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books
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Title:
Photography at MoMA / edited by Quentin Bajac, Lucy Gallun, Roxana Marcoci, Sarah Hermanson Meister.
Photography at MoMA / edited by Quentin Bajac, Lucy Gallun, Roxana Marcoci, Sarah Hermanson Meister.
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3 volumes : illustrations (some color), portraits ; 32 cm
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3 volumes : illustrations (some color), portraits ; 32 cm
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New York : Museum of Modern Art, 2015-2017.
New York : Museum of Modern Art, 2015-2017.
Title:
Photography at MoMA / edited by Quentin Bajac, Lucy Gallun, Roxana Marcoci, Sarah Hermanson Meister.
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Description:
3 volumes : illustrations (some color), portraits ; 32 cm
Photography at MoMA / edited by Quentin Bajac, Lucy Gallun, Roxana Marcoci, Sarah Hermanson Meister.
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Holdings:
Description:
3 volumes : illustrations (some color), portraits ; 32 cm
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books
books
Publication:
New York : Museum of Modern Art, 2015-2017.
New York : Museum of Modern Art, 2015-2017.
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Le Musée des beaux-arts du Canada fut l’un des premiers musées du monde à reconnaître la photographie comme forme d’art. Cette collection de calibre international se classe parmi les plus étoffées au monde et possède l’une des plus importantes collections en Amérique du Nord d’œuvres du photographe français Eugène Atget. Un essai majeur sur la période est accompané par(...)
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Le Musée des beaux-arts du Canada fut l’un des premiers musées du monde à reconnaître la photographie comme forme d’art. Cette collection de calibre international se classe parmi les plus étoffées au monde et possède l’une des plus importantes collections en Amérique du Nord d’œuvres du photographe français Eugène Atget. Un essai majeur sur la période est accompané par(...)
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February 2010
February 2010
Title:
Photographies françaises du XIXe siècle
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Le Musée des beaux-arts du Canada fut l’un des premiers musées du monde à reconnaître la photographie comme forme d’art. Cette collection de calibre international se classe parmi les plus étoffées au monde et possède l’une des plus importantes collections en Amérique du Nord d’œuvres du photographe français Eugène Atget. Un essai majeur sur la période est accompané par soixannte-six présentations individuelles. Parmi les dizaines d’artistes on retrouve Eugène Atget, Edouard Baldus, Maxime Du Camp, Gustave Le Gray, Charles Nègre, et Auguste Salzmann. Après Photographies modernistes du Musée des beaux-arts du Canada, voici la deuxième publication d'une série dédiée à la collection du Musée.
Photographies françaises du XIXe siècle
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Le Musée des beaux-arts du Canada fut l’un des premiers musées du monde à reconnaître la photographie comme forme d’art. Cette collection de calibre international se classe parmi les plus étoffées au monde et possède l’une des plus importantes collections en Amérique du Nord d’œuvres du photographe français Eugène Atget. Un essai majeur sur la période est accompané par soixannte-six présentations individuelles. Parmi les dizaines d’artistes on retrouve Eugène Atget, Edouard Baldus, Maxime Du Camp, Gustave Le Gray, Charles Nègre, et Auguste Salzmann. Après Photographies modernistes du Musée des beaux-arts du Canada, voici la deuxième publication d'une série dédiée à la collection du Musée.
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books
books
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February 2010
February 2010
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books
books
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$69.95
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In this study, Kevin Moore examines the relationship between Eugène Atget (1857–1927) and Berenice Abbott (1898–1991) and the nuances of their individual photographic projects. Abbott and Atget met in Man Ray's Paris studio in the early 1920s. Atget, then in his sixties, was obsessively recording the streets, gardens, and courtyards of the 19th-century city- old Paris- as(...)
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Summary:
In this study, Kevin Moore examines the relationship between Eugène Atget (1857–1927) and Berenice Abbott (1898–1991) and the nuances of their individual photographic projects. Abbott and Atget met in Man Ray's Paris studio in the early 1920s. Atget, then in his sixties, was obsessively recording the streets, gardens, and courtyards of the 19th-century city- old Paris- as(...)
Title:
Old Paris and changing New York
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In this study, Kevin Moore examines the relationship between Eugène Atget (1857–1927) and Berenice Abbott (1898–1991) and the nuances of their individual photographic projects. Abbott and Atget met in Man Ray's Paris studio in the early 1920s. Atget, then in his sixties, was obsessively recording the streets, gardens, and courtyards of the 19th-century city- old Paris- as modernization transformed it. Abbott acquired much of Atget's work after his death and was a tireless advocate for its value. She later relocated to New York and emulated Atget in her systematic documentation of that city, culminating in the publication of the project ''Changing New York''.
