1053 Results
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Description:
xiii, 210 p., [24] p. of plates : ill. ; 24 cm.
Description:
xiii, 210 p., [24] p. of plates : ill. ; 24 cm.
Subject:
- English literature History and criticism.,
- Country homes Great Britain Historiography.,
- Country life Great Britain Historiography.,
- Literature and society Great Britain.,
- Historic buildings Great Britain.,
- Literary landmarks Great Britain.,
- Place (Philosophy) in literature.,
- Country homes in literature.,
- Country life in literature.,
- Dwellings in literature.,
- Manors in literature.,
- Littérature anglaise Histoire et critique.,
- Littérature et société Grande-Bretagne.,
- Écrivains Résidences et lieux familiers Grande-Bretagne.,
- Lieu (Philosophie) dans la littérature.,
- Maisons de campagne dans la littérature.,
- Vie rurale dans la littérature.,
- Habitations dans la littérature.,
- Country homes Historiography.,
- Country life Historiography.,
- English literature.,
- Historic buildings.,
- Literary landmarks.,
- Literature and society.,
- Great Britain.,
- Criticism, interpretation, etc.
(See more)
Publication:
New York : Columbia University Press, c1993.
New York : Columbia University Press, c1993.
Title:
The great good place : the country house and English literature / Malcolm Kelsall.
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Description:
xiii, 210 p., [24] p. of plates : ill. ; 24 cm.
The great good place : the country house and English literature / Malcolm Kelsall.
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Description:
xiii, 210 p., [24] p. of plates : ill. ; 24 cm.
Form:
books
books
Publication:
New York : Columbia University Press, c1993.
New York : Columbia University Press, c1993.
Subject:
- English literature History and criticism.,
- Country homes Great Britain Historiography.,
- Country life Great Britain Historiography.,
- Literature and society Great Britain.,
- Historic buildings Great Britain.,
- Literary landmarks Great Britain.,
- Place (Philosophy) in literature.,
- Country homes in literature.,
- Country life in literature.,
- Dwellings in literature.,
- Manors in literature.,
- Littérature anglaise Histoire et critique.,
- Littérature et société Grande-Bretagne.,
- Écrivains Résidences et lieux familiers Grande-Bretagne.,
- Lieu (Philosophie) dans la littérature.,
- Maisons de campagne dans la littérature.,
- Vie rurale dans la littérature.,
- Habitations dans la littérature.,
- Country homes Historiography.,
- Country life Historiography.,
- English literature.,
- Historic buildings.,
- Literary landmarks.,
- Literature and society.,
- Great Britain.,
- Criticism, interpretation, etc.
(See more)
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Description:
329 pages, includes 24 unnumbered pages of plates : illustrations ; 19 cm
Description:
329 pages, includes 24 unnumbered pages of plates : illustrations ; 19 cm
Author:
- Boris Buden -- Jelena Vesić -- Barnabás Bencsik -- What, How & for Whom/WHW -- Maria Lind and Tensta konsthall -- Petra Bauer and Sofia Wiberg -- Lawrence Abu Hamdan --,
- Lind, Maria, 1966-,
- Abu Hamdan, Lawrence, 1985-,
- Bauer, Petra, 1970-,
- Wiberg, Sofia,,
- What, How and For Whom (Organization),,
- Tensta konsthall,,
- Grazer Kunstverein,
(See more)
Subject:
- Art, European 21st century Exhibitions.,
- Fascism in art Exhibitions.,
- Politics in art Exhibitions.,
- Nationalism in art Exhibitions.,
- Art, European 21st century.,
- Fascism in art.,
- Politics in art.,
- Nationalism in art.,
- Art européen 21e siècle Expositions.,
- Fascisme dans l'art Expositions.,
- Politique dans l'art Expositions.,
- Nationalisme dans l'art Expositions.,
- Art européen 21e siècle.,
- Fascisme dans l'art.,
- Politique dans l'art.,
- Nationalisme dans l'art.,
- Art, European,
- exhibition catalogs.,
- Exhibition catalogs,
- Catalogues d'exposition.
