drawings
AP178.S1.1986.PR06.002.2
Description:
Original file title: Salisburg - Estudos Arq. Siza - Estudos/Matrizes collaboradores Nota: Conferir os com Arq. Siza
ca. 1986
Studies and plans of the existing building, Ampliação do Casino e Restaurante Winkler, Salzburg (folder 2 of 3)
Actions:
AP178.S1.1986.PR06.002.2
Description:
Original file title: Salisburg - Estudos Arq. Siza - Estudos/Matrizes collaboradores Nota: Conferir os com Arq. Siza
drawings
ca. 1986
drawings
AP178.S1.1986.PR06.002.3
Description:
Original file title: Salisburg - Estudos Arq. Siza - Estudos/Matrizes collaboradores Nota: Conferir os com Arq. Siza
ca. 1986
Studies and plans of the existing building, Ampliação do Casino e Restaurante Winkler, Salzburg (folder 3 of 3)
Actions:
AP178.S1.1986.PR06.002.3
Description:
Original file title: Salisburg - Estudos Arq. Siza - Estudos/Matrizes collaboradores Nota: Conferir os com Arq. Siza
drawings
ca. 1986
Series
Sketchbooks
AP178.S2
Description:
Series AP178.S2 consists of over 280 of Siza’s personal sketchbooks, beginning from the late 1970s to the beginning of the early 2000s. The sketchbooks mostly contain sketches with some notes and are numbered chronologically. Indicated on the front cover of each sketchbook are the sketchbook number and the architectural project(s) and/or the geographic site(s) documented by the sketches and notes. The sketchbooks are mostly black notebooks and measure 21 x 30 cm, with a few exceptions. Most sketchbooks contain notes in Portuguese while some also include French and English notes. The sketchbooks document Siza’s creative process and demonstrate his unique method to comprehend an architectural project. Siza mentions that in the early stages of a project he immediately begins to draw, regardless of if he has knowledge of all the details and problems. The sketchbooks document the evolution of Siza's projects and also serve as a type of log. Not only does each sketchbook contain various sketches and notes for projects Siza was working on but also schedules, contacts, and drafts of letters. Among the sketches for projects are also general sketches of his travels, people, animals, objects, furniture, and at times landscapes. Most sketchbooks primarily contain sketches for projects with intermingled sketches of people or faces, however there are a number of sketchbooks that mostly contain sketches of people. The Siza fonds is being processed in four phases. Up to date the sketchbooks that have been processed are ones that relate to architectural projects that were processed in the first and second phase of processing. This includes projects from 1950’s, 1960’s, and 1970’s; urban planning projects; Reconstrução do Chiado; Berlin projects submitted to the IBA competition; and the Plano de urbanização Deelgebied 5 Schilderswijk-West in The Hague. However, it is important to note that the sketchbooks usually contain sketches related to multiple projects and therefore the sketchbooks that were processed also contain sketches related to projects not included in this list.
1978-1993
Sketchbooks
Actions:
AP178.S2
Description:
Series AP178.S2 consists of over 280 of Siza’s personal sketchbooks, beginning from the late 1970s to the beginning of the early 2000s. The sketchbooks mostly contain sketches with some notes and are numbered chronologically. Indicated on the front cover of each sketchbook are the sketchbook number and the architectural project(s) and/or the geographic site(s) documented by the sketches and notes. The sketchbooks are mostly black notebooks and measure 21 x 30 cm, with a few exceptions. Most sketchbooks contain notes in Portuguese while some also include French and English notes. The sketchbooks document Siza’s creative process and demonstrate his unique method to comprehend an architectural project. Siza mentions that in the early stages of a project he immediately begins to draw, regardless of if he has knowledge of all the details and problems. The sketchbooks document the evolution of Siza's projects and also serve as a type of log. Not only does each sketchbook contain various sketches and notes for projects Siza was working on but also schedules, contacts, and drafts of letters. Among the sketches for projects are also general sketches of his travels, people, animals, objects, furniture, and at times landscapes. Most sketchbooks primarily contain sketches for projects with intermingled sketches of people or faces, however there are a number of sketchbooks that mostly contain sketches of people. The Siza fonds is being processed in four phases. Up to date the sketchbooks that have been processed are ones that relate to architectural projects that were processed in the first and second phase of processing. This includes projects from 1950’s, 1960’s, and 1970’s; urban planning projects; Reconstrução do Chiado; Berlin projects submitted to the IBA competition; and the Plano de urbanização Deelgebied 5 Schilderswijk-West in The Hague. However, it is important to note that the sketchbooks usually contain sketches related to multiple projects and therefore the sketchbooks that were processed also contain sketches related to projects not included in this list.
