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In Matter in the Floating World, Blaine Brownell travels to the offices of twenty leading material and design innovators in Japan, including Tadao Ando, Shigeru Ban, Kengo Kuma, and Kazuyo Sejima, to find the connections between materiality and transience in their work.
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In Matter in the Floating World, Blaine Brownell travels to the offices of twenty leading material and design innovators in Japan, including Tadao Ando, Shigeru Ban, Kengo Kuma, and Kazuyo Sejima, to find the connections between materiality and transience in their work.
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Matter in the floating world: Conversations with leading Japanese architects and designers
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In Matter in the Floating World, Blaine Brownell travels to the offices of twenty leading material and design innovators in Japan, including Tadao Ando, Shigeru Ban, Kengo Kuma, and Kazuyo Sejima, to find the connections between materiality and transience in their work.
Matter in the floating world: Conversations with leading Japanese architects and designers
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In Matter in the Floating World, Blaine Brownell travels to the offices of twenty leading material and design innovators in Japan, including Tadao Ando, Shigeru Ban, Kengo Kuma, and Kazuyo Sejima, to find the connections between materiality and transience in their work.
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books
books
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May 2011
May 2011
Subject:
Contemporary Asian Architecture
Contemporary Asian Architecture
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books
books
Title:
Anish Kapoor
Anish Kapoor
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Kapoor est l'auteur de sculptures exposées dans des lieux publics partout dans le monde, telles CLOUD GATE (2004, Millenium Park, Chicago), SKY MIRROR (2006, Rockefeller Center, New York) et TARATANTARA (1999-2000, Gateshead et Naples). Cette monographie couvre plus de trente ans de création. Elle rassemble des centaines d'illustrations en couleurs, ainsi que des(...)
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Kapoor est l'auteur de sculptures exposées dans des lieux publics partout dans le monde, telles CLOUD GATE (2004, Millenium Park, Chicago), SKY MIRROR (2006, Rockefeller Center, New York) et TARATANTARA (1999-2000, Gateshead et Naples). Cette monographie couvre plus de trente ans de création. Elle rassemble des centaines d'illustrations en couleurs, ainsi que des(...)
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Anish Kapoor
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Kapoor est l'auteur de sculptures exposées dans des lieux publics partout dans le monde, telles CLOUD GATE (2004, Millenium Park, Chicago), SKY MIRROR (2006, Rockefeller Center, New York) et TARATANTARA (1999-2000, Gateshead et Naples). Cette monographie couvre plus de trente ans de création. Elle rassemble des centaines d'illustrations en couleurs, ainsi que des maquettes et des diagrammes de ses projets les plus ambitieux. L'ouvrage offre également une chronologie complète et détaillée de la vie de l'artiste illustrée de photographies, d'esquisses et de documents, dont certains inédits.
Anish Kapoor
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Kapoor est l'auteur de sculptures exposées dans des lieux publics partout dans le monde, telles CLOUD GATE (2004, Millenium Park, Chicago), SKY MIRROR (2006, Rockefeller Center, New York) et TARATANTARA (1999-2000, Gateshead et Naples). Cette monographie couvre plus de trente ans de création. Elle rassemble des centaines d'illustrations en couleurs, ainsi que des maquettes et des diagrammes de ses projets les plus ambitieux. L'ouvrage offre également une chronologie complète et détaillée de la vie de l'artiste illustrée de photographies, d'esquisses et de documents, dont certains inédits.
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books
books
Publication:
February 2011
February 2011
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
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General Idea was founded in Toronto in 1969 by Felix Partz, Jorge Zontal and AA Bronson as a generic identity to free the artists "from the tyranny of individual genius." Under the leadership of their fictitious muse Miss General Idea, and inspired by William Burroughs' conception of the "image virus," the collective interrogated media image culture through now legendary(...)
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General Idea was founded in Toronto in 1969 by Felix Partz, Jorge Zontal and AA Bronson as a generic identity to free the artists "from the tyranny of individual genius." Under the leadership of their fictitious muse Miss General Idea, and inspired by William Burroughs' conception of the "image virus," the collective interrogated media image culture through now legendary(...)