(See more)
Publication:
Berlin : Sternberg Press, 2014.
Berlin : Sternberg Press, 2014.
Title:
Art and the F Word : reflections on the browning of Europe / edited by Maria Lind, What, How & for Whom/WHW ; contributions by Lawrence Abu Hamdan, Petra Bauer and Sofia Wiberg [and five others].
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329 pages, includes 24 unnumbered pages of plates : illustrations ; 19 cm
Art and the F Word : reflections on the browning of Europe / edited by Maria Lind, What, How & for Whom/WHW ; contributions by Lawrence Abu Hamdan, Petra Bauer and Sofia Wiberg [and five others].
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Description:
329 pages, includes 24 unnumbered pages of plates : illustrations ; 19 cm
Form:
books
books
Publication:
Berlin : Sternberg Press, 2014.
Berlin : Sternberg Press, 2014.
Author:
- Boris Buden -- Jelena Vesić -- Barnabás Bencsik -- What, How & for Whom/WHW -- Maria Lind and Tensta konsthall -- Petra Bauer and Sofia Wiberg -- Lawrence Abu Hamdan --,
- Lind, Maria, 1966-,
- Abu Hamdan, Lawrence, 1985-,
- Bauer, Petra, 1970-,
- Wiberg, Sofia,,
- What, How and For Whom (Organization),,
- Tensta konsthall,,
- Grazer Kunstverein,
(See more)
Subject:
- Art, European 21st century Exhibitions.,
- Fascism in art Exhibitions.,
- Politics in art Exhibitions.,
- Nationalism in art Exhibitions.,
- Art, European 21st century.,
- Fascism in art.,
- Politics in art.,
- Nationalism in art.,
- Art européen 21e siècle Expositions.,
- Fascisme dans l'art Expositions.,
- Politique dans l'art Expositions.,
- Nationalisme dans l'art Expositions.,
- Art européen 21e siècle.,
- Fascisme dans l'art.,
- Politique dans l'art.,
- Nationalisme dans l'art.,
- Art, European,
- exhibition catalogs.,
- Exhibition catalogs,
- Catalogues d'exposition.
(See more)
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books
books
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Description:
xlii, 546 pages : illustrations (some color) ; 27 cm
Description:
xlii, 546 pages : illustrations (some color) ; 27 cm
Author:
Subject:
- Neue Slowenische Kunst (Organization) Exhibitions.,
- Neue Slowenische Kunst (Organization),
- Irwin Künstlervereinigung,
- Laibach Musikgruppe,
- Neue Slowenische Kunst Künstlervereinigung,
- Arts Yugoslavia 20th century Exhibitions.,
- Arts, Slovenian 20th century Exhibitions.,
- Arts slovènes 20e siècle Expositions.,
- Arts Yougoslavie 20e siècle Expositions.,
- Arts,
- Arts, Slovenian,
- Kunst,
- Yugoslavia,
- Jugoslawien,
- exhibition catalogs.,
- Exhibition catalogs,
- Catalogues d'exposition.
(See more)
Publication:
Llubljana, Slovenia : Moderna galerija, Museum of Modern Art ; Cambridge, Massachusetts ; London, England : The MIT Press, [2015], ©2015
Llubljana, Slovenia : Moderna galerija, Museum of Modern Art ; Cambridge, Massachusetts ; London, England : The MIT Press, [2015], ©2015
Title:
NSK from Kapital to capital : Neue Slowenische Kunst, an event of the final decade of Yugoslavia / edited by Zdenka Badovinac, Eda Čufer and Anthony Gardner.
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xlii, 546 pages : illustrations (some color) ; 27 cm
NSK from Kapital to capital : Neue Slowenische Kunst, an event of the final decade of Yugoslavia / edited by Zdenka Badovinac, Eda Čufer and Anthony Gardner.
