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"Words, Books, and the Spaces They Inhabit" is the first of Mari Shaw's series "The Noble Art of Collecting". With examples of unexpected collectors and serendipitous outcomes, Shaw investigates the obscure desires that shape art collecting and the public goodwill that results from it. What was lost when the scrolls in the ancient library of Alexandria were destroyed? How(...)
The noble art of collecting: words, books, and the spaces they inhabit
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"Words, Books, and the Spaces They Inhabit" is the first of Mari Shaw's series "The Noble Art of Collecting". With examples of unexpected collectors and serendipitous outcomes, Shaw investigates the obscure desires that shape art collecting and the public goodwill that results from it. What was lost when the scrolls in the ancient library of Alexandria were destroyed? How did Catherine the Great's collecting change the way we think? How do Jeff Bezos and Amazon.com expand our appreciation of books as objects? Though the ways we communicate live and vary, history has been created, recorded, and preserved in writing. Words and the spaces that contain them are crucial to an empathetic understanding of our world.
Literature and poetry
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In "More than the eyes", writer Ellen Mara De Wachter considers the ways in which food, when used as a material in contemporary art, confronts, subverts and ultimately brings us to our senses. Focusing on artists working between 1960 and 2000, the book shows how we have become restricted by a hierarchy that values sight and reason above other senses, and how encounters(...)
More than the eyes: Art, food and the senses
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In "More than the eyes", writer Ellen Mara De Wachter considers the ways in which food, when used as a material in contemporary art, confronts, subverts and ultimately brings us to our senses. Focusing on artists working between 1960 and 2000, the book shows how we have become restricted by a hierarchy that values sight and reason above other senses, and how encounters with food in art can help us break this bind. By putting food at the center of the highly visual art world, the artists in this book quicken a range of sensations beyond visual perception, helping us access and liberate aspects of our experience that have been ignored or suppressed.
Art Theory
Lee Friedlander: Life still
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How does the United States seem, at once, so small and big, quiet and loud, phony and true? In his first Aperture monograph, "Life Still," Lee Friedlander (born in Aberdeen, Washington, 1934) reimagines the presentation of his oeuvre at age ninety-one, bringing together rarely seen and unpublished images from the past sixty years alongside new work to stage a visual(...)
Lee Friedlander: Life still
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How does the United States seem, at once, so small and big, quiet and loud, phony and true? In his first Aperture monograph, "Life Still," Lee Friedlander (born in Aberdeen, Washington, 1934) reimagines the presentation of his oeuvre at age ninety-one, bringing together rarely seen and unpublished images from the past sixty years alongside new work to stage a visual dialogue between past and present. Pulitzer Prize–winning writer Hua Hsu observes how these stubborn paradoxes of the American consciousness— the irony, humor, and self-conflict—remain as vivid today as they always have been. By seeing contradictions in the commonplace, Friedlander presents us with a book of enduring riddles about American culture.
Photography monographs
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radition and precedent inspire invention, architectural drawing, and media practice. This issue of AD presents a series of encounters with printed drawings, leading to their transformation and reimagination. Archival media from the John Nichols Printmakers & Publishers Collection, located at the A83 gallery in New York City, becomes the foundation for a series of new(...)
AD 03:95 Reimagining architectural drawing: Print and process
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radition and precedent inspire invention, architectural drawing, and media practice. This issue of AD presents a series of encounters with printed drawings, leading to their transformation and reimagination. Archival media from the John Nichols Printmakers & Publishers Collection, located at the A83 gallery in New York City, becomes the foundation for a series of new works by contemporary architects. Collectively exhibited at A83 under the title ''The Sixth Somewhat Annual Meeting'', these drawings explore ways archival artifacts can be newly activated, how intricate material objects invite non-normative readings, and how shifts in media forms produce complex differential effects. The contributors address these concerns through close engagement with specific works, expanding the conversation between drawing, archive, and publication.
Magazines
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'Sharing the Land' explores how human beings perceive, represent, and give meaning to nature – and how these processes continually shape one another. The practice of Sabina Timmermans spans drawing, painting, and spatial installation. It begins in the landscape, where she spends long periods experiencing its physical and sensory elements, which in the studio develop into(...)
Sabina Timmermans: Sharing the Land, Notes on Nature
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'Sharing the Land' explores how human beings perceive, represent, and give meaning to nature – and how these processes continually shape one another. The practice of Sabina Timmermans spans drawing, painting, and spatial installation. It begins in the landscape, where she spends long periods experiencing its physical and sensory elements, which in the studio develop into large charcoal drawings, collages, and clay models. By extracting natural forms from their original context and rendering them as sculptural, bodily presences, her images take on the resemblance of living beings. The layered process of creation mirrors the slow rhythms of natural growth. 'Sharing the Land' combines artworks with photographs, field notes, and texts by guest writers Rebecca Nelemans and Norbert Peeters.