Series
1978-1993
drawings
AP178.S1.2000.PR12.002
Description:
Original file title: Valencia III - Estudos Arq. Siza Nota: Conferir com Arq. Siza Reprographic copies are annotated
ca. 2001
Studies, Edifícios Centrais do Campus de Tarongers - Proj. III, Valencia
Actions:
AP178.S1.2000.PR12.002
Description:
Original file title: Valencia III - Estudos Arq. Siza Nota: Conferir com Arq. Siza Reprographic copies are annotated
drawings
ca. 2001
Series
Architectural projects
AP178.S1
Description:
Series AP178.S1 is the largest series of the Álvaro Siza fonds and documents over 200 of Siza’s built and unbuilt architectural projects. The series is divided into project series which are arranged chronologically by project year. Presently, materials in this series range from 1958-2012. The CCA will also receive materials documenting Siza’s more recent work in future additions. Documenting the projects are conceptual, design, presentation, and working drawings, as well as photographic materials, textual documentation, and models. Although the drawings for each project have been identified, Siza often sketches or doodles on textual documentation, such as minutes of meetings or notes. When possible, folders that include textual documents with sketches or doodles have been identified. Amounts and types of materials vary from project to project. Project documentation is usually in Portuguese, with some exceptions including French, English, German, and Dutch. Most project series include sketches, studies, and working drawings. Other drawings included are site plans, floor plans, topographic surveys, elevations, sections, as well as technical and mechanical details. Also documenting the projects are photographic materials and textual documentation, such as correspondence, building programs, contracts, notes, and other working details. Photographic materials found within this archive are slides, negatives, photomontages and photographs of project sites and models.The photomontages were often used to study the function of the project site. To fully understand Siza’s methodology, sketchbooks (Series AP178.S2) should be viewed alongside the project drawings, when possible. Each project series description highlights sketchbooks in series AP178.S2 which contain related sketches. It is important to note that not all projects are represented in the sketchbooks in Series AP178.S2. Moreover, project series descriptions only list related sketchbooks when sketches have been positively identified as related to the corresponding project. The Siza fonds will be processed in four phases. The materials processed in the first, second, and third phases are architectural projects from the 1950’s, 1960’s, and 1970’s; urban planning projects; Reconstrução do Chiado; Berlin projects submitted to the IBA competition; cultural institutions; individual houses; and the Plano de urbanização Deelgebied 5 Schilderswijk-West in The Hague. Among The Hague and the Berlin projects are the Punt en Komma social housing, Bonjour Tristesse, and the Residential settlement in Schilderswijk. This series is better understood in the context of how the records for architectural projects were arranged by Siza’s office. Earlier projects were initially numbered by Siza’s office and then received new project numbers by the office archivist, who joined the office in the 1990s. Project files have been kept in the order in which they were received by the CCA, which is how they were arranged by the office archivist. The project numbers and dates assigned by Siza’s office archivist are included in the descriptions for each project and form the basis for the arrangement of this series. The office archivist numbered projects consecutively by decade, for instance, 58/80 was the 58th project during the 1980s. Numbers which were included in square brackets, ex. [14]/75, show that the project was not a ‘full’ project and contains a small amount of documentation. When projects are followed by a letter (A, B, C) this signifies a project is connected to the first. When the project number is followed by a number (1, 2, 3) this signifies a separate building within a larger project. For the purposes of arrangement, project numbers that were assigned a letter or number are arranged as sub-series of the related project series. Exceptions to this numbering convention are projects 23/60, 25/60, 28/60, 33/60, 34/60 and 35/60. These projects were not in the office’s original project list and were not officially considered projects. The office archivist assembled documentation related to these projects and assigned them numbers. In the early 2000s a large number of photographic materials were gathered together by the office archivist from various correspondence files for a digitization project initiated by the office. These materials remained housed together as a photograph collection in the office. Not all of these materials were digitized by the office. Those that were digitized were assigned numbers which have been identified in the file descriptions. It is important to note that several photographic materials were left with the textual documentation or drawings. When this is the case they are identified in the file description. There are also several panoramic photomontages which were created by either gluing or taping several photographs together to make panoramas of project sites.
