Contemporary museums
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A critical survey of contemporary museums, as well as a reference in the field of architecture. The book analyzes the design and production of museum complexes all over the world in the last decade, and gives a critical interpretation of one of the most challenging subjects in the recent architectural panorama. The work of the most important contemporary masters such as(...)
Contemporary museums
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$54.00
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Summary:
A critical survey of contemporary museums, as well as a reference in the field of architecture. The book analyzes the design and production of museum complexes all over the world in the last decade, and gives a critical interpretation of one of the most challenging subjects in the recent architectural panorama. The work of the most important contemporary masters such as Alvaro Siza, Zaha Hadid, Tadao Ando, Massimiliano Fuksas, Renzo Piano, Steven Holl, Jean Nouvel, Frank Gehry, Daniel Libeskind crosses the most recent research and experiences in the world of museums. The works of emerging architects such as Tezuka Architects, Mansilla & Tunon, Asymptote, Diller + Scofidio, Delugan Meissle, UN studio, Michael Maltzan, and many others shows clearly how museum design became a fundamental field of research on the changing nature of the public spaces as well as on the relevant relationship between landscape and architecture.
Museums and Universal Exhibitions
Serpentine gallery pavillons
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Since 2000, the Serpentine Gallery in London's Kensington Gardens has called on some of the world's top architects to design summer pavilions - temporary structures that are erected next to the Gallery itself for a three-month period. The Serpentine, which was built in 1934 as a tea pavilion, opened in 1970 as a show-place for exhibitions of modern and contemporary(...)
Serpentine gallery pavillons
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Since 2000, the Serpentine Gallery in London's Kensington Gardens has called on some of the world's top architects to design summer pavilions - temporary structures that are erected next to the Gallery itself for a three-month period. The Serpentine, which was built in 1934 as a tea pavilion, opened in 1970 as a show-place for exhibitions of modern and contemporary artists. The projects completed or envisaged include the work of: Zaha Hadid, 2000; Daniel Libeskind, 2001; Toyo Ito, 2002; Oscar Niemeyer, 2003; MVRDV, 2004 (un-realised); Alvaro Siza and Eduardo Souto de Moura with Cecil Balmond, 2005; Rem Koolhaas and Cecil Balmond, 2006; Olafur Eliasson and Kjetil Thorsen, 2007; Frank Gehry, 2008; SANAA, 2009; Jean Nouvel, 2010; and, other works such as Zaha Hadid's temporary 2006 installation Lilas are included in the book as well. This book is the first to bring together all of the Serpentine Pavilions.
Museums and Universal Exhibitions
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Spanning four continents and six countries, this book introduces "new art landscapes" that fuse architecture, the reuse of found structures, environmentalism, and artistic experimentation. Through words and pictures, readers explore six institutions--Olympic Sculpture Park, Seattle, USA; Raketenstation Hombroich, near Neuss, Germany; Benesse Art Site in Naoshima, Japan;(...)
White cube, green maze: new art landscapes
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Spanning four continents and six countries, this book introduces "new art landscapes" that fuse architecture, the reuse of found structures, environmentalism, and artistic experimentation. Through words and pictures, readers explore six institutions--Olympic Sculpture Park, Seattle, USA; Raketenstation Hombroich, near Neuss, Germany; Benesse Art Site in Naoshima, Japan; Inhotim, near Belo Horizonte, Brazil; Jardin Botanico, Culiacan, Mexico; and Grand Traiano Art Complex, Grottaferrata, Italy--dedicated to the experience of culture and nature. Integrating vegetation and non-linear sequences of spaces, the sites offer multiple experiences enticing the visitor to circulate between and within buildings. The sites are depicted with architects' plans and sketches, historical photographs, and maquettes and sketches by key installation artists. Raymund Ryan's essay discusses important historical precedents and considers the defining characteristics of "new art landscapes" through descriptions of each of the projects. Brian O'Doherty offers an artist's critical perspective, while Marc Treib situates the projects in the history of landscape design Architects under consideration include such established masters as Tadao Ando and Alvaro Siza Vieira as well as emerging practices such as Tatiana Bilbao and Johnston Marklee.
Gardens
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Large-size working drawings are the foundation of any architectural process and 'key' to practical construction of a building, yet very little has been written and published about the architect's quintessential tool. This new book bridges this gap, as it draws on a vast collection of working drawings from many centuries, held by the Department of Architecture at ETH(...)
The working drawing: the architect's tool
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Large-size working drawings are the foundation of any architectural process and 'key' to practical construction of a building, yet very little has been written and published about the architect's quintessential tool. This new book bridges this gap, as it draws on a vast collection of working drawings from many centuries, held by the Department of Architecture at ETH Zurich. This is a collection of plans for a wide range of architectural projects and features many representational techniques. Providing a comprehensive record, around a hundred of the collection's highlights through five centuries, are arranged by category allowing for direct comparison. All plans are depicted entirely in colour on large-size spreads and fold-outs. Full catalogue details are provided for each drawing. Various topics are covered in essays by expert authors, which compliment the images. Featured architects include respected names such as Francesco Borromini, Gottfried Semper, Ludwig Mies van der Rohe, Le Corbusier, Eero Saarinen, Jorn Utzon, Alvaro Siza, Rafael Moneo, Herzog & de Meuron, Peter Zumthor, Diller Scofidio or Caruso St. John.
Architectural Drawing
New museums
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The lead article in the October 2004 issue of Architectural Record, devoted to contemporary museums, noted that “museums continue to proliferate across the international landscape, leading to the conclusion that, post-Bilbao, every municipality seems to want a smash.” Certainly, following the opening of Frank Gehry’s Guggenheim Museum Bilbao, museums gained a newfound(...)
Commercial interiors, Building types
May 2005, London
New museums
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The lead article in the October 2004 issue of Architectural Record, devoted to contemporary museums, noted that “museums continue to proliferate across the international landscape, leading to the conclusion that, post-Bilbao, every municipality seems to want a smash.” Certainly, following the opening of Frank Gehry’s Guggenheim Museum Bilbao, museums gained a newfound cache among architects and clients. The mission and purpose of the museum is rapidly evolving: museums today are frequently more than repositories for historical art: they can be research centers, memorials, contemporary galleries, or site-specific artworks in themselves. New Museums documents the best of new museum design and features 27 projects in 13 countries in Europe, the United States, Israel, and Japan. The architects represented are among the most renowned practitioners in the world today; in addition to those mentioned above, they include van Berkel + Bos, Santiago Calatrava, Zaha Hadid, Kengo Kuma, and Alvaro Siza, as well as lesser-known, talented designers such as Zvi Hecker in Israel and Diener & Diener in Switzerland. An illustrated general introduction discusses well-known historical precedents as well as current themes relevant to museum design: the museum as a neutral container, its role in placing art in context, the museum as an addition to an existing building, and as a distinct work of art. Each project is documented with color photographs, plans, drawings, and a project description.
Commercial interiors, Building types
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The internationally acclaimed architect Rafael Moneo is known to be a courageous architect. His major works include the Houston Museum of Fine Art, Davis Art Museum at Wellesley College, the Stockholm Museum of Modern Art and Architecture, and the Potzdammer Platz Hotel in Berlin. Now Moneo will be known as a daring critic as well. In this book he looks at eight of his(...)
Theoretical anxiety and design strategies in the work of eight contemporary architects
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The internationally acclaimed architect Rafael Moneo is known to be a courageous architect. His major works include the Houston Museum of Fine Art, Davis Art Museum at Wellesley College, the Stockholm Museum of Modern Art and Architecture, and the Potzdammer Platz Hotel in Berlin. Now Moneo will be known as a daring critic as well. In this book he looks at eight of his contemporaries -- all architects of international stature -- and discusses the theoretical positions, technical innovations, and design contributions of each. Moneo's discussion of these eight architects -- James Stirling, Robert Venturi, Aldo Rossi, Peter Eisenman, Alvaro Siza, Frank Gehry, Rem Koolhaas, and the partnership of Jacques Herzog and Pierre De Meuron -- has the colloquial, engaging tone of a series of lectures on modern architecture by a master architect; the reader hears not the dispassionate theorizing of an academic, but Moneo's own deeply held convictions as he considers the work of his contemporaries. Discussing each of the eight architects in turn, Moneo first gives an introductory profile, emphasizing intentions, theoretical concerns, and construction procedures. He then turns to the work, offering detailed critical analyses of the works he considers to be crucial for an informed understanding of this architect's work. The many images he uses to illustrate his points resemble the rapid-fire flash of slides in a lecture, but Moneo's perspective is unique among lecturers. These profiles are not what Moneo calls the "tacit treatises" that can be found on the shelves of a university library, but lively encounters of architectural equals. More than 500 illustrations accompany the text.
books
May 2004, Cambridge, Mass.
Architectural Theory