3014 Results
Form:
textual records
textual records
Actions:
Reference number:
ARCH259289
Description:
Personal income tax documentation.
ARCH259289
Description:
Personal income tax documentation.
People:
Date:
1974-1975
1974-1975
Title:
Personal income taxes H.P.D. & B.L. van Ginkel - fed. & prov. 1974 & 1975
Actions:
ARCH259289
Description:
Personal income tax documentation.
Personal income taxes H.P.D. & B.L. van Ginkel - fed. & prov. 1974 & 1975
Actions:
ARCH259289
Description:
Personal income tax documentation.
Form:
textual records
textual records
Date:
1974-1975
1974-1975
People:
Form:
textual records
textual records
Actions:
Reference number:
ARCH259281
ARCH259281
People:
Date:
1972-1974
1972-1974
Title:
Personal income taxes H.P.D. & B.L. van Ginkel - fed. & prov. 1972, 1973, 1974
Actions:
ARCH259281
Personal income taxes H.P.D. & B.L. van Ginkel - fed. & prov. 1972, 1973, 1974
Actions:
ARCH259281
Form:
textual records
textual records
Date:
1972-1974
1972-1974
People:
Form:
textual records
textual records
Actions:
Reference number:
PHCON2002:0016:001:042.8
PHCON2002:0016:001:042.8
People:
Date:
1970-1978
1970-1978
Title:
An almost official post the parasited host / A flea bitten ape an ape fed flea
Actions:
PHCON2002:0016:001:042.8
An almost official post the parasited host / A flea bitten ape an ape fed flea
Actions:
PHCON2002:0016:001:042.8
Form:
textual records
textual records
Date:
1970-1978
1970-1978
People:
Form:
photographs
photographs
Reference number:
PH1998:0004:004
PH1998:0004:004
People:
Subject:
portrait, sculpture
portrait, sculpture
Date:
after 1921 ?
after 1921 ?
Form:
photographs
photographs
Date:
after 1921 ?
after 1921 ?
People:
Subject:
portrait, sculpture
portrait, sculpture
Form:
textual records
textual records
Actions:
Reference number:
PHCON2002:0016:001:030.5
PHCON2002:0016:001:030.5
People:
Date:
1970-1978
1970-1978
Form:
textual records
textual records
Date:
1970-1978
1970-1978
People:
Form:
articles
articles
Title:
Empire
Empire
Actions:
Issue:
Let us assure you
Let us assure you
Keyword(s):
power, empire, Desert Storm, Victory Day, jet aircraft, bomber, flight, stealth, Lockheed, Boeing, helicopter, Washington DC, Washington Monument, Pentagon, Mall, Lincoln Memorial, grassy knoll, White House, Fed, dome, Senate, Arlington Memorial Bridge, Capitol, Treasury Building, Jefferson Memorial, World War II Memorial, reflecting pool
power, empire, Desert Storm, Victory Day, jet aircraft, bomber, flight, stealth, Lockheed, Boeing, helicopter, Washington DC, Washington Monument, Pentagon, Mall, Lincoln Memorial, grassy knoll, White House, Fed, dome, Senate, Arlington Memorial Bridge, Capitol, Treasury Building, Jefferson Memorial, World War II Memorial, reflecting pool
Published:
23 July 2009
23 July 2009
Issue:
Let us assure you
Let us assure you
Level of archival description:
Project
Project
Actions:
Reference number:
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
People:
Date:
1997-1998
1997-1998
Title:
Terra Cultura – Jyväskylä Music and Arts Centre, international competition entry, Jyväskylä, Finland (1997)
Actions:
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Terra Cultura – Jyväskylä Music and Arts Centre, international competition entry, Jyväskylä, Finland (1997)
Actions:
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Level of archival description:
Project
Project
Date:
1997-1998
1997-1998
People:
Form:
textual records
textual records
Actions:
Reference number:
PHCON2002:0016:004:131
Description:
Leaflet entitled "Balloon Federation of America" (PHCON2002:0016:004:131.1) and Balloon Federation of America registration form (PHCON2002:0016:004:131.2).
PHCON2002:0016:004:131
Description:
Leaflet entitled "Balloon Federation of America" (PHCON2002:0016:004:131.1) and Balloon Federation of America registration form (PHCON2002:0016:004:131.2).
People:
Date:
1978 or before
1978 or before
Title:
"Balloon Federation of America": leaflet and registration form
Actions:
PHCON2002:0016:004:131
Description:
Leaflet entitled "Balloon Federation of America" (PHCON2002:0016:004:131.1) and Balloon Federation of America registration form (PHCON2002:0016:004:131.2).
"Balloon Federation of America": leaflet and registration form
Actions:
PHCON2002:0016:004:131
Description:
Leaflet entitled "Balloon Federation of America" (PHCON2002:0016:004:131.1) and Balloon Federation of America registration form (PHCON2002:0016:004:131.2).
Form:
textual records
textual records
Date:
1978 or before
1978 or before
People:
Form:
drawings, textual records
drawings, textual records
Actions:
Reference number:
AP178.S1.1988.PR07.SS4.020
Description:
Original file title : Edificio 8/9 projectos de instalações This file includes details of lighting, fire detectors, feeders, and telephone lines.
AP178.S1.1988.PR07.SS4.020
Description:
Original file title : Edificio 8/9 projectos de instalações This file includes details of lighting, fire detectors, feeders, and telephone lines.
People:
Date:
1991
1991
Title:
Mechanical drawings, Edifício Castro e Melo, Bloco A, Reconstrução do Chiado, Lisbon
Actions:
AP178.S1.1988.PR07.SS4.020
Description:
Original file title : Edificio 8/9 projectos de instalações This file includes details of lighting, fire detectors, feeders, and telephone lines.
Mechanical drawings, Edifício Castro e Melo, Bloco A, Reconstrução do Chiado, Lisbon
Actions:
AP178.S1.1988.PR07.SS4.020
Description:
Original file title : Edificio 8/9 projectos de instalações This file includes details of lighting, fire detectors, feeders, and telephone lines.
Form:
drawings, textual records
drawings, textual records
Date:
1991
1991
People:
Form:
textual records
textual records
Actions:
Reference number:
AP075.S3.SS1.020
Description:
Contains pamphlets relating to the International Federation of Landscape Architects, notes, printouts, newsletters, and program. Original folder entitled: "WORLD URBAN FORUM BARCELONA / 1994".
AP075.S3.SS1.020
Description:
Contains pamphlets relating to the International Federation of Landscape Architects, notes, printouts, newsletters, and program. Original folder entitled: "WORLD URBAN FORUM BARCELONA / 1994".
People:
Date:
2004
2004
Title:
Cornelia Hahn Oberlander participation to the World Urban Forum in Barcelona
Actions:
AP075.S3.SS1.020
Description:
Contains pamphlets relating to the International Federation of Landscape Architects, notes, printouts, newsletters, and program. Original folder entitled: "WORLD URBAN FORUM BARCELONA / 1994".
Cornelia Hahn Oberlander participation to the World Urban Forum in Barcelona
Actions:
AP075.S3.SS1.020
Description:
Contains pamphlets relating to the International Federation of Landscape Architects, notes, printouts, newsletters, and program. Original folder entitled: "WORLD URBAN FORUM BARCELONA / 1994".
Form:
textual records
textual records
Date:
2004
2004
People:
