1036 Results
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books
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$42.00
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This book contextualizes the Creativity Exercises–an amateur art course led by neo-avant-garde artists Miklós Erdély and Dóra Maurer in Budapest from 1975 to 1977– within the postwar intellectual networks that connected artists, architects, educators, sociologists, and other socially engaged professionals, fostering the exchange of ideas and concepts and making(...)
$42.00
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Summary:
This book contextualizes the Creativity Exercises–an amateur art course led by neo-avant-garde artists Miklós Erdély and Dóra Maurer in Budapest from 1975 to 1977– within the postwar intellectual networks that connected artists, architects, educators, sociologists, and other socially engaged professionals, fostering the exchange of ideas and concepts and making(...)
Title:
Creativity exercises: emancipatory pedagogies in art and beyond
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$42.00
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This book contextualizes the Creativity Exercises–an amateur art course led by neo-avant-garde artists Miklós Erdély and Dóra Maurer in Budapest from 1975 to 1977– within the postwar intellectual networks that connected artists, architects, educators, sociologists, and other socially engaged professionals, fostering the exchange of ideas and concepts and making connections between different fields of knowledge. The first part of the publication consists of historical texts translated into English for the first time, including the exercise descriptions that functioned as the curriculum for the Creativity Exercises, studies written on the methods employed in the Creativity Exercises course, and parallel models for progressive pedagogies and art education. In the second part of the book, newly commissioned essays offer historical and transnational context for the ''case study'' of the Creativity Exercises course. The impact that such ''creativity exercises'' had on aesthetic, educational and institutional concepts, and the impulses for participation, co-creation, knowledge production and exchange that they continue to give–even beyond the realm of art– are the central themes of the book.
Creativity exercises: emancipatory pedagogies in art and beyond
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$42.00
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Summary:
This book contextualizes the Creativity Exercises–an amateur art course led by neo-avant-garde artists Miklós Erdély and Dóra Maurer in Budapest from 1975 to 1977– within the postwar intellectual networks that connected artists, architects, educators, sociologists, and other socially engaged professionals, fostering the exchange of ideas and concepts and making connections between different fields of knowledge. The first part of the publication consists of historical texts translated into English for the first time, including the exercise descriptions that functioned as the curriculum for the Creativity Exercises, studies written on the methods employed in the Creativity Exercises course, and parallel models for progressive pedagogies and art education. In the second part of the book, newly commissioned essays offer historical and transnational context for the ''case study'' of the Creativity Exercises course. The impact that such ''creativity exercises'' had on aesthetic, educational and institutional concepts, and the impulses for participation, co-creation, knowledge production and exchange that they continue to give–even beyond the realm of art– are the central themes of the book.
Form:
books
books
Publication:
February 2021
February 2021
Subject:
Art Theory
Art Theory
Form:
books
books
Price:
$60.00
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Summary:
The English architects Alison Smithson (1928–1993) and Peter Smithson (1923–2003) were ringleaders of the New Brutalism, active in CIAM and Team 10, and influential in English Pop Art. The Smithsons, who met as architecture students, built only a few buildings but wrote prolifically throughout their career, leaving a body of writings that consider issues in architecture(...)
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The English architects Alison Smithson (1928–1993) and Peter Smithson (1923–2003) were ringleaders of the New Brutalism, active in CIAM and Team 10, and influential in English Pop Art. The Smithsons, who met as architecture students, built only a few buildings but wrote prolifically throughout their career, leaving a body of writings that consider issues in architecture(...)
