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By examining notions of what was extraordinary, re-evaluating medieval ideas of authorship, and restoring economic considerations to the debate, Binski sets English visual art of the early 14th century in a broad European context and also within the aesthetic discourses of the medieval period. The author, stressing the continuum between art and architecture, challenges(...)
Gothic wonder: art, artifice, and the decorated style, 1290–1350
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By examining notions of what was extraordinary, re-evaluating medieval ideas of authorship, and restoring economic considerations to the debate, Binski sets English visual art of the early 14th century in a broad European context and also within the aesthetic discourses of the medieval period. The author, stressing the continuum between art and architecture, challenges understandings about agency, modernity, hierarchy, and marginality. His book makes a powerful case for the restoration of the category of the aesthetic to the understanding of medieval art. Gothic Wonder traces the impact of English art in Continental Europe, ending with the Black Death and the literary uses of the architectural in works by Geoffrey Chaucer and other writers.
History until 1900, Middle Ages
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After his untimely death at age forty-seven in 2011, Metchewais left behind a wholly original and expansive body of photographic and mixed-media work. At the center of his practice is an extensive Polaroid archive, which addresses a range of themes—including the artist’s body, performative self-portraiture, language, landscapes, and everyday subjects—and served as the(...)
Kimowan Metchewais: A kind of prayer
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After his untimely death at age forty-seven in 2011, Metchewais left behind a wholly original and expansive body of photographic and mixed-media work. At the center of his practice is an extensive Polaroid archive, which addresses a range of themes—including the artist’s body, performative self-portraiture, language, landscapes, and everyday subjects—and served as the source material for works in other media, such as painting and collage. Metchewais’s exquisitely layered works offer a poetic meditation on his connection to home and land, while challenging conventional narratives and representations of Indigeneity. Metchewais was a contemporary artist of stunning originality, and until now, his work has been woefully understudied and underexposed. This volume is a comprehensive overview that showcases this essential artist’s astonishing vision.
Photography monographs
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Le Corbusier’s apartment-studio is an iconic object of the twentieth century, combining the indisputable material values of the building with the intangible "sense of place" of an architect’s home. Le Corbusier, who lived there from 1934 until his death in 1965, treated it as a permanent construction site—a unique place of spatial, plastic, and constructional(...)
The many lives of Apartment-Studio Le Corbusier, 1931-2014
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Le Corbusier’s apartment-studio is an iconic object of the twentieth century, combining the indisputable material values of the building with the intangible "sense of place" of an architect’s home. Le Corbusier, who lived there from 1934 until his death in 1965, treated it as a permanent construction site—a unique place of spatial, plastic, and constructional experimentation. The phases of change at the apartment-studio are layered over each other, and thus the apartment’s "many lives" create major philosophical problems for conservation. This first book on the apartment-studio, richly illustrated with largely unpublished visual material, presents research undertaken by the Laboratory of Techniques and Preservation of Modern Architecture (TSAM) for the Fondation Le Corbusier during preparatory investigations for the program of restoration.
Architecture Monographs
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The boy who always looked up
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Ryan Gander's book The Boy Who Always Looked Up tells its own story in the distinctive style of a children’s book. The narrative takes place through the eyes of a child who describes the life and death of the modernist architect Erno Goldfinger, who built Notting Hill's Trellick Tower. The failure of late twentieth century utopian ideals is heightened through the innocent(...)
The boy who always looked up
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Ryan Gander's book The Boy Who Always Looked Up tells its own story in the distinctive style of a children’s book. The narrative takes place through the eyes of a child who describes the life and death of the modernist architect Erno Goldfinger, who built Notting Hill's Trellick Tower. The failure of late twentieth century utopian ideals is heightened through the innocent protagonist. Gander plays upon the artist’s use of constructed fictions that are or could be based upon actual realities or occurrences within the everyday. To Gander, the past, and by inference, the present are open to a state of imagined disturbance or articulation through a strategy that places fictional characterisation at the core of his practice. Design by Sara De Bondt. Limited edition of 500.
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October 2004, Manchester
Architecture Monographs
The ways of paradise
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In his foreword to ''The Ways of Paradise'', Peter Cornell presents this so-called found manuscript, the work of a now-deceased, obscure researcher who spent three decades in the National Library of Sweden working on his magnum opus. Upon his death, no trace of this work remains aside from this set of notes and fragments which form an enigmatic set of texts on the(...)
The ways of paradise
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In his foreword to ''The Ways of Paradise'', Peter Cornell presents this so-called found manuscript, the work of a now-deceased, obscure researcher who spent three decades in the National Library of Sweden working on his magnum opus. Upon his death, no trace of this work remains aside from this set of notes and fragments which form an enigmatic set of texts on the connections between art, literature, spirituality and the occult through history, with a particular focus on spirals and labyrinths. Ranging from the Crusades to Ruskin, Freud to surrealism, cubism, automatic writing, Duchamp, the Manhattan Project, Pollock and Smithson, this cult book, first published in Sweden in 1987, is translated into English for the first time by Saskia Vogel.
