19114 Results
Form:
events
events
Description:
Front to Rear: Architecture and Planning during World War II, held at the Institute of Fine Arts, New York University, brings together research investigating a wide range of architectural activities, taking place in diverse geographical locations, and occurring between the bombings of Guernica in 1937 and Hiroshima in 1945. World War II was a key moment in the process of(...)
Front to Rear: Architecture and Planning during World War II, held at the Institute of Fine Arts, New York University, brings together research investigating a wide range of architectural activities, taking place in diverse geographical locations, and occurring between the bombings of Guernica in 1937 and Hiroshima in 1945. World War II was a key moment in the process of(...)
Location:
Institute of Fine Arts, New York University
Institute of Fine Arts, New York University
Date:
7 March 2009 to 8 March 2009
7 March 2009 to 8 March 2009
Title:
Front to Rear: Architecture and Planning during World War II
Actions:
Description:
Front to Rear: Architecture and Planning during World War II, held at the Institute of Fine Arts, New York University, brings together research investigating a wide range of architectural activities, taking place in diverse geographical locations, and occurring between the bombings of Guernica in 1937 and Hiroshima in 1945. World War II was a key moment in the process of(...)
Front to Rear: Architecture and Planning during World War II
Actions:
Description:
Front to Rear: Architecture and Planning during World War II, held at the Institute of Fine Arts, New York University, brings together research investigating a wide range of architectural activities, taking place in diverse geographical locations, and occurring between the bombings of Guernica in 1937 and Hiroshima in 1945. World War II was a key moment in the process of(...)
Form:
events
events
Date:
7 March 2009 to
8 March 2009
7 March 2009 to
8 March 2009
Location:
Institute of Fine Arts, New York University
Institute of Fine Arts, New York University
Form:
exhibitions
exhibitions
Title:
Toy Town
Toy Town
Actions:
Description:
Toy Town explores how villages, towns, and cities have been represented in toys from Europe and North America. Drawn from CCA’s collection of architectural toys and games, the twenty-nine toys reflect shifting social values and different approaches to the design, organisation, and planning of communities in the nineteenth and twentieth centuries. Toy Town is the sixth in(...)
Toy Town explores how villages, towns, and cities have been represented in toys from Europe and North America. Drawn from CCA’s collection of architectural toys and games, the twenty-nine toys reflect shifting social values and different approaches to the design, organisation, and planning of communities in the nineteenth and twentieth centuries. Toy Town is the sixth in(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
22 October 1997 to 31 May 1998
22 October 1997 to 31 May 1998
Title:
Toy Town
Actions:
Description:
Toy Town explores how villages, towns, and cities have been represented in toys from Europe and North America. Drawn from CCA’s collection of architectural toys and games, the twenty-nine toys reflect shifting social values and different approaches to the design, organisation, and planning of communities in the nineteenth and twentieth centuries. Toy Town is the sixth in(...)
Toy Town
Actions:
Description:
Toy Town explores how villages, towns, and cities have been represented in toys from Europe and North America. Drawn from CCA’s collection of architectural toys and games, the twenty-nine toys reflect shifting social values and different approaches to the design, organisation, and planning of communities in the nineteenth and twentieth centuries. Toy Town is the sixth in(...)
Form:
exhibitions
exhibitions
Date:
22 October 1997 to
31 May 1998
22 October 1997 to
31 May 1998
Location:
Octagonal gallery
Octagonal gallery
Form:
events
events
Form:
events
events
Date:
27 May 2018
11am to 4pm
27 May 2018
11am to 4pm
Location:
Shaughnessy House
Shaughnessy House
Form:
events
events
Actions:
Description:
In this conversation, Kenneth Frampton (Columbia University) will discuss approaches to architectural history today with Esra Akcan (Cornell University) and Mark Jarzombek (Massachusetts Institute of Technology). What does it mean to write a global history of architecture now? What is the relationship between such a history and urgent contemporary concerns? During a(...)
In this conversation, Kenneth Frampton (Columbia University) will discuss approaches to architectural history today with Esra Akcan (Cornell University) and Mark Jarzombek (Massachusetts Institute of Technology). What does it mean to write a global history of architecture now? What is the relationship between such a history and urgent contemporary concerns? During a(...)
Date:
6 April 2017
6 April 2017
Title:
A Conversation with Kenneth Frampton: Can There Be a Global Architectural History Today?