Title:
Not quite architecture: writing around Alison and Peter Smithson
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The English architects Alison Smithson (1928–1993) and Peter Smithson (1923–2003) were ringleaders of the New Brutalism, active in CIAM and Team 10, and influential in English Pop Art. The Smithsons, who met as architecture students, built only a few buildings but wrote prolifically throughout their career, leaving a body of writings that consider issues in architecture and urbanism and also take up subjects that are “not quite architecture” (the name of a series of articles written by Alison Smithson for the Architects’ Journal)—including fashion design, graphic communication, and children’s tales. In this book, M. Christine Boyer explores the Smithsons’ writings—books, articles, lectures, unpublished manuscripts, and private papers. She focuses on unpublished material, reading the letter, the scribbled note, the undelivered lecture, the scrapbook, the “magic box,” as words in the language of modern architectural history—especially that of postwar England, where the Smithsons and other architects were at the center of the richest possible range of cultural encounters. Boyer is “writing around” the Smithsons’ work by considering the cultural contexts in which they formed and wrote about their ideas.
Not quite architecture: writing around Alison and Peter Smithson
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$60.00
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Summary:
The English architects Alison Smithson (1928–1993) and Peter Smithson (1923–2003) were ringleaders of the New Brutalism, active in CIAM and Team 10, and influential in English Pop Art. The Smithsons, who met as architecture students, built only a few buildings but wrote prolifically throughout their career, leaving a body of writings that consider issues in architecture and urbanism and also take up subjects that are “not quite architecture” (the name of a series of articles written by Alison Smithson for the Architects’ Journal)—including fashion design, graphic communication, and children’s tales. In this book, M. Christine Boyer explores the Smithsons’ writings—books, articles, lectures, unpublished manuscripts, and private papers. She focuses on unpublished material, reading the letter, the scribbled note, the undelivered lecture, the scrapbook, the “magic box,” as words in the language of modern architectural history—especially that of postwar England, where the Smithsons and other architects were at the center of the richest possible range of cultural encounters. Boyer is “writing around” the Smithsons’ work by considering the cultural contexts in which they formed and wrote about their ideas.
Form:
books
books
Publication:
March 2017
March 2017
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Price:
$95.00
(available to order)
Summary:
Built between 1954 and 1959, Stuttgart’s Romeo and Julia tower blocks defied the staggering banality of postwar German housing with bold colors and jagged triangular balconies. Designed by Hans Scharoun (1893–1972) toward the end of a career dedicated to experimentation and the development of a new and democratic style of architecture, Romeo and Julia constitute the most(...)
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Summary:
Built between 1954 and 1959, Stuttgart’s Romeo and Julia tower blocks defied the staggering banality of postwar German housing with bold colors and jagged triangular balconies. Designed by Hans Scharoun (1893–1972) toward the end of a career dedicated to experimentation and the development of a new and democratic style of architecture, Romeo and Julia constitute the most(...)
Title:
Hans Scharoun and the development of small apartment floor plans
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Built between 1954 and 1959, Stuttgart’s Romeo and Julia tower blocks defied the staggering banality of postwar German housing with bold colors and jagged triangular balconies. Designed by Hans Scharoun (1893–1972) toward the end of a career dedicated to experimentation and the development of a new and democratic style of architecture, Romeo and Julia constitute the most daring and original attempts to recalibrate the ''dwelling process.'' Drawing on a vast trove of previously unpublished materials held in the archives of the Akademie der Künste in Berlin, Markus Peter and Ulrike Tillmann offer unprecedented insight into Scharoun’s design process. His writings and lectures of several decades show him weaving together the diverse strands of research that were to form the basis for his floor plans. Inherently curious and undeterred by contradictions and complexity, Scharoun was unflagging in his efforts to build on his understanding of what housing is about. Romeo and Julia, with their innovative and socially responsive organization of space, thus mark the culmination of the architect’s profound and long-standing engagement with a fundamental human need.
Hans Scharoun and the development of small apartment floor plans
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$95.00
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Summary:
Built between 1954 and 1959, Stuttgart’s Romeo and Julia tower blocks defied the staggering banality of postwar German housing with bold colors and jagged triangular balconies. Designed by Hans Scharoun (1893–1972) toward the end of a career dedicated to experimentation and the development of a new and democratic style of architecture, Romeo and Julia constitute the most daring and original attempts to recalibrate the ''dwelling process.'' Drawing on a vast trove of previously unpublished materials held in the archives of the Akademie der Künste in Berlin, Markus Peter and Ulrike Tillmann offer unprecedented insight into Scharoun’s design process. His writings and lectures of several decades show him weaving together the diverse strands of research that were to form the basis for his floor plans. Inherently curious and undeterred by contradictions and complexity, Scharoun was unflagging in his efforts to build on his understanding of what housing is about. Romeo and Julia, with their innovative and socially responsive organization of space, thus mark the culmination of the architect’s profound and long-standing engagement with a fundamental human need.
