The CCA galleries are transformed into cinematic screening rooms to present a range of artistic, scientific, and experimental films on speed and space. Selected by curators from the archives of NASA, the Smithsonian National Air and Space Museum (NASM), the National Film Board of Canada (NFB), and UbuWeb, the films explore the impact of velocity and technology on our(...)
Main galleries
25 November 2009 to 28 February 2010
Intermission: Films From a Heroic Future
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Description:
The CCA galleries are transformed into cinematic screening rooms to present a range of artistic, scientific, and experimental films on speed and space. Selected by curators from the archives of NASA, the Smithsonian National Air and Space Museum (NASM), the National Film Board of Canada (NFB), and UbuWeb, the films explore the impact of velocity and technology on our(...)
Main galleries
Over three evenings on 15-17 August, join us for free outdoor Inuit games, stories, food, and films, in parc Baile as part of the 4th edition of the Tillitarniit festival. Organized by Inuit visual artist and filmmaker asinnajaq, this year’s festival titled home, body, land will bring together Inuit artists and filmmakers who are shaping todays world with stories from(...)
15 August 2024 to 17 August 2024, 6pm
Tillitarniit at CCA – home, body, land
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Over three evenings on 15-17 August, join us for free outdoor Inuit games, stories, food, and films, in parc Baile as part of the 4th edition of the Tillitarniit festival. Organized by Inuit visual artist and filmmaker asinnajaq, this year’s festival titled home, body, land will bring together Inuit artists and filmmakers who are shaping todays world with stories from(...)
photographs
ARCH284977
Description:
The slides were developed by CCA, around 1997, from a film. Slides showing landscapes and trees images.
circa 1947-2002
Slides from an unidentified film
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ARCH284977
Description:
The slides were developed by CCA, around 1997, from a film. Slides showing landscapes and trees images.
photographs
circa 1947-2002
Architecture and Its Image examines the complex relationships between drawings, photographs, prints, and other architectural representations and the buildings, landscapes, and cities they represent. The exhibition assembles images dating from the early sixteenth century to the late twentieth century from Tokyo and Rome to Mississauga and Montreal and includes maps, books,(...)
7 May 1989 to 7 August 1989
Architecture and Its Image
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Description:
Architecture and Its Image examines the complex relationships between drawings, photographs, prints, and other architectural representations and the buildings, landscapes, and cities they represent. The exhibition assembles images dating from the early sixteenth century to the late twentieth century from Tokyo and Rome to Mississauga and Montreal and includes maps, books,(...)
Where We Grow Older
The documentary Where We Grow Older (CCA, 2023, 30 min) looks at how the growing ageing population is reshaping architectural and social constructs and questions the role of urban design and politics in facing these challenges. The film investigates two models of how care and housing can be reconceived in light of prolonged lives: public housing and the creation of a new(...)
Where We Grow Older
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The documentary Where We Grow Older (CCA, 2023, 30 min) looks at how the growing ageing population is reshaping architectural and social constructs and questions the role of urban design and politics in facing these challenges. The film investigates two models of how care and housing can be reconceived in light of prolonged lives: public housing and the creation of a new(...)
What It Takes to Make a Home
The CCA film What It Takes to Make a Home (2019) follows a conversation between architects Michael Maltzan (Los Angeles) and Alexander Hagner (Vienna), who address the question of homelessness through various projects.
October 2019
What It Takes to Make a Home
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The CCA film What It Takes to Make a Home (2019) follows a conversation between architects Michael Maltzan (Los Angeles) and Alexander Hagner (Vienna), who address the question of homelessness through various projects.
Although it has hosted concerts in the past, the Paul-Desmarais Theatre is better known for holding conferences and film screenings. Concerts traditionally held in the historic Chapelle historique du Bon-Pasteur will temporarily take place at the CCA and music will be reintroduced in the theatre, initiating new perceptions of sound, and of this space. Mindful of the(...)
Paul-Desmarais Theatre Keyword(s):
CCA, Chapelle historique du Bon-Pasteur, concerts, chamber music, classical music, up-and-coming musicians.
31 January 2024 to 17 May 2024
Chapelle historique du Bon-Pasteur Concerts
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Description:
Although it has hosted concerts in the past, the Paul-Desmarais Theatre is better known for holding conferences and film screenings. Concerts traditionally held in the historic Chapelle historique du Bon-Pasteur will temporarily take place at the CCA and music will be reintroduced in the theatre, initiating new perceptions of sound, and of this space. Mindful of the(...)
Paul-Desmarais Theatre Keyword(s):
CCA, Chapelle historique du Bon-Pasteur, concerts, chamber music, classical music, up-and-coming musicians.
Alongside a growth in decentralized, experimental, and underground cinema at the end of the 1960s and in the early 1970s, many groups operating from inside the field of architecture such as Superstudio, Studio 9999, and Ant Farm explored the short film as a medium to expand architectural discourse, embed their projects with bold reflections and projections of society, and(...)
Octagonal gallery
21 September 2018 to 19 May 2019
Scripts for a new world
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Description:
Alongside a growth in decentralized, experimental, and underground cinema at the end of the 1960s and in the early 1970s, many groups operating from inside the field of architecture such as Superstudio, Studio 9999, and Ant Farm explored the short film as a medium to expand architectural discourse, embed their projects with bold reflections and projections of society, and(...)
Octagonal gallery
video
Quantity:
11 film reel(s)
Berlin: Super 8 original
PHCON2003:0005:008
Description:
Contains film reels which include an original and outtakes. The contents of the individual film reels have now been put on two larger reels by an outside supplier before being returned by Jane Crawford to CCA. Only the original containers have been kept.
1976
Berlin: Super 8 original
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PHCON2003:0005:008
Description:
Contains film reels which include an original and outtakes. The contents of the individual film reels have now been put on two larger reels by an outside supplier before being returned by Jane Crawford to CCA. Only the original containers have been kept.
video
Quantity:
11 film reel(s)
1976
Project
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
1969-1971
Architettura Interplanetaria [Interplanetary Architecture] (1970-1971)
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AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
Project
1969-1971