Actions:
Description:
In this conversation, Kenneth Frampton (Columbia University) will discuss approaches to architectural history today with Esra Akcan (Cornell University) and Mark Jarzombek (Massachusetts Institute of Technology). What does it mean to write a global history of architecture now? What is the relationship between such a history and urgent contemporary concerns? During a(...)
A Conversation with Kenneth Frampton: Can There Be a Global Architectural History Today?
Actions:
Description:
In this conversation, Kenneth Frampton (Columbia University) will discuss approaches to architectural history today with Esra Akcan (Cornell University) and Mark Jarzombek (Massachusetts Institute of Technology). What does it mean to write a global history of architecture now? What is the relationship between such a history and urgent contemporary concerns? During a(...)
Form:
events
events
Date:
6 April 2017
6 April 2017
Form:
exhibitions
exhibitions
Actions:
Description:
Technological advances as well as the general social, political, and economic climate have always been of great interest to architects. Toys and the Modernist Tradition examines at how toy manufacturers responded to the exciting and rapidly changing ideas of modern architects. Many of the exhibited toys were designed by leading architects of the modern movement, including(...)
Technological advances as well as the general social, political, and economic climate have always been of great interest to architects. Toys and the Modernist Tradition examines at how toy manufacturers responded to the exciting and rapidly changing ideas of modern architects. Many of the exhibited toys were designed by leading architects of the modern movement, including(...)
Title:
Toys and the Modernist Tradition
Actions:
Description:
Technological advances as well as the general social, political, and economic climate have always been of great interest to architects. Toys and the Modernist Tradition examines at how toy manufacturers responded to the exciting and rapidly changing ideas of modern architects. Many of the exhibited toys were designed by leading architects of the modern movement, including(...)
Toys and the Modernist Tradition
Actions:
Description:
Technological advances as well as the general social, political, and economic climate have always been of great interest to architects. Toys and the Modernist Tradition examines at how toy manufacturers responded to the exciting and rapidly changing ideas of modern architects. Many of the exhibited toys were designed by leading architects of the modern movement, including(...)
Form:
exhibitions
exhibitions
Date:
16 December 1993 to
1 May 1994
16 December 1993 to
1 May 1994
Form:
photographs
photographs
Actions:
Reference number:
ARCH256440
Description:
"Au vol d'oiseau, voici l'île Sainte-Hélène à son état naturel, il y a deux ans, avant le début des travaux de récupération qui ont presque triplé la superficie afin d'y loger l'Exposition universelle de 1967. Le magnifique parc boisé restera tel quel pour l'agrément des visiteurs. / Air view of Ile Sainte-Hélène, as of July 23, 1963, just before work began on the enlargement of the island to provide the ground for Expo 67. View is from the upstream end of the island. Stipulation in the program for building Expo 67 is the condition that the original Ile Sainte-Helene public park be left untouched."--Description.
ARCH256440
Description:
"Au vol d'oiseau, voici l'île Sainte-Hélène à son état naturel, il y a deux ans, avant le début des travaux de récupération qui ont presque triplé la superficie afin d'y loger l'Exposition universelle de 1967. Le magnifique parc boisé restera tel quel pour l'agrément des visiteurs. / Air view of Ile Sainte-Hélène, as of July 23, 1963, just before work began on the enlargement of the island to provide the ground for Expo 67. View is from the upstream end of the island. Stipulation in the program for building Expo 67 is the condition that the original Ile Sainte-Helene public park be left untouched."--Description.
People:
Date:
23 July 1963
23 July 1963
Title:
Aerial views of the Île Sainte-Hélène and Île Notre-Dame sites prior the enlargement and the creation phases were completed, Expo 67, Montréal, Québec
Actions:
ARCH256440
Description:
"Au vol d'oiseau, voici l'île Sainte-Hélène à son état naturel, il y a deux ans, avant le début des travaux de récupération qui ont presque triplé la superficie afin d'y loger l'Exposition universelle de 1967. Le magnifique parc boisé restera tel quel pour l'agrément des visiteurs. / Air view of Ile Sainte-Hélène, as of July 23, 1963, just before work began on the enlargement of the island to provide the ground for Expo 67. View is from the upstream end of the island. Stipulation in the program for building Expo 67 is the condition that the original Ile Sainte-Helene public park be left untouched."--Description.