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Description:
xlii, 546 pages : illustrations (some color) ; 27 cm
Form:
books
books
Publication:
Llubljana, Slovenia : Moderna galerija, Museum of Modern Art ; Cambridge, Massachusetts ; London, England : The MIT Press, [2015], ©2015
Llubljana, Slovenia : Moderna galerija, Museum of Modern Art ; Cambridge, Massachusetts ; London, England : The MIT Press, [2015], ©2015
Subject:
- Neue Slowenische Kunst (Organization) Exhibitions.,
- Neue Slowenische Kunst (Organization),
- Irwin Künstlervereinigung,
- Laibach Musikgruppe,
- Neue Slowenische Kunst Künstlervereinigung,
- Arts Yugoslavia 20th century Exhibitions.,
- Arts, Slovenian 20th century Exhibitions.,
- Arts slovènes 20e siècle Expositions.,
- Arts Yougoslavie 20e siècle Expositions.,
- Arts,
- Arts, Slovenian,
- Kunst,
- Yugoslavia,
- Jugoslawien,
- exhibition catalogs.,
- Exhibition catalogs,
- Catalogues d'exposition.
(See more)
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books
books
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Description:
ix, 254 pages ; 24 cm
Description:
ix, 254 pages ; 24 cm
Subject:
- Right-wing extremists Austria Vienna History 20th century.,
- Political culture Austria Vienna History 20th century.,
- Extrémistes de droite Autriche Vienne Histoire 20e siècle.,
- Intellectual life.,
- Political culture.,
- Politics and government,
- Right-wing extremists.,
- Politische Kultur,
- Rechtsradikalismus,
- Extremisme.,
- Politisk kultur historia.,
- Intellektuellt liv historia.,
- Politik.,
- Förvaltning.,
- Vienna (Austria) Intellectual life 20th century.,
- Vienna (Austria) Politics and government 20th century.,
- Austria Politics and government 1918-1938.,
- Autriche Politique et gouvernement 1918-1938.,
- Austria.,
- Austria Vienna.,
- Wien,
- Wenen (stad),
- Österriket Wien.,
- History.
(See more)
Publication:
Ithaca : Cornell University Press, 2014., ©2014
Ithaca : Cornell University Press, 2014., ©2014
Title:
Black Vienna : the radical right in the red city, 1918-1938 / Janek Wasserman.
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Description:
ix, 254 pages ; 24 cm
Black Vienna : the radical right in the red city, 1918-1938 / Janek Wasserman.
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Description:
ix, 254 pages ; 24 cm
Form:
books
books
Publication:
Ithaca : Cornell University Press, 2014., ©2014
Ithaca : Cornell University Press, 2014., ©2014
Subject:
- Right-wing extremists Austria Vienna History 20th century.,
- Political culture Austria Vienna History 20th century.,
- Extrémistes de droite Autriche Vienne Histoire 20e siècle.,
- Intellectual life.,
- Political culture.,
- Politics and government,
- Right-wing extremists.,
- Politische Kultur,
- Rechtsradikalismus,
- Extremisme.,
- Politisk kultur historia.,
- Intellektuellt liv historia.,
- Politik.,
- Förvaltning.,
- Vienna (Austria) Intellectual life 20th century.,
- Vienna (Austria) Politics and government 20th century.,
- Austria Politics and government 1918-1938.,
- Autriche Politique et gouvernement 1918-1938.,
- Austria.,
- Austria Vienna.,
- Wien,
- Wenen (stad),
- Österriket Wien.,
- History.
