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In 1981, while summering on the island of Hydra, Greece, Brice Marden began painting on small fragments of marble from local quarries. These compositions marked a transitional moment in his career. Marden has continued to make marble paintings since that time. This volume commemorates an exhibition of the artist’s marble paintings presented at Gagosian, Athens, in 2020.(...)
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In 1981, while summering on the island of Hydra, Greece, Brice Marden began painting on small fragments of marble from local quarries. These compositions marked a transitional moment in his career. Marden has continued to make marble paintings since that time. This volume commemorates an exhibition of the artist’s marble paintings presented at Gagosian, Athens, in 2020.(...)
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Brice Marden: Marbles and drawings
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In 1981, while summering on the island of Hydra, Greece, Brice Marden began painting on small fragments of marble from local quarries. These compositions marked a transitional moment in his career. Marden has continued to make marble paintings since that time. This volume commemorates an exhibition of the artist’s marble paintings presented at Gagosian, Athens, in 2020. To complement the marbles, Marden selected a small group of ink drawings on paper and a six-panel painting. Together with full views and details of individual works, this volume features installation photography and a new essay by Dimitrios Antonitsis, in English and Greek, that considers the marble paintings in the context of the artist’s long connection to Hydra.
Brice Marden: Marbles and drawings
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In 1981, while summering on the island of Hydra, Greece, Brice Marden began painting on small fragments of marble from local quarries. These compositions marked a transitional moment in his career. Marden has continued to make marble paintings since that time. This volume commemorates an exhibition of the artist’s marble paintings presented at Gagosian, Athens, in 2020. To complement the marbles, Marden selected a small group of ink drawings on paper and a six-panel painting. Together with full views and details of individual works, this volume features installation photography and a new essay by Dimitrios Antonitsis, in English and Greek, that considers the marble paintings in the context of the artist’s long connection to Hydra.
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books
books
Publication:
September 2021
September 2021
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
Title:
Elisabeth Wild: Fantasias
Elisabeth Wild: Fantasias
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This monograph exhibits Elisabeth Wild’s kaleidoscopic and vibrant collages. Using cutouts of commercial imagery from glossy magazines, Wild composes a dimensionless reality that is witty yet menacing, ancient yet immortal. Imagining figures that are structural and anatomical, her work presents a shimmering dream logic. Wooden totems and stone altars, woven rugs, and(...)
$47.95
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This monograph exhibits Elisabeth Wild’s kaleidoscopic and vibrant collages. Using cutouts of commercial imagery from glossy magazines, Wild composes a dimensionless reality that is witty yet menacing, ancient yet immortal. Imagining figures that are structural and anatomical, her work presents a shimmering dream logic. Wooden totems and stone altars, woven rugs, and(...)
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Elisabeth Wild: Fantasias
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This monograph exhibits Elisabeth Wild’s kaleidoscopic and vibrant collages. Using cutouts of commercial imagery from glossy magazines, Wild composes a dimensionless reality that is witty yet menacing, ancient yet immortal. Imagining figures that are structural and anatomical, her work presents a shimmering dream logic. Wooden totems and stone altars, woven rugs, and precious stones are the cosmic architectural inhabitants that unveil the artist’s fantasies. Along with Wild’s collages, this volume includes contributions by poet Negma Coy, curator Adam Szymczyk, art educator and writer Barbara Casavecchia, art historian and critic Noit Banai, and gallerist Karolina Dankow of Karma International, all which frame the importance of this singular artist’s work and life. Born in Austria, Elisabeth Wild (1922-2020) fled to Argentina during WWII with her parents. In 1962 the family escaped the regime of Juan Peron and found a new home in Basel, Switzerland. Wild opened an antique shop at St. Johannstor which became the outlet for her creativity at the time and also supported her and her family financially. Until her death at the age of 98, Wild was carefully crafting her light-hearted, joyous abstract worlds walking the line between construction and deconstruction. Alongside her daughter, Vivian Suter, Wild has exhibited at Kunsthalle Basel, documenta 14, and the Powerplant in Toronto.