Aerial views of the Île Sainte-Hélène and Île Notre-Dame sites prior the enlargement and the creation phases were completed, Expo 67, Montréal, Québec
Actions:
ARCH256440
Description:
"Au vol d'oiseau, voici l'île Sainte-Hélène à son état naturel, il y a deux ans, avant le début des travaux de récupération qui ont presque triplé la superficie afin d'y loger l'Exposition universelle de 1967. Le magnifique parc boisé restera tel quel pour l'agrément des visiteurs. / Air view of Ile Sainte-Hélène, as of July 23, 1963, just before work began on the enlargement of the island to provide the ground for Expo 67. View is from the upstream end of the island. Stipulation in the program for building Expo 67 is the condition that the original Ile Sainte-Helene public park be left untouched."--Description.
Form:
photographs
photographs
Date:
23 July 1963
23 July 1963
People:
Form:
events
events
Actions:
Description:
When Gordon Matta-Clark assembled the titles to and documentation of a dozen-odd small, vacant parcels of New York property between 1974 and 1977 (later assembled and exhibited as Reality Properties: Fake Estates in 1992), it was with no well-formed agenda—other than his view that the availability of vacant and underutilized parcels [was] a direct reminder of the fallacy(...)
When Gordon Matta-Clark assembled the titles to and documentation of a dozen-odd small, vacant parcels of New York property between 1974 and 1977 (later assembled and exhibited as Reality Properties: Fake Estates in 1992), it was with no well-formed agenda—other than his view that the availability of vacant and underutilized parcels [was] a direct reminder of the fallacy(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
22 September 2016, 6pm
22 September 2016, 6pm
Title:
Nicholas de Monchaux: Local Code
Actions:
Description:
When Gordon Matta-Clark assembled the titles to and documentation of a dozen-odd small, vacant parcels of New York property between 1974 and 1977 (later assembled and exhibited as Reality Properties: Fake Estates in 1992), it was with no well-formed agenda—other than his view that the availability of vacant and underutilized parcels [was] a direct reminder of the fallacy(...)
Nicholas de Monchaux: Local Code
Actions:
Description:
When Gordon Matta-Clark assembled the titles to and documentation of a dozen-odd small, vacant parcels of New York property between 1974 and 1977 (later assembled and exhibited as Reality Properties: Fake Estates in 1992), it was with no well-formed agenda—other than his view that the availability of vacant and underutilized parcels [was] a direct reminder of the fallacy(...)
Form:
events
events
Date:
22 September 2016
6pm
22 September 2016
6pm
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Form:
events
events
Title:
In Response
In Response
Actions:
Description:
In Response is a series of public seminars that mark the final weeks of the exhibition The Other Architect. If the exhibition presents alternative approaches and models that have challenged traditional design practices, the seminars offer alternative curatorial views on the exhibition and accompanying publication. Respondents include: Felicity Scott (Thursday 10 March),(...)
In Response is a series of public seminars that mark the final weeks of the exhibition The Other Architect. If the exhibition presents alternative approaches and models that have challenged traditional design practices, the seminars offer alternative curatorial views on the exhibition and accompanying publication. Respondents include: Felicity Scott (Thursday 10 March),(...)
Location:
Main galleries
Main galleries
Date:
10 March 2016 to 1 April 2016
10 March 2016 to 1 April 2016
Title:
In Response
Actions:
Description:
In Response is a series of public seminars that mark the final weeks of the exhibition The Other Architect. If the exhibition presents alternative approaches and models that have challenged traditional design practices, the seminars offer alternative curatorial views on the exhibition and accompanying publication. Respondents include: Felicity Scott (Thursday 10 March),(...)
In Response
Actions:
Description:
In Response is a series of public seminars that mark the final weeks of the exhibition The Other Architect. If the exhibition presents alternative approaches and models that have challenged traditional design practices, the seminars offer alternative curatorial views on the exhibition and accompanying publication. Respondents include: Felicity Scott (Thursday 10 March),(...)
Form:
events
events
Date:
10 March 2016 to
1 April 2016
10 March 2016 to
1 April 2016
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Actions:
Description:
Dissections brings together several works by Vancouver-based artist Geoffrey Smedley and reflects on many disciplines such as the history of science, geometry, philosophy, and architecture. The exhibition takes the form of a cabinet theatre in the mode of the absurd, staging the mythic figure of Descartes’ Clown, a neurotic and insecure robot that dissects himself with(...)
Dissections brings together several works by Vancouver-based artist Geoffrey Smedley and reflects on many disciplines such as the history of science, geometry, philosophy, and architecture. The exhibition takes the form of a cabinet theatre in the mode of the absurd, staging the mythic figure of Descartes’ Clown, a neurotic and insecure robot that dissects himself with(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
6 June 2013 to 11 August 2013
6 June 2013 to 11 August 2013
Title:
Dissections: Geoffrey Smedley
Actions:
Description:
Dissections brings together several works by Vancouver-based artist Geoffrey Smedley and reflects on many disciplines such as the history of science, geometry, philosophy, and architecture. The exhibition takes the form of a cabinet theatre in the mode of the absurd, staging the mythic figure of Descartes’ Clown, a neurotic and insecure robot that dissects himself with(...)
