142 Results
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books
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"Architecture, film, and the in-between: spatio-cinematic betwixt" looks at the cinematic representation of architectural in-betweenness, as well as the in-between spaces within the architectural structure of films. As films seek to depict architecture in evolving, original ways, they can also expand betwixt areas, imbuing them with horror or fantasy. Spies can escape(...)
$62.00
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Summary:
"Architecture, film, and the in-between: spatio-cinematic betwixt" looks at the cinematic representation of architectural in-betweenness, as well as the in-between spaces within the architectural structure of films. As films seek to depict architecture in evolving, original ways, they can also expand betwixt areas, imbuing them with horror or fantasy. Spies can escape(...)
Subject:
Architecture and Film, Set Design
Architecture and Film, Set Design
Publication:
September 2024
September 2024
Title:
Architecture, film, and the in-between: Spatio-cinematic between
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Summary:
"Architecture, film, and the in-between: spatio-cinematic betwixt" looks at the cinematic representation of architectural in-betweenness, as well as the in-between spaces within the architectural structure of films. As films seek to depict architecture in evolving, original ways, they can also expand betwixt areas, imbuing them with horror or fantasy. Spies can escape inside unconvincingly stable ducts and children can slide through pipes with no discernible function. And just as subway routes and airplanes can stitch together two destinations, loopholes and magic architectural features can connect distinct realms via interstitial spaces. Contributors discuss a range of architects and filmmakers, including John Lautner, David Lynch, Christopher Nolan, Agnès Varda, and Mies van der Rohe, and take diverse approaches to the liminal space between architecture and film, touching on existential experience, post-phenomenological thinking, sociopolitical cinearchitecture, fictive ecologies, and more. Collecting essays by well-respected architects, thinkers, and philosophers—such as Juhani Pallasmaa, Beatriz Colomina, and Graham Harman—the book includes imagery and infographics that map filmic spaces, diagram narratives, and visualize the hidden spatial dimensions of movies.
Architecture, film, and the in-between: Spatio-cinematic between
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$62.00
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Summary:
"Architecture, film, and the in-between: spatio-cinematic betwixt" looks at the cinematic representation of architectural in-betweenness, as well as the in-between spaces within the architectural structure of films. As films seek to depict architecture in evolving, original ways, they can also expand betwixt areas, imbuing them with horror or fantasy. Spies can escape inside unconvincingly stable ducts and children can slide through pipes with no discernible function. And just as subway routes and airplanes can stitch together two destinations, loopholes and magic architectural features can connect distinct realms via interstitial spaces. Contributors discuss a range of architects and filmmakers, including John Lautner, David Lynch, Christopher Nolan, Agnès Varda, and Mies van der Rohe, and take diverse approaches to the liminal space between architecture and film, touching on existential experience, post-phenomenological thinking, sociopolitical cinearchitecture, fictive ecologies, and more. Collecting essays by well-respected architects, thinkers, and philosophers—such as Juhani Pallasmaa, Beatriz Colomina, and Graham Harman—the book includes imagery and infographics that map filmic spaces, diagram narratives, and visualize the hidden spatial dimensions of movies.
Form:
books
books
Publication:
September 2024
September 2024
Subject:
Architecture and Film, Set Design
Architecture and Film, Set Design
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books
books
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Description:
xviii, 608 pages : illustrations ; 26 cm
Description:
xviii, 608 pages : illustrations ; 26 cm
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London ; New York : Routledge, 2000.
London ; New York : Routledge, 2000.
Title:
The city reader / edited by Richard T. LeGates and Frederic Stout.
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Description:
xviii, 608 pages : illustrations ; 26 cm
The city reader / edited by Richard T. LeGates and Frederic Stout.
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xviii, 608 pages : illustrations ; 26 cm
Form:
books
books
Publication:
London ; New York : Routledge, 2000.
London ; New York : Routledge, 2000.
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books
books
Title:
Architektonika
Architektonika
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Architektonika chronicles a multi-media exhibition that examines how differently artists have approached the interface between art and architecture since the 1960s. Artists include Fischli & Weiss, Dan Graham, Sol LeWitt, Gordon Matta-Clark, Bruce Nauman, Roman Ondák, Thomas Schütte and James Turrell.
$45.00
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Architektonika chronicles a multi-media exhibition that examines how differently artists have approached the interface between art and architecture since the 1960s. Artists include Fischli & Weiss, Dan Graham, Sol LeWitt, Gordon Matta-Clark, Bruce Nauman, Roman Ondák, Thomas Schütte and James Turrell.
Publication:
September 2014
September 2014
Title:
Architektonika
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$45.00
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Architektonika chronicles a multi-media exhibition that examines how differently artists have approached the interface between art and architecture since the 1960s. Artists include Fischli & Weiss, Dan Graham, Sol LeWitt, Gordon Matta-Clark, Bruce Nauman, Roman Ondák, Thomas Schütte and James Turrell.
Architektonika
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$45.00
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Summary:
Architektonika chronicles a multi-media exhibition that examines how differently artists have approached the interface between art and architecture since the 1960s. Artists include Fischli & Weiss, Dan Graham, Sol LeWitt, Gordon Matta-Clark, Bruce Nauman, Roman Ondák, Thomas Schütte and James Turrell.
Form:
books
books
Publication:
September 2014
September 2014
Form:
books
books
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$86.00
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The first book devoted solely to Bruce Nauman’s corridors and other architectural installations, Bruce Nauman: Spatial Encounters deftly explores the significance of these works in the development of his singular art practice, examining them in the context of the period and in relation to other artists like Dan Graham, Robert Morris, Paul Kos, and James Turrell.
$86.00
(available to order)
Summary:
The first book devoted solely to Bruce Nauman’s corridors and other architectural installations, Bruce Nauman: Spatial Encounters deftly explores the significance of these works in the development of his singular art practice, examining them in the context of the period and in relation to other artists like Dan Graham, Robert Morris, Paul Kos, and James Turrell.
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
January 2019
January 2019
Title:
Bruce Nauman: spatial encounters
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$86.00
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Summary:
The first book devoted solely to Bruce Nauman’s corridors and other architectural installations, Bruce Nauman: Spatial Encounters deftly explores the significance of these works in the development of his singular art practice, examining them in the context of the period and in relation to other artists like Dan Graham, Robert Morris, Paul Kos, and James Turrell.
Bruce Nauman: spatial encounters
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$86.00
(available to order)
Summary:
The first book devoted solely to Bruce Nauman’s corridors and other architectural installations, Bruce Nauman: Spatial Encounters deftly explores the significance of these works in the development of his singular art practice, examining them in the context of the period and in relation to other artists like Dan Graham, Robert Morris, Paul Kos, and James Turrell.
Form:
books
books
Publication:
January 2019
January 2019
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
journals and magazines
journals and magazines
Title:
Cabinet 55: love
Cabinet 55: love
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$17.50
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Love was classically thought to come in four distinct varieties--agape (spiritual love), eros (physical passion), philia (friendship) and storge (familial affection). It might be argued that with modernity, one of these--eros--has come to dominate our landscape, where romance and its obstacles inform so many of our cultural narratives and consumer fantasies. Nonetheless,(...)
$17.50
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Summary:
Love was classically thought to come in four distinct varieties--agape (spiritual love), eros (physical passion), philia (friendship) and storge (familial affection). It might be argued that with modernity, one of these--eros--has come to dominate our landscape, where romance and its obstacles inform so many of our cultural narratives and consumer fantasies. Nonetheless,(...)
Title:
Cabinet 55: love
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$17.50
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Love was classically thought to come in four distinct varieties--agape (spiritual love), eros (physical passion), philia (friendship) and storge (familial affection). It might be argued that with modernity, one of these--eros--has come to dominate our landscape, where romance and its obstacles inform so many of our cultural narratives and consumer fantasies. Nonetheless, all of these modalities of love continue to structure the relationships that govern human societies. Cabinet issue 55, with a special section on "Love," features Christopher Turner on the "celestial bed" of eighteenth-century proto-sexologist James Graham; Margaret Gordon on epistolary friendships; and Olga Lemerova on the love between humans and their pets. Elsewhere in the issue: Sasha Archibald on the decorative fabric or leather patches worn in the seventeenth century to conceal facial blemishes; D. Graham Burnett on watermarks; and Babak Sadr on how zoos perform annual inventories of their animals, both countable and uncountable.
Cabinet 55: love
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Price:
$17.50
(available to order)
Summary:
Love was classically thought to come in four distinct varieties--agape (spiritual love), eros (physical passion), philia (friendship) and storge (familial affection). It might be argued that with modernity, one of these--eros--has come to dominate our landscape, where romance and its obstacles inform so many of our cultural narratives and consumer fantasies. Nonetheless, all of these modalities of love continue to structure the relationships that govern human societies. Cabinet issue 55, with a special section on "Love," features Christopher Turner on the "celestial bed" of eighteenth-century proto-sexologist James Graham; Margaret Gordon on epistolary friendships; and Olga Lemerova on the love between humans and their pets. Elsewhere in the issue: Sasha Archibald on the decorative fabric or leather patches worn in the seventeenth century to conceal facial blemishes; D. Graham Burnett on watermarks; and Babak Sadr on how zoos perform annual inventories of their animals, both countable and uncountable.
Form:
journals and magazines
journals and magazines
Publication:
August 2014
August 2014
Subject:
Magazines
Magazines
Form:
books
books
Price:
$52.95
(available to order)
Summary:
Computer and video games are leaving the PC and conquering the arena of everyday life in the form of mobile applications (such as GPS cell phones, etc.) the result is new types of cities and architecture. How do these games alter our perception of real and virtual space? What can the designers of physical and digital worlds learn from one another? Space Time Play(...)
$52.95
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Summary:
Computer and video games are leaving the PC and conquering the arena of everyday life in the form of mobile applications (such as GPS cell phones, etc.) the result is new types of cities and architecture. How do these games alter our perception of real and virtual space? What can the designers of physical and digital worlds learn from one another? Space Time Play(...)
Subject:
Digital Architecture
Digital Architecture
Publication:
October 2007, Basel, Berlin, Boston
October 2007, Basel, Berlin, Boston
Title:
Space time play:computer games, architecture and urbanism: The next level
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$52.95
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Summary:
Computer and video games are leaving the PC and conquering the arena of everyday life in the form of mobile applications (such as GPS cell phones, etc.) the result is new types of cities and architecture. How do these games alter our perception of real and virtual space? What can the designers of physical and digital worlds learn from one another? Space Time Play presents the following themes: the superimposition of computer games on real spaces and convergences of real and imaginary playspaces; computer and video games as practical planning instruments. With articles by Espen Aarseth, Ernest Adams, Richard A. Bartle, Ian Bogost, Gerhard M. Buurman, Edward Castranova, Kees Christiaanse, Drew Davidson, James Der Derian, Noah Falstein, Stephen Graham, Ludger Hovestadt, Henry Jenkins, Heather Kelley, James Korris, Julian Kücklich, Frank Lantz, Lev Manovich, Jane McGonigal, William J. Mitchell, Kas Oosterhuis, Katie Salen, Mark Wigley, and others.
Space time play:computer games, architecture and urbanism: The next level
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$52.95
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Summary:
Computer and video games are leaving the PC and conquering the arena of everyday life in the form of mobile applications (such as GPS cell phones, etc.) the result is new types of cities and architecture. How do these games alter our perception of real and virtual space? What can the designers of physical and digital worlds learn from one another? Space Time Play presents the following themes: the superimposition of computer games on real spaces and convergences of real and imaginary playspaces; computer and video games as practical planning instruments. With articles by Espen Aarseth, Ernest Adams, Richard A. Bartle, Ian Bogost, Gerhard M. Buurman, Edward Castranova, Kees Christiaanse, Drew Davidson, James Der Derian, Noah Falstein, Stephen Graham, Ludger Hovestadt, Henry Jenkins, Heather Kelley, James Korris, Julian Kücklich, Frank Lantz, Lev Manovich, Jane McGonigal, William J. Mitchell, Kas Oosterhuis, Katie Salen, Mark Wigley, and others.
Form:
books
books
Publication:
October 2007, Basel, Berlin, Boston
October 2007, Basel, Berlin, Boston
Subject:
Digital Architecture
Digital Architecture
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books
books
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Description:
1072 pages : illustrations (chiefly color) ; 25 cm
Description:
1072 pages : illustrations (chiefly color) ; 25 cm
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Publication:
Cambridge, Mass. : MIT Press ; [Karlsruhe, Germany] : ZKM/Center for Art and Media in Karlsruhe, ©2005.
Cambridge, Mass. : MIT Press ; [Karlsruhe, Germany] : ZKM/Center for Art and Media in Karlsruhe, ©2005.
Title:
Making things public : atmospheres of democracy / edited by Bruno Latour and Peter Weibel.
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Description:
1072 pages : illustrations (chiefly color) ; 25 cm
Making things public : atmospheres of democracy / edited by Bruno Latour and Peter Weibel.
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Description:
1072 pages : illustrations (chiefly color) ; 25 cm
Form:
books
books
Publication:
Cambridge, Mass. : MIT Press ; [Karlsruhe, Germany] : ZKM/Center for Art and Media in Karlsruhe, ©2005.
Cambridge, Mass. : MIT Press ; [Karlsruhe, Germany] : ZKM/Center for Art and Media in Karlsruhe, ©2005.