Photography monographs
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Politics and media are constantly dealing with the shifting definitions of facts, truth, reality, and fiction. Yet this is something the field of documentary art has been addressing for much longer. The contributions in this volume are from and about artists who explore the boundaries between fact and fiction by playing with the notion of the “documentary”. The book draws(...)
When fact is fiction: documentary art in the post-truth era
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Politics and media are constantly dealing with the shifting definitions of facts, truth, reality, and fiction. Yet this is something the field of documentary art has been addressing for much longer. The contributions in this volume are from and about artists who explore the boundaries between fact and fiction by playing with the notion of the “documentary”. The book draws from a wide range of documentary art practices, such as working with archival materials or scrutinising one’s own subjective stance as an artist. It observes how artists deploy the fine line between fact and fiction as a means to imagine versions of the future, and how it can still have an impact in the world of today.
Art Theory
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Designed by Kenzo Tange (1913–2005), the Yoyogi National Gymnasium was completed in 1964. It is situated in an open area in Tokyo and was built for the Olympic Games held that year. The iconic structure, with its elegantly curved roofs suspended from twin masts, is an architectural marvel. Inspired by the Coliseum in Rome, as well as by the architecture of Le Corbusier(...)
Yoyogi National Gymnaisum and Kenzo Tange
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Designed by Kenzo Tange (1913–2005), the Yoyogi National Gymnasium was completed in 1964. It is situated in an open area in Tokyo and was built for the Olympic Games held that year. The iconic structure, with its elegantly curved roofs suspended from twin masts, is an architectural marvel. Inspired by the Coliseum in Rome, as well as by the architecture of Le Corbusier and Eero Saarinen, Tange adapted Western ideas to meet Japanese aesthetics. In this book, five viewpoints for evaluating the facility are examined in detail. Through the lens of Japanese modernism, it reveals how the structure was made, and how the gymnasium and swimming pool have been used and managed since.
Architecture Monographs
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In a series of written exchanges, David Campany and Stanley Wolukau-Wanambwa consider the options for photography in resisting the oppressive orthodoxies of racial capital, conservative history, and neoliberal visual culture. How does the essential indeterminacy of photography square with the need to work out alternative practices? How is visibility achieved beyond the(...)
Theory of Photography
June 2022
Indeterminacy: Thoughts on time, the image and race(ism)
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In a series of written exchanges, David Campany and Stanley Wolukau-Wanambwa consider the options for photography in resisting the oppressive orthodoxies of racial capital, conservative history, and neoliberal visual culture. How does the essential indeterminacy of photography square with the need to work out alternative practices? How is visibility achieved beyond the consensual categories of the mass media and the commodification of art? What models are there for the making and reception of photographic books and exhibitions that might cultivate an active spectatorship beyond boutique consumerism? These urgent questions and more are discussed in a spirit of speculation and possibility, in the light of signal events that have shaped the recent past.
Theory of Photography
Dayanita Singh: file room
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Dayanita Singh's photos of archives and their custodians across India examine how memory is made and how history is narrated. These images bring to light the paradox of archives: they are impersonal in their classifications, yet each is the careful handiwork of an individual archivist, an unsung keeper of history whose decisions generate the sources of much of our(...)
Dayanita Singh: file room
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Dayanita Singh's photos of archives and their custodians across India examine how memory is made and how history is narrated. These images bring to light the paradox of archives: they are impersonal in their classifications, yet each is the careful handiwork of an individual archivist, an unsung keeper of history whose decisions generate the sources of much of our knowledge. Archives are vessels of orthodox fact but can also be the home of neglected details and forgotten documents than can unfix the status quo. As the pace of change in contemporary India accelerates and Indians turn from the past and fix their gaze on the future, what will become of the archive?
Photography monographs
The faraway nearby
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In this book, Rebecca Solnit explores the ways we make our lives out of stories, and how we are connected by empathy, by narrative, by imagination. In the course of unpacking some of her own stories—of her mother and her decline from memory loss, of a trip to Iceland, of an illness—Solnit revisits fairytales and entertains other stories: about arctic explorers, Che(...)
The faraway nearby
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In this book, Rebecca Solnit explores the ways we make our lives out of stories, and how we are connected by empathy, by narrative, by imagination. In the course of unpacking some of her own stories—of her mother and her decline from memory loss, of a trip to Iceland, of an illness—Solnit revisits fairytales and entertains other stories: about arctic explorers, Che Guevara among the leper colonies, and Mary Shelley’s Dr. Frankenstein, about warmth and coldness, pain and kindness, decay and transformation, making art and making self. Woven together, these stories create a map which charts the boundaries and territories of storytelling, reframing who each of us is and how we might tell our story.
Architectural Theory