Dissections: Geoffrey Smedley
Actions:
Description:
Dissections brings together several works by Vancouver-based artist Geoffrey Smedley and reflects on many disciplines such as the history of science, geometry, philosophy, and architecture. The exhibition takes the form of a cabinet theatre in the mode of the absurd, staging the mythic figure of Descartes’ Clown, a neurotic and insecure robot that dissects himself with(...)
Form:
exhibitions
exhibitions
Date:
6 June 2013 to
11 August 2013
6 June 2013 to
11 August 2013
Location:
Octagonal gallery
Octagonal gallery
Level of archival description:
Project
Project
Title:
Maison Coloniale
Maison Coloniale
Reference number:
AP066.S2.D19
Description:
Le dossier documente le projet de construction de la Maison Coloniale, une habitation associée à un atelier d'architecture et un hall d'exposition, situé au 4333 avenue Coloniale, à Montréal, Québec. Les matériaux utilisés pour réaliser cette construction sont le béton armé, l'acier et le bois. Le budget alloué pour ce projet était de 300 000$ et la superficie est de 340 mètres carrés. Aussi, le projet s'est mérité le Prix d'architecture du Gouverneur général du Canada. Le dossier contient des dessins, des reprographies, des photographies, des documents textuels, des maquettes et un négatif. Description du projet par l'architecte: "En concevant la Maison Coloniale, entre autres choses qui s'y trouvent inscrites, j'ai pensé à l'état des métiers. La solidarité qui nous lie est tellement ténue, les savoir-faire se déplacent, les langages s'autonomisent. Ici la structure de béton n'aura pour but structural que de survivre à sa peine : le squelette est dehors, qu'est-ce que cela veut nous dire? Partout la division, la séparation des éléments. La juxtaposition, la superposition et la répétition forment un langage dans le langage. Tout y est contact de points et de surface, d'appuis et d'ancrages. Le squelette est dehors, le corps est dedans. Qu'est-ce que cela veut nous dire? La Maison nous dit la nature de notre côtoiement. Elle nous rappelle nos liens possibles et nous apprend qu'à force de séparation, tout s'unit. Elle nous indique la distance qu'il nous reste à franchir pour se toucher et s'émouvoir. Elle est comme vous et moi, un peu résistante et prête à tout donner. Elle nous dit la convivialité et nous rappelle nos moyens d'humains. Elle nous rappelle que c'est nous qui l'avons faite!" Jacques Rousseau, "Éthique et tact", dans Architecture, éthique et technologie, édité par Louise Pelletier et Alberto Pérez-Gómez, McGill-Queen's University Press, Montréal, 1994, p. 137-150.
AP066.S2.D19
Description:
Le dossier documente le projet de construction de la Maison Coloniale, une habitation associée à un atelier d'architecture et un hall d'exposition, situé au 4333 avenue Coloniale, à Montréal, Québec. Les matériaux utilisés pour réaliser cette construction sont le béton armé, l'acier et le bois. Le budget alloué pour ce projet était de 300 000$ et la superficie est de 340 mètres carrés. Aussi, le projet s'est mérité le Prix d'architecture du Gouverneur général du Canada. Le dossier contient des dessins, des reprographies, des photographies, des documents textuels, des maquettes et un négatif. Description du projet par l'architecte: "En concevant la Maison Coloniale, entre autres choses qui s'y trouvent inscrites, j'ai pensé à l'état des métiers. La solidarité qui nous lie est tellement ténue, les savoir-faire se déplacent, les langages s'autonomisent. Ici la structure de béton n'aura pour but structural que de survivre à sa peine : le squelette est dehors, qu'est-ce que cela veut nous dire? Partout la division, la séparation des éléments. La juxtaposition, la superposition et la répétition forment un langage dans le langage. Tout y est contact de points et de surface, d'appuis et d'ancrages. Le squelette est dehors, le corps est dedans. Qu'est-ce que cela veut nous dire? La Maison nous dit la nature de notre côtoiement. Elle nous rappelle nos liens possibles et nous apprend qu'à force de séparation, tout s'unit. Elle nous indique la distance qu'il nous reste à franchir pour se toucher et s'émouvoir. Elle est comme vous et moi, un peu résistante et prête à tout donner. Elle nous dit la convivialité et nous rappelle nos moyens d'humains. Elle nous rappelle que c'est nous qui l'avons faite!" Jacques Rousseau, "Éthique et tact", dans Architecture, éthique et technologie, édité par Louise Pelletier et Alberto Pérez-Gómez, McGill-Queen's University Press, Montréal, 1994, p. 137-150.