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books
books
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$79.95
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L’ouvrage, organisé en quatre grandes sections thématiques (l’image de la lumière, le dispositif, la séquence et la séance), présente les spécificités de la diapositive. La sélection iconographique intègre la diversité de ces pratiques afin de rendre compte de son impact sur la culture visuelle et de son évolution. Elle comprend des travaux d’amateurs et de photographes(...)
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Summary:
L’ouvrage, organisé en quatre grandes sections thématiques (l’image de la lumière, le dispositif, la séquence et la séance), présente les spécificités de la diapositive. La sélection iconographique intègre la diversité de ces pratiques afin de rendre compte de son impact sur la culture visuelle et de son évolution. Elle comprend des travaux d’amateurs et de photographes(...)
Title:
Diapositive: histoire de la photographie projetée
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L’ouvrage, organisé en quatre grandes sections thématiques (l’image de la lumière, le dispositif, la séquence et la séance), présente les spécificités de la diapositive. La sélection iconographique intègre la diversité de ces pratiques afin de rendre compte de son impact sur la culture visuelle et de son évolution. Elle comprend des travaux d’amateurs et de photographes professionnels tels que Alfred Stieglitz et Helen Levitt ; elle montre ses usages dans le domaine de l’éducation et du divertissement populaire ; son intégration dans le domaine du design telles que les projections de Le Corbusier et de Charles et Ray Eames ; ainsi que des œuvres représentatives de l’intérêt des artistes conceptuels pour la projection à partir des années 1960 tels que Dan Graham, Robert Smithson, Jan Dibbets, Allan Sekula, Nan Goldin, Runo Lagomarsino, James Coleman, Peter Fischli et David Weiss, et Krzysztof Wodiczko.
Diapositive: histoire de la photographie projetée
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$79.95
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L’ouvrage, organisé en quatre grandes sections thématiques (l’image de la lumière, le dispositif, la séquence et la séance), présente les spécificités de la diapositive. La sélection iconographique intègre la diversité de ces pratiques afin de rendre compte de son impact sur la culture visuelle et de son évolution. Elle comprend des travaux d’amateurs et de photographes professionnels tels que Alfred Stieglitz et Helen Levitt ; elle montre ses usages dans le domaine de l’éducation et du divertissement populaire ; son intégration dans le domaine du design telles que les projections de Le Corbusier et de Charles et Ray Eames ; ainsi que des œuvres représentatives de l’intérêt des artistes conceptuels pour la projection à partir des années 1960 tels que Dan Graham, Robert Smithson, Jan Dibbets, Allan Sekula, Nan Goldin, Runo Lagomarsino, James Coleman, Peter Fischli et David Weiss, et Krzysztof Wodiczko.
Form:
books
books
Publication:
August 2017
August 2017
Subject:
Photography Collections
Photography Collections
Form:
books
books
Title:
Cabinet 45: Games
Cabinet 45: Games
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$12.00
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Summary:
In the nineteenth century, Marx rejected the notion of homo sapiens, offering instead homo faber to indicate how consciousness follows from the primary activity of making. Against this, a certain ludic tradition has imagined a homo ludens, humans defined through their relationship with games and play. Cabinet 45 features Joshua Glenn on H.G. Wells’ “Floor Games”; D.(...)
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Summary:
In the nineteenth century, Marx rejected the notion of homo sapiens, offering instead homo faber to indicate how consciousness follows from the primary activity of making. Against this, a certain ludic tradition has imagined a homo ludens, humans defined through their relationship with games and play. Cabinet 45 features Joshua Glenn on H.G. Wells’ “Floor Games”; D.(...)
Title:
Cabinet 45: Games
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$12.00
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Summary:
In the nineteenth century, Marx rejected the notion of homo sapiens, offering instead homo faber to indicate how consciousness follows from the primary activity of making. Against this, a certain ludic tradition has imagined a homo ludens, humans defined through their relationship with games and play. Cabinet 45 features Joshua Glenn on H.G. Wells’ “Floor Games”; D. Graham Burnett on games played by game theorists; Barbara Levine and Jessica Helfand on dexterity games; James Trainor on the lost world of “adventure” playgrounds; Dana Katz on Brian Eno and Peter Schmidt’s “Oblique Strategies”; an interview with Bertell Ollman, inventor of the board game “Class Struggle”; and Jeff Dolven on poems as games. Elsewhere in the issue: Helen Larsson on the history of applause; Wayne Koestenbaum’s legendary “Legend” column; Naomi Muller on eating the zoo animals in Berlin during World War II; Jeremy Crichton on “spite” houses; and much more.