1948-2012
Architectural projects
Actions:
AP178.S1
Description:
Series AP178.S1 is the largest series of the Álvaro Siza fonds and documents over 200 of Siza’s built and unbuilt architectural projects. The series is divided into project series which are arranged chronologically by project year. Presently, materials in this series range from 1958-2012. The CCA will also receive materials documenting Siza’s more recent work in future additions. Documenting the projects are conceptual, design, presentation, and working drawings, as well as photographic materials, textual documentation, and models. Although the drawings for each project have been identified, Siza often sketches or doodles on textual documentation, such as minutes of meetings or notes. When possible, folders that include textual documents with sketches or doodles have been identified. Amounts and types of materials vary from project to project. Project documentation is usually in Portuguese, with some exceptions including French, English, German, and Dutch. Most project series include sketches, studies, and working drawings. Other drawings included are site plans, floor plans, topographic surveys, elevations, sections, as well as technical and mechanical details. Also documenting the projects are photographic materials and textual documentation, such as correspondence, building programs, contracts, notes, and other working details. Photographic materials found within this archive are slides, negatives, photomontages and photographs of project sites and models.The photomontages were often used to study the function of the project site. To fully understand Siza’s methodology, sketchbooks (Series AP178.S2) should be viewed alongside the project drawings, when possible. Each project series description highlights sketchbooks in series AP178.S2 which contain related sketches. It is important to note that not all projects are represented in the sketchbooks in Series AP178.S2. Moreover, project series descriptions only list related sketchbooks when sketches have been positively identified as related to the corresponding project. The Siza fonds will be processed in four phases. The materials processed in the first, second, and third phases are architectural projects from the 1950’s, 1960’s, and 1970’s; urban planning projects; Reconstrução do Chiado; Berlin projects submitted to the IBA competition; cultural institutions; individual houses; and the Plano de urbanização Deelgebied 5 Schilderswijk-West in The Hague. Among The Hague and the Berlin projects are the Punt en Komma social housing, Bonjour Tristesse, and the Residential settlement in Schilderswijk. This series is better understood in the context of how the records for architectural projects were arranged by Siza’s office. Earlier projects were initially numbered by Siza’s office and then received new project numbers by the office archivist, who joined the office in the 1990s. Project files have been kept in the order in which they were received by the CCA, which is how they were arranged by the office archivist. The project numbers and dates assigned by Siza’s office archivist are included in the descriptions for each project and form the basis for the arrangement of this series. The office archivist numbered projects consecutively by decade, for instance, 58/80 was the 58th project during the 1980s. Numbers which were included in square brackets, ex. [14]/75, show that the project was not a ‘full’ project and contains a small amount of documentation. When projects are followed by a letter (A, B, C) this signifies a project is connected to the first. When the project number is followed by a number (1, 2, 3) this signifies a separate building within a larger project. For the purposes of arrangement, project numbers that were assigned a letter or number are arranged as sub-series of the related project series. Exceptions to this numbering convention are projects 23/60, 25/60, 28/60, 33/60, 34/60 and 35/60. These projects were not in the office’s original project list and were not officially considered projects. The office archivist assembled documentation related to these projects and assigned them numbers. In the early 2000s a large number of photographic materials were gathered together by the office archivist from various correspondence files for a digitization project initiated by the office. These materials remained housed together as a photograph collection in the office. Not all of these materials were digitized by the office. Those that were digitized were assigned numbers which have been identified in the file descriptions. It is important to note that several photographic materials were left with the textual documentation or drawings. When this is the case they are identified in the file description. There are also several panoramic photomontages which were created by either gluing or taping several photographs together to make panoramas of project sites.
Series
1948-2012
drawings
AP178.S1.1980.PR02.SS3.001.3
Description:
Original file title: Kita - Berlim estudos Arq. Siza. Siza's office has made a note on one of the drawings that it is not by Siza.
circa 1985
Studies for Kindergaten, Block 121, Berlin (folder 3 of 3)
Actions:
AP178.S1.1980.PR02.SS3.001.3
Description:
Original file title: Kita - Berlim estudos Arq. Siza. Siza's office has made a note on one of the drawings that it is not by Siza.