People:
Date:
1986-1990
1986-1990
Title:
Maison Coloniale
Actions:
AP066.S2.D19
Description:
Le dossier documente le projet de construction de la Maison Coloniale, une habitation associée à un atelier d'architecture et un hall d'exposition, situé au 4333 avenue Coloniale, à Montréal, Québec. Les matériaux utilisés pour réaliser cette construction sont le béton armé, l'acier et le bois. Le budget alloué pour ce projet était de 300 000$ et la superficie est de 340 mètres carrés. Aussi, le projet s'est mérité le Prix d'architecture du Gouverneur général du Canada. Le dossier contient des dessins, des reprographies, des photographies, des documents textuels, des maquettes et un négatif. Description du projet par l'architecte: "En concevant la Maison Coloniale, entre autres choses qui s'y trouvent inscrites, j'ai pensé à l'état des métiers. La solidarité qui nous lie est tellement ténue, les savoir-faire se déplacent, les langages s'autonomisent. Ici la structure de béton n'aura pour but structural que de survivre à sa peine : le squelette est dehors, qu'est-ce que cela veut nous dire? Partout la division, la séparation des éléments. La juxtaposition, la superposition et la répétition forment un langage dans le langage. Tout y est contact de points et de surface, d'appuis et d'ancrages. Le squelette est dehors, le corps est dedans. Qu'est-ce que cela veut nous dire? La Maison nous dit la nature de notre côtoiement. Elle nous rappelle nos liens possibles et nous apprend qu'à force de séparation, tout s'unit. Elle nous indique la distance qu'il nous reste à franchir pour se toucher et s'émouvoir. Elle est comme vous et moi, un peu résistante et prête à tout donner. Elle nous dit la convivialité et nous rappelle nos moyens d'humains. Elle nous rappelle que c'est nous qui l'avons faite!" Jacques Rousseau, "Éthique et tact", dans Architecture, éthique et technologie, édité par Louise Pelletier et Alberto Pérez-Gómez, McGill-Queen's University Press, Montréal, 1994, p. 137-150.
Maison Coloniale
Actions:
AP066.S2.D19
Description:
Le dossier documente le projet de construction de la Maison Coloniale, une habitation associée à un atelier d'architecture et un hall d'exposition, situé au 4333 avenue Coloniale, à Montréal, Québec. Les matériaux utilisés pour réaliser cette construction sont le béton armé, l'acier et le bois. Le budget alloué pour ce projet était de 300 000$ et la superficie est de 340 mètres carrés. Aussi, le projet s'est mérité le Prix d'architecture du Gouverneur général du Canada. Le dossier contient des dessins, des reprographies, des photographies, des documents textuels, des maquettes et un négatif. Description du projet par l'architecte: "En concevant la Maison Coloniale, entre autres choses qui s'y trouvent inscrites, j'ai pensé à l'état des métiers. La solidarité qui nous lie est tellement ténue, les savoir-faire se déplacent, les langages s'autonomisent. Ici la structure de béton n'aura pour but structural que de survivre à sa peine : le squelette est dehors, qu'est-ce que cela veut nous dire? Partout la division, la séparation des éléments. La juxtaposition, la superposition et la répétition forment un langage dans le langage. Tout y est contact de points et de surface, d'appuis et d'ancrages. Le squelette est dehors, le corps est dedans. Qu'est-ce que cela veut nous dire? La Maison nous dit la nature de notre côtoiement. Elle nous rappelle nos liens possibles et nous apprend qu'à force de séparation, tout s'unit. Elle nous indique la distance qu'il nous reste à franchir pour se toucher et s'émouvoir. Elle est comme vous et moi, un peu résistante et prête à tout donner. Elle nous dit la convivialité et nous rappelle nos moyens d'humains. Elle nous rappelle que c'est nous qui l'avons faite!" Jacques Rousseau, "Éthique et tact", dans Architecture, éthique et technologie, édité par Louise Pelletier et Alberto Pérez-Gómez, McGill-Queen's University Press, Montréal, 1994, p. 137-150.
Level of archival description:
Projet
Projet
Date:
1986-1990
1986-1990
People:
