66 Results
Level of archival description:
Project
Project
Reference number:
AP144.S2.D15
Description:
File documents the Open Space Utilisation Programme, [Stratford?], England, for client Joan Littlewood. The project proposed using a vacant lot for "variable community activities", and possibly for the installation of temporary structure(s). The full scope of the project cannot be determined from the drawing and the correspondence in this file. Material in this file was produced in 1972. File contains a reference drawing and textual records.
AP144.S2.D15
Description:
File documents the Open Space Utilisation Programme, [Stratford?], England, for client Joan Littlewood. The project proposed using a vacant lot for "variable community activities", and possibly for the installation of temporary structure(s). The full scope of the project cannot be determined from the drawing and the correspondence in this file. Material in this file was produced in 1972. File contains a reference drawing and textual records.
Title:
Open Space Utilisation Programme E15 (OSUP)
Actions:
AP144.S2.D15
Description:
File documents the Open Space Utilisation Programme, [Stratford?], England, for client Joan Littlewood. The project proposed using a vacant lot for "variable community activities", and possibly for the installation of temporary structure(s). The full scope of the project cannot be determined from the drawing and the correspondence in this file. Material in this file was produced in 1972. File contains a reference drawing and textual records.
Open Space Utilisation Programme E15 (OSUP)
Actions:
AP144.S2.D15
Description:
File documents the Open Space Utilisation Programme, [Stratford?], England, for client Joan Littlewood. The project proposed using a vacant lot for "variable community activities", and possibly for the installation of temporary structure(s). The full scope of the project cannot be determined from the drawing and the correspondence in this file. Material in this file was produced in 1972. File contains a reference drawing and textual records.
Level of archival description:
File 15
File 15
Date:
1972
1972
Form:
articles
articles
Actions:
Hilary Sample interviewed by Jack Self on how architects can respond to the changing urban dynamics of retail
Published:
9 January 2023
9 January 2023
Title:
Without even trying, retail is civic and political
Hilary Sample interviewed by Jack Self on how architects can respond to the changing urban dynamics of retail
Actions:
Without even trying, retail is civic and political
Hilary Sample interviewed by Jack Self on how architects can respond to the changing urban dynamics of retail
Actions:
Form:
events
events
Actions:
Description:
When Gordon Matta-Clark assembled the titles to and documentation of a dozen-odd small, vacant parcels of New York property between 1974 and 1977 (later assembled and exhibited as Reality Properties: Fake Estates in 1992), it was with no well-formed agenda—other than his view that the availability of vacant and underutilized parcels [was] a direct reminder of the fallacy(...)
When Gordon Matta-Clark assembled the titles to and documentation of a dozen-odd small, vacant parcels of New York property between 1974 and 1977 (later assembled and exhibited as Reality Properties: Fake Estates in 1992), it was with no well-formed agenda—other than his view that the availability of vacant and underutilized parcels [was] a direct reminder of the fallacy(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
22 September 2016, 6pm
22 September 2016, 6pm
Title:
Nicholas de Monchaux: Local Code
Actions:
Description:
When Gordon Matta-Clark assembled the titles to and documentation of a dozen-odd small, vacant parcels of New York property between 1974 and 1977 (later assembled and exhibited as Reality Properties: Fake Estates in 1992), it was with no well-formed agenda—other than his view that the availability of vacant and underutilized parcels [was] a direct reminder of the fallacy(...)
Nicholas de Monchaux: Local Code
Actions:
Description:
When Gordon Matta-Clark assembled the titles to and documentation of a dozen-odd small, vacant parcels of New York property between 1974 and 1977 (later assembled and exhibited as Reality Properties: Fake Estates in 1992), it was with no well-formed agenda—other than his view that the availability of vacant and underutilized parcels [was] a direct reminder of the fallacy(...)
Form:
events
events
Date:
22 September 2016
6pm
22 September 2016
6pm
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Level of archival description:
Project
Project
Title:
Tumbleweeds Catcher (1972)
Tumbleweeds Catcher (1972)
Reference number:
AP207.S1.1972.PR03
Description:
The project series documents "Tumbleweeds Catcher", an installation by Pettena and a group of his students from the University of Utah, in Salt Lake City, in 1972. The installation consisted of a tower-scaffold built on a vacant lot near the city centre and covered with mesh so it could capture the tumbleweeds blown by the wind. Through this installation Pettena's intention was to "highlight the 'work of the land', the tumbleweeds moved by the wind and intercepted by the mesh of the tower, 'naturalize' it, contaminate it, thereby embodying the revenge of nature over urbanized space." [1] A second edition was later presented at the Utah Museum of Contemporary Art in Salt Lake City in 2013. The project series contains photographs of the installation in 1972 and 2013, and drawings and sketches of the tower. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 162.
AP207.S1.1972.PR03
Description:
The project series documents "Tumbleweeds Catcher", an installation by Pettena and a group of his students from the University of Utah, in Salt Lake City, in 1972. The installation consisted of a tower-scaffold built on a vacant lot near the city centre and covered with mesh so it could capture the tumbleweeds blown by the wind. Through this installation Pettena's intention was to "highlight the 'work of the land', the tumbleweeds moved by the wind and intercepted by the mesh of the tower, 'naturalize' it, contaminate it, thereby embodying the revenge of nature over urbanized space." [1] A second edition was later presented at the Utah Museum of Contemporary Art in Salt Lake City in 2013. The project series contains photographs of the installation in 1972 and 2013, and drawings and sketches of the tower. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 162.
Title:
Tumbleweeds Catcher (1972)
Actions:
AP207.S1.1972.PR03
Description:
The project series documents "Tumbleweeds Catcher", an installation by Pettena and a group of his students from the University of Utah, in Salt Lake City, in 1972. The installation consisted of a tower-scaffold built on a vacant lot near the city centre and covered with mesh so it could capture the tumbleweeds blown by the wind. Through this installation Pettena's intention was to "highlight the 'work of the land', the tumbleweeds moved by the wind and intercepted by the mesh of the tower, 'naturalize' it, contaminate it, thereby embodying the revenge of nature over urbanized space." [1] A second edition was later presented at the Utah Museum of Contemporary Art in Salt Lake City in 2013. The project series contains photographs of the installation in 1972 and 2013, and drawings and sketches of the tower. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 162.
Tumbleweeds Catcher (1972)
Actions:
AP207.S1.1972.PR03
Description:
The project series documents "Tumbleweeds Catcher", an installation by Pettena and a group of his students from the University of Utah, in Salt Lake City, in 1972. The installation consisted of a tower-scaffold built on a vacant lot near the city centre and covered with mesh so it could capture the tumbleweeds blown by the wind. Through this installation Pettena's intention was to "highlight the 'work of the land', the tumbleweeds moved by the wind and intercepted by the mesh of the tower, 'naturalize' it, contaminate it, thereby embodying the revenge of nature over urbanized space." [1] A second edition was later presented at the Utah Museum of Contemporary Art in Salt Lake City in 2013. The project series contains photographs of the installation in 1972 and 2013, and drawings and sketches of the tower. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 162.
Level of archival description:
Project
Project
Date:
circa 1972-2017
circa 1972-2017
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Reference number:
AP195
Synopsis:
The Zaha Hadid Architects Phaeno Science Centre project records, 1996-2015, consist of approximately 43,800 digital files that document the design and construction of an interactive science museum in Wolfsburg, Germany. Materials related to presentations, publications, events, and the press are also represented. Formats include chiefly CAD files, especially plotter files and AutoCAD drawings, though related text documents and images are also represented. The majority of the records date from 2000 to 2006.
AP195
Synopsis:
The Zaha Hadid Architects Phaeno Science Centre project records, 1996-2015, consist of approximately 43,800 digital files that document the design and construction of an interactive science museum in Wolfsburg, Germany. Materials related to presentations, publications, events, and the press are also represented. Formats include chiefly CAD files, especially plotter files and AutoCAD drawings, though related text documents and images are also represented. The majority of the records date from 2000 to 2006.
People:
- Zaha Hadid Architects (archive creator)
- Zaha Hadid Architects (architectural firm)
- City of Wolfsburg (client)
- Zaha Hadid (architect)
- Markus Dochantschi (director)
- Patrik Schumacher (director)
- Sara Klomps (project architect)
- Christos Passas (project architect)
- Günter Barczik (assistant architect)
- Kenneth Bostock (assistant architect)
- Eddie Can (assistant architect)
- Lyda Charsouli (assistant architect)
- Chris Dopheide (assistant architect)
- Gernot Finselbach (assistant architect)
- Silvia Forlati (assistant architect)
- Jan Hubener (assistant architect)
- Helmut Kinzler (assistant architect)
- Enrico Kleinke (assistant architect)
- Barbara Kruit (assistant architect)
- Stanley Lau (assistant architect)
- Markus Liermann (assistant architect)
- Niki Neerpasch (assistant architect)
- Yoash Oster (assistant architect)
- David Salazar (assistant architect)
- Constanze Stinnes (assistant architect)
- Caroline Voet (assistant architect)
- Janne Westermann (assistant architect)
- Liam Young (assistant architect)
- Mayer Baehrle (consulting architectural firm)
- Ansel Associates (exhibition designer)
- Fahlke & Dettmer (lighting designer)
- Office for Visual Interaction (lighting designer)
- Adams Kara Taylor (Firm) (structural engineering firm)
- Tokarz Freirichs Leipold (structural engineering firm)
- Buro Happold (mechanical engineering firm)
- NEK (mechanical engineering firm)
- Hanscomb GmbH (quantity surveyors)
(See more)
Date:
1996 - 2015
1996 - 2015
Title:
Zaha Hadid Architects Phaeno Science Centre project records
Actions:
AP195
Synopsis:
The Zaha Hadid Architects Phaeno Science Centre project records, 1996-2015, consist of approximately 43,800 digital files that document the design and construction of an interactive science museum in Wolfsburg, Germany. Materials related to presentations, publications, events, and the press are also represented. Formats include chiefly CAD files, especially plotter files and AutoCAD drawings, though related text documents and images are also represented. The majority of the records date from 2000 to 2006.
Zaha Hadid Architects Phaeno Science Centre project records
Actions:
AP195
Synopsis:
The Zaha Hadid Architects Phaeno Science Centre project records, 1996-2015, consist of approximately 43,800 digital files that document the design and construction of an interactive science museum in Wolfsburg, Germany. Materials related to presentations, publications, events, and the press are also represented. Formats include chiefly CAD files, especially plotter files and AutoCAD drawings, though related text documents and images are also represented. The majority of the records date from 2000 to 2006.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1996 - 2015
1996 - 2015
People:
- Zaha Hadid Architects (archive creator)
- Zaha Hadid Architects (architectural firm)
- City of Wolfsburg (client)
- Zaha Hadid (architect)
- Markus Dochantschi (director)
- Patrik Schumacher (director)
- Sara Klomps (project architect)
- Christos Passas (project architect)
- Günter Barczik (assistant architect)
- Kenneth Bostock (assistant architect)
- Eddie Can (assistant architect)
- Lyda Charsouli (assistant architect)
- Chris Dopheide (assistant architect)
- Gernot Finselbach (assistant architect)
- Silvia Forlati (assistant architect)
- Jan Hubener (assistant architect)
- Helmut Kinzler (assistant architect)
- Enrico Kleinke (assistant architect)
- Barbara Kruit (assistant architect)
- Stanley Lau (assistant architect)
- Markus Liermann (assistant architect)
- Niki Neerpasch (assistant architect)
- Yoash Oster (assistant architect)
- David Salazar (assistant architect)
- Constanze Stinnes (assistant architect)
- Caroline Voet (assistant architect)
- Janne Westermann (assistant architect)
- Liam Young (assistant architect)
- Mayer Baehrle (consulting architectural firm)
- Ansel Associates (exhibition designer)
- Fahlke & Dettmer (lighting designer)
- Office for Visual Interaction (lighting designer)
- Adams Kara Taylor (Firm) (structural engineering firm)
- Tokarz Freirichs Leipold (structural engineering firm)