Elisabeth Wild: Fantasias
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This monograph exhibits Elisabeth Wild’s kaleidoscopic and vibrant collages. Using cutouts of commercial imagery from glossy magazines, Wild composes a dimensionless reality that is witty yet menacing, ancient yet immortal. Imagining figures that are structural and anatomical, her work presents a shimmering dream logic. Wooden totems and stone altars, woven rugs, and precious stones are the cosmic architectural inhabitants that unveil the artist’s fantasies. Along with Wild’s collages, this volume includes contributions by poet Negma Coy, curator Adam Szymczyk, art educator and writer Barbara Casavecchia, art historian and critic Noit Banai, and gallerist Karolina Dankow of Karma International, all which frame the importance of this singular artist’s work and life. Born in Austria, Elisabeth Wild (1922-2020) fled to Argentina during WWII with her parents. In 1962 the family escaped the regime of Juan Peron and found a new home in Basel, Switzerland. Wild opened an antique shop at St. Johannstor which became the outlet for her creativity at the time and also supported her and her family financially. Until her death at the age of 98, Wild was carefully crafting her light-hearted, joyous abstract worlds walking the line between construction and deconstruction. Alongside her daughter, Vivian Suter, Wild has exhibited at Kunsthalle Basel, documenta 14, and the Powerplant in Toronto.
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books
books
Publication:
August 2021
August 2021
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
Title:
Change the name of the days
Change the name of the days
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In the tradition of conceptual action books, American artist David Horvitz (born 1982) has created a long-form poem developed initially as a collaboration between the artist and his five-year-old daughter. ''Change the name of the days'' offers a collection of 32 lessons and short teaching units in the form of a colorful and graphic text-based artist’s book. From(...)
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In the tradition of conceptual action books, American artist David Horvitz (born 1982) has created a long-form poem developed initially as a collaboration between the artist and his five-year-old daughter. ''Change the name of the days'' offers a collection of 32 lessons and short teaching units in the form of a colorful and graphic text-based artist’s book. From(...)
Title:
Change the name of the days
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In the tradition of conceptual action books, American artist David Horvitz (born 1982) has created a long-form poem developed initially as a collaboration between the artist and his five-year-old daughter. ''Change the name of the days'' offers a collection of 32 lessons and short teaching units in the form of a colorful and graphic text-based artist’s book. From instructions such as ''welcome the night into your house'' to ''exchange breaths with a plant,'' this publication invites reflection upon the immateriality of the world surrounding us. The prompts also provide the reader with an opportunity to develop a performative action for each lesson, constituting their own personal collection of poetic instruments. The book is enriched with a text by author and Fluxus specialist Natilee Harren.
Change the name of the days
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In the tradition of conceptual action books, American artist David Horvitz (born 1982) has created a long-form poem developed initially as a collaboration between the artist and his five-year-old daughter. ''Change the name of the days'' offers a collection of 32 lessons and short teaching units in the form of a colorful and graphic text-based artist’s book. From instructions such as ''welcome the night into your house'' to ''exchange breaths with a plant,'' this publication invites reflection upon the immateriality of the world surrounding us. The prompts also provide the reader with an opportunity to develop a performative action for each lesson, constituting their own personal collection of poetic instruments. The book is enriched with a text by author and Fluxus specialist Natilee Harren.
Form:
books
books
Publication:
September 2021
September 2021
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Hélio Oiticica
Hélio Oiticica
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A concise introduction to the pioneering formal and social innovations of the Neoconcretist and Tropicália protagonist. Brazilian artist Hélio Oiticica’s oeuvre remains an indisputable influence on all aspects of avant-garde culture in his home country and abroad, from visual art to music, theater, literature and beyond. This volume demonstrates the numerous ways in which(...)
$81.95
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A concise introduction to the pioneering formal and social innovations of the Neoconcretist and Tropicália protagonist. Brazilian artist Hélio Oiticica’s oeuvre remains an indisputable influence on all aspects of avant-garde culture in his home country and abroad, from visual art to music, theater, literature and beyond. This volume demonstrates the numerous ways in which(...)