Form:
books
books
Publication:
February 2020
February 2020
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$56.95
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Summary:
With its emphasis on permanence and stability, architecture at first resists an easy pairing with live performance, usually considered ephemeral and elusive. But architecture and performance share a core concern: the interplay of bodies and space. 'Bodybuilding' examines the use of live performance by architects. Looking past the unbuilt, utopian projects of the early(...)
$56.95
(available in store)
Summary:
With its emphasis on permanence and stability, architecture at first resists an easy pairing with live performance, usually considered ephemeral and elusive. But architecture and performance share a core concern: the interplay of bodies and space. 'Bodybuilding' examines the use of live performance by architects. Looking past the unbuilt, utopian projects of the early(...)
Subject:
Architectural Theory
Architectural Theory
Publication:
January 2019
January 2019
Title:
Bodybuilding: architecture and performance
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$56.95
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With its emphasis on permanence and stability, architecture at first resists an easy pairing with live performance, usually considered ephemeral and elusive. But architecture and performance share a core concern: the interplay of bodies and space. 'Bodybuilding' examines the use of live performance by architects. Looking past the unbuilt, utopian projects of the early modernists or the postwar avant-garde, the authors unearth an alternative canon of architects who actually employ performance to fortify the process of building, or else to explore architecture’s enmeshment with labor, security, race, migration, the environment, gentrification, and public assembly. For these architects, performance can be a tool, a method, or a heuristic device; in every case, performance is a blade that cuts into the matter of architecture. With rates of construction plummeting after the financial crisis of 2007–08, newly minted architects have had to find alternative ways to continue working within the field. 'Bodybuilding' grounds these new practices within a century of precedents, and insists that performance is a critical tool to rethink architecture’s agency, goals, and aesthetics.
Bodybuilding: architecture and performance
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$56.95
(available in store)
Summary:
With its emphasis on permanence and stability, architecture at first resists an easy pairing with live performance, usually considered ephemeral and elusive. But architecture and performance share a core concern: the interplay of bodies and space. 'Bodybuilding' examines the use of live performance by architects. Looking past the unbuilt, utopian projects of the early modernists or the postwar avant-garde, the authors unearth an alternative canon of architects who actually employ performance to fortify the process of building, or else to explore architecture’s enmeshment with labor, security, race, migration, the environment, gentrification, and public assembly. For these architects, performance can be a tool, a method, or a heuristic device; in every case, performance is a blade that cuts into the matter of architecture. With rates of construction plummeting after the financial crisis of 2007–08, newly minted architects have had to find alternative ways to continue working within the field. 'Bodybuilding' grounds these new practices within a century of precedents, and insists that performance is a critical tool to rethink architecture’s agency, goals, and aesthetics.
Form:
books
books
Publication:
January 2019
January 2019
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Price:
$69.50
(available to order)
Summary:
Real estate developers are integral to understanding the split narratives of twentieth-century American urban history. Rather than divide the decline of downtowns and the rise of suburbs into separate tales, Sara Stevens uses the figure of the real estate developer to explore how cities found new urban and architectural forms through both suburbanization and urban(...)
$69.50
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Real estate developers are integral to understanding the split narratives of twentieth-century American urban history. Rather than divide the decline of downtowns and the rise of suburbs into separate tales, Sara Stevens uses the figure of the real estate developer to explore how cities found new urban and architectural forms through both suburbanization and urban(...)
