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Today, one in five homeowners in American cities and suburbs lives in a multifamily home rather than a single-family dwelling. As the American dream evolves, precipitated by declining real estate prices and a renewed interest in city living, many predict that condos will become the predominant form of housing in the 21st century. In this unprecedented study Matthew Gordon(...)
High life : condo living in the suburban century
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Today, one in five homeowners in American cities and suburbs lives in a multifamily home rather than a single-family dwelling. As the American dream evolves, precipitated by declining real estate prices and a renewed interest in city living, many predict that condos will become the predominant form of housing in the 21st century. In this unprecedented study Matthew Gordon Lasner explores the history of co-owned multifamily housing in the United States, from New York City's first co-op, in 1881, to contemporary condo and townhouse complexes coast to coast. Lasner explains the complicated social, economic, and political factors that have increased demand for this way of living, situating the trend within the larger housing market and broad shifts in residential architecture. He contrasts the prevalence and popularity of condos, townhouses, and other privately governed communities with their ambiguous economic, legal, and social standing, as well as their striking absence from urban and architectural history.
Architectural Theory
Simon Johnston: Meridian
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The Meridian project is a series of large-format black-and-white photographs taken in England on the line of zero degrees longitude. Using GPS technology to establish accurate locations, Simon Johnston took photographs on this line from coast to coast, with the camera facing either due north or due south. A vertical fluorescent orange line was then superimposed in the(...)
Simon Johnston: Meridian
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The Meridian project is a series of large-format black-and-white photographs taken in England on the line of zero degrees longitude. Using GPS technology to establish accurate locations, Simon Johnston took photographs on this line from coast to coast, with the camera facing either due north or due south. A vertical fluorescent orange line was then superimposed in the center of the photographs to represent the line of zero degrees longitude. The addition of the line transgresses the conventional purity of the photographic picture plane and makes visible that which is invisible/theoretical/conceptual, this graphic intervention mirroring the way we superimpose a rational grid over the globe, mapping and regulating space and time to better coordinate and facilitate international trade and navigation. In this way, Simon Johnston: Meridian offers both a beautiful cross-section portrait of a country and a reminder of the arbitrary nature of time, of human-constructed temporality.
Photography monographs
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Featuring six of Elliott + Elliott architecture's most emblematic residential projects, Houses of Maine demonstrates that, in the right hands, the rough-around-the-edges individualism and often harsh natural environment for which this coast is known allow for a balanced, serene, and vernacular architecture whose links with the past create nothing less than a confidently(...)
Houses of Maine : Elliott + Elliott architecture
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Featuring six of Elliott + Elliott architecture's most emblematic residential projects, Houses of Maine demonstrates that, in the right hands, the rough-around-the-edges individualism and often harsh natural environment for which this coast is known allow for a balanced, serene, and vernacular architecture whose links with the past create nothing less than a confidently optimistic preview of the region's architectural future.
Residential Architecture
archives
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42 items : illustrations ; 97 cm or smaller
Centre canadien d'architecture : general advertisement : products, 1983-.
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42 items : illustrations ; 97 cm or smaller
archives
Susanne Kriemann: Duskdust
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Duskdust is an artist book by Susanne Kriemann. It takes as its starting point the former industrial site of limestone mining at Furilden peninsula on the northeastern coast of Gotland, Sweden’s biggest island. It is informed by the artist’s ongoing preoccupation with photography, labor, and archaeology and includes photographs taken during her residencies and site(...)
Susanne Kriemann: Duskdust
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Duskdust is an artist book by Susanne Kriemann. It takes as its starting point the former industrial site of limestone mining at Furilden peninsula on the northeastern coast of Gotland, Sweden’s biggest island. It is informed by the artist’s ongoing preoccupation with photography, labor, and archaeology and includes photographs taken during her residencies and site visits, archival material as well as text contributions by invited authors.
Photography monographs
This is the way to the moon
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First published in 1963, Sasek rockets readers to Cape Canaveral—the space capital of the world, a science-fiction-turned-fact spot on the Florida coast—with a nostalgic look at the electronic brains that put our man up into space and brought him down again. Also included are the updated statistics about the lunar landing and a mini history of NASA’s space program.
This is the way to the moon
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First published in 1963, Sasek rockets readers to Cape Canaveral—the space capital of the world, a science-fiction-turned-fact spot on the Florida coast—with a nostalgic look at the electronic brains that put our man up into space and brought him down again. Also included are the updated statistics about the lunar landing and a mini history of NASA’s space program.
Children's Books
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Issue 11 of ‘A Magazine’ explores the world of Kate and Laura Mulleavy of Rodarte. In an ode to the West Coast and the Mulleavy’s singular vision of America, A#11 weaves a vibrant tapestry of natural and built environments, featuring inspiring landscapes and the characters that inhabit those worlds, from the crowds on the beaches of Santa Cruz to California’s now extinct(...)
A magazine curated by no.11 : Rodarte
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Issue 11 of ‘A Magazine’ explores the world of Kate and Laura Mulleavy of Rodarte. In an ode to the West Coast and the Mulleavy’s singular vision of America, A#11 weaves a vibrant tapestry of natural and built environments, featuring inspiring landscapes and the characters that inhabit those worlds, from the crowds on the beaches of Santa Cruz to California’s now extinct Grizzlies.
Magazines
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Presenting over thirty gardens and landscapes located across Brazil, from the coast to the hills, from the cities to the jungle, New Brazilian Gardens offers an exciting and vibrant overview of current practice by designers hardly known outside the country. Newly available in paperback, this publication gives new insights into the debate about design versus horticulture(...)
New brazilian gardens: the legacy of Burle Marx
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Presenting over thirty gardens and landscapes located across Brazil, from the coast to the hills, from the cities to the jungle, New Brazilian Gardens offers an exciting and vibrant overview of current practice by designers hardly known outside the country. Newly available in paperback, this publication gives new insights into the debate about design versus horticulture and provides an extensive resource for every form of gardener.
Gardens
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In 1955 two photographers were awarded grants from the John Simon Guggenheim Foundation to embark on trips across the United States. Robert Frank (1924–2019) drove coast to coast, photographing the highways, bars, and people that formed the basis for his widely admired publication ''The Americans'' (1958). Todd Webb (1905–2000) walked across the country, searching for(...)
America and other myths: Robert Frank and Todd Webb, 1955
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In 1955 two photographers were awarded grants from the John Simon Guggenheim Foundation to embark on trips across the United States. Robert Frank (1924–2019) drove coast to coast, photographing the highways, bars, and people that formed the basis for his widely admired publication ''The Americans'' (1958). Todd Webb (1905–2000) walked across the country, searching for ''vanishing Americana and what is taking its place.'' Unaware of each other’s work, the photographers produced strikingly similar images of the highway, parades, and dim, smoky barrooms. Yet while Frank’s grainy, off-kilter style revealed many inequities of American life, Webb’s carefully composed images embraced clear detail and celebrated the individual oddities of Americans and their locales. This revelatory book is the first to publish Webb’s 1955 photographs and connects these parallel projects for the first time. More than one hundred images accompany text illuminating Frank’s and Webb’s different perspectives and approaches to similar subjects and places; the difference in reception of Frank’s iconic work and Webb’s relatively unknown series; and the place of the road trip in shaping American identity at midcentury.
Photography monographs
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In 2011, Malagasy photographer Emmanuelle Andrianjafy arrived in the port city of Dakar, situated on the westernmost African coast, overlooking the Atlantic Ocean. 'Nothing’s in Vain' is Adrianjafy’s response to the experience of uprooting to the Senegalese capital, a city as vibrant as it is disorientating. The sequence of images careens between street scenes, portraits,(...)
Emmanuelle Andrianjafy: Nothing's in vain
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In 2011, Malagasy photographer Emmanuelle Andrianjafy arrived in the port city of Dakar, situated on the westernmost African coast, overlooking the Atlantic Ocean. 'Nothing’s in Vain' is Adrianjafy’s response to the experience of uprooting to the Senegalese capital, a city as vibrant as it is disorientating. The sequence of images careens between street scenes, portraits, landscapes, and close-up details, recreating her fluctuating experience of the multiple faces of the city.
Photography monographs