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Contemporary Art Monographs
Contemporary Art Monographs
Publication:
August 2021
August 2021
Title:
Hélio Oiticica
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A concise introduction to the pioneering formal and social innovations of the Neoconcretist and Tropicália protagonist. Brazilian artist Hélio Oiticica’s oeuvre remains an indisputable influence on all aspects of avant-garde culture in his home country and abroad, from visual art to music, theater, literature and beyond. This volume demonstrates the numerous ways in which Oiticica’s work explored and expanded formal artistic modes, pushing past the boundaries of color and structure. Oiticica prioritized the inclusive and participatory possibilities of art, represented through his forays into environmental art and interactive installation. Large-scale projects such as his monumental installation Tropicália (1966–67), which satirizes the idea of Brazil as a tropical paradise, are documented alongside his works on paper and textile pieces. The text traces the evolution of Oiticica’s multidisciplinary practice and underlines the cosmological ideas that guided his approach to art and life, demonstrating the profound impact Oiticica's ideas had on the wider art world, both past and present.
Hélio Oiticica
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A concise introduction to the pioneering formal and social innovations of the Neoconcretist and Tropicália protagonist. Brazilian artist Hélio Oiticica’s oeuvre remains an indisputable influence on all aspects of avant-garde culture in his home country and abroad, from visual art to music, theater, literature and beyond. This volume demonstrates the numerous ways in which Oiticica’s work explored and expanded formal artistic modes, pushing past the boundaries of color and structure. Oiticica prioritized the inclusive and participatory possibilities of art, represented through his forays into environmental art and interactive installation. Large-scale projects such as his monumental installation Tropicália (1966–67), which satirizes the idea of Brazil as a tropical paradise, are documented alongside his works on paper and textile pieces. The text traces the evolution of Oiticica’s multidisciplinary practice and underlines the cosmological ideas that guided his approach to art and life, demonstrating the profound impact Oiticica's ideas had on the wider art world, both past and present.
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books
books
Publication:
August 2021
August 2021
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
David Adjaye Adam Pendleton
David Adjaye Adam Pendleton
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This new volume, designed in collaboration with American artist Adam Pendleton (born 1984) and Ghanaian British artist and architect David Adjaye (born 1966), explores the blurred boundary between art and architecture. Featuring new silkscreen canvases by Pendleton and marble sculptures by Adjaye, this publication brings the artists and their works into conversation. The(...)
$82.00
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This new volume, designed in collaboration with American artist Adam Pendleton (born 1984) and Ghanaian British artist and architect David Adjaye (born 1966), explores the blurred boundary between art and architecture. Featuring new silkscreen canvases by Pendleton and marble sculptures by Adjaye, this publication brings the artists and their works into conversation. The(...)
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David Adjaye Adam Pendleton
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This new volume, designed in collaboration with American artist Adam Pendleton (born 1984) and Ghanaian British artist and architect David Adjaye (born 1966), explores the blurred boundary between art and architecture. Featuring new silkscreen canvases by Pendleton and marble sculptures by Adjaye, this publication brings the artists and their works into conversation. The two collaborators discuss their respective practices and their process of working together on the creation of the exhibition at Pace, as well as notions of history, language, abstraction and space- whether architectonic or on canvas- and how these themes involve and reveal themselves in their work. Images of finished artworks are interspersed with photographs of their production, giving a behind-the-scenes look at process, from the quarrying, cutting and polishing of marble for Adjaye’s works to the meeting of ink and canvas in Pendleton’s studio.
David Adjaye Adam Pendleton
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This new volume, designed in collaboration with American artist Adam Pendleton (born 1984) and Ghanaian British artist and architect David Adjaye (born 1966), explores the blurred boundary between art and architecture. Featuring new silkscreen canvases by Pendleton and marble sculptures by Adjaye, this publication brings the artists and their works into conversation. The two collaborators discuss their respective practices and their process of working together on the creation of the exhibition at Pace, as well as notions of history, language, abstraction and space- whether architectonic or on canvas- and how these themes involve and reveal themselves in their work. Images of finished artworks are interspersed with photographs of their production, giving a behind-the-scenes look at process, from the quarrying, cutting and polishing of marble for Adjaye’s works to the meeting of ink and canvas in Pendleton’s studio.
