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Arthur Lochmann a délaissé ses études de droit et de philosophie pour devenir charpentier. En apprenant le métier, il a découvert des gestes, des techniques et une pensée de la matière qui ont transformé son rapport au monde. Ce récit d’apprentissage plein d’humilité entremêle souvenirs de chantiers et réflexions sur le corps, le savoir et le travail aujourd’hui. Avec une(...)
January 2019
La vie solide : la charpente comme éthique du faire
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Arthur Lochmann a délaissé ses études de droit et de philosophie pour devenir charpentier. En apprenant le métier, il a découvert des gestes, des techniques et une pensée de la matière qui ont transformé son rapport au monde. Ce récit d’apprentissage plein d’humilité entremêle souvenirs de chantiers et réflexions sur le corps, le savoir et le travail aujourd’hui. Avec une langue limpide et élégante, l’auteur montre comment la pratique de cet artisanat lui a donné des clés précieuses pour s’orienter dans une époque frénétique. Parce qu’apporter du soin à son travail, c’est déjà donner du sens à son action ; qu’apprendre et transmettre des savoirs anciens, c’est préserver un bien commun ; et que bien bâtir, c’est s’inscrire dans le temps long : la charpente est une éthique pour notre modernité.
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Aujourd'hui, à l'ère du numérique, la création se donne dans une interaction nouvelle avec le domaine des sciences du vivant, les neurosciences, la biologie synthétique. C'est la matière même qui est explorée. Les biotechnologies sont à présent utilisées comme médium par les artistes, les designers ou les architectes. Si les outils numériques de simulation générative(...)
February 2019
La Fabrique du vivant : mutations et créations
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Aujourd'hui, à l'ère du numérique, la création se donne dans une interaction nouvelle avec le domaine des sciences du vivant, les neurosciences, la biologie synthétique. C'est la matière même qui est explorée. Les biotechnologies sont à présent utilisées comme médium par les artistes, les designers ou les architectes. Si les outils numériques de simulation générative autorisent la recréation du vivant, la question qui se pose aujourd'hui est : comment programmer le vivant ? « La Fabrique du vivant » retrace une archéologie du vivant et de la vie artificielle. Plusieurs essais dans le champ de l'épistémologie du vivant, de l'architecture, de l'histoire de l'art et du design ainsi que de la prospective industrielle interrogent les enjeux de la biofabrication dans la conception d'objets durables ou ceux d'une architecture bio-computationnelle qui met en oeuvre de nouvelles formes de nature artificielle.
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The American West with its breathtaking landscapes developed within just 200 years into a modern region with cities, parks, mobility, infrastructure and communication. This fundamental change, which took place in four phases – steam, steel, oil and information – was recorded in the middle of the twentieth century on linen postcards which were popular for their brilliant(...)
Photography Collections
September 2019
New West: innovating at the intersection
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The American West with its breathtaking landscapes developed within just 200 years into a modern region with cities, parks, mobility, infrastructure and communication. This fundamental change, which took place in four phases – steam, steel, oil and information – was recorded in the middle of the twentieth century on linen postcards which were popular for their brilliant colours and attractive surface structure. Today the cards have become an independent and popular art form combining photography and painting with mass printing. The volume NEW WEST presents 500 of these valuable postcards from the Wagener-Erganian Collection, accompanied by knowledgeable texts about the development of the country and the subjects illustrated.
Photography Collections
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Wassily Kandinsky is often recognized as the first artist to paint shapes and colors without regard to visual references in the world. However, abstract paintings were being produced even before Kandinsky’s experiments with the form. In the middle of the nineteenth century, in England, Sweden, and Switzerland, respectively, Georgiana Houghton, Hilma af Klint, and Emma(...)
March 2019
World receivers: Georgianna Houghton, Hilma af Klint, Emma Kunz
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Wassily Kandinsky is often recognized as the first artist to paint shapes and colors without regard to visual references in the world. However, abstract paintings were being produced even before Kandinsky’s experiments with the form. In the middle of the nineteenth century, in England, Sweden, and Switzerland, respectively, Georgiana Houghton, Hilma af Klint, and Emma Kunz each developed their own abstract pictorial language. Though working completely independently from one another, these three artists shared a desire to make visible the laws of nature, the intellect, and the supernatural. Working within the context of the spiritual movements of their times—Houghton in Spiritism, AF Klint in theosophy, and Kunz in naturopathy—they each produced abstract paintings that bore witness to a “mediumistic” praxis.
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D’une façon générale, on considère que les surélévations participent aux objectifs d’intensification du renouvellement urbain et aux besoins de construction de logements par une densification des tissus bâtis existants. En effet, longtemps envisagées comme une question purement architecturale, tout au plus technique, les surélévations sont de nos jours perçues comme un(...)
Surélévations : conversations urbaines
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D’une façon générale, on considère que les surélévations participent aux objectifs d’intensification du renouvellement urbain et aux besoins de construction de logements par une densification des tissus bâtis existants. En effet, longtemps envisagées comme une question purement architecturale, tout au plus technique, les surélévations sont de nos jours perçues comme un exercice complexe qui implique des approches multiples et pluridisciplinaires. Cet ouvrage vise à faire un « arrêt sur image » sur les surélévations, notamment en mettant l’accent sur la spécificité genevoise en la matière.
Urban Theory
Bauhaus Dessau Architecture
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“Art and technology: a new unity.” It was with this slogan that the Bauhaus moved to Dessau in 1925. The school’s seven years in this industrial city between the Elbe and Mulde Rivers were particularly productive for its designers and architects, who created a unique ensemble of modern architecture that attracts visitors from all over the world to Dessau to this day. Many(...)
Bauhaus Dessau Architecture
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“Art and technology: a new unity.” It was with this slogan that the Bauhaus moved to Dessau in 1925. The school’s seven years in this industrial city between the Elbe and Mulde Rivers were particularly productive for its designers and architects, who created a unique ensemble of modern architecture that attracts visitors from all over the world to Dessau to this day. Many of the Bauhaus buildings in Dessau are now regarded as key works of European Modernism and some have even become UNESCO World Heritage Sites. They express the revolutionary aim of the historical Bauhaus to bring about fundamental change in society through design and architecture.
Modernism
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The fragment is an essential part of a structure that carries within it the genetic code of the whole. Yigal Gawze's photographs distill the essence of the Bauhaus through one aspect of the school's wider impacts, capturing the abstraction, simplicity, and optimism of early modernism in the city of Tel Aviv. Concentrating on the subtle effects of natural light on(...)
Form and light: from Bauhaus to Tel Aviv
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The fragment is an essential part of a structure that carries within it the genetic code of the whole. Yigal Gawze's photographs distill the essence of the Bauhaus through one aspect of the school's wider impacts, capturing the abstraction, simplicity, and optimism of early modernism in the city of Tel Aviv. Concentrating on the subtle effects of natural light on architecture, Gawze highlights the encounter between a building style originating in Europe and the glare of the Mediterranean. His images culminate in a portrait of place, revealing the poetic essence of the White City's architecture and the role light takes in shaping it.
Modernism
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Throughout Europe, expressionism powerfully heralded the onset of the roaring twenties—its complexity, verticality, and theatricality crystallizing the essence of the modern metropolis. Enthusiasm for the expressionist vision of a new modern society also captured the cities of Eastern Europe. The surviving fragments in Poland, the Czech Republic, and Slovakia bear witness(...)
Architecture since 1900, Europe
May 2019
Fragments of metropolis: East. Expressionist heritage in Poland, Czech Republic and Slovakia
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Throughout Europe, expressionism powerfully heralded the onset of the roaring twenties—its complexity, verticality, and theatricality crystallizing the essence of the modern metropolis. Enthusiasm for the expressionist vision of a new modern society also captured the cities of Eastern Europe. The surviving fragments in Poland, the Czech Republic, and Slovakia bear witness to a determined will of form and a rich, skillful handling of color, material, and light. The third volume in this series, ''Fragment of Metropolis – East'' documents more than one hundred and fifty buildings throughout Eastern Europe, including works by Otto Bartning, Peter Behrens, Max Berg, and many others.
Architecture since 1900, Europe
A legacy of ancient oaks
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Mighty oak trees are a symbol of strength and resilience, thanks to their longevity and immense size. Some of the oldest of these trees are nearly a thousand years old. They have stood watch as empires rose and fall. But they also mark the passage of time on a smaller scale. Many who grow up near a favorite oak see it as an enduring presence in their lives—a magnificent(...)
A legacy of ancient oaks
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Mighty oak trees are a symbol of strength and resilience, thanks to their longevity and immense size. Some of the oldest of these trees are nearly a thousand years old. They have stood watch as empires rose and fall. But they also mark the passage of time on a smaller scale. Many who grow up near a favorite oak see it as an enduring presence in their lives—a magnificent constant in their changing lives. Artist Mark Frith grew up near ones of these oaks and developed a closeness to one local character—the Great Oak at Nibley Green. It was this oak that inspired Frith to put graphite to paper and begin a remarkable series of large-scale oak drawings. Now, twenty-two of his works are collected here for the first time in "A Legacy of Ancient Oaks".
Gardens
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The story of apples begins in an unexpected place: with bears. While popular culture likes to link honey with these creatures, DNA evidence shows that it might be more accurate for Winnie the Pooh to be munching on an ancestor of Red Delicious. And while apples are modern America’s second favorite fruit (after “berries”), their origins lie in ancient China. These are just(...)
The extraordinary story of the apple
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The story of apples begins in an unexpected place: with bears. While popular culture likes to link honey with these creatures, DNA evidence shows that it might be more accurate for Winnie the Pooh to be munching on an ancestor of Red Delicious. And while apples are modern America’s second favorite fruit (after “berries”), their origins lie in ancient China. These are just some of the remarkable details that arise from Barrie E. Juniper and David J. Mabberley’s "The Extraordinary Story of the Apple". Written by two leading botanical experts, it’s a complete natural and cultural history of the apple.
Gardens