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General idea: haute culture, a retrospective, 1969-1994
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General Idea was founded in Toronto in 1969 by Felix Partz, Jorge Zontal and AA Bronson as a generic identity to free the artists "from the tyranny of individual genius." Under the leadership of their fictitious muse Miss General Idea, and inspired by William Burroughs' conception of the "image virus," the collective interrogated media image culture through now legendary projects like File magazine, as well as paintings, installations, sculptures, mail art, photographs, videos, ephemera, TV programs and even a beauty pageant. General Idea came to an end in 1994, when Partz and Zontal died of AIDS. Today General Idea can be seen to anticipate the later art collectives of the 1970s as well as aspects of Relational Aesthetics in the 1990s. This volume presents an overview of the Canadian collective''s bold mingling of reality and fiction and their frequently transgressive, parodic incursions upon both art and society. Including newly commissioned essays and reprinted texts, this volume is richly illustrated with documents and reproductions of the most significant projects realized by General Idea between 1969 and 1994. Exhibited at ARC/Musée d'art moderne de la Ville de Paris and the Art Gallery of Ontario, Toronto in 2011.
General idea: haute culture, a retrospective, 1969-1994
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General Idea was founded in Toronto in 1969 by Felix Partz, Jorge Zontal and AA Bronson as a generic identity to free the artists "from the tyranny of individual genius." Under the leadership of their fictitious muse Miss General Idea, and inspired by William Burroughs' conception of the "image virus," the collective interrogated media image culture through now legendary projects like File magazine, as well as paintings, installations, sculptures, mail art, photographs, videos, ephemera, TV programs and even a beauty pageant. General Idea came to an end in 1994, when Partz and Zontal died of AIDS. Today General Idea can be seen to anticipate the later art collectives of the 1970s as well as aspects of Relational Aesthetics in the 1990s. This volume presents an overview of the Canadian collective''s bold mingling of reality and fiction and their frequently transgressive, parodic incursions upon both art and society. Including newly commissioned essays and reprinted texts, this volume is richly illustrated with documents and reproductions of the most significant projects realized by General Idea between 1969 and 1994. Exhibited at ARC/Musée d'art moderne de la Ville de Paris and the Art Gallery of Ontario, Toronto in 2011.
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books
books
Publication:
January 2011
January 2011
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$55.00
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Dale Chihuly has been credited with elevating blown glass from delicate decorative object to groundbreaking fine art. Through the Looking Glass focuses on the artist's pieces and installations in relation to the spaces that generate, shape and surround them. The text, a mix of critical exegesis and Chihuly's own commentary (much of it solicited specifically for this(...)
$55.00
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Dale Chihuly has been credited with elevating blown glass from delicate decorative object to groundbreaking fine art. Through the Looking Glass focuses on the artist's pieces and installations in relation to the spaces that generate, shape and surround them. The text, a mix of critical exegesis and Chihuly's own commentary (much of it solicited specifically for this(...)
Title:
Chihuly: Through the looking glass
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Dale Chihuly has been credited with elevating blown glass from delicate decorative object to groundbreaking fine art. Through the Looking Glass focuses on the artist's pieces and installations in relation to the spaces that generate, shape and surround them. The text, a mix of critical exegesis and Chihuly's own commentary (much of it solicited specifically for this book), provides a new entrée into the work, mind, and creative process of one of America's most critically and popularly acclaimed artists.
Chihuly: Through the looking glass
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Dale Chihuly has been credited with elevating blown glass from delicate decorative object to groundbreaking fine art. Through the Looking Glass focuses on the artist's pieces and installations in relation to the spaces that generate, shape and surround them. The text, a mix of critical exegesis and Chihuly's own commentary (much of it solicited specifically for this book), provides a new entrée into the work, mind, and creative process of one of America's most critically and popularly acclaimed artists.
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books
books
Publication:
May 2011
May 2011
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Ed Ruscha: Road tested
Ed Ruscha: Road tested
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Since his first road trip in 1956, driving from Oklahoma City to Los Angeles, Ed Ruscha has continued to muse on America as seen from the road. Consisting of around 75 works spanning the artist's entire career, Ed Ruscha: Road Tested includes many of the artist's books, including Twenty-Six Gasoline Stations, Real Estate Opportunities, Some Los Angeles Apartments,(...)