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books
books
Publication:
August 2021
August 2021
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Dan Graham: Theatre
Dan Graham: Theatre
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This is an artist book that documents seven early performances by Dan Graham taking place from 1969 to 1977 with notes, transcripts, or photographs for each work. Originally published in 1978, and produced here in facsimile form, the publication focuses on several key works that interrogate or undermine the psychological and social space created by, or between,(...)
$22.00
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This is an artist book that documents seven early performances by Dan Graham taking place from 1969 to 1977 with notes, transcripts, or photographs for each work. Originally published in 1978, and produced here in facsimile form, the publication focuses on several key works that interrogate or undermine the psychological and social space created by, or between,(...)
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Dan Graham: Theatre
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This is an artist book that documents seven early performances by Dan Graham taking place from 1969 to 1977 with notes, transcripts, or photographs for each work. Originally published in 1978, and produced here in facsimile form, the publication focuses on several key works that interrogate or undermine the psychological and social space created by, or between, individuals inside the performance venue. Like most of Graham’s work, they also serve as a critique of cultural norms, with many of the performances utilizing quotidian, social acts that are amplified over time.
Dan Graham: Theatre
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$22.00
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Summary:
This is an artist book that documents seven early performances by Dan Graham taking place from 1969 to 1977 with notes, transcripts, or photographs for each work. Originally published in 1978, and produced here in facsimile form, the publication focuses on several key works that interrogate or undermine the psychological and social space created by, or between, individuals inside the performance venue. Like most of Graham’s work, they also serve as a critique of cultural norms, with many of the performances utilizing quotidian, social acts that are amplified over time.
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books
books
Publication:
June 2021
June 2021
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$49.95
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Miriam Sturzenegger se penche d’une manière presque existentielle sur la nature et la perception du dessin. Der Nebel ist ein helles Dunkel/The Fog is a Light Darkness focalise l’échange et la fusion entre le papier et les parois qui constituent ses installations. Le livre nous permet un accès sculptural aux dessins comme à une pensée qui surgit du matériau. Dans les(...)
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Miriam Sturzenegger se penche d’une manière presque existentielle sur la nature et la perception du dessin. Der Nebel ist ein helles Dunkel/The Fog is a Light Darkness focalise l’échange et la fusion entre le papier et les parois qui constituent ses installations. Le livre nous permet un accès sculptural aux dessins comme à une pensée qui surgit du matériau. Dans les(...)
Title:
Miriam Sturzenegger : the fog is a light darkness
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Miriam Sturzenegger se penche d’une manière presque existentielle sur la nature et la perception du dessin. Der Nebel ist ein helles Dunkel/The Fog is a Light Darkness focalise l’échange et la fusion entre le papier et les parois qui constituent ses installations. Le livre nous permet un accès sculptural aux dessins comme à une pensée qui surgit du matériau. Dans les méandres d’un parcours des installations aux dessins dans les carnets, nous cherchons à trouver des repères dans les zones fragiles entre le vide, les traces et la figuration.
Miriam Sturzenegger : the fog is a light darkness
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Miriam Sturzenegger se penche d’une manière presque existentielle sur la nature et la perception du dessin. Der Nebel ist ein helles Dunkel/The Fog is a Light Darkness focalise l’échange et la fusion entre le papier et les parois qui constituent ses installations. Le livre nous permet un accès sculptural aux dessins comme à une pensée qui surgit du matériau. Dans les méandres d’un parcours des installations aux dessins dans les carnets, nous cherchons à trouver des repères dans les zones fragiles entre le vide, les traces et la figuration.