(See more)
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books
books
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Description:
x, 373 pages : illustrations (some color) ; 25 cm
Description:
x, 373 pages : illustrations (some color) ; 25 cm
Subject:
- Hitler, Adolf, 1889-1945 Homes and haunts.,
- Hitler, Adolf, 1889-1945 Psychology.,
- Hitler, Adolf, 1889-1945.,
- Troost, Gerdy 1904-2003,
- Hitler, Adolf 1889-1945,
- München, ...,
- 15.70 history of Europe.,
- Psychology,
- Homes,
- Architektur,
- Wohnung,
- Propaganda,
- Berlin,
- Obersalzberg,
- Duitsland.,
- (lcsh)Hitler, Adolf, 1889-1945--Homes and haunts.,
- (lcsh)Hitler, Adolf, 1889-1945--Psychology.,
- (fast)Hitler, Adolf, 1889-1945.,
- (fast)Psychology.,
- (fast)Homes.,
- (gtt)Duitsland.,
- (fast)Biographies.,
- (lcgft)Biographies.,
- Biography,
- Biographies
(See more)
Publication:
New Haven ; London : Yale University Press, [2015], ©2015
New Haven ; London : Yale University Press, [2015], ©2015
Title:
Hitler at home / Despina Stratigakos.
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Description:
x, 373 pages : illustrations (some color) ; 25 cm
Hitler at home / Despina Stratigakos.
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Description:
x, 373 pages : illustrations (some color) ; 25 cm
Form:
books
books
Publication:
New Haven ; London : Yale University Press, [2015], ©2015
New Haven ; London : Yale University Press, [2015], ©2015
Subject:
- Hitler, Adolf, 1889-1945 Homes and haunts.,
- Hitler, Adolf, 1889-1945 Psychology.,
- Hitler, Adolf, 1889-1945.,
- Troost, Gerdy 1904-2003,
- Hitler, Adolf 1889-1945,
- München, ...,
- 15.70 history of Europe.,
- Psychology,
- Homes,
- Architektur,
- Wohnung,
- Propaganda,
- Berlin,
- Obersalzberg,
- Duitsland.,
- (lcsh)Hitler, Adolf, 1889-1945--Homes and haunts.,
- (lcsh)Hitler, Adolf, 1889-1945--Psychology.,
- (fast)Hitler, Adolf, 1889-1945.,
- (fast)Psychology.,
- (fast)Homes.,
- (gtt)Duitsland.,
- (fast)Biographies.,
- (lcgft)Biographies.,
- Biography,
- Biographies
(See more)
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books
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Description:
xxxi, 418 p., [167] p. : ill. (some col.) ; 22 cm.
Description:
xxxi, 418 p., [167] p. : ill. (some col.) ; 22 cm.
Subject:
- Architecture and photography Italy 20th century.,
- Photography Italy History 20th century.,
- Architecture Italy History 20th century.,
- Modernism (Aesthetics) Italy.,
- Architecture, Modern 20th century.,
- Architecture, Modern.,
- Architecture et photographie Italie 20e siècle.,
- Photographie Italie Histoire 20e siècle.,
- Architecture Italie Histoire 20e siècle.,
- Modernisme (Esthétique) Italie.,
- Architecture 20e siècle.,
- Architecture.,
- Architecture and photography.,
- Modernism (Aesthetics),
- Photography.,
- Italy.,
- Architecture (object genre) Italy 1910-1940.,
- Photography Italy 1910-1940.,
- Theses.,
- History.
(See more)
Publication:
2010.
2010.
Title:
Picturing the "primitive" : photography, architecture and the construction of Italian modernism, 1911-1936 / by Lindsay R. Harris.
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xxxi, 418 p., [167] p. : ill. (some col.) ; 22 cm.
Picturing the "primitive" : photography, architecture and the construction of Italian modernism, 1911-1936 / by Lindsay R. Harris.
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Description:
xxxi, 418 p., [167] p. : ill. (some col.) ; 22 cm.
Form:
books
books
Publication:
2010.
2010.
Subject:
- Architecture and photography Italy 20th century.,
- Photography Italy History 20th century.,
- Architecture Italy History 20th century.,
- Modernism (Aesthetics) Italy.,
- Architecture, Modern 20th century.,
- Architecture, Modern.,
- Architecture et photographie Italie 20e siècle.,
- Photographie Italie Histoire 20e siècle.,
- Architecture Italie Histoire 20e siècle.,
- Modernisme (Esthétique) Italie.,
- Architecture 20e siècle.,
- Architecture.,
- Architecture and photography.,
- Modernism (Aesthetics),
- Photography.,
- Italy.,
- Architecture (object genre) Italy 1910-1940.,
- Photography Italy 1910-1940.,
- Theses.,
- History.