Title:
Developing expertise: architecture and real estate in metropolitan america
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Real estate developers are integral to understanding the split narratives of twentieth-century American urban history. Rather than divide the decline of downtowns and the rise of suburbs into separate tales, Sara Stevens uses the figure of the real estate developer to explore how cities found new urban and architectural forms through both suburbanization and urban renewal. Through nuanced discussions of Chicago, Kansas City, Detroit, Pittsburgh, Denver, Washington, D.C., and New York, Stevens explains how real estate developers, though often maligned, have shaped public policy through professional organizations, promoted investment security through design, and brought suburban models to downtowns. In this timely book, she considers how developers partnered with prominent architects, including Ludwig Mies van der Rohe and I. M. Pei, to sell their modern urban visions to the public. By viewing real estate developers as a critical link between capital and construction in prewar suburban development and postwar urban renewal, Stevens offers an original and enlightening look at the complex connections among suburbs and downtowns, policy, finance, and architectural history.
Developing expertise: architecture and real estate in metropolitan america
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$69.50
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Real estate developers are integral to understanding the split narratives of twentieth-century American urban history. Rather than divide the decline of downtowns and the rise of suburbs into separate tales, Sara Stevens uses the figure of the real estate developer to explore how cities found new urban and architectural forms through both suburbanization and urban renewal. Through nuanced discussions of Chicago, Kansas City, Detroit, Pittsburgh, Denver, Washington, D.C., and New York, Stevens explains how real estate developers, though often maligned, have shaped public policy through professional organizations, promoted investment security through design, and brought suburban models to downtowns. In this timely book, she considers how developers partnered with prominent architects, including Ludwig Mies van der Rohe and I. M. Pei, to sell their modern urban visions to the public. By viewing real estate developers as a critical link between capital and construction in prewar suburban development and postwar urban renewal, Stevens offers an original and enlightening look at the complex connections among suburbs and downtowns, policy, finance, and architectural history.
Form:
books
books
Publication:
November 2016
November 2016
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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$99.95
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Craig Ellwood was one of the finest California architects of the postwar era. By the time he was thirty he had already contributed three of the seminal Case Study Houses and received the São Paulo Award for his Courtyard Apartments. Subsequently influenced by Mies, he went on to design a lengthy series of stark minimalist structures, peaking with the Pasadena Art Center.(...)
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Craig Ellwood was one of the finest California architects of the postwar era. By the time he was thirty he had already contributed three of the seminal Case Study Houses and received the São Paulo Award for his Courtyard Apartments. Subsequently influenced by Mies, he went on to design a lengthy series of stark minimalist structures, peaking with the Pasadena Art Center.(...)
Title:
Craig Ellwood : in the spirit of the time
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Craig Ellwood was one of the finest California architects of the postwar era. By the time he was thirty he had already contributed three of the seminal Case Study Houses and received the São Paulo Award for his Courtyard Apartments. Subsequently influenced by Mies, he went on to design a lengthy series of stark minimalist structures, peaking with the Pasadena Art Center. With the support of John Entenza, editor of the influential magazine Arts & Architecture, Ellwood was, until the late 1960s, widely considered to be one of the most innovative American architects of the period. This book documents all the Ellwood buildings that remain on the records, a total of some ninety structures. Its 600 illustrations include comprehensive archival photography (including Ellwood’s own pictures and others by Julius Shulman), original drawings, and, for those buildings that remain in good condition, recent images. Due to the loss of most of the original drawings, 80 floor plans have been redrawn for this publication, making this book as close a record of Ellwood’s complete works as is possible today.
Craig Ellwood : in the spirit of the time
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Summary:
Craig Ellwood was one of the finest California architects of the postwar era. By the time he was thirty he had already contributed three of the seminal Case Study Houses and received the São Paulo Award for his Courtyard Apartments. Subsequently influenced by Mies, he went on to design a lengthy series of stark minimalist structures, peaking with the Pasadena Art Center. With the support of John Entenza, editor of the influential magazine Arts & Architecture, Ellwood was, until the late 1960s, widely considered to be one of the most innovative American architects of the period. This book documents all the Ellwood buildings that remain on the records, a total of some ninety structures. Its 600 illustrations include comprehensive archival photography (including Ellwood’s own pictures and others by Julius Shulman), original drawings, and, for those buildings that remain in good condition, recent images. Due to the loss of most of the original drawings, 80 floor plans have been redrawn for this publication, making this book as close a record of Ellwood’s complete works as is possible today.
Form:
books
books
Publication:
October 1999, Barcelona
October 1999, Barcelona
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
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$102.00
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Summary:
Thomas Demand provokes confrontations between photography's poles of fact and fiction. True-to-size paper models are photographed and then scaled down, while traces of event and person are systematically removed, leaving phantom images of the proposed "crime scene" that seem at once familiar and dreamlike. Demand's 2009 Nationalgalerie (Berlin) exhibition and catalogue(...)
$102.00
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Summary:
Thomas Demand provokes confrontations between photography's poles of fact and fiction. True-to-size paper models are photographed and then scaled down, while traces of event and person are systematically removed, leaving phantom images of the proposed "crime scene" that seem at once familiar and dreamlike. Demand's 2009 Nationalgalerie (Berlin) exhibition and catalogue(...)
Subject:
Photography monographs
Photography monographs
Publication:
January 2010
January 2010
Title:
Thomas Demand, Nationalgalerie
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$102.00
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Thomas Demand provokes confrontations between photography's poles of fact and fiction. True-to-size paper models are photographed and then scaled down, while traces of event and person are systematically removed, leaving phantom images of the proposed "crime scene" that seem at once familiar and dreamlike. Demand's 2009 Nationalgalerie (Berlin) exhibition and catalogue bring together his work on German history since 1945--a scrutiny of the "Deutschlandbild," the "German image." These reflections, reconstructed in photographs from a variety of scenarios in the postwar period, encourage the viewer to consider the complexity of the photographic document. Demand's representations of the social and historical are introduced not as monoliths but as places of multiple possibility, halls of mirrors in which the viewer is forced to confront--rather than be fed--potential distortions. His concern for the pliability of human memory and the play between the central and peripheral image contributes to the vibrancy of his art. For Demand, the photographer's accomplishment lies in "re-privatisating that which is constructed as a public opinion."
Thomas Demand, Nationalgalerie
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$102.00
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Summary:
Thomas Demand provokes confrontations between photography's poles of fact and fiction. True-to-size paper models are photographed and then scaled down, while traces of event and person are systematically removed, leaving phantom images of the proposed "crime scene" that seem at once familiar and dreamlike. Demand's 2009 Nationalgalerie (Berlin) exhibition and catalogue bring together his work on German history since 1945--a scrutiny of the "Deutschlandbild," the "German image." These reflections, reconstructed in photographs from a variety of scenarios in the postwar period, encourage the viewer to consider the complexity of the photographic document. Demand's representations of the social and historical are introduced not as monoliths but as places of multiple possibility, halls of mirrors in which the viewer is forced to confront--rather than be fed--potential distortions. His concern for the pliability of human memory and the play between the central and peripheral image contributes to the vibrancy of his art. For Demand, the photographer's accomplishment lies in "re-privatisating that which is constructed as a public opinion."
Form:
books
books
Publication:
January 2010
January 2010
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$38.95
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Summary:
Beautiful Data is both a history of big data and interactivity, and a sophisticated meditation on ideas about vision and cognition in the second half of the twentieth century. Contending that our forms of attention, observation, and truth are contingent and contested, Orit Halpern historicizes the ways that we are trained, and train ourselves, to observe and analyze the(...)
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Summary:
Beautiful Data is both a history of big data and interactivity, and a sophisticated meditation on ideas about vision and cognition in the second half of the twentieth century. Contending that our forms of attention, observation, and truth are contingent and contested, Orit Halpern historicizes the ways that we are trained, and train ourselves, to observe and analyze the(...)