Form:
books
books
Publication:
November 2011
November 2011
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Italy of the Cities
Italy of the Cities
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$64.00
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A veritable film on paper, this catalog has been designed to re-create this innovative installation. At the Shanghai World Expo 2010, 30 000 visitors walked through an experiment in ‘architectural cinema’ that magically transported the audience to countless Italian towns in only a few minutes. This catalog has been designed to recreate in its pages the installation's(...)
$64.00
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Summary:
A veritable film on paper, this catalog has been designed to re-create this innovative installation. At the Shanghai World Expo 2010, 30 000 visitors walked through an experiment in ‘architectural cinema’ that magically transported the audience to countless Italian towns in only a few minutes. This catalog has been designed to recreate in its pages the installation's(...)
Title:
Italy of the Cities
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$64.00
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A veritable film on paper, this catalog has been designed to re-create this innovative installation. At the Shanghai World Expo 2010, 30 000 visitors walked through an experiment in ‘architectural cinema’ that magically transported the audience to countless Italian towns in only a few minutes. This catalog has been designed to recreate in its pages the installation's composite structure. The reader is encouraged to take part in this pleasure trip along the book's pages, amongst signs and colours, words and images, yielding in to curiosity and a visual feast as well as to a refined narration.
Italy of the Cities
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$64.00
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Summary:
A veritable film on paper, this catalog has been designed to re-create this innovative installation. At the Shanghai World Expo 2010, 30 000 visitors walked through an experiment in ‘architectural cinema’ that magically transported the audience to countless Italian towns in only a few minutes. This catalog has been designed to recreate in its pages the installation's composite structure. The reader is encouraged to take part in this pleasure trip along the book's pages, amongst signs and colours, words and images, yielding in to curiosity and a visual feast as well as to a refined narration.
Form:
books
books
Publication:
October 2011
October 2011
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Price:
$54.95
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Summary:
Après avoir détruit sa maison-oeuvre-laboratoire en céramique blanche de Garches, Jean-Pierre Raynaud a exposé au CAPC-musée d’Art contemporain de Bordeaux les gravats, telles des reliques, dans des poubelles métalliques en usage dans les blocs opératoires. Pour lui, en effet, l’oeuvre d’art est un but et son unique raison d’être. « Le but n’est pas de faire des oeuvres(...)
$54.95
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Après avoir détruit sa maison-oeuvre-laboratoire en céramique blanche de Garches, Jean-Pierre Raynaud a exposé au CAPC-musée d’Art contemporain de Bordeaux les gravats, telles des reliques, dans des poubelles métalliques en usage dans les blocs opératoires. Pour lui, en effet, l’oeuvre d’art est un but et son unique raison d’être. « Le but n’est pas de faire des oeuvres(...)
Title:
La maison de Jean-Pierre Raynaud contruction destruction 1969-1993
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Après avoir détruit sa maison-oeuvre-laboratoire en céramique blanche de Garches, Jean-Pierre Raynaud a exposé au CAPC-musée d’Art contemporain de Bordeaux les gravats, telles des reliques, dans des poubelles métalliques en usage dans les blocs opératoires. Pour lui, en effet, l’oeuvre d’art est un but et son unique raison d’être. « Le but n’est pas de faire des oeuvres d’art, il est de vivre l’oeuvre d’art comme un but ». « En 23 ans, la maison a connu cinq stades successifs. Et je tenais beaucoup à en assurer moi-même les métamorphoses. Quand j’ai pris conscience, en 1988, qu’elle était réellement terminée, cela a été un choc terrible, comme l’aboutissement d’une recherche, la fin d’une vie. Je n’ai pas voulu accepter que ma relation avec elle prenne fin, aussi, durant quatre ans, j’ai réfléchi sur le sens de cette « oeuvre » qui m’échouait comme si je devais en être le gardien jusqu’à ma mort. J’ai réalisé qu’étant unique elle méritait plus d’audace et d’égard que cette architecture parfaite, figée qu’elle était devenue, ce qui est le propre des objets d’art, il me fallait lui faire subir un sort exceptionnel, digne d’elle. Je décidai de la métamorphoser, de l’emporter ailleurs, de lui faire vivre une expérience absolue. Pour cela, elle devait se soumettre à une ultime transformation : la démolition ». Jean-Pierre Raynaud, 1993. Le livre retrace l'histoire de la maison, de sa construction à sa destruction. Il est accompagné du film de Michelle Porte (33 min).