Old Paris and changing New York
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In this study, Kevin Moore examines the relationship between Eugène Atget (1857–1927) and Berenice Abbott (1898–1991) and the nuances of their individual photographic projects. Abbott and Atget met in Man Ray's Paris studio in the early 1920s. Atget, then in his sixties, was obsessively recording the streets, gardens, and courtyards of the 19th-century city- old Paris- as modernization transformed it. Abbott acquired much of Atget's work after his death and was a tireless advocate for its value. She later relocated to New York and emulated Atget in her systematic documentation of that city, culminating in the publication of the project ''Changing New York''.
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books
books
Publication:
October 2018
October 2018
Subject:
Photography monographs
Photography monographs
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books
books
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See/Saw is an illuminating history of how photographs frame and change our perspectives. Starting from single images by the world's most important photographers - from Eugène Atget to Alex Webb - Geoff Dyer shows us how to read a photograph, as he takes us through a series of close readings that are by turns moving, funny, prescient and surprising.
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See/Saw is an illuminating history of how photographs frame and change our perspectives. Starting from single images by the world's most important photographers - from Eugène Atget to Alex Webb - Geoff Dyer shows us how to read a photograph, as he takes us through a series of close readings that are by turns moving, funny, prescient and surprising.
Title:
See/ Saw: Looking at photographs
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See/Saw is an illuminating history of how photographs frame and change our perspectives. Starting from single images by the world's most important photographers - from Eugène Atget to Alex Webb - Geoff Dyer shows us how to read a photograph, as he takes us through a series of close readings that are by turns moving, funny, prescient and surprising.
See/ Saw: Looking at photographs
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$29.50
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Summary:
See/Saw is an illuminating history of how photographs frame and change our perspectives. Starting from single images by the world's most important photographers - from Eugène Atget to Alex Webb - Geoff Dyer shows us how to read a photograph, as he takes us through a series of close readings that are by turns moving, funny, prescient and surprising.
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books
books
Publication:
January 2023
January 2023
Subject:
Theory of Photography
Theory of Photography
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books
books
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$49.00
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The range of photographic vision in the National Gallery’s collection of 19th Century French photographs is vast. The collection extends from topographical photographers who made little pretense to art but, because of the sensitivity and skill produced work that transcends the original purpose, to those who considered themselves as artists and the photographs they(...)
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The range of photographic vision in the National Gallery’s collection of 19th Century French photographs is vast. The collection extends from topographical photographers who made little pretense to art but, because of the sensitivity and skill produced work that transcends the original purpose, to those who considered themselves as artists and the photographs they(...)
Publication:
February 2010
February 2010
Title:
19th Century French photography
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The range of photographic vision in the National Gallery’s collection of 19th Century French photographs is vast. The collection extends from topographical photographers who made little pretense to art but, because of the sensitivity and skill produced work that transcends the original purpose, to those who considered themselves as artists and the photographs they produced as art. With over 200 illustrations, this abundantly illustrated publication features an original essay on the development of photography in 19th Century France as well as sixty-six individual presentations. Among the dozens of photographers discussed are Eugène Atget, Edouard Baldus, Maxime Du Camp, Gustave Le Gray, Charles Nègre, and Auguste Salzmann. James Borcoman is the Curator Emeritus of Photographs for the National Gallery and the author of several books including monographs on Eugène Atget and Yousuf Karsh. After Modernist Photographs from the National Gallery of Canada, this is the second publication in a series devoted to the Gallery's photography collection.
19th Century French photography
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$49.00
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Summary:
The range of photographic vision in the National Gallery’s collection of 19th Century French photographs is vast. The collection extends from topographical photographers who made little pretense to art but, because of the sensitivity and skill produced work that transcends the original purpose, to those who considered themselves as artists and the photographs they produced as art. With over 200 illustrations, this abundantly illustrated publication features an original essay on the development of photography in 19th Century France as well as sixty-six individual presentations. Among the dozens of photographers discussed are Eugène Atget, Edouard Baldus, Maxime Du Camp, Gustave Le Gray, Charles Nègre, and Auguste Salzmann. James Borcoman is the Curator Emeritus of Photographs for the National Gallery and the author of several books including monographs on Eugène Atget and Yousuf Karsh. After Modernist Photographs from the National Gallery of Canada, this is the second publication in a series devoted to the Gallery's photography collection.
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books
books
Publication:
February 2010
February 2010
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books
books
Title:
The tree in photographs
The tree in photographs
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Summary:
Through the works of artists such as Robert Adams, Eugène Atget, Anne Brigman, William Eggleston, P. H. Emerson, Gustave Le Gray, Eliot Porter, Alfred Stieglitz, Paul Strand, William Henry Fox Talbot, and Carleton Watkins, this book spans the history of photography from the mid-nineteenth to early-twenty-first century to address the image of the tree in its many(...)
