affectivity, bodies, materiality, technologies, and organic and geophysical systems.The nonhuman turn in twenty-first-century studies can be traced to multiple intellectual and theoretical developments from the last decades of the twentieth century: actor-network theory, affect theory, animal studies, assemblage theory, cognitive sciences, new materialism, new media theory, speculative realism, and systems theory.
Critical Theory
books
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The Cedric Price fonds at the CCA is an inexhaustible source of provocations about what architecture is and the questions it should ask. Sofia Nannini looks here at a small but representative collection of files within this vast archive: a proposal for a light and reconfigurable livestock pen to clean and weigh cattle and sheep, which Price suggests can also become a(...)
Is there a known optimum gate size for the dual control of cattle and sheep?
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The Cedric Price fonds at the CCA is an inexhaustible source of provocations about what architecture is and the questions it should ask. Sofia Nannini looks here at a small but representative collection of files within this vast archive: a proposal for a light and reconfigurable livestock pen to clean and weigh cattle and sheep, which Price suggests can also become a bucolic family picnic area when not used for the animals, simply by removing the gates that control them. And it is precisely this question of control of the non-human that Nannini chooses to focus on. In the context of Price's interest in impermanence and the creative potential of human interaction and individual free will, Nannini exposes architecture's responsibility in perpetuating the assumed dominion of our species over others.
books
August 2025
CCA Publications
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This text covers every aspect of the trademark, its history, development, style, classification and relevance in today's world. A brief history is given of the origins of the trademark in heraldry, monograms, owner's marks and certificates of origin. The proceeding chapters explore corporate identity and communication design with an emphasis on sign theory. The core of(...)
Marks of excellence : the history and taxonomy of trademarks
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This text covers every aspect of the trademark, its history, development, style, classification and relevance in today's world. A brief history is given of the origins of the trademark in heraldry, monograms, owner's marks and certificates of origin. The proceeding chapters explore corporate identity and communication design with an emphasis on sign theory. The core of the book is a comprehensive classification of trademarks covering name marks, abbreviations and all kinds of picture marks. This is followed by an alphabetical index of trademark themes from animals to word puzzles. The index is illustrated by a selection of the world's best trademarks - the marks of excellence from which this book takes its name. The final section of the book covers the development of trademarks over time and across the boundaries of language and space.
Graphic Design and Typography
Type tells tales
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Stretching the boundaries of typographic expression, Type Tells Tales is a sensational showcase of type that is integral to the message it conveys, with the capacity to emote, engage, and guide the reader from one thought to the next. Navigating the far reaches of graphic design, Steven Heller and Gail Anderson reveal how type can render a particular voice or multiple(...)
Type tells tales
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$58.00
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Stretching the boundaries of typographic expression, Type Tells Tales is a sensational showcase of type that is integral to the message it conveys, with the capacity to emote, engage, and guide the reader from one thought to the next. Navigating the far reaches of graphic design, Steven Heller and Gail Anderson reveal how type can render a particular voice or multiple conversations, how letters in various shapes and sizes can guide the eye through dense information, and how type can become both content and illustration, as letters take the form of people, animals, cars, or planes. The book’s 332 illustrations – including 290 in color – feature historical examples by F. T. Marinetti, Bruno Munari, and Francis Picabia, among others, as well as by contemporary designers such as Richard Eckersley, John Hendrix, Maira Kalman, and Corita Kent.
Graphic Design and Typography