This roundtable brings together multidisciplinary scholars from media and film studies, design, and visual culture to explore modernity in China during the 1950s and 1960s through the lens of material production and spatial transformation. Centered on the intensification of productivity in industry and land use, the discussion considers how object-making and(...)
Ying Qian, Weixian Pan, Jennifer Altehenger, Joshua Neves, How Modern, GEM Lab, Concordia
19 February 2026, 6pm to 8pm
Discussion: Revolutionary Matter
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Description:
This roundtable brings together multidisciplinary scholars from media and film studies, design, and visual culture to explore modernity in China during the 1950s and 1960s through the lens of material production and spatial transformation. Centered on the intensification of productivity in industry and land use, the discussion considers how object-making and(...)
Ying Qian, Weixian Pan, Jennifer Altehenger, Joshua Neves, How Modern, GEM Lab, Concordia
books
Description:
viii, 254 pages : illustrations (black and white) ; 24 cm
Seattle : University of Washington Press, [2022]
Material contradictions in Mao's China / edited by Jennifer Altehenger and Denise Y. Ho.
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Holdings:
Description:
viii, 254 pages : illustrations (black and white) ; 24 cm
books
Seattle : University of Washington Press, [2022]
$44.00
(available to order)
Summary:
Bringing together scholars of Chinese art, cinema, culture, performance, and more, this volume shares groundbreaking research on the objects and practices of everyday life in Mao’s China, from bamboo and bricks to dance and film. With engaging narratives and probing analysis, the contributors make a place for China’s experience in the history of global material culture(...)
Material contradictions in Mao's China
Actions:
Price:
$44.00
(available to order)
Summary:
Bringing together scholars of Chinese art, cinema, culture, performance, and more, this volume shares groundbreaking research on the objects and practices of everyday life in Mao’s China, from bamboo and bricks to dance and film. With engaging narratives and probing analysis, the contributors make a place for China’s experience in the history of global material culture and the study of socialist modernity.
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