Victor Burgin: Between
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First published in 1986 and long out of print, Between charts Burgin’s passage from early conceptual art, via appropriationist works and critiques of mass media imagery to a series of photo-texts informed by psychoanalysis, semiotics, cinema studies and feminism. Interweaving Burgin’s visual work with fragments from interviews, talks and letters, the publication offers(...)
Victor Burgin: Between
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$55.00
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First published in 1986 and long out of print, Between charts Burgin’s passage from early conceptual art, via appropriationist works and critiques of mass media imagery to a series of photo-texts informed by psychoanalysis, semiotics, cinema studies and feminism. Interweaving Burgin’s visual work with fragments from interviews, talks and letters, the publication offers insights into the relation of ‘theory’ to ‘practice’ in a form of art which has undermined the basis of this distinction.
Photography monographs
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Over the past thirty years, Victor Burgin has become both an influential artist and a renowned theorist of the still and moving image. His writings are noted for their lucidity, while his photographs and videos are paradoxical and question meaning in contemporary society. In this book, Victor Burgin retraces the history of his artistic and critical pursuits, from his(...)
Victor Burgin: components of a practice
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Over the past thirty years, Victor Burgin has become both an influential artist and a renowned theorist of the still and moving image. His writings are noted for their lucidity, while his photographs and videos are paradoxical and question meaning in contemporary society. In this book, Victor Burgin retraces the history of his artistic and critical pursuits, from his conceptual photographic works of the sixties to his recent video work. He reviews the evolution of his visual work with a particular focus on its relationship to the institution and practices of painting, photography and cinema. This book is different from Burgin’s previous publications, which are either monographs of his visual work—with essays by other writers—or collections of his essays. This is the first book in which Burgin turns his attention to his own artistic production.
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September 2008
Photography monographs
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The work of British conceptual artist and writer Victor Burgin revolves around the relationship between image and text, one in which neither optical nor verbal predominates, and explores the territory between still and moving images. Four essays are included in this volume, written by D.N. Rodowick, Gülru Çakmak, Homay King and Anthony Vidler, each analysing various(...)
April 2015
Projective: essays about the work of Victor Burgin
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The work of British conceptual artist and writer Victor Burgin revolves around the relationship between image and text, one in which neither optical nor verbal predominates, and explores the territory between still and moving images. Four essays are included in this volume, written by D.N. Rodowick, Gülru Çakmak, Homay King and Anthony Vidler, each analysing various aspects of Burgin's attention to the affective agency of space in his work, from orientalism and the cultural politics of modernity, to viewing Burgin's work through the lens of Henri Bergson and Gilles Deleuze.
Relocating Victor Burgin
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Over the past 30 years Victor Burgin’s work has established him as both a highly influential artist and a renowned theorist of the still and moving image. After 13 years in the United States, Burgin recently returned to live and work in Britain. Burgin came to prominence as an originator of conceptual art, and was nominated for the Turner Prize shortly before his(...)
Photography monographs
March 2003, Bristol
Relocating Victor Burgin
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Over the past 30 years Victor Burgin’s work has established him as both a highly influential artist and a renowned theorist of the still and moving image. After 13 years in the United States, Burgin recently returned to live and work in Britain. Burgin came to prominence as an originator of conceptual art, and was nominated for the Turner Prize shortly before his departure for the USA. This book offers a critical overview of a body of work that combines conceptual rigour with poetic elegance, and remains an essential reference for succeeding generations of artists. Includes text by Catsou Roberts, Stephen Bann, Peter Osbourne, Françoise Parfait and Victor Burgin
Photography monographs
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The essays in this publication provide a succinct overview of Burgin's multifaceted work during the last forty years—from its origins in debates within conceptual art to its present concern with everyday perception in the environment of global media. The selection includes such classic essays as "Situational Aesthetics" and "Photographic Practice and Art Theory," together(...)
Situational aesthetics: selected writings by Victor Burgin
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The essays in this publication provide a succinct overview of Burgin's multifaceted work during the last forty years—from its origins in debates within conceptual art to its present concern with everyday perception in the environment of global media. The selection includes such classic essays as "Situational Aesthetics" and "Photographic Practice and Art Theory," together with less widely known articles as "Work and Commentary" and the previously unpublished essays "Shadows, Time, and Family Pictures" and "Monument and Melancholia."
Theory of Photography
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Victor Burgin's Five Pieces for Projection introduces recent projection work from 2010 to 2014, and coincides with the artist and writer's retrospective exhibition 'Forms of Telling' at the Museum für Gegenwartskunst Siegen. Each of the five projections presented in the catalogue is accompanied by a text by Burgin that discusses how the work emerges from a personal(...)
Victor Burgin: five pieces for projection
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Victor Burgin's Five Pieces for Projection introduces recent projection work from 2010 to 2014, and coincides with the artist and writer's retrospective exhibition 'Forms of Telling' at the Museum für Gegenwartskunst Siegen. Each of the five projections presented in the catalogue is accompanied by a text by Burgin that discusses how the work emerges from a personal experience, a preoccupation with a building, a place, or a Romantic painting.
Photography monographs
Returning to Benjamin
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Walter Benjamin’s essay of cultural criticism ‘The Work of Art in the Age of Mechanical Reproduction’ has become a ‘classic’ text, one which resonated through the twentieth century and beyond. In this succinct and pointed new essay, the artist and writer Victor Burgin rereads Benjamin’s 1935 text, to elaborate a new argument contending that the camera today is profoundly(...)
Returning to Benjamin
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Walter Benjamin’s essay of cultural criticism ‘The Work of Art in the Age of Mechanical Reproduction’ has become a ‘classic’ text, one which resonated through the twentieth century and beyond. In this succinct and pointed new essay, the artist and writer Victor Burgin rereads Benjamin’s 1935 text, to elaborate a new argument contending that the camera today is profoundly imbricated in that which is not visible.
Theory of Photography
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Thinking photography
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"Thinking photography" brings debates within the theory and practice of communications and culture, in this case in photography and photography criticism, to a wider audience. Victor Burgin's book is concerned with the production of meaning in photographs ( and so it is fully illustrated). A photograph has traditionally been understood as an expression of the(...)
Thinking photography
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"Thinking photography" brings debates within the theory and practice of communications and culture, in this case in photography and photography criticism, to a wider audience. Victor Burgin's book is concerned with the production of meaning in photographs ( and so it is fully illustrated). A photograph has traditionally been understood as an expression of the photographer's personality, a transparent presentation of a real scene, or more recently in 'modernist' criticism as a purely formal object. Victor Burgin and his collaborators - Umberto Eco, Allan Sekula, John Tagg and Simon Watney - taking their cue from Walter Benjamin's "The author as producer" (also reprinted here), and working from a wide range of photographs, challenge the concept of the autonomous, spontaneously creative artist, the idea of documentary truth in photography and the notion of purely visual languages. They develop an account of the production of the meaning as a photograph within social institutions - advertising, journalism, art - within a society with a history and within the unconscious.
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April 2003, New York
Theory of Photography
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196 pages : color illustrations ; 24 cm
Paris : Terrail, ©2007.
La dimension cachée : un regard intime sur la ville / [commissaire, Xavier Zimmermann].
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196 pages : color illustrations ; 24 cm
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Paris : Terrail, ©2007.
$32.50
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Victor Burgin is one of the most influential artists and writers working today. He came to prominence as a key ?gure in the Conceptual Art of the late 1960s. After turning to photography in his artistic practice he produced a series of groundbreaking theoretical essays that drew on semiotics, psychoanalysis and feminism in order to think through the ideological role of(...)
The Camera: essence and apparatus
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Victor Burgin is one of the most influential artists and writers working today. He came to prominence as a key ?gure in the Conceptual Art of the late 1960s. After turning to photography in his artistic practice he produced a series of groundbreaking theoretical essays that drew on semiotics, psychoanalysis and feminism in order to think through the ideological role of photographs in the production of beliefs and values, and in the understanding of memory, history, subjectivity and space. This collection brings together for the ?rst time Victor Burgin’s writings related speci?cally to the camera, following the shifts and nuances in his thinking over nearly ?ve decades. Moreover, it allows us to chart the evolution of what the camera was and is, and how its affects are to be understood.
Theory of Photography