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After achieving international acclaim as a painter and designer, El Lissitzky set out in 1924 to convince the world—and himself—that he was also an architect. He did this with a project for a "horizontal skyscraper," which he gave an obscure and untranslatable name: Wolkenbügel. Eight of these buildings, perched atop slender pillars, were intended to stand at major(...)
Wolkenbügel: El Lissitzky as architect
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After achieving international acclaim as a painter and designer, El Lissitzky set out in 1924 to convince the world—and himself—that he was also an architect. He did this with a project for a "horizontal skyscraper," which he gave an obscure and untranslatable name: Wolkenbügel. Eight of these buildings, perched atop slender pillars, were intended to stand at major intersections along Moscow's Boulevard Ring, integrating the flow of tramlines, subways, and elevators. In "Wolkenbügel", Richard Anderson explores Lissitzky's translation of visual and textual media into spatial ideas and offers an in-depth study of the surviving drawings and archival artifacts related to Lissitzky's most complex architectural proposal. This book offers a new and definitive account of how Lissitzky expanded the conceptual and representational tools available to the modern architect by drawing on many sources—including photography, typography, exhibition design, and even the elementary forms of the alphabet—to create the Wolkenbügel. Anderson shows how the production and reception of a paper project served to link key ideas and relationships that animated the worlds of art and architecture, offering a new view on received histories of the interwar avant-gardes. By attending to Lissitzky's singular architectural project, Anderson reveals the dynamics of internationality in the constitution of modern architectural culture in Europe.
Architecture Monographs
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Urban theory traditionally links modernity to the city, to the historical emergence of certain forms of subjectivity and the rise of important developments in culture, arts and architecture. This is often in response to technological, economic and societal transformations in the nineteenth- and early twentieth-centuries in select Euro-American metropolises. In contrast,(...)
Istanbul open city: exhibiting anxieties of urban modernity
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Urban theory traditionally links modernity to the city, to the historical emergence of certain forms of subjectivity and the rise of important developments in culture, arts and architecture. This is often in response to technological, economic and societal transformations in the nineteenth- and early twentieth-centuries in select Euro-American metropolises. In contrast, non-Western cities in the modern period are often considered through the lens of Westernization and development. How do we account for urban modernity in "other" cities?
Bertoia: the metalworker
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From chapel altarpieces and bronze fountains, to wire chairs and silver brooches, Harry Bertoia's creative output was varied in the extreme. This book explores his entire career: his move from Italy to Detroit at 15; his formative years at Cranbrook; his work with Charles Eames and Knoll; through to his fascinating sound sculptures. In doing so, the book demonstrates how(...)
Bertoia: the metalworker
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From chapel altarpieces and bronze fountains, to wire chairs and silver brooches, Harry Bertoia's creative output was varied in the extreme. This book explores his entire career: his move from Italy to Detroit at 15; his formative years at Cranbrook; his work with Charles Eames and Knoll; through to his fascinating sound sculptures. In doing so, the book demonstrates how seemingly disparate works are in fact united in being reflections of nature, and places Bertoia's art squarely at the heart of American modernism.
Design Monographs
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"Urban future" brings together commentaries from a wide range of contemporary disciplines and fields relevant to urban culture, form and society. The book concerns cities in the broadest sense, not just as buildings and spaces, but also as processes and events or sites of occupation, in which meanings are constructed in many ways. The contributors draw on their(...)
Urban futures : critical commentaries on shaping the city
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"Urban future" brings together commentaries from a wide range of contemporary disciplines and fields relevant to urban culture, form and society. The book concerns cities in the broadest sense, not just as buildings and spaces, but also as processes and events or sites of occupation, in which meanings are constructed in many ways. The contributors draw on their specialist areas of research to inform current debate, but they also speculate as to how cities will be in the twenty-first century.
Urban Theory
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«Designing cities» is the first reader to be published in the thriving field of urban design. It has been assembled to appeal to a broad range of readers interested in how the design of cities comes about. Provides a complex and integrated perspective on the field of urban design. Carefully structured, so that students will gain an understanding of the theoretical(...)
