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Ernest Hemingway once said of Nelson Algren's writing that "you should not read it if you cannot take a punch." The prose poem, "Chicago: City on the Make," filled with language that swings and jabs and stuns, lives up to those words. In this sixtieth anniversary edition, Algren presents 120 years of Chicago history through the lens of its "nobodies nobody knows" the(...)
Nelson Algren : Chicago, city on the make - 60th anniversary edition
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Ernest Hemingway once said of Nelson Algren's writing that "you should not read it if you cannot take a punch." The prose poem, "Chicago: City on the Make," filled with language that swings and jabs and stuns, lives up to those words. In this sixtieth anniversary edition, Algren presents 120 years of Chicago history through the lens of its "nobodies nobody knows" the tramps, hustlers, aging bar fighters, freed death-row inmates, and anonymous working stiffs who prowl its streets.
Architecture since 1900, Americas
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Published on the 100th anniversary of Posada's death, Illustrations for Mexican Fairy Tales gathers these vibrantly colorful works by both artists for the first time, many of which were done for the famous Mexican penny press publisher Antonio Vanegas Arroyo. Affordably priced, and with a wealth of color reproductions throughout, this extremely giftworthy collection(...)
Posada & Manilla: illustrations for Mexican fairy tales
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Published on the 100th anniversary of Posada's death, Illustrations for Mexican Fairy Tales gathers these vibrantly colorful works by both artists for the first time, many of which were done for the famous Mexican penny press publisher Antonio Vanegas Arroyo. Affordably priced, and with a wealth of color reproductions throughout, this extremely giftworthy collection includes a facsimile reprint of one of Posada's most beautiful and acclaimed booklets as well as an essay by the respected curator, collector and writer Mercurio Lopez Casillas.
Illustration
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xl, 280 pages : illustrations (colour) ; 23 cm
Toronto ; Buffalo ; London : Aevo UTP, an imprint of University of Toronto Press, [2022], ©2022
Displacement city : fighting for health and homes in a pandemic / edited by Greg Cook and Cathy Crowe ; foreword by Robyn Maynard ; afterword by Shawn Micallef.
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xl, 280 pages : illustrations (colour) ; 23 cm
books
Toronto ; Buffalo ; London : Aevo UTP, an imprint of University of Toronto Press, [2022], ©2022
The colosseum
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Byron and Hitler were equally entranced by Rome's most famous monument, the Colosseum. Mid-Victorians admired the hundreds of varieties of flowers in its crannies and occasionally shuddered at its reputation for contagion, danger, and sexual temptation. Today it is the highlight of a tour of Italy for more than three million visitors a year, a concert arena for the likes(...)
The colosseum
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Byron and Hitler were equally entranced by Rome's most famous monument, the Colosseum. Mid-Victorians admired the hundreds of varieties of flowers in its crannies and occasionally shuddered at its reputation for contagion, danger, and sexual temptation. Today it is the highlight of a tour of Italy for more than three million visitors a year, a concert arena for the likes of Paul McCartney, and a national symbol of opposition to the death penalty. Its ancient history is chockfull of romantic but erroneous myths. There is no evidence that any gladiator ever said "Hail Caesar, those about to die..." and we know of not one single Christian martyr who met his finish here. Yet the reality is much stranger than the legend as the authors, two prominent classical historians, explain in this absorbing account. We learn the details of how the arena was built and at what cost; we are introduced to the emperors who sometimes fought in gladiatorial games staged at the Colosseum; and we take measure of the audience who reveled in, or opposed, these games. The authors also trace the strange afterlife of the monument--as fortress, shrine of martyrs, church, and glue factory. Why are we so fascinated with this arena of death?
History until 1900
The Klee universe
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There are artists whose métier is the observation or documentation of the world, and artists who set the world aside altogether to build their own visionary cosmology, designing its constituent parts from scratch as a personal mythology relayed in motifs. Paul Klee (1879-1940) was such an artist, as his aphorism “Art does not reproduce the visible, rather it makes(...)
The Klee universe
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There are artists whose métier is the observation or documentation of the world, and artists who set the world aside altogether to build their own visionary cosmology, designing its constituent parts from scratch as a personal mythology relayed in motifs. Paul Klee (1879-1940) was such an artist, as his aphorism “Art does not reproduce the visible, rather it makes visible” testifies, and The Klee Universe addresses his work from this perspective. In 1906, Klee noted in his diary, "All will be Klee," and in 1911, as the encyclopedist of his cosmos, he began to meticulously chronicle his works in a catalogue that, by the time he died, was to contain more than 9,000 items. Here, in the fashion of an Orbis Pictus or a Renaissance emblem book, Klee's oeuvre is made legible as a cogent entirety, in thematic units address: the human life cycle, from birth and childhood to sexual desire, parenthood and death; music, architecture, theater and religion; plants, animals and landscapes; and, finally, darker, destructive forces in the shape of war, fear and death. The Klee Universe reimagines the artist as a Renaissance man, an artist of great learning whose cosmos proves to be a coherent system of ideas and images.