La maison de Jean-Pierre Raynaud contruction destruction 1969-1993
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Après avoir détruit sa maison-oeuvre-laboratoire en céramique blanche de Garches, Jean-Pierre Raynaud a exposé au CAPC-musée d’Art contemporain de Bordeaux les gravats, telles des reliques, dans des poubelles métalliques en usage dans les blocs opératoires. Pour lui, en effet, l’oeuvre d’art est un but et son unique raison d’être. « Le but n’est pas de faire des oeuvres d’art, il est de vivre l’oeuvre d’art comme un but ». « En 23 ans, la maison a connu cinq stades successifs. Et je tenais beaucoup à en assurer moi-même les métamorphoses. Quand j’ai pris conscience, en 1988, qu’elle était réellement terminée, cela a été un choc terrible, comme l’aboutissement d’une recherche, la fin d’une vie. Je n’ai pas voulu accepter que ma relation avec elle prenne fin, aussi, durant quatre ans, j’ai réfléchi sur le sens de cette « oeuvre » qui m’échouait comme si je devais en être le gardien jusqu’à ma mort. J’ai réalisé qu’étant unique elle méritait plus d’audace et d’égard que cette architecture parfaite, figée qu’elle était devenue, ce qui est le propre des objets d’art, il me fallait lui faire subir un sort exceptionnel, digne d’elle. Je décidai de la métamorphoser, de l’emporter ailleurs, de lui faire vivre une expérience absolue. Pour cela, elle devait se soumettre à une ultime transformation : la démolition ». Jean-Pierre Raynaud, 1993. Le livre retrace l'histoire de la maison, de sa construction à sa destruction. Il est accompagné du film de Michelle Porte (33 min).
Form:
books
books
Publication:
December 2011
December 2011
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Tauba Auerbach : folds
Tauba Auerbach : folds
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In connection with Tauba Auerbach’s exhibition “Tetrachromat” at Bergen Kunsthall, Folds presents Auerbach’s eponymous painting series for the first time in book form. In these paintings Auerbach twists and folds the canvas before applying the paint. In its stretched form the flat canvas conjures a trompe l’oeil rendering of its previous three-dimensional state.(...)
$52.95
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Summary:
In connection with Tauba Auerbach’s exhibition “Tetrachromat” at Bergen Kunsthall, Folds presents Auerbach’s eponymous painting series for the first time in book form. In these paintings Auerbach twists and folds the canvas before applying the paint. In its stretched form the flat canvas conjures a trompe l’oeil rendering of its previous three-dimensional state.(...)
Title:
Tauba Auerbach : folds
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$52.95
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In connection with Tauba Auerbach’s exhibition “Tetrachromat” at Bergen Kunsthall, Folds presents Auerbach’s eponymous painting series for the first time in book form. In these paintings Auerbach twists and folds the canvas before applying the paint. In its stretched form the flat canvas conjures a trompe l’oeil rendering of its previous three-dimensional state. Transferred to the medium of the book, the paintings are presented here in a new and unexpected way alongside mathematical diagrams and three texts.
Tauba Auerbach : folds
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$52.95
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In connection with Tauba Auerbach’s exhibition “Tetrachromat” at Bergen Kunsthall, Folds presents Auerbach’s eponymous painting series for the first time in book form. In these paintings Auerbach twists and folds the canvas before applying the paint. In its stretched form the flat canvas conjures a trompe l’oeil rendering of its previous three-dimensional state. Transferred to the medium of the book, the paintings are presented here in a new and unexpected way alongside mathematical diagrams and three texts.
Form:
books
books
Publication:
January 2012
January 2012
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