(See more)
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$40.00
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Summary:
In ''Street Archives and City Life'', Emily Callaci maps a new terrain of political and cultural production in mid- to late twentieth-century Tanzanian urban landscapes. While the postcolonial Tanzanian ruling party (TANU) adopted a policy of rural socialism known as Ujamaa between 1967 and 1985, an influx of youth migrants to the city of Dar es Salaam generated(...)
$40.00
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Summary:
In ''Street Archives and City Life'', Emily Callaci maps a new terrain of political and cultural production in mid- to late twentieth-century Tanzanian urban landscapes. While the postcolonial Tanzanian ruling party (TANU) adopted a policy of rural socialism known as Ujamaa between 1967 and 1985, an influx of youth migrants to the city of Dar es Salaam generated(...)
Title:
Street archives and city life: popular intellectuals in postcolonial Tanzania
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$40.00
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Summary:
In ''Street Archives and City Life'', Emily Callaci maps a new terrain of political and cultural production in mid- to late twentieth-century Tanzanian urban landscapes. While the postcolonial Tanzanian ruling party (TANU) adopted a policy of rural socialism known as Ujamaa between 1967 and 1985, an influx of youth migrants to the city of Dar es Salaam generated innovative forms of urbanism through the production and circulation of what Callaci calls street archives. These urban intellectuals neither supported nor contested the ruling party's anti-city philosophy; rather, they navigated the complexities of inhabiting unplanned African cities during economic crisis and social transformation through various forms of popular texts that included women's Christian advice literature, newspaper columns, self-published pulp fiction novellas, and song lyrics. Through these textual networks, Callaci shows how youth migrants and urban intellectuals in Dar es Salaam fashioned a collective ethos of postcolonial African citizenship. This spirit ushered in a revolution rooted in the city and its networks—an urban revolution that arose in spite of the nation-state's pro-rural ideology.
Street archives and city life: popular intellectuals in postcolonial Tanzania
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$40.00
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Summary:
In ''Street Archives and City Life'', Emily Callaci maps a new terrain of political and cultural production in mid- to late twentieth-century Tanzanian urban landscapes. While the postcolonial Tanzanian ruling party (TANU) adopted a policy of rural socialism known as Ujamaa between 1967 and 1985, an influx of youth migrants to the city of Dar es Salaam generated innovative forms of urbanism through the production and circulation of what Callaci calls street archives. These urban intellectuals neither supported nor contested the ruling party's anti-city philosophy; rather, they navigated the complexities of inhabiting unplanned African cities during economic crisis and social transformation through various forms of popular texts that included women's Christian advice literature, newspaper columns, self-published pulp fiction novellas, and song lyrics. Through these textual networks, Callaci shows how youth migrants and urban intellectuals in Dar es Salaam fashioned a collective ethos of postcolonial African citizenship. This spirit ushered in a revolution rooted in the city and its networks—an urban revolution that arose in spite of the nation-state's pro-rural ideology.
Subject:
History until 1900, Middle East
History until 1900, Middle East
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$31.50
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Summary:
For hundreds of years, Ireland has been a testing ground for colonizing techniques. Postcolonial Dublin shows how perpetrators of colonialism have made use of urban planning and architecture to underscore and legitimate ideologies. From suburban development to building facades, the conflict between nationalists and colonialists has inscribed itself on Dublin’s landscape.(...)
$31.50
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Summary:
For hundreds of years, Ireland has been a testing ground for colonizing techniques. Postcolonial Dublin shows how perpetrators of colonialism have made use of urban planning and architecture to underscore and legitimate ideologies. From suburban development to building facades, the conflict between nationalists and colonialists has inscribed itself on Dublin’s landscape.(...)
Title:
Postcolonial Dublin : imperial legacies and the built environment
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For hundreds of years, Ireland has been a testing ground for colonizing techniques. Postcolonial Dublin shows how perpetrators of colonialism have made use of urban planning and architecture to underscore and legitimate ideologies. From suburban development to building facades, the conflict between nationalists and colonialists has inscribed itself on Dublin’s landscape. Andrew Kincaid illustrates how the architecture and urban planning of Dublin have been integral to debates about nationalism, modernism, and Ireland’s relationship to the rest of the world. Looking at objects such as Londonderry’s Market House, Patrick Abercrombie’s Dublin of the Future, and the urban renewal project of today’s Temple Bar, Kincaid highlights Ireland’s colonial history and the significance of architecture in the evolution of national identity. In doing so, he demonstrates how ideology “spatializes” itself. Postcolonial Dublin engages the prevailing historical representations of Irish nationalism, arguing that the evolving city reflected a debate over who would hold the reins of power. Bringing the tools of literary criticism and postcolonial theory to bear on the field of urban studies, Kincaid places Dublin at the forefront of debates over modernism, modernity, and globalization.
Postcolonial Dublin : imperial legacies and the built environment
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$31.50
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Summary:
For hundreds of years, Ireland has been a testing ground for colonizing techniques. Postcolonial Dublin shows how perpetrators of colonialism have made use of urban planning and architecture to underscore and legitimate ideologies. From suburban development to building facades, the conflict between nationalists and colonialists has inscribed itself on Dublin’s landscape. Andrew Kincaid illustrates how the architecture and urban planning of Dublin have been integral to debates about nationalism, modernism, and Ireland’s relationship to the rest of the world. Looking at objects such as Londonderry’s Market House, Patrick Abercrombie’s Dublin of the Future, and the urban renewal project of today’s Temple Bar, Kincaid highlights Ireland’s colonial history and the significance of architecture in the evolution of national identity. In doing so, he demonstrates how ideology “spatializes” itself. Postcolonial Dublin engages the prevailing historical representations of Irish nationalism, arguing that the evolving city reflected a debate over who would hold the reins of power. Bringing the tools of literary criticism and postcolonial theory to bear on the field of urban studies, Kincaid places Dublin at the forefront of debates over modernism, modernity, and globalization.
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
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$37.95
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Summary:
In The City after Property, Sara Safransky examines how postindustrial decline generates new forms of urban land politics. In the 2010s, Detroit government officials classified a staggering 150,000 lots—more than a third of the city—as “vacant” or “abandoned.” Analyzing subsequent efforts to shrink the Motor City’s footprint and budget, Safransky presents a new way of(...)
$37.95
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Summary:
In The City after Property, Sara Safransky examines how postindustrial decline generates new forms of urban land politics. In the 2010s, Detroit government officials classified a staggering 150,000 lots—more than a third of the city—as “vacant” or “abandoned.” Analyzing subsequent efforts to shrink the Motor City’s footprint and budget, Safransky presents a new way of(...)
Title:
The city after property: Abandonment and repair in postindustrial Detroit
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Summary:
In The City after Property, Sara Safransky examines how postindustrial decline generates new forms of urban land politics. In the 2010s, Detroit government officials classified a staggering 150,000 lots—more than a third of the city—as “vacant” or “abandoned.” Analyzing subsequent efforts to shrink the Motor City’s footprint and budget, Safransky presents a new way of conceptualizing urban abandonment. She challenges popular myths that cast Detroit as empty along with narratives that reduce its historical decline to capital and white flight. In connecting contemporary debates over neoliberal urbanism to Cold War histories and the lasting political legacies of global movements for decolonization and Black liberation, she foregrounds how the making of—and challenges to—modern property regimes have shaped urban policy and politics. Drawing on critical geographical theory and community-based ethnography, Safransky shows how private property functions as a racialized construct, an ideology, and a moral force that shapes selves and worlds. By thinking the city “after property,” Safransky illuminates alternative ways of imagining and organizing urban life.