Contemporary Art Monographs
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This unprecedented collection compiles the writings of artist and poet Jesse Murry (1948–93), an extraordinary thinker who believed in the capacity of painting to hold the complexity of human meaning. Painting Is a Supreme Fiction brings together Murry’s published art criticism with previously unpublished philosophical writing and poetry from 1980 to his tragic death from(...)
Painting is a supreme fiction: Writings by Jesse Murry
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This unprecedented collection compiles the writings of artist and poet Jesse Murry (1948–93), an extraordinary thinker who believed in the capacity of painting to hold the complexity of human meaning. Painting Is a Supreme Fiction brings together Murry’s published art criticism with previously unpublished philosophical writing and poetry from 1980 to his tragic death from AIDS-related illness at the age of 44. The result is a portrait of an original mind who sought to unite the histories of Romantic landscape painting with the realities of Black experience through ''a belief in the restorative and creative powers of the imagination.'' No artist before occupied the exact intersections Murry created through his work, which aimed to reclaim ''painting as a poetic act amid the ''death of painting'' discourse of the 1980s. In addition to Murry’s writings, this volume also includes reproductions of selected paintings; excerpts from a a pair of panel discussions on art criticism and expressionism that took place in 1980; as well as transcriptions of two of the artist's notebooks, in which the spatialization of the words across the page approaches the condition of thought. ''Painting is a supreme fiction'' presents Jesse Murry in his own words, offering intimate access to this remarkable figure.
Art Theory
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Combining spectacular location sequences and cinema-quality animation, this program takes you to France's most famous and awe-inspiring cathedrals. You'll travel in time back to 1214 to explore the design of Notre Dame de Beaulieu, a magnificent Gothic cathedral shaped by cultural and religious forces. Take a close look at the vaulted arches, shimmering stained-glass(...)
Cathedral
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Combining spectacular location sequences and cinema-quality animation, this program takes you to France's most famous and awe-inspiring cathedrals. You'll travel in time back to 1214 to explore the design of Notre Dame de Beaulieu, a magnificent Gothic cathedral shaped by cultural and religious forces. Take a close look at the vaulted arches, shimmering stained-glass windows and dizzying vaulted ceilings. This award-winning program also tells compelling stories of life and death, faith and despair, prosperity and intrigue. Narrated by David Macaulay.
Children's Books
C magazine 160: extra life
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In this issue’s extended editorial note, Bracy Appeikumoh asks, "Was utopia, like extra lives, envisioned as a means of escaping death?" Among the haunting contradictions of living in the imperial core, whose violences seek their own immortality, to seize a different kind of “extra life” takes an extra real imagination. Across virtual game worlds, ancestral inheritances,(...)
C magazine 160: extra life
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In this issue’s extended editorial note, Bracy Appeikumoh asks, "Was utopia, like extra lives, envisioned as a means of escaping death?" Among the haunting contradictions of living in the imperial core, whose violences seek their own immortality, to seize a different kind of “extra life” takes an extra real imagination. Across virtual game worlds, ancestral inheritances, unfinished revolutionary histories, artists’ data storage, and more, contributors to C160 reflect on extra life as a state both surplus and sacred—what persists in age-old cycles of decay.
Magazines
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Ian Sullivan Cants zines / illustrated poems are collected here into his first book, Papercut Heart. In deceptively simple pages, he tackles love, death and dreams with a wistful existentialism. Chia pets frolic with narwhals under banners that flutter with secret hope, Frankensteins creation speculates on the nature of self, and a story written entirely in Morse Code(...)
Ian Sullivan Cant: papercut heart a book of zines
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Ian Sullivan Cants zines / illustrated poems are collected here into his first book, Papercut Heart. In deceptively simple pages, he tackles love, death and dreams with a wistful existentialism. Chia pets frolic with narwhals under banners that flutter with secret hope, Frankensteins creation speculates on the nature of self, and a story written entirely in Morse Code weaves through silent statuary. Cants writing confronts the tragic disparity between fantasy and ideal, and the disappointment of reality, but always seeks to touch the reader with melancholy.
Architecture du Québec
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These are the fragments Francis Upritchard has shored against her ruins. Thrift store pots have been remade as canopic urns, ancient Egyptian repositories for the organs of the dead. A gift from a relative, an unwanted wedding present or a memory of a day out, even the tackiest ornament once played a small symbolic function in someone’s life. Now they have been detourned(...)
Francis Upritchard: human problems
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These are the fragments Francis Upritchard has shored against her ruins. Thrift store pots have been remade as canopic urns, ancient Egyptian repositories for the organs of the dead. A gift from a relative, an unwanted wedding present or a memory of a day out, even the tackiest ornament once played a small symbolic function in someone’s life. Now they have been detourned to reveal the underlying purpose of all that frantic personalising and decorating of domestic space, the fabrication of memories to set against death.
Contemporary Art Monographs