Cabinet 45: Games
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$12.00
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Summary:
In the nineteenth century, Marx rejected the notion of homo sapiens, offering instead homo faber to indicate how consciousness follows from the primary activity of making. Against this, a certain ludic tradition has imagined a homo ludens, humans defined through their relationship with games and play. Cabinet 45 features Joshua Glenn on H.G. Wells’ “Floor Games”; D. Graham Burnett on games played by game theorists; Barbara Levine and Jessica Helfand on dexterity games; James Trainor on the lost world of “adventure” playgrounds; Dana Katz on Brian Eno and Peter Schmidt’s “Oblique Strategies”; an interview with Bertell Ollman, inventor of the board game “Class Struggle”; and Jeff Dolven on poems as games. Elsewhere in the issue: Helen Larsson on the history of applause; Wayne Koestenbaum’s legendary “Legend” column; Naomi Muller on eating the zoo animals in Berlin during World War II; Jeremy Crichton on “spite” houses; and much more.
Form:
books
books
Publication:
June 2012
June 2012
Subject:
Magazines
Magazines
Form:
books
books
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$37.95
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Dans les années 1950 et jusqu’à la fin des années 1960, la science-fiction a joué, pour nombre d’artistes et de théoriciens anglais et américains, tant au plan iconographique qu’au plan méthodologique, un rôle stratégique : celui d’un véritable objet régulateur utilisé pour déplacer l’activité artistique loin de ses coordonnées conventionnelles. Dans cette entreprise,(...)
$37.95
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Summary:
Dans les années 1950 et jusqu’à la fin des années 1960, la science-fiction a joué, pour nombre d’artistes et de théoriciens anglais et américains, tant au plan iconographique qu’au plan méthodologique, un rôle stratégique : celui d’un véritable objet régulateur utilisé pour déplacer l’activité artistique loin de ses coordonnées conventionnelles. Dans cette entreprise,(...)
Title:
Art et science-fiction: la ballard connection
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Dans les années 1950 et jusqu’à la fin des années 1960, la science-fiction a joué, pour nombre d’artistes et de théoriciens anglais et américains, tant au plan iconographique qu’au plan méthodologique, un rôle stratégique : celui d’un véritable objet régulateur utilisé pour déplacer l’activité artistique loin de ses coordonnées conventionnelles. Dans cette entreprise, Eduardo Paolozzi côtoie Reyner Banham, Robert Smithson ou James Graham Ballard, Peter Hutchinson voisine avec Lawrence Alloway pour explorer ce que ce dernier a appelé « le front élargi de la culture » qui devient ici un ensemble d’images et d’idées rétrocédant en deçà du pop art, là où la subculture se fait relais d’invention. Passer l’art novateur au filtre de la SF, c’est par conséquent, pour les créateurs et les penseurs de l’époque mettant en œuvre cette opération théorique et plastique, ébranler radicalement les cadres d’une esthétique dominante — le formalisme — dont ils auront été les critiques en acte. Il en résulte notamment une révision des notions de passé, de présent et de futur dont Ballard, cet « anticipateur qui ne croit pas en l’avenir » comme il est dit dans l’ouvrage, est le fer de lance. Ce livre propose les pièces de ce dossier crucial pour la compréhension de l’art actuel.
Art et science-fiction: la ballard connection
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$37.95
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Summary:
Dans les années 1950 et jusqu’à la fin des années 1960, la science-fiction a joué, pour nombre d’artistes et de théoriciens anglais et américains, tant au plan iconographique qu’au plan méthodologique, un rôle stratégique : celui d’un véritable objet régulateur utilisé pour déplacer l’activité artistique loin de ses coordonnées conventionnelles. Dans cette entreprise, Eduardo Paolozzi côtoie Reyner Banham, Robert Smithson ou James Graham Ballard, Peter Hutchinson voisine avec Lawrence Alloway pour explorer ce que ce dernier a appelé « le front élargi de la culture » qui devient ici un ensemble d’images et d’idées rétrocédant en deçà du pop art, là où la subculture se fait relais d’invention. Passer l’art novateur au filtre de la SF, c’est par conséquent, pour les créateurs et les penseurs de l’époque mettant en œuvre cette opération théorique et plastique, ébranler radicalement les cadres d’une esthétique dominante — le formalisme — dont ils auront été les critiques en acte. Il en résulte notamment une révision des notions de passé, de présent et de futur dont Ballard, cet « anticipateur qui ne croit pas en l’avenir » comme il est dit dans l’ouvrage, est le fer de lance. Ce livre propose les pièces de ce dossier crucial pour la compréhension de l’art actuel.
Form:
books
books
Publication:
April 2011
April 2011
Subject:
Critical Theory
Critical Theory