The city after property: Abandonment and repair in postindustrial Detroit
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$37.95
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Summary:
In The City after Property, Sara Safransky examines how postindustrial decline generates new forms of urban land politics. In the 2010s, Detroit government officials classified a staggering 150,000 lots—more than a third of the city—as “vacant” or “abandoned.” Analyzing subsequent efforts to shrink the Motor City’s footprint and budget, Safransky presents a new way of conceptualizing urban abandonment. She challenges popular myths that cast Detroit as empty along with narratives that reduce its historical decline to capital and white flight. In connecting contemporary debates over neoliberal urbanism to Cold War histories and the lasting political legacies of global movements for decolonization and Black liberation, she foregrounds how the making of—and challenges to—modern property regimes have shaped urban policy and politics. Drawing on critical geographical theory and community-based ethnography, Safransky shows how private property functions as a racialized construct, an ideology, and a moral force that shapes selves and worlds. By thinking the city “after property,” Safransky illuminates alternative ways of imagining and organizing urban life.
Title:
Modernism in late-Mao China
Modernism in late-Mao China
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$81.50
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Summary:
This book investigates the architectural history of China in the Mao era (1949–1976), focusing on the rise of modernism in the last seven years of the Cultural Revolution from 1969 to 1976. It highlights the new architecture of this period, exemplified by three clusters of buildings for foreign affairs, namely buildings for foreign diplomacy in Beijing, buildings for(...)
$81.50
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Summary:
This book investigates the architectural history of China in the Mao era (1949–1976), focusing on the rise of modernism in the last seven years of the Cultural Revolution from 1969 to 1976. It highlights the new architecture of this period, exemplified by three clusters of buildings for foreign affairs, namely buildings for foreign diplomacy in Beijing, buildings for(...)
Title:
Modernism in late-Mao China
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Summary:
This book investigates the architectural history of China in the Mao era (1949–1976), focusing on the rise of modernism in the last seven years of the Cultural Revolution from 1969 to 1976. It highlights the new architecture of this period, exemplified by three clusters of buildings for foreign affairs, namely buildings for foreign diplomacy in Beijing, buildings for foreign trade in Guangzhou and China’s foreign aid projects overseas. The emergence of new architecture in the early 1970s is closely associated with China’s political and diplomatic shift of the time, from a radical emphasis on ideological struggle to a dynamic balance between leftist ideology and pragmatic concerns. In this context, China’s relations with the West quickly improved, culminating with American president Richard Nixon’s visit to China in 1972. The increasing foreign affairs brought new opportunities to Chinese architects who referenced both Western modernism and Chinese architectural traditions to create a new version of Chinese modernism. The book brings dimensions of form, politics and knowledge to the analysis of architecture, to construct an understanding of architectural design as an aesthetic, political and intellectual practice.
Modernism in late-Mao China
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$81.50
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Summary:
This book investigates the architectural history of China in the Mao era (1949–1976), focusing on the rise of modernism in the last seven years of the Cultural Revolution from 1969 to 1976. It highlights the new architecture of this period, exemplified by three clusters of buildings for foreign affairs, namely buildings for foreign diplomacy in Beijing, buildings for foreign trade in Guangzhou and China’s foreign aid projects overseas. The emergence of new architecture in the early 1970s is closely associated with China’s political and diplomatic shift of the time, from a radical emphasis on ideological struggle to a dynamic balance between leftist ideology and pragmatic concerns. In this context, China’s relations with the West quickly improved, culminating with American president Richard Nixon’s visit to China in 1972. The increasing foreign affairs brought new opportunities to Chinese architects who referenced both Western modernism and Chinese architectural traditions to create a new version of Chinese modernism. The book brings dimensions of form, politics and knowledge to the analysis of architecture, to construct an understanding of architectural design as an aesthetic, political and intellectual practice.