Urban Theory
October 2002, Malden / Oxford / Carlton / Berlin
Designing cities : critical readings in urban design
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«Designing cities» is the first reader to be published in the thriving field of urban design. It has been assembled to appeal to a broad range of readers interested in how the design of cities comes about. Provides a complex and integrated perspective on the field of urban design. Carefully structured, so that students will gain an understanding of the theoretical context from which urban design has emerged. Includes work by Manuel Castells, David Harvey, Christian Norberg-Schultz, Peter Marcuse and others.
Urban Theory
books
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Since the early 1990s, the American artist Frank Stella (b. 1936) has designed various architectural structures, including a band shell, pavilions, and museums. This book demonstrates how Stella’s formal concerns have evolved from paintings to wall reliefs to freestanding sculptures that extend into architecture. Included are illustrations of the 25 works in the(...)
Frank Stella : painting into archtiecture
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Since the early 1990s, the American artist Frank Stella (b. 1936) has designed various architectural structures, including a band shell, pavilions, and museums. This book demonstrates how Stella’s formal concerns have evolved from paintings to wall reliefs to freestanding sculptures that extend into architecture. Included are illustrations of the 25 works in the accompanying exhibition that range from small models to a portion of a building at full scale. Photographs of works by architects who have influenced Stella are also featured.
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August 2007, New York, New Haven, London
Models
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The pandemic has once made us more aware of the fragility of life and the importance of being able to properly mourn the dead. Dramaturg Guy Cools has been researching laments and other rituals of mourning. He is particularly interested in how the emotions of loss need to be externalised. The laments are a formal device, used in many cultures to express and contain the(...)
Performing mourning: Laments in contemporary art
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The pandemic has once made us more aware of the fragility of life and the importance of being able to properly mourn the dead. Dramaturg Guy Cools has been researching laments and other rituals of mourning. He is particularly interested in how the emotions of loss need to be externalised. The laments are a formal device, used in many cultures to express and contain the emotions of grief. In a poetic, meandering, personal way Cools explores cultural habits, traditions, rituals, and artists' performances.
Art Theory
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This title demonstrates how color enhances and contextualizes the environment of the projects within. The visual language of color can communicate symbols, status, spirit, strength, and a sense of purpose, and its new applications to buildings represent a great leap in the discipline of architecture. Brighten it Up promises to be a standard work on the subject that every(...)
Color in space: brightening it up
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This title demonstrates how color enhances and contextualizes the environment of the projects within. The visual language of color can communicate symbols, status, spirit, strength, and a sense of purpose, and its new applications to buildings represent a great leap in the discipline of architecture. Brighten it Up promises to be a standard work on the subject that every architect and architectural office will want to have handy in their library, as well as anyone involved in outdoor design or urban planning.
Contemporary Architecture
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The book provides a systematic and close reading of Benjamin’s critical and provocative writings on the intersection between media - from print to electronic - and modern experience, with reference to the information industry, the urban spectacle, and the aesthetic politics. Bringing Benjamin’s thought into a critical constellation with contemporary media theorists such(...)
Walter Benjamin and the media: the spectacle of modernity
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The book provides a systematic and close reading of Benjamin’s critical and provocative writings on the intersection between media - from print to electronic - and modern experience, with reference to the information industry, the urban spectacle, and the aesthetic politics. Bringing Benjamin’s thought into a critical constellation with contemporary media theorists such as Marshall McLuhan and Jean Baudrillard, the book helps students understand the implications of Benjamin’s work for media studies today and how they can apply his distinctive ideas to contemporary media culture.
Critical Theory
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This volume is a nuanced intellectual history of architectural innovation in California between 1920 and 1970. It demonstrates how this prolific era of modern architecture was propelled by divergent views about the dynamic between interior and exterior, the idea of permanence, and the extent to which architects could exercise control over the inhabitants of their structures.
Nothing permanent: Modern architecture in California
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This volume is a nuanced intellectual history of architectural innovation in California between 1920 and 1970. It demonstrates how this prolific era of modern architecture was propelled by divergent views about the dynamic between interior and exterior, the idea of permanence, and the extent to which architects could exercise control over the inhabitants of their structures.
Modernism