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Through the works of artists such as Robert Adams, Eugène Atget, Anne Brigman, William Eggleston, P. H. Emerson, Gustave Le Gray, Eliot Porter, Alfred Stieglitz, Paul Strand, William Henry Fox Talbot, and Carleton Watkins, this book spans the history of photography from the mid-nineteenth to early-twenty-first century to address the image of the tree in its many(...)
Title:
The tree in photographs
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Through the works of artists such as Robert Adams, Eugène Atget, Anne Brigman, William Eggleston, P. H. Emerson, Gustave Le Gray, Eliot Porter, Alfred Stieglitz, Paul Strand, William Henry Fox Talbot, and Carleton Watkins, this book spans the history of photography from the mid-nineteenth to early-twenty-first century to address the image of the tree in its many connotations—as graphic form, symbolic icon, and role model for the beauty of nature.
The tree in photographs
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Summary:
Through the works of artists such as Robert Adams, Eugène Atget, Anne Brigman, William Eggleston, P. H. Emerson, Gustave Le Gray, Eliot Porter, Alfred Stieglitz, Paul Strand, William Henry Fox Talbot, and Carleton Watkins, this book spans the history of photography from the mid-nineteenth to early-twenty-first century to address the image of the tree in its many connotations—as graphic form, symbolic icon, and role model for the beauty of nature.
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books
books
Publication:
January 2011
January 2011
Subject:
Photography Collections
Photography Collections
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books
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$72.00
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The 320 photographs and drawings selected for this publication are among the rarest of Man Ray’s works, and will be a revelation to even his most devoted admirers. At the core of Man Ray: Trees + Flowers – Insects Animals is a series of landscape photographs made by Man Ray from the 1920s through the 1950s, many of which bear the distinct influence of Eugène Atget. With(...)
$72.00
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Summary:
The 320 photographs and drawings selected for this publication are among the rarest of Man Ray’s works, and will be a revelation to even his most devoted admirers. At the core of Man Ray: Trees + Flowers – Insects Animals is a series of landscape photographs made by Man Ray from the 1920s through the 1950s, many of which bear the distinct influence of Eugène Atget. With(...)
Title:
Man Ray : trees + flowers - insects animals
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$72.00
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The 320 photographs and drawings selected for this publication are among the rarest of Man Ray’s works, and will be a revelation to even his most devoted admirers. At the core of Man Ray: Trees + Flowers – Insects Animals is a series of landscape photographs made by Man Ray from the 1920s through the 1950s, many of which bear the distinct influence of Eugène Atget. With subjects including castles and ruined buildings, street scenes, and the objects from which he drew inspiration for other artworks, the photographs and drawings in this book represent an intermediary step in Man Ray’s creative process.
Man Ray : trees + flowers - insects animals
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$72.00
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Summary:
The 320 photographs and drawings selected for this publication are among the rarest of Man Ray’s works, and will be a revelation to even his most devoted admirers. At the core of Man Ray: Trees + Flowers – Insects Animals is a series of landscape photographs made by Man Ray from the 1920s through the 1950s, many of which bear the distinct influence of Eugène Atget. With subjects including castles and ruined buildings, street scenes, and the objects from which he drew inspiration for other artworks, the photographs and drawings in this book represent an intermediary step in Man Ray’s creative process.
Form:
books
books
Publication:
January 2009
January 2009
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Berenice Abbott
Berenice Abbott
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The American photographer Berenice Abbott (1898–1991) is known best for her documentation of New York in the 1930s and for her efforts to gain recognition for the work of Eugène Atget in both Europe and the United States. This book features 120 photographs and a series of rarely seen documents (including letters, book layouts, and periodicals), illuminating the three(...)
$54.95
(available to order)
Summary:
The American photographer Berenice Abbott (1898–1991) is known best for her documentation of New York in the 1930s and for her efforts to gain recognition for the work of Eugène Atget in both Europe and the United States. This book features 120 photographs and a series of rarely seen documents (including letters, book layouts, and periodicals), illuminating the three(...)
Title:
Berenice Abbott
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$54.95
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Summary:
The American photographer Berenice Abbott (1898–1991) is known best for her documentation of New York in the 1930s and for her efforts to gain recognition for the work of Eugène Atget in both Europe and the United States. This book features 120 photographs and a series of rarely seen documents (including letters, book layouts, and periodicals), illuminating the three major periods of Abbott's career: her early work in the United States and Paris during the 1920s; her project Changing New York (1935–39), created for the Federal Art Project; and her scientific pictures made between 1939 and 1961.
Berenice Abbott
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Summary:
The American photographer Berenice Abbott (1898–1991) is known best for her documentation of New York in the 1930s and for her efforts to gain recognition for the work of Eugène Atget in both Europe and the United States. This book features 120 photographs and a series of rarely seen documents (including letters, book layouts, and periodicals), illuminating the three major periods of Abbott's career: her early work in the United States and Paris during the 1920s; her project Changing New York (1935–39), created for the Federal Art Project; and her scientific pictures made between 1939 and 1961.