- Buro Happold (mechanical engineering firm)
- NEK (mechanical engineering firm)
- Hanscomb GmbH (quantity surveyors)
(See more)
Level of archival description:
Project
Project
Title:
Miragaia, Porto
Miragaia, Porto
Actions:
Reference number:
CD034.S1.1975.PR01
Description:
This project series contains reproductions of drawings and panels displayed in the exhibit to document the neighbourhood Miragaia, in Porto Portugal. The exhibit text explained that: ... although the Miragaia project was never built, its seminal and programmatic character contributed significantly to the development of the SAAL Process. The project architect Fernando Távora first worked on the Barredo Neighbourhood ― a very poor area in the Porto's historic centre ― as an architect and teacher at the city's School of Fine Arts, and the Miragaia project built on this research, demonstrating a knowledge of and sensitivity to both the physical terrain and the social landscape of Porto, presenting a nuanced view of life in an urban space. Despite the strengths of the plan, the city council's policy on Porto's historic centre subsequently did not include Távora's project for Miragaia. Nonetheless, in the seriousness of its design and the depth of knowledge that it displayed, the project was a significant attempt to recover and rationalize Miragaia's vacant riverside zone. The highly developed nature of the proposal, its level of surgical precision, and Fernando Távora's thoughtful notes reveal a great deal about SAAL, its structure, its relationship with residents, and the overall model for urban intervention. (The SAAL Process, Housing in Portugal 1974–76) Fernando Távora worked for SAAL/North with Antónia Nolo, Bernardo Ferrão, Gil Carneiro, Joaquim Jordão, Jorge Barros, Manuel Campos, Pedro Paredes and the residents' association Miragaia, that was founded on March 30th, 1976. The project was for 900 dwellings, but none were built. The operation began in June 1975. This project series contains reproductions of design development drawings, presentation panels, site plans and a study of a logo. The original drawings and panels were produced from 1975 to 1977 and were reproduced in 2015 for the exhibit.
CD034.S1.1975.PR01
Description:
This project series contains reproductions of drawings and panels displayed in the exhibit to document the neighbourhood Miragaia, in Porto Portugal. The exhibit text explained that: ... although the Miragaia project was never built, its seminal and programmatic character contributed significantly to the development of the SAAL Process. The project architect Fernando Távora first worked on the Barredo Neighbourhood ― a very poor area in the Porto's historic centre ― as an architect and teacher at the city's School of Fine Arts, and the Miragaia project built on this research, demonstrating a knowledge of and sensitivity to both the physical terrain and the social landscape of Porto, presenting a nuanced view of life in an urban space. Despite the strengths of the plan, the city council's policy on Porto's historic centre subsequently did not include Távora's project for Miragaia. Nonetheless, in the seriousness of its design and the depth of knowledge that it displayed, the project was a significant attempt to recover and rationalize Miragaia's vacant riverside zone. The highly developed nature of the proposal, its level of surgical precision, and Fernando Távora's thoughtful notes reveal a great deal about SAAL, its structure, its relationship with residents, and the overall model for urban intervention. (The SAAL Process, Housing in Portugal 1974–76) Fernando Távora worked for SAAL/North with Antónia Nolo, Bernardo Ferrão, Gil Carneiro, Joaquim Jordão, Jorge Barros, Manuel Campos, Pedro Paredes and the residents' association Miragaia, that was founded on March 30th, 1976. The project was for 900 dwellings, but none were built. The operation began in June 1975. This project series contains reproductions of design development drawings, presentation panels, site plans and a study of a logo. The original drawings and panels were produced from 1975 to 1977 and were reproduced in 2015 for the exhibit.
Title:
Miragaia, Porto
Actions:
CD034.S1.1975.PR01
Description:
This project series contains reproductions of drawings and panels displayed in the exhibit to document the neighbourhood Miragaia, in Porto Portugal. The exhibit text explained that: ... although the Miragaia project was never built, its seminal and programmatic character contributed significantly to the development of the SAAL Process. The project architect Fernando Távora first worked on the Barredo Neighbourhood ― a very poor area in the Porto's historic centre ― as an architect and teacher at the city's School of Fine Arts, and the Miragaia project built on this research, demonstrating a knowledge of and sensitivity to both the physical terrain and the social landscape of Porto, presenting a nuanced view of life in an urban space. Despite the strengths of the plan, the city council's policy on Porto's historic centre subsequently did not include Távora's project for Miragaia. Nonetheless, in the seriousness of its design and the depth of knowledge that it displayed, the project was a significant attempt to recover and rationalize Miragaia's vacant riverside zone. The highly developed nature of the proposal, its level of surgical precision, and Fernando Távora's thoughtful notes reveal a great deal about SAAL, its structure, its relationship with residents, and the overall model for urban intervention. (The SAAL Process, Housing in Portugal 1974–76) Fernando Távora worked for SAAL/North with Antónia Nolo, Bernardo Ferrão, Gil Carneiro, Joaquim Jordão, Jorge Barros, Manuel Campos, Pedro Paredes and the residents' association Miragaia, that was founded on March 30th, 1976. The project was for 900 dwellings, but none were built. The operation began in June 1975. This project series contains reproductions of design development drawings, presentation panels, site plans and a study of a logo. The original drawings and panels were produced from 1975 to 1977 and were reproduced in 2015 for the exhibit.
Miragaia, Porto
Actions:
CD034.S1.1975.PR01
Description:
This project series contains reproductions of drawings and panels displayed in the exhibit to document the neighbourhood Miragaia, in Porto Portugal. The exhibit text explained that: ... although the Miragaia project was never built, its seminal and programmatic character contributed significantly to the development of the SAAL Process. The project architect Fernando Távora first worked on the Barredo Neighbourhood ― a very poor area in the Porto's historic centre ― as an architect and teacher at the city's School of Fine Arts, and the Miragaia project built on this research, demonstrating a knowledge of and sensitivity to both the physical terrain and the social landscape of Porto, presenting a nuanced view of life in an urban space. Despite the strengths of the plan, the city council's policy on Porto's historic centre subsequently did not include Távora's project for Miragaia. Nonetheless, in the seriousness of its design and the depth of knowledge that it displayed, the project was a significant attempt to recover and rationalize Miragaia's vacant riverside zone. The highly developed nature of the proposal, its level of surgical precision, and Fernando Távora's thoughtful notes reveal a great deal about SAAL, its structure, its relationship with residents, and the overall model for urban intervention. (The SAAL Process, Housing in Portugal 1974–76) Fernando Távora worked for SAAL/North with Antónia Nolo, Bernardo Ferrão, Gil Carneiro, Joaquim Jordão, Jorge Barros, Manuel Campos, Pedro Paredes and the residents' association Miragaia, that was founded on March 30th, 1976. The project was for 900 dwellings, but none were built. The operation began in June 1975. This project series contains reproductions of design development drawings, presentation panels, site plans and a study of a logo. The original drawings and panels were produced from 1975 to 1977 and were reproduced in 2015 for the exhibit.
Level of archival description:
Project
Project
Date:
1975-1977
1975-1977
Form:
books
books
Actions:
Holdings:
Description:
607 pages, 1 unnumbered page, 2 unnumbered leaves of plates : illustrations (some color), charts, maps, plans ; 23 cm
Description:
607 pages, 1 unnumbered page, 2 unnumbered leaves of plates : illustrations (some color), charts, maps, plans ; 23 cm
Subject:
- Terrain vague New York (State) New York.,
- Buildings Remodeling for other use New York (State) New York.,
- Land use New York (State) New York Planning.,
- Land use, Urban New York (State) New York Maps.,
- Housing New York (State) New York.,
- Housing policy New York (State) New York.,
- Community development New York (State) New York.,
- City planning New York (State) New York.,
- Urban policy New York (State) New York.,
- COVID-19 Pandemic, 2020-2023 Influence.,
- Terrains vagues New York (État) New York.,
- Constructions Reconversion New York (État) New York.,
- Utilisation du sol New York (État) New York Planification.,
- Logement Politique gouvernementale New York (État) New York.,
- Politique urbaine New York (État) New York.,
- Développement communautaire New York (État) New York.,
- ARCHITECTURE / General.,
- Influence (Literary, artistic, etc.),
- Buildings,
- Buildings Remodeling for other use,
- City planning,
- Community development,
- Housing,
- Housing policy,
- Land use Planning,
- Land use, Urban,
- Social conditions,
- Terrain vague,
- Urban policy,
- Manhattan (New York, N.Y.) Buildings, structures, etc.,
- Manhattan (New York, N.Y.) Social conditions.,
- Manhattan (New York, N.Y.) Pictorial works.,
- New York (State) New York,
- New York (State) New York Manhattan,
- Maps,
- Pictorial works
(See more)
Publication:
New York : Actar Publishers, [2021], ©2021
New York : Actar Publishers, [2021], ©2021
Title:
Vacant spaces NY / M. Meredith and H. Sample ; MOS.
Actions:
Holdings:
Description:
607 pages, 1 unnumbered page, 2 unnumbered leaves of plates : illustrations (some color), charts, maps, plans ; 23 cm
Vacant spaces NY / M. Meredith and H. Sample ; MOS.
Actions:
Holdings:
Description:
607 pages, 1 unnumbered page, 2 unnumbered leaves of plates : illustrations (some color), charts, maps, plans ; 23 cm
Form:
books
books
Publication:
New York : Actar Publishers, [2021], ©2021
New York : Actar Publishers, [2021], ©2021
Subject:
- Terrain vague New York (State) New York.,
- Buildings Remodeling for other use New York (State) New York.,
- Land use New York (State) New York Planning.,
- Land use, Urban New York (State) New York Maps.,
- Housing New York (State) New York.,
- Housing policy New York (State) New York.,
- Community development New York (State) New York.,
- City planning New York (State) New York.,
- Urban policy New York (State) New York.,
- COVID-19 Pandemic, 2020-2023 Influence.,
- Terrains vagues New York (État) New York.,
- Constructions Reconversion New York (État) New York.,
- Utilisation du sol New York (État) New York Planification.,
- Logement Politique gouvernementale New York (État) New York.,
- Politique urbaine New York (État) New York.,
- Développement communautaire New York (État) New York.,
- ARCHITECTURE / General.,
- Influence (Literary, artistic, etc.),
- Buildings,
- Buildings Remodeling for other use,
- City planning,
- Community development,
- Housing,
- Housing policy,
- Land use Planning,
- Land use, Urban,
- Social conditions,
- Terrain vague,
- Urban policy,
- Manhattan (New York, N.Y.) Buildings, structures, etc.,
- Manhattan (New York, N.Y.) Social conditions.,
- Manhattan (New York, N.Y.) Pictorial works.,
- New York (State) New York,
- New York (State) New York Manhattan,
- Maps,
- Pictorial works
(See more)
Form:
books
books
Actions:
Holdings:
Description:
190 pages : illustrations ; 22 cm
Description:
190 pages : illustrations ; 22 cm
Title:
Tokyo void : possibilities in absence / Marieluise Jonas/Heike Rahmann.
Actions:
Holdings:
Description:
190 pages : illustrations ; 22 cm
Tokyo void : possibilities in absence / Marieluise Jonas/Heike Rahmann.
Actions:
Holdings:
Description:
190 pages : illustrations ; 22 cm
Form:
books
books
Publication:
Berlin : Jovis, [2014]
Berlin : Jovis, [2014]
Form:
books
books
Actions:
Holdings:
Description:
160 pages : illustrations, map ; 20 cm
Description:
160 pages : illustrations, map ; 20 cm
Subject:
- Public spaces Germany Berlin.,
- Land use, Urban Germany Berlin.,
- City planning Germany Berlin.,
- Repeat photography Germany Berlin.,
- Espaces publics Allemagne Berlin.,
- Utilisation urbaine du sol Allemagne Berlin.,
- Photographie comparée Allemagne Berlin.,
- ARCHITECTURE / Urban & Land Use Planning.,
- ARCHITECTURE / Study & Teaching.,
- Buildings,
- City planning,
- Land use, Urban,
- Public spaces,
- Repeat photography,
- Berlin (Germany) Buildings, structures, etc. Pictorial works.,
- Germany Berlin,
- Illustrated works
(See more)
Publication:
Basel ; Boston : Birkhäuser, [2018]
Basel ; Boston : Birkhäuser, [2018]
Title:
Spaces of uncertainty : Berlin revisited / concept [by] : Kenny Cupers and Markus Miessen ; texts by individual authors ; translation from German into English, Joseph O'Donnell.
Actions:
Holdings:
Description:
160 pages : illustrations, map ; 20 cm
Spaces of uncertainty : Berlin revisited / concept [by] : Kenny Cupers and Markus Miessen ; texts by individual authors ; translation from German into English, Joseph O'Donnell.
Actions:
Holdings:
Description:
160 pages : illustrations, map ; 20 cm
Form:
books
books
Publication:
Basel ; Boston : Birkhäuser, [2018]
Basel ; Boston : Birkhäuser, [2018]
Subject:
- Public spaces Germany Berlin.,
- Land use, Urban Germany Berlin.,
- City planning Germany Berlin.,
- Repeat photography Germany Berlin.,
- Espaces publics Allemagne Berlin.,
- Utilisation urbaine du sol Allemagne Berlin.,
- Photographie comparée Allemagne Berlin.,
- ARCHITECTURE / Urban & Land Use Planning.,
- ARCHITECTURE / Study & Teaching.,
- Buildings,
- City planning,
- Land use, Urban,
- Public spaces,
- Repeat photography,
- Berlin (Germany) Buildings, structures, etc. Pictorial works.,
- Germany Berlin,
- Illustrated works
(See more)
Form:
books
books
Actions:
Holdings:
Description:
463 pages : illustrations ; 22 cm
Description:
463 pages : illustrations ; 22 cm
Subject:
- Sustainable development.,
- City planning.,
- Urban renewal.,
- Community development, Urban.,
- Urban Renewal,
- Développement durable.,
- Rénovation urbaine.,
- Développement communautaire urbain.,
- sustainable development.,
- urban renewal.,
- Architecture.,
- Territorial planning.,
- Brache,
- Stadtentwicklung,
- Zwischennutzung,
- Nutzungsänderung,
- Bürgerbeteiligung,
- Nachhaltigkeit,
- Deutschland
(See more)
Publication:
Berlin : Jovis, ©2012.
Berlin : Jovis, ©2012.
Title:
Second hand spaces : recycling sites undergoing urban transformation = Über das Recyceln von Orten im städtischen Wandel / [edited by] Michael Ziehl [and others].
Actions:
Holdings:
Description:
463 pages : illustrations ; 22 cm
Second hand spaces : recycling sites undergoing urban transformation = Über das Recyceln von Orten im städtischen Wandel / [edited by] Michael Ziehl [and others].
Actions:
Holdings:
Description:
463 pages : illustrations ; 22 cm
Form:
books
books
Publication:
Berlin : Jovis, ©2012.
Berlin : Jovis, ©2012.
Subject:
- Sustainable development.,
- City planning.,
- Urban renewal.,
- Community development, Urban.,
- Urban Renewal,
- Développement durable.,
- Rénovation urbaine.,
- Développement communautaire urbain.,
- sustainable development.,
- urban renewal.,
- Architecture.,
- Territorial planning.,
- Brache,
- Stadtentwicklung,
- Zwischennutzung,
- Nutzungsänderung,
- Bürgerbeteiligung,
- Nachhaltigkeit,
- Deutschland
(See more)
