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Dutch theorist and video artist Mieke Bal is well known for her specific ways of "deep reading" works by artists such as Caravaggio, Rembrandt, Louise Bourgeois and Nalini Malani. She intertwines her research with various disciplines, including contemporary and 19th-century literature, psychoanalysis, gender studies, philosophy and biblical studies, and she has always(...)
Moments of meaning-making: On anachronism, becoming, and conceptualizing
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Dutch theorist and video artist Mieke Bal is well known for her specific ways of "deep reading" works by artists such as Caravaggio, Rembrandt, Louise Bourgeois and Nalini Malani. She intertwines her research with various disciplines, including contemporary and 19th-century literature, psychoanalysis, gender studies, philosophy and biblical studies, and she has always approached her video art as a specific form of cultural analysis. When ruminating on how she could best reflect on a full life with different roles and experiences, she did not want to write a navel-gazing autobiography. Instead, she decided on an ABC of memories and the concepts these have generated: key terms that have a specific value to her, that interlink as a mesh of meaning, weaving together daily experiences and teaching, her know-how in artmaking and the core concepts of her analytical work.
Art Theory
Photography performing humor
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Despite the ubiquitous presence of photographic humor in art and popular media, the phenomenon has as yet received very little scholarly attention. Focusing on staged humor rather than on comic effects of snapshot photography, this volume brings together leading scholars in the field addressing humor preformed in front of the camera, often specifically created for the(...)
Photography performing humor
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Despite the ubiquitous presence of photographic humor in art and popular media, the phenomenon has as yet received very little scholarly attention. Focusing on staged humor rather than on comic effects of snapshot photography, this volume brings together leading scholars in the field addressing humor preformed in front of the camera, often specifically created for the camera, and the preformative joke-work done by the medium itself. A first section explores how photography, due to its 'shattering' qualities, turns into a privileged medium for eliciting humorous effects and how humor can be discerned within the photographic event. A second section discusses the toolbox of photographic trickery (photomontage, double exposure and cinematic movement) that allows photography to mock itself. The book closes with a section on photographic wit in conceptual art, both in canonized and more locally distinct practices.
Theory of Photography
Women, race & class
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Angela Davis provides a powerful history of the social and political influence of whiteness and elitism in feminism, from abolitionist days to the present, and demonstrates how the racist and classist biases of its leaders inevitably hampered any collective ambitions. While Black women were aided by some activists like Sarah and Angelina Grimke and the suffrage cause(...)
Women, race & class
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Angela Davis provides a powerful history of the social and political influence of whiteness and elitism in feminism, from abolitionist days to the present, and demonstrates how the racist and classist biases of its leaders inevitably hampered any collective ambitions. While Black women were aided by some activists like Sarah and Angelina Grimke and the suffrage cause found unwavering support in Frederick Douglass, many women played on the fears of white supremacists for political gain rather than take an intersectional approach to liberation. Here, Davis not only contextualizes the legacy and pitfalls of civil and women’s rights activists, but also discusses Communist women, the murder of Emmitt Till, and Margaret Sanger’s racism. Davis shows readers how the inequalities between Black and white women influence the contemporary issues of rape, reproductive freedom, housework and child care in this bold and indispensable work.
Social
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Described as “a continuous carnival” and “the crossroads of the world,” Times Square is a singular phenomenon: the spot where imagination and veracity intersect. To Marshall Berman, it is also the flashing, teeming, and strangely beautiful nexus of his life. In this remarkable book, Berman takes us on a thrilling illustrated tour of Times Square, revealing a landscape(...)
On the town: one hundred years of spectacle in Times Square
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Described as “a continuous carnival” and “the crossroads of the world,” Times Square is a singular phenomenon: the spot where imagination and veracity intersect. To Marshall Berman, it is also the flashing, teeming, and strangely beautiful nexus of his life. In this remarkable book, Berman takes us on a thrilling illustrated tour of Times Square, revealing a landscape both mythic and real. Interleafing his own recollections with social commentary, he reveals how movies, graphic arts, literature, popular music, television, and, of course, the Broadway theater have reflected Times Square’s voluminous light to illuminate a vast spectrum of themes and vignettes. Berman shows how the square’s distinctive aura finds its source in a stunningly diverse list of performers, writers, and impresarios. He also celebrates the unsung heroes—the artists, engineers, and hucksters behind the square’s landmark signs.
Architecture since 1900, Europe
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Certificates of authenticity are a critical aspect of art works today. They often embody the artwork itself, while referring to it, serving as its deed, legal statement, and fiscal invoice. Certificates by artists validate the authorship and originality of the work and they allow the work of art to be positioned in the marketplace as a branded product. Providing examples(...)
February 2012
In deed : certificates of authenticity in art
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Certificates of authenticity are a critical aspect of art works today. They often embody the artwork itself, while referring to it, serving as its deed, legal statement, and fiscal invoice. Certificates by artists validate the authorship and originality of the work and they allow the work of art to be positioned in the marketplace as a branded product. Providing examples of artists certificates from the past fifty years, this book reveals how roles have shifted and developed, as well as how the materials and content of art have changed. With certificates by Judith Barry, Pierre Bismuth, Daniel Buren, Marcel Duchamp, Dan Flavin, Liam Gillick, Hans Haacke, Edward Kienholz, Yves Klein, Joseph Kosuth, Sol LeWitt, Piero Manzoni, Gordon Matta-Clark, Jonathan Monk, Robert Morris, Antoni Muntadas, Yoko Ono, Robert Rauschenberg, David Shrigley, Rirkrit Tiravanija, Ben Vautier, Lawrence Weiner, Franz West and others.
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Once symbols of the past, ruins have become ubiquitous signs of our future. Americans today encounter ruins in the media on a daily basis - images of abandoned factories and malls, toxic landscapes, devastating fires, hurricanes, and floods. In this sweeping study, Miles Orvell offers a new understanding of the spectacle of ruins in US culture, exploring how(...)
Empire of ruins: American culture, photography, and the spectacle of destruction
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Once symbols of the past, ruins have become ubiquitous signs of our future. Americans today encounter ruins in the media on a daily basis - images of abandoned factories and malls, toxic landscapes, devastating fires, hurricanes, and floods. In this sweeping study, Miles Orvell offers a new understanding of the spectacle of ruins in US culture, exploring how photographers, writers, painters, and filmmakers have responded to ruin and destruction, both real and imaginary, in an effort to make sense of the past and envision the future. ''Empire of ruins'' explains why Americans in the nineteenth century yearned for the ruins of Rome and Egypt and how they portrayed a past as ancient and mysterious in the remains of Native American cultures. As the romance of ruins gave way to twentieth-century capitalism, older structures were demolished to make way for grander ones, a process interpreted by artists as a symptom of America's "creative destruction." In the late twentieth century, Americans began to inhabit a perpetual state of ruins, made visible by photographs of decaying inner cities, derelict factories and malls, and the waste lands of the mining industry. This interdisciplinary work focuses on how visual media have transformed disaster and decay into spectacles that compel our moral attention even as they balance horror and beauty. Looking to the future, Orvell considers the visual portrayal of climate ruins as we face the political and ethical responsibilities of our changing world. A wide-ranging work by an acclaimed urban, cultural, and photography scholar, ''Empire of ruins'' offers a provocative and lavishly illustrated look at the American past, present, and future.
Theory of Photography
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''Sonic Signatures'' interprets the music of contemporary migrants from Montreal to Rotterdam, Oslo to Tokyo. Drawing on research in urban musicology, international migration, and the emerging field of night studies, this edited volume illustrates that sonic signatures are fundamental to nighttime cityscapes, a way of experiencing space and belonging. Contributors to the(...)
Sonic signatures: Music, migration and the city at night
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''Sonic Signatures'' interprets the music of contemporary migrants from Montreal to Rotterdam, Oslo to Tokyo. Drawing on research in urban musicology, international migration, and the emerging field of night studies, this edited volume illustrates that sonic signatures are fundamental to nighttime cityscapes, a way of experiencing space and belonging. Contributors to the anthology consider a wide array of genres—including EDM, batida do gueto, and iSicathamiya—to understand how migrants resist oppression, long for people and places, and shape their adopted cities through music.
Acoustics
Other things
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From the pencil to the puppet to the drone—the humanities and the social sciences continue to ride a wave of interest in material culture and the world of things. How should we understand the force and figure of that wave as it shapes different disciplines? ''Other Things'' explores this question by considering a wide assortment of objects—from beach glass to cell phones,(...)
Other things
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From the pencil to the puppet to the drone—the humanities and the social sciences continue to ride a wave of interest in material culture and the world of things. How should we understand the force and figure of that wave as it shapes different disciplines? ''Other Things'' explores this question by considering a wide assortment of objects—from beach glass to cell phones, sneakers to skyscrapers—that have fascinated a range of writers and artists, including Virginia Woolf, Man Ray, Spike Lee, and Don DeLillo.
Design Theory
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Covering a wide range of buildings - from national theaters to crematoria, apartment buildings to warehouses, and sanatoria to postal savings banks - Anthony Alofsin proposes a new way of interpreting this language. He calls on viewers to read buildings in two ways: through their formal elements, on the one hand; and through their political, social, and cultural contexts,(...)
History until 1900, Great Britain
September 2006, Chacago / London
When buildings speak : architecture as language in the Habsburg empire and its aftermath, 1867 - 1933
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Covering a wide range of buildings - from national theaters to crematoria, apartment buildings to warehouses, and sanatoria to postal savings banks - Anthony Alofsin proposes a new way of interpreting this language. He calls on viewers to read buildings in two ways: through their formal elements, on the one hand; and through their political, social, and cultural contexts, on the other. By looking through Alofsin’s eyes, readers can see how myriad nations sought to express their autonomy by tapping into the limitless possibilities of art and architectural styles.
History until 1900, Great Britain
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Since the introduction of portable consumer electronics nearly a half century ago, artists throughout the world have adapted their latest technologies to art-making. In this book, curator Barbara London traces the history of video art as it transformed into the broader field of media art - from analog to digital, small TV monitors to wall-scale projections, and clunky(...)
February 2020
Video/Art: the first fifty years
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Since the introduction of portable consumer electronics nearly a half century ago, artists throughout the world have adapted their latest technologies to art-making. In this book, curator Barbara London traces the history of video art as it transformed into the broader field of media art - from analog to digital, small TV monitors to wall-scale projections, and clunky hardware to user-friendly software. In doing so, she reveals how video evolved from fringe status to be seen as one of the foremost art forms of today.