Title:
Beautiful data: a history of vision and reason since 1945
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Beautiful Data is both a history of big data and interactivity, and a sophisticated meditation on ideas about vision and cognition in the second half of the twentieth century. Contending that our forms of attention, observation, and truth are contingent and contested, Orit Halpern historicizes the ways that we are trained, and train ourselves, to observe and analyze the world. Tracing the postwar impact of cybernetics and the communication sciences on the social and human sciences, design, arts, and urban planning, she finds a radical shift in attitudes toward recording and displaying information. These changed attitudes produced what she calls communicative objectivity: new forms of observation, rationality, and economy based on the management and analysis of data. Halpern complicates assumptions about the value of data and visualization, arguing that changes in how we manage and train perception, and define reason and intelligence, are also transformations in governmentality. She also challenges the paradoxical belief that we are experiencing a crisis of attention caused by digital media, a crisis that can be resolved only through intensified media consumption.
Beautiful data: a history of vision and reason since 1945
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$38.95
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Summary:
Beautiful Data is both a history of big data and interactivity, and a sophisticated meditation on ideas about vision and cognition in the second half of the twentieth century. Contending that our forms of attention, observation, and truth are contingent and contested, Orit Halpern historicizes the ways that we are trained, and train ourselves, to observe and analyze the world. Tracing the postwar impact of cybernetics and the communication sciences on the social and human sciences, design, arts, and urban planning, she finds a radical shift in attitudes toward recording and displaying information. These changed attitudes produced what she calls communicative objectivity: new forms of observation, rationality, and economy based on the management and analysis of data. Halpern complicates assumptions about the value of data and visualization, arguing that changes in how we manage and train perception, and define reason and intelligence, are also transformations in governmentality. She also challenges the paradoxical belief that we are experiencing a crisis of attention caused by digital media, a crisis that can be resolved only through intensified media consumption.
Form:
books
books
Publication:
August 2014
August 2014
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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$80.00
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Summary:
In this radical rethinking of the art of Louise Nevelson (1899–1988), Julia Bryan-Wilson provides a long-overdue critical account of a signature figure in postwar sculpture. A Ukraine-born Jewish immigrant, Nevelson persevered in the male-dominated New York art world. Nonetheless, her careful procedures of construction—in which she assembled found pieces of wood into(...)
$80.00
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Summary:
In this radical rethinking of the art of Louise Nevelson (1899–1988), Julia Bryan-Wilson provides a long-overdue critical account of a signature figure in postwar sculpture. A Ukraine-born Jewish immigrant, Nevelson persevered in the male-dominated New York art world. Nonetheless, her careful procedures of construction—in which she assembled found pieces of wood into(...)
Title:
Louise Nevelson Sculpture: Drag, color, join, face
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In this radical rethinking of the art of Louise Nevelson (1899–1988), Julia Bryan-Wilson provides a long-overdue critical account of a signature figure in postwar sculpture. A Ukraine-born Jewish immigrant, Nevelson persevered in the male-dominated New York art world. Nonetheless, her careful procedures of construction—in which she assembled found pieces of wood into elaborate structures, usually painted black—have been little studied. Organized around a series of key operations in Nevelson’s own process (dragging, coloring, joining, and facing), the book comprises four slipcased, individually bound volumes that can be read in any order. Both form and content thus echo Nevelson’s own modular sculptures, the gridded boxes of which the artist herself rearranged. Exploring how Nevelson’s making relates to domesticity, racialized matter, gendered labor, and the environment, Bryan-Wilson offers a sustained examination of the social and political implications of Nevelson’s art. The author also approaches Nevelson’s sculptures from her own embodied subjectivity as a queer feminist scholar. She forges an expansive art history that places Nevelson’s assemblages in dialogue with a wide array of marginalized worldmaking and underlines the artist’s proclamation of allegiance to blackness.
Louise Nevelson Sculpture: Drag, color, join, face
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$80.00
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Summary:
In this radical rethinking of the art of Louise Nevelson (1899–1988), Julia Bryan-Wilson provides a long-overdue critical account of a signature figure in postwar sculpture. A Ukraine-born Jewish immigrant, Nevelson persevered in the male-dominated New York art world. Nonetheless, her careful procedures of construction—in which she assembled found pieces of wood into elaborate structures, usually painted black—have been little studied. Organized around a series of key operations in Nevelson’s own process (dragging, coloring, joining, and facing), the book comprises four slipcased, individually bound volumes that can be read in any order. Both form and content thus echo Nevelson’s own modular sculptures, the gridded boxes of which the artist herself rearranged. Exploring how Nevelson’s making relates to domesticity, racialized matter, gendered labor, and the environment, Bryan-Wilson offers a sustained examination of the social and political implications of Nevelson’s art. The author also approaches Nevelson’s sculptures from her own embodied subjectivity as a queer feminist scholar. She forges an expansive art history that places Nevelson’s assemblages in dialogue with a wide array of marginalized worldmaking and underlines the artist’s proclamation of allegiance to blackness.
Form:
books
books
Publication:
June 2023
June 2023
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Hansaviertel portraits
Hansaviertel portraits
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$65.00
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Summary:
A former debris-strewn wasteland in the inner city—some 300 out of 343 residential buildings were destroyed during the Second World War—the Hansaviertel is one of the most defining architecture projects of the postwar period in Berlin. In 1952, an international ideas competition was held under the title die stadt von morgen (the city of tomorrow); more than fifty(...)
$65.00
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Summary:
A former debris-strewn wasteland in the inner city—some 300 out of 343 residential buildings were destroyed during the Second World War—the Hansaviertel is one of the most defining architecture projects of the postwar period in Berlin. In 1952, an international ideas competition was held under the title die stadt von morgen (the city of tomorrow); more than fifty(...)
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
Publication:
October 2024
October 2024
Title:
Hansaviertel portraits
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$65.00
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Summary:
A former debris-strewn wasteland in the inner city—some 300 out of 343 residential buildings were destroyed during the Second World War—the Hansaviertel is one of the most defining architecture projects of the postwar period in Berlin. In 1952, an international ideas competition was held under the title die stadt von morgen (the city of tomorrow); more than fifty architects presented plans for the rebuilding of West Berlin, including leading practitioners of Western modernist architecture like Alvar Aalto, Werner Düttmann, Egon Eiermann, Walter Gropius, Arne Jacobsen, Oscar Niemeyer, and Max Taut. Construction based on their designs in the redevelopment area began in 1956. The result was a neighborhood designed for people and their needs—largely without predetermined paths, with lots of greenery, flexible floor plans, space for small businesses, and facilities for everyday needs. Visiting the area and its people today, one can still feel the designers’ visionary resolve to establish new ways of residential living. Locals are united by their fascination with architecture and design and their love for their neighborhood, which over the decades has developed an authentic patina and now stands as witness to a key chapter in the city’s more recent history.
Hansaviertel portraits
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$65.00
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Summary:
A former debris-strewn wasteland in the inner city—some 300 out of 343 residential buildings were destroyed during the Second World War—the Hansaviertel is one of the most defining architecture projects of the postwar period in Berlin. In 1952, an international ideas competition was held under the title die stadt von morgen (the city of tomorrow); more than fifty architects presented plans for the rebuilding of West Berlin, including leading practitioners of Western modernist architecture like Alvar Aalto, Werner Düttmann, Egon Eiermann, Walter Gropius, Arne Jacobsen, Oscar Niemeyer, and Max Taut. Construction based on their designs in the redevelopment area began in 1956. The result was a neighborhood designed for people and their needs—largely without predetermined paths, with lots of greenery, flexible floor plans, space for small businesses, and facilities for everyday needs. Visiting the area and its people today, one can still feel the designers’ visionary resolve to establish new ways of residential living. Locals are united by their fascination with architecture and design and their love for their neighborhood, which over the decades has developed an authentic patina and now stands as witness to a key chapter in the city’s more recent history.
Form:
books
books
Publication:
October 2024
October 2024
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