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Since his first road trip in 1956, driving from Oklahoma City to Los Angeles, Ed Ruscha has continued to muse on America as seen from the road. Consisting of around 75 works spanning the artist's entire career, Ed Ruscha: Road Tested includes many of the artist's books, including Twenty-Six Gasoline Stations, Real Estate Opportunities, Some Los Angeles Apartments,(...)
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Ed Ruscha: Road tested
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Since his first road trip in 1956, driving from Oklahoma City to Los Angeles, Ed Ruscha has continued to muse on America as seen from the road. Consisting of around 75 works spanning the artist's entire career, Ed Ruscha: Road Tested includes many of the artist's books, including Twenty-Six Gasoline Stations, Real Estate Opportunities, Some Los Angeles Apartments, Thirty-Four Parking Lots and the groundbreaking artist's book Every Building on the Sunset Strip. Also examined here is the rarely seen Ruscha film Miracle (1975), which tells the story of a mechanic whose obsessive repair of the carburetor on a 1965 Mustang dooms his date with a beautiful woman.
Ed Ruscha: Road tested
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Since his first road trip in 1956, driving from Oklahoma City to Los Angeles, Ed Ruscha has continued to muse on America as seen from the road. Consisting of around 75 works spanning the artist's entire career, Ed Ruscha: Road Tested includes many of the artist's books, including Twenty-Six Gasoline Stations, Real Estate Opportunities, Some Los Angeles Apartments, Thirty-Four Parking Lots and the groundbreaking artist's book Every Building on the Sunset Strip. Also examined here is the rarely seen Ruscha film Miracle (1975), which tells the story of a mechanic whose obsessive repair of the carburetor on a 1965 Mustang dooms his date with a beautiful woman.
Form:
books
books
Publication:
May 2011
May 2011
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$39.95
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In August 1946, Marcel Duchamp spent five weeks in Switzerland, and stayed at the Hotel Bellevue near Chexbres, on Lake Geneva. It was here that he discovered the Forestay waterfall, which was to become the starting point for (and ultimately the landscape of) his enigmatic and final masterpiece, "Étant donnés: 1° la chute d'eau, 2° le gaz d'éclairage" ("Given: 1. The(...)
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Summary:
In August 1946, Marcel Duchamp spent five weeks in Switzerland, and stayed at the Hotel Bellevue near Chexbres, on Lake Geneva. It was here that he discovered the Forestay waterfall, which was to become the starting point for (and ultimately the landscape of) his enigmatic and final masterpiece, "Étant donnés: 1° la chute d'eau, 2° le gaz d'éclairage" ("Given: 1. The(...)
Title:
Marcel Duchamp and the Forestay Waterfall
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In August 1946, Marcel Duchamp spent five weeks in Switzerland, and stayed at the Hotel Bellevue near Chexbres, on Lake Geneva. It was here that he discovered the Forestay waterfall, which was to become the starting point for (and ultimately the landscape of) his enigmatic and final masterpiece, "Étant donnés: 1° la chute d'eau, 2° le gaz d'éclairage" ("Given: 1. The Waterfall, 2. The Illuminating Gas"). Now, for the first time, the full significance of the choice of this waterfall is explored. Among the contributors to this volume are Caroline Bachmann, Stefan Banz, Etienne Barilier, Lars Blunck, Ecke Bonk, Paul B. Franklin, Antje von Graevenitz, Dalia Judovitz, Michael Lüthy, Bernard Marcadé, Herbert Molderings, Adeena Mey, Stanislaus von Moos, Francis M. Naumann, Mark Nelson, Molly Nesbit, Dominique Radrizzani, Roman Signer, Michael R. Taylor, Hans Maria de Wolf and Philip Ursprung.
