20523 Results
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xv, 357 pages : illustrations ; 27 cm.
Description:
xv, 357 pages : illustrations ; 27 cm.
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New York, N.Y. : Architectural History Foundation ; Cambridge, Mass. : MIT Press, [1988], ©1988
New York, N.Y. : Architectural History Foundation ; Cambridge, Mass. : MIT Press, [1988], ©1988
Title:
Gordon Bunshaft of Skidmore, Owings & Merrill / Carