Buildings must die
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Buildings, although inanimate, are often assumed to have “life.” And the architect, through the act of design, is assumed to be their conceiver and creator. But what of the “death” of buildings? What of the decay, deterioration, and destruction to which they are inevitably subject? And what might such endings mean for architecture’s sense of itself? In Buildings Must Die,(...)
Buildings must die
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Buildings, although inanimate, are often assumed to have “life.” And the architect, through the act of design, is assumed to be their conceiver and creator. But what of the “death” of buildings? What of the decay, deterioration, and destruction to which they are inevitably subject? And what might such endings mean for architecture’s sense of itself? In Buildings Must Die, Stephen Cairns and Jane Jacobs look awry at core architectural concerns. They examine spalling concrete and creeping rust, contemplate ruins old and new, and pick through the rubble of earthquake-shattered churches, imploded housing projects, and demolished Brutalist office buildings. Their investigation of the death of buildings reorders architectural notions of creativity, reshapes architecture’s preoccupation with good form, loosens its vanities of durability, and expands its sense of value. It does so not to kill off architecture as we know it, but to rethink its agency and its capacity to make worlds differently. Cairns and Jacobs offer an original contemplation of architecture that draws on theories of waste and value. Their richly illustrated case studies of building “deaths” include the planned and the unintended, the lamented and the celebrated. They take us from Moline to Christchurch, from London to Bangkok, from Tokyo to Paris. And they feature the work of such architects as Eero Saarinen, Carlo Scarpa, Cedric Price, Arata Isozaki, Rem Koolhaas and François Roche.
Architectural Theory
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Cycle Space is the first book to view the city through the lens - or rearview mirror - of the bicycle. It features portraits of eight major cities and their respective cycling cultures: New York, Chicago, Portland, Amsterdam, Copenhagen, Budapest, São Paolo, Singapore and Sydney. Each of these cities has seen a groundswell of cyclists taking to its streets in recent(...)
Cycle space : architecture & urban design in the age of the bicycle
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Cycle Space is the first book to view the city through the lens - or rearview mirror - of the bicycle. It features portraits of eight major cities and their respective cycling cultures: New York, Chicago, Portland, Amsterdam, Copenhagen, Budapest, São Paolo, Singapore and Sydney. Each of these cities has seen a groundswell of cyclists taking to its streets in recent years. From death-defying bike messengers to hipsters with a taste for cycle chic to commuters simply riding to work, cycling is now being viewed as more than just an alternative: it’s practical; it’s cool; it’s green.
Transportation, Tourism, Migration
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From the 1990s until just before his death, the legendary art critic and philosopher Arthur C. Danto carried out extended conversations about contemporary art with the prominent Italian critic Demetrio Paparoni. Their discussions ranged widely over a vast range of topics, from American pop art and minimalism to abstraction and appropriationism. Yet they continually(...)
Art and posthistory: Conversations on the end of aesthetics
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From the 1990s until just before his death, the legendary art critic and philosopher Arthur C. Danto carried out extended conversations about contemporary art with the prominent Italian critic Demetrio Paparoni. Their discussions ranged widely over a vast range of topics, from American pop art and minimalism to abstraction and appropriationism. Yet they continually returned to the concepts at the core of Danto’s thinking—posthistory and the end of aesthetics—provocative notions that to this day shape questions about the meaning and future of contemporary art. This book presents these rich dialogues and correspondence, testifying to the ongoing importance of Danto’s ideas.
Art Theory
Mourning diary
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The day after his mother’s death in October 1977, the influential philosopher Roland Barthes began a diary of mourning. Taking notes on index cards as was his habit, he reflected on a new solitude, on the ebb and flow of sadness, and on modern society’s dismissal of grief. These 330 cards, published here for the first time, prove a skeleton key to the themes he tackled(...)
Mourning diary
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The day after his mother’s death in October 1977, the influential philosopher Roland Barthes began a diary of mourning. Taking notes on index cards as was his habit, he reflected on a new solitude, on the ebb and flow of sadness, and on modern society’s dismissal of grief. These 330 cards, published here for the first time, prove a skeleton key to the themes he tackled throughout his work. Behind the unflagging mind, “the most consistently intelligent, important, lay a deeply sensitive man who cherished his mother with a devotion unknown even to his closest friends.
Critical Theory
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Isaac Cordal is a sculpture artist from London whose sculptures take the form of "little people" sculpted from concrete and placed in "real" situations. Cordal manages to capture much emotion in his vignettes, in spite of the little people's lack of detail or color. He is sympathetic toward his little people and we empathize with their situations, their leisure time,(...)
Isaac Cordal : cement eclipses, small interventions in the big city
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Isaac Cordal is a sculpture artist from London whose sculptures take the form of "little people" sculpted from concrete and placed in "real" situations. Cordal manages to capture much emotion in his vignettes, in spite of the little people's lack of detail or color. He is sympathetic toward his little people and we empathize with their situations, their leisure time, their waiting for buses and their more tragic moments such as accidental death, suicide or family funerals. His sculptures can be found in gutters, on top of buildings, on top of bus shelters - and in many other unusual and unlikely places.
C.P Cavafy: collected poems
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Daniel Mendelsohn--a classics scholar who alone among Cavafy's translators shares the poet's deep intimacy with the ancient world--is uniquely positioned to give readers full access to Cavafy's genius. The more than 250 works collected in this volume, comprising all of the Published, Repudiated, and Unpublished poems, cover the vast sweep of Hellenic civilization, from(...)
January 2012
C.P Cavafy: collected poems
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Daniel Mendelsohn--a classics scholar who alone among Cavafy's translators shares the poet's deep intimacy with the ancient world--is uniquely positioned to give readers full access to Cavafy's genius. The more than 250 works collected in this volume, comprising all of the Published, Repudiated, and Unpublished poems, cover the vast sweep of Hellenic civilization, from the Trojan War through Cavafy's own lifetime. Powerfully moving, searching and wise, whether advising Odysseus as he returns home to Ithaca or portraying a doomed Marc Antony on the eve of his death, Cavafy's poetry makes the historical personal--and vice versa.
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For the past thirty years, Japanese photographer Naoya Hatakeyama has undertaken a photographic examination of the life of cities and the built environment. Each of his series focuses on a different facet of the growth and transformation of the urban landscape—from studies of architectural maquettes to the extraction and use of natural materials such as limestone, as it(...)
Naoya Hatakeyama : excavating the future city
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For the past thirty years, Japanese photographer Naoya Hatakeyama has undertaken a photographic examination of the life of cities and the built environment. Each of his series focuses on a different facet of the growth and transformation of the urban landscape—from studies of architectural maquettes to the extraction and use of natural materials such as limestone, as it is quarried via explosive blasts and subsequently incorporated into the construction of new buildings.These photographs hauntingly embody the death and rebirth of the city, manifesting a deeply personal connection to the ongoing intersection of geology, architecture, and time.
Photography monographs
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From 1976 until his death in 1987, Andy Warhol was never without his camera. He snapped photos at discos, dinner parties, flea markets, and wrestling matches. In a way, Warhol's daily photography practice anticipated our current smart phone habits - our need to record our friends, our families, and our food. Warhol printed only about 17 percent of the 130,000 exposures he(...)
Contact Warhol: photography without end
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From 1976 until his death in 1987, Andy Warhol was never without his camera. He snapped photos at discos, dinner parties, flea markets, and wrestling matches. In a way, Warhol's daily photography practice anticipated our current smart phone habits - our need to record our friends, our families, and our food. Warhol printed only about 17 percent of the 130,000 exposures he left on contact sheets. In 2014, Stanford's Cantor Center for the Arts acquired the 3,600 contact sheets from the Warhol Foundation. This book examines and documents for the first time these contact sheets and photographs - Warhol's final body of work
Photography monographs
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This collection assembles all of the known correspondence of Canadian typographer and type designer Carl Dair (1912-67) concerning the conception, development and reception of his Cartier typeface. The letters span two decades, from Dair’s 1956?57 studies under the punchcutter P.H. Rädisch at the Enschedé typefoundry in Holland, to the voluminous response to the release(...)
Carl Dair and the Cartier typeface
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This collection assembles all of the known correspondence of Canadian typographer and type designer Carl Dair (1912-67) concerning the conception, development and reception of his Cartier typeface. The letters span two decades, from Dair’s 1956?57 studies under the punchcutter P.H. Rädisch at the Enschedé typefoundry in Holland, to the voluminous response to the release of the First Proof of Cartier in 1966 until his sudden death in 1967, including candid criticisms and detailed critiques from some of the twentieth century’s foremost typographic minds?Sem Hartz, John Dreyfus, Paul Standard, Beatrice Warde, Hermann Zapf and others.
Graphic Design and Typography
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At the time of his death, Italo Calvino was at work on six lectures setting forth the qualities in writing he most valued, and which he believed would define literature in the century to come. Here, in "Six Memos for the Next Millennium", are the five lectures he completed, forming not only a stirring defense of literature, but also an indispensable guide to the writings(...)
Six memos for the next millenium
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At the time of his death, Italo Calvino was at work on six lectures setting forth the qualities in writing he most valued, and which he believed would define literature in the century to come. Here, in "Six Memos for the Next Millennium", are the five lectures he completed, forming not only a stirring defense of literature, but also an indispensable guide to the writings of Calvino himself. He devotes one "memo" each to the concepts of "lightness, quickness, exactitude, visibility, and multiplicity", drawing examples from his vast knowledge of myth, folklore, and works both ancient and modern.
Literature and poetry