Marcel Duchamp and the Forestay Waterfall
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In August 1946, Marcel Duchamp spent five weeks in Switzerland, and stayed at the Hotel Bellevue near Chexbres, on Lake Geneva. It was here that he discovered the Forestay waterfall, which was to become the starting point for (and ultimately the landscape of) his enigmatic and final masterpiece, "Étant donnés: 1° la chute d'eau, 2° le gaz d'éclairage" ("Given: 1. The Waterfall, 2. The Illuminating Gas"). Now, for the first time, the full significance of the choice of this waterfall is explored. Among the contributors to this volume are Caroline Bachmann, Stefan Banz, Etienne Barilier, Lars Blunck, Ecke Bonk, Paul B. Franklin, Antje von Graevenitz, Dalia Judovitz, Michael Lüthy, Bernard Marcadé, Herbert Molderings, Adeena Mey, Stanislaus von Moos, Francis M. Naumann, Mark Nelson, Molly Nesbit, Dominique Radrizzani, Roman Signer, Michael R. Taylor, Hans Maria de Wolf and Philip Ursprung.
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books
books
Publication:
January 2011
January 2011
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$66.00
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Josef Albers' rigorous investigations into color have had a decisive effect on art in the twentieth century and beyond. His teaching posts at the Bauhaus, Black Mountain College and Yale enabled him to bequeath his theories to several generations of artists and designers, from Max Bill and Mark Rothko to Eva Hesse and Ray Johnson. Published for an exhibition at the Morgan(...)
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Josef Albers' rigorous investigations into color have had a decisive effect on art in the twentieth century and beyond. His teaching posts at the Bauhaus, Black Mountain College and Yale enabled him to bequeath his theories to several generations of artists and designers, from Max Bill and Mark Rothko to Eva Hesse and Ray Johnson. Published for an exhibition at the Morgan(...)
Title:
Josef Albers in America: Painting on paper
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Josef Albers' rigorous investigations into color have had a decisive effect on art in the twentieth century and beyond. His teaching posts at the Bauhaus, Black Mountain College and Yale enabled him to bequeath his theories to several generations of artists and designers, from Max Bill and Mark Rothko to Eva Hesse and Ray Johnson. Published for an exhibition at the Morgan library, and with an abundance of previously uncollected works, this volume unveils the full bounty of Albers' works on paper: lithographs, linocuts, woodcuts, screenprints and etchings. Since the prints lack the just-visible brushwork of Albers' paintings, allowing color to emerge without surface blemish, some have argued that they constitute a more effective illustration of his color theory.
Josef Albers in America: Painting on paper
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Josef Albers' rigorous investigations into color have had a decisive effect on art in the twentieth century and beyond. His teaching posts at the Bauhaus, Black Mountain College and Yale enabled him to bequeath his theories to several generations of artists and designers, from Max Bill and Mark Rothko to Eva Hesse and Ray Johnson. Published for an exhibition at the Morgan library, and with an abundance of previously uncollected works, this volume unveils the full bounty of Albers' works on paper: lithographs, linocuts, woodcuts, screenprints and etchings. Since the prints lack the just-visible brushwork of Albers' paintings, allowing color to emerge without surface blemish, some have argued that they constitute a more effective illustration of his color theory.
Form:
books
books
Publication:
March 2011
March 2011
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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Again and again, Levine's works pose questions of aura, authoriality and, perhaps most importantly, value. Pairs and Posses is the first monograph to focus exclusively on the sculptural duos and trios that the artist has been making since 1992. Here, objects found on eBay and in junk or antique shops might be cast in black glass, crystal or bronze. The transposition of(...)
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Summary:
Again and again, Levine's works pose questions of aura, authoriality and, perhaps most importantly, value. Pairs and Posses is the first monograph to focus exclusively on the sculptural duos and trios that the artist has been making since 1992. Here, objects found on eBay and in junk or antique shops might be cast in black glass, crystal or bronze. The transposition of(...)
Title:
Sherrie Levine: Paris and posses
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Again and again, Levine's works pose questions of aura, authoriality and, perhaps most importantly, value. Pairs and Posses is the first monograph to focus exclusively on the sculptural duos and trios that the artist has been making since 1992. Here, objects found on eBay and in junk or antique shops might be cast in black glass, crystal or bronze. The transposition of these objects into worthier material automatically renders kitsch objects works of "high" art. Where Levine's early work debunked modernism's aura of irrefutability, the pieces in Pairs and Posses perform an opposite inversion of cultural worth.
Sherrie Levine: Paris and posses
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Again and again, Levine's works pose questions of aura, authoriality and, perhaps most importantly, value. Pairs and Posses is the first monograph to focus exclusively on the sculptural duos and trios that the artist has been making since 1992. Here, objects found on eBay and in junk or antique shops might be cast in black glass, crystal or bronze. The transposition of these objects into worthier material automatically renders kitsch objects works of "high" art. Where Levine's early work debunked modernism's aura of irrefutability, the pieces in Pairs and Posses perform an opposite inversion of cultural worth.
Form:
books
books
Publication:
February 2011
February 2011
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$42.00
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What is a photographic image? Can a photograph ever tell the truth? These are some of the questions artist Walid Raad has been investigating for the past 20 years, in a practice that encompasses photography, film and video, sculpture, installation and performance. This publication brings together three major bodies of work, and includes an exchange between the artist and(...)
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What is a photographic image? Can a photograph ever tell the truth? These are some of the questions artist Walid Raad has been investigating for the past 20 years, in a practice that encompasses photography, film and video, sculpture, installation and performance. This publication brings together three major bodies of work, and includes an exchange between the artist and(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
March 2011
March 2011
Title:
Walid Raad: Miraculous beginings
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What is a photographic image? Can a photograph ever tell the truth? These are some of the questions artist Walid Raad has been investigating for the past 20 years, in a practice that encompasses photography, film and video, sculpture, installation and performance. This publication brings together three major bodies of work, and includes an exchange between the artist and curator Achim Borchardt-Hume; an essay on conceptions of truth by poet and writer Alan Gilbert; a text on Raad's use of photography and its ties to Beirut by Blake Stimson; and an essay by Hélène Chouteau-Matikian.
Walid Raad: Miraculous beginings
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What is a photographic image? Can a photograph ever tell the truth? These are some of the questions artist Walid Raad has been investigating for the past 20 years, in a practice that encompasses photography, film and video, sculpture, installation and performance. This publication brings together three major bodies of work, and includes an exchange between the artist and curator Achim Borchardt-Hume; an essay on conceptions of truth by poet and writer Alan Gilbert; a text on Raad's use of photography and its ties to Beirut by Blake Stimson; and an essay by Hélène Chouteau-Matikian.
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books
books
Publication:
March 2011
March 2011
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$61.00
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Starting out as a Fluxus-oriented maker of objects and participatory conceptual compositions, Mary Bauermeister (born 1934) had her first solo show at the Stedelijk Museum in 1962. Bauermeister promptly relocated to New York, and began to make works protesting the Vietnam war and critiquing consumer culture. Her "lens boxes"--wooden or aluminum boxes containing layers of(...)
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Starting out as a Fluxus-oriented maker of objects and participatory conceptual compositions, Mary Bauermeister (born 1934) had her first solo show at the Stedelijk Museum in 1962. Bauermeister promptly relocated to New York, and began to make works protesting the Vietnam war and critiquing consumer culture. Her "lens boxes"--wooden or aluminum boxes containing layers of(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
March 2011
March 2011
Title:
Mary Bauermeister: Worlds in a box
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Starting out as a Fluxus-oriented maker of objects and participatory conceptual compositions, Mary Bauermeister (born 1934) had her first solo show at the Stedelijk Museum in 1962. Bauermeister promptly relocated to New York, and began to make works protesting the Vietnam war and critiquing consumer culture. Her "lens boxes"--wooden or aluminum boxes containing layers of often bubble-like glass with collaged elements--were soon bought up by major American museums, and have become the works for which she is best known today. Here, for the first time, Bauermeister's enigmatic objects are surveyed and contextualized.
Mary Bauermeister: Worlds in a box
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Starting out as a Fluxus-oriented maker of objects and participatory conceptual compositions, Mary Bauermeister (born 1934) had her first solo show at the Stedelijk Museum in 1962. Bauermeister promptly relocated to New York, and began to make works protesting the Vietnam war and critiquing consumer culture. Her "lens boxes"--wooden or aluminum boxes containing layers of often bubble-like glass with collaged elements--were soon bought up by major American museums, and have become the works for which she is best known today. Here, for the first time, Bauermeister's enigmatic objects are surveyed and contextualized.
Form:
books
books
Publication:
March 2011
March 2011
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