Form:
books
books
Publication:
May 2012
May 2012
Subject:
Photography monographs
Photography monographs
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books
books
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$37.95
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Summary:
Berenice Abbot (1898–1991) is best known for her work in the fields of architecture, portraiture, and science. She first learned photography in Paris, as an assistant to Man Ray. It was at his studio where she also encountered work by Eugène Atget (1857–1927), who in turn played an influential role in her practice. Abbot was committed to modernity and capturing the poetry(...)
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Summary:
Berenice Abbot (1898–1991) is best known for her work in the fields of architecture, portraiture, and science. She first learned photography in Paris, as an assistant to Man Ray. It was at his studio where she also encountered work by Eugène Atget (1857–1927), who in turn played an influential role in her practice. Abbot was committed to modernity and capturing the poetry(...)
Title:
Berenice Abbott: selected writings
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Berenice Abbot (1898–1991) is best known for her work in the fields of architecture, portraiture, and science. She first learned photography in Paris, as an assistant to Man Ray. It was at his studio where she also encountered work by Eugène Atget (1857–1927), who in turn played an influential role in her practice. Abbot was committed to modernity and capturing the poetry of the moment, whether through inventing new techniques for taking pictures of physics experiments or shooting the streets of New York. This book casts a fascinating look back at her writings, combining precise instructions and theoretical content in texts aimed towards either professionals or amateurs.
Berenice Abbott: selected writings
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$37.95
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Summary:
Berenice Abbot (1898–1991) is best known for her work in the fields of architecture, portraiture, and science. She first learned photography in Paris, as an assistant to Man Ray. It was at his studio where she also encountered work by Eugène Atget (1857–1927), who in turn played an influential role in her practice. Abbot was committed to modernity and capturing the poetry of the moment, whether through inventing new techniques for taking pictures of physics experiments or shooting the streets of New York. This book casts a fascinating look back at her writings, combining precise instructions and theoretical content in texts aimed towards either professionals or amateurs.
Form:
books
books
Publication:
May 2020
May 2020
Subject:
Theory of Photography
Theory of Photography
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books
books
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$79.95
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Summary:
L’ouvrage présente une sélection de chefs-d’œuvre de l’histoire de la photographie issus de la collection de Sondra Gilman et Celso Gonzalez-Falla, constituée de plus de 1500 tirages originaux des plus grands photographes des XXe et XXIe siècles et basée à New York. Par des confrontations formelles et visuelles, le lecteur est invité à expérimenter à travers ces œuvres la(...)
$79.95
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Summary:
L’ouvrage présente une sélection de chefs-d’œuvre de l’histoire de la photographie issus de la collection de Sondra Gilman et Celso Gonzalez-Falla, constituée de plus de 1500 tirages originaux des plus grands photographes des XXe et XXIe siècles et basée à New York. Par des confrontations formelles et visuelles, le lecteur est invité à expérimenter à travers ces œuvres la(...)
Title:
La beauté des lignes : collection Gilman et Gonzalez-Falla
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L’ouvrage présente une sélection de chefs-d’œuvre de l’histoire de la photographie issus de la collection de Sondra Gilman et Celso Gonzalez-Falla, constituée de plus de 1500 tirages originaux des plus grands photographes des XXe et XXIe siècles et basée à New York. Par des confrontations formelles et visuelles, le lecteur est invité à expérimenter à travers ces œuvres la puissance de la ligne photographique. Les photographies notamment de Bérénice Abbott, Eugène Atget, Robert Adams, Walker Evans, Vik Muniz, Man Ray, Nan Goldin ou encore Lee Friedlander entrent ainsi en résonnance au-delà de leur temporalité historique ou de considérations géographiques, par des correspondances formelles.
La beauté des lignes : collection Gilman et Gonzalez-Falla
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$79.95
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Summary:
L’ouvrage présente une sélection de chefs-d’œuvre de l’histoire de la photographie issus de la collection de Sondra Gilman et Celso Gonzalez-Falla, constituée de plus de 1500 tirages originaux des plus grands photographes des XXe et XXIe siècles et basée à New York. Par des confrontations formelles et visuelles, le lecteur est invité à expérimenter à travers ces œuvres la puissance de la ligne photographique. Les photographies notamment de Bérénice Abbott, Eugène Atget, Robert Adams, Walker Evans, Vik Muniz, Man Ray, Nan Goldin ou encore Lee Friedlander entrent ainsi en résonnance au-delà de leur temporalité historique ou de considérations géographiques, par des correspondances formelles.
Form:
books
books
Publication:
February 2018
February 2018
Subject:
Photography Collections
Photography Collections
