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Eugène Atget
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Eugène Atget (1857-1927)
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May 2001, Paris
Photography monographs
Eugène Atget : unknown Paris
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For 30 years, Eugène Atget photographed the historic core of Paris, its buildings and monuments, its ancient streets and civic spaces, its public parks and gardens. With the exception of his earliest photographs, he chose not to represent a particular site by a single, definitive photograph but produced sequences of interrelated images that create a cumulative(...)
Eugène Atget : unknown Paris
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For 30 years, Eugène Atget photographed the historic core of Paris, its buildings and monuments, its ancient streets and civic spaces, its public parks and gardens. With the exception of his earliest photographs, he chose not to represent a particular site by a single, definitive photograph but produced sequences of interrelated images that create a cumulative portrait. A collection of case studies of archetypal urban settings, this book examines Atget’s approach to photography. It features 240 of his photographs—nearly all of which have never been published—assembled to display the integral relationship between the photographer’s working method and his subject matter, revealing the character of le Vieux Paris itself.
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100 pages : illustrations ; 26 cm
Chicago, Ill. : Art Institute of Chicago, [2005], New Haven : Yale University Press
Paris : photographs from a time that was / David Travis.
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100 pages : illustrations ; 26 cm
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Chicago, Ill. : Art Institute of Chicago, [2005], New Haven : Yale University Press
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In this book, John Szarkowski has selected 100 images by Eugène Atget from the MOMA collection and elucidated each with a brief text.
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In focus : Eugène Atget
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Eugène Atget (1857-1927) spent nearly thirty years photographing details of often-inconspicuous buildings, side streets, cul-de-sacs, and public sculptures in his beloved Paris. Yet before his death, he was practically unknown outside of that city. His genius was first recognized(...)
Photography monographs
June 2000, Los Angeles
In focus : Eugène Atget
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Eugène Atget (1857-1927) spent nearly thirty years photographing details of often-inconspicuous buildings, side streets, cul-de-sacs, and public sculptures in his beloved Paris. Yet before his death, he was practically unknown outside of that city. His genius was first recognized about 1924 by two young Americans living and working in Paris—Man Ray and his studio assistant, Berenice Abbott—who appreciated the elements of contradiction, ambivalence, and ambiguity in Atget's images of Parisian architecture, streets, and parks. Presented in this volume are more than fifty of the Getty Museum's two hundred ninety-five pictures by Atget, with commentary on each image by Gordon Baldwin, associate curator of photographs at the J. Paul Getty Museum. "In Focus: Eugène Atget" also contains a chronological overview of his life and an edited transcript of a colloquium on his career, with participants Baldwin; David Featherstone, independent editor and curator; photographer Robbert Flick, professor of art at the University of Southern California; independent scholar David Harris; Weston Naef, curator of photographs, Getty Museum; Francoise Reynaud, curator of photographs at the Musée Carnavalet, Paris; and Michael S. Roth, president, California College of Arts and Crafts.
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June 2000, Los Angeles
Photography monographs
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xxxii, 309 pages : illustrations ; 23 cm
Albuquerque : University of New Mexico Press, ©1998.
Light readings : a photography critic's writings, 1968-1978 / A.D. Coleman ; introduction by Shelley Rice.
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xxxii, 309 pages : illustrations ; 23 cm
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Albuquerque : University of New Mexico Press, ©1998.
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570 pages, 8 unnumbered leaves of plates : illustrations ; 23 cm.
New York : Published by Simon and Schuster, [1981]
Photography in print : writings from 1816 to the present / edited by Vicki Goldberg.
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570 pages, 8 unnumbered leaves of plates : illustrations ; 23 cm.
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New York : Published by Simon and Schuster, [1981]
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Atget: Photographe de Paris is the perfect starting point for this invaluable new series on great photography books. Published in 1930, three years after Atget's death, it is now regarded as a classic that has influenced many generations of artists, including Berenice Abbott and Walker Evans. Books on Books 1 reproduces all 96 collotype plates from the original, as well(...)
Photography monographs
January 2009, New York
Eugène Atget photographe de Paris
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Atget: Photographe de Paris is the perfect starting point for this invaluable new series on great photography books. Published in 1930, three years after Atget's death, it is now regarded as a classic that has influenced many generations of artists, including Berenice Abbott and Walker Evans. Books on Books 1 reproduces all 96 collotype plates from the original, as well as a translation of the original Pierre Mac Orlan text on Eugene Atget's remarkable documentation of Paris at the turn of the nineteenth century. Noted author and lecturer David Campany contributes a contemporary essay called "Atget's Intelligent Documents" written for this volume.
Photography monographs
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158 pages : illustrations (chiefly color) ; 23 cm
Paris : Jeu de paume, ©2004.
L'ombre du temps / [text, Régis Durand, Michel Poivert].
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158 pages : illustrations (chiefly color) ; 23 cm
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Paris : Jeu de paume, ©2004.
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282 pages : illustrations ; 26 x 31 cm
Montreal, Canada : Centre canadien d'architecture/Canadian Centre for Architecture ; New York, N.Y. : Callaway Editions, [1982], ©1982
Photography and architecture, 1839-1939 / [edited by] Richard Pare ; introduction by Phyllis Lambert ; catalog by Catherine Evans Inbusch and Marjorie Munsterberg.
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282 pages : illustrations ; 26 x 31 cm
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Montreal, Canada : Centre canadien d'architecture/Canadian Centre for Architecture ; New York, N.Y. : Callaway Editions, [1982], ©1982