Literature and poetry
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Although postmodern architecture reaches giddy heights in the cinema multiplexes and shopping malls on the outskirts of town, its services have been in greatest demand in the centre of London. The fun, brash style dominated architecture from its radical inception at the end of the 1970's to its soggy death by cul-de-sac developments in the 90's. Why did the postmodern(...)
Postmodern architecture in London
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Although postmodern architecture reaches giddy heights in the cinema multiplexes and shopping malls on the outskirts of town, its services have been in greatest demand in the centre of London. The fun, brash style dominated architecture from its radical inception at the end of the 1970's to its soggy death by cul-de-sac developments in the 90's. Why did the postmodern expire? A change of fashion, maybe? It can certainly be too much at times, all those Plaudoh pediments, Lego walls and cheap multicoloured facings. A victim of its own popularity? We live and work in countless postmodern low-rise houses and offices all over the city; so ubiquitous is it that not a street has been spared.
City Guides
Andreas Züst : roundabouts
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For years, Andreas Züst, the late photographer, meteorologist, publisher, collector, and patron of the arts, took photographs of roundabouts in Europe, America, and Asia. Almost everything can manifest itself in the center of a roundabout, endowing this non-place with a meaning that we only casually glimpse while driving by: advertisements for local businesses, historical(...)
Photography monographs
January 1900, Zürich, Berlin, New York
Andreas Züst : roundabouts
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For years, Andreas Züst, the late photographer, meteorologist, publisher, collector, and patron of the arts, took photographs of roundabouts in Europe, America, and Asia. Almost everything can manifest itself in the center of a roundabout, endowing this non-place with a meaning that we only casually glimpse while driving by: advertisements for local businesses, historical allegories, artworks, craft, monuments of ruling ideologies and religions—as though man could not abide a void. These wry photographs, with their delight in the absurd, are a prime example of an anthropology of everyday and popular culture inviting the reader to reflect on cultural and social differences, vernacular culture, and man’s horror of the void. At time of his premature death, Züst was preparing the publication of this book.
Photography monographs
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In this study, Jean-Pierre Vernant delineates a compelling new vision of ancient Greece. The book takes us far from the calm and familiar images of Polykleitos and the Parthenon to reveal a fundamentally other culture — one of slavery, of masks and death, of scapegoats, of ritual hunting, and of ecstasies. Vernant’s discussions of various institutions and practices(...)
Myth and society in ancient Greece
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In this study, Jean-Pierre Vernant delineates a compelling new vision of ancient Greece. The book takes us far from the calm and familiar images of Polykleitos and the Parthenon to reveal a fundamentally other culture — one of slavery, of masks and death, of scapegoats, of ritual hunting, and of ecstasies. Vernant’s discussions of various institutions and practices (including war, marriage, and sacrifice) detail the complex intersection of the religious, social, and political structures of ancient Greece. The book concludes with Vernant’s authoritative genealogy of the study of myth from Antiquity to structuralism and beyond. “Myth,” he writes, “brings into operation a form of logic which we may describe, unlike the logic of noncontradiction of the philosophers, as a logic of the ambiguous and the equivocal.”
Critical Theory
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This book brings together 17 Kahn projects, ranging from private housing to commercial architecture, religious buildings, exhibition spaces, and government buildings. With the Jonas Salk Institute in La Jolla, California (1959–1965) Kahn created a workspace with superb functional and aesthetic qualities; the institute’s Minimalist elements radiate a sense of eternal(...)
Kahn
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This book brings together 17 Kahn projects, ranging from private housing to commercial architecture, religious buildings, exhibition spaces, and government buildings. With the Jonas Salk Institute in La Jolla, California (1959–1965) Kahn created a workspace with superb functional and aesthetic qualities; the institute’s Minimalist elements radiate a sense of eternal beauty. The Kimbell Art Museum in Fort Worth (1966–1972) occupies the somewhat faceless city like an island of spiritual space, an effect that is achieved by simplicity in design and materials. Also, the Indian Institute of Management in Ahmedabad (1962–1974) and the Sher-e-Bangla Nagar, National Assembly of Bangladesh in Dhaka that was finished after his death are buildings of monumental importance, demonstrating the vision the architect.
Architecture Monographs
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“Behind every image, something has disappeared. And that is the source of its fascination,” writes French theorist Jean Baudrillard in Why Hasn’t Everything Already Disappeared? In this, one of the last texts written before his death in March 2007, Baudrillard meditates poignantly on the question of disappearance. Throughout, he weaves an intricate set of variations on(...)
Why hasn't everything already disappeared?
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“Behind every image, something has disappeared. And that is the source of its fascination,” writes French theorist Jean Baudrillard in Why Hasn’t Everything Already Disappeared? In this, one of the last texts written before his death in March 2007, Baudrillard meditates poignantly on the question of disappearance. Throughout, he weaves an intricate set of variations on his theme, ranging from the potential disappearance of humanity as a result of the fulfillment of its goal of world mastery to the vanishing of reality due to the continual transmutation of the real into the virtual. Along the way, he takes in the more conventional question of the philosophical “subject,” whose disappearance has, in his view, been caused by a “pulverization of consciousness into all the interstices of reality.”
Critical Theory