drawings
circa 1985
drawings
Preliminary master plan drawings and 3D drawings, Art Center College of Design (Ampliação), Pasedena
AP178.S1.2000.PR08.035
Description:
Original file title: Pasadena Siza copy
ca. 2001
Preliminary master plan drawings and 3D drawings, Art Center College of Design (Ampliação), Pasedena
Actions:
AP178.S1.2000.PR08.035
Description:
Original file title: Pasadena Siza copy
drawings
ca. 2001
drawings
Drawings for the urban planning, Biblioteca de Humanidades da Universidade de Salamanca, Salamanca
AP178.S1.1998.PR08.008
Description:
Original file title: Salamanca arranjos urbanos Janeiro/2001 apontamentos Siza, 6 Jan 2001 nota: 02.02.2010 tirai copias com indicações Ar. Siza
2000-2001
Drawings for the urban planning, Biblioteca de Humanidades da Universidade de Salamanca, Salamanca
Actions:
AP178.S1.1998.PR08.008
Description:
Original file title: Salamanca arranjos urbanos Janeiro/2001 apontamentos Siza, 6 Jan 2001 nota: 02.02.2010 tirai copias com indicações Ar. Siza
drawings
2000-2001
Project
AP178.S1.1983.PR04
Description:
The project series documents the 1983 design entry for the Kulturforum. While the records were held in the office’s archives this project was assigned the number 21/80. The office assigned the date 1983 for this project. This project was a competition entry for the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza also submitted five other entries to the IBA: Görtlitzer Bad swimming pool; Block 70 and 89 (Fränkelufer residential complex); Bonjour Tristesse (Block 121); Block 11-12; and Monument to Gestapo victims. The Kulturforum was a complex of cultural buildings. The site underwent many changes during Nazi Germany and post-war with the construction of the National Library of Staatsbibliothek, designed by Hans Scharoun. Two examples of features that the IBA asked participants to include in their design proposals were to exclude vehicle traffic between the library and national gallery, and to reinterpret the Forum space. Documenting this project are several sketches and studies. There are also plans, elevations, and axonometric drawings of site plans. Siza’s office has indicated on some of the studies that they were possibly not created by Siza. Where this is the case it has been noted with the physical material. Photographs and negatives document the competition site and model, and there are transparencies and slides of drawings. Also included is textual documentation on the competition site and a few letters from members of the Berlin Senate, two of which are from Brigitte Cassirer (later Brigitte Fleck).
1982-2012
Kulturforum [Kulturforum], Berlin, Germany (1982-1986)
Actions:
AP178.S1.1983.PR04
Description:
The project series documents the 1983 design entry for the Kulturforum. While the records were held in the office’s archives this project was assigned the number 21/80. The office assigned the date 1983 for this project. This project was a competition entry for the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza also submitted five other entries to the IBA: Görtlitzer Bad swimming pool; Block 70 and 89 (Fränkelufer residential complex); Bonjour Tristesse (Block 121); Block 11-12; and Monument to Gestapo victims. The Kulturforum was a complex of cultural buildings. The site underwent many changes during Nazi Germany and post-war with the construction of the National Library of Staatsbibliothek, designed by Hans Scharoun. Two examples of features that the IBA asked participants to include in their design proposals were to exclude vehicle traffic between the library and national gallery, and to reinterpret the Forum space. Documenting this project are several sketches and studies. There are also plans, elevations, and axonometric drawings of site plans. Siza’s office has indicated on some of the studies that they were possibly not created by Siza. Where this is the case it has been noted with the physical material. Photographs and negatives document the competition site and model, and there are transparencies and slides of drawings. Also included is textual documentation on the competition site and a few letters from members of the Berlin Senate, two of which are from Brigitte Cassirer (later Brigitte Fleck).
Project
1982-2012
Project
AP178.S1.1980.PR04
Description:
This project series documents the Monumento ao poeta António Nobre II in Leça de Palmeira, Portugal. While the records were held in the office’s archives this project was assigned the number 5/80. The office assigned the date 1980 for this project. The monument to Portuguese poet António Nobre consisted of a stone engraved with a quotation from the poet. Siza also designed a set of stairs and a ramp to access the monument. Documenting this project are slides and a photograph of the site and built monument.
1980
Monumento ao poeta António Nobre II [Monument to poet António Nobre II], Leça da Palmeira, Portugal (1980)
Actions:
AP178.S1.1980.PR04
Description:
This project series documents the Monumento ao poeta António Nobre II in Leça de Palmeira, Portugal. While the records were held in the office’s archives this project was assigned the number 5/80. The office assigned the date 1980 for this project. The monument to Portuguese poet António Nobre consisted of a stone engraved with a quotation from the poet. Siza also designed a set of stairs and a ramp to access the monument. Documenting this project are slides and a photograph of the site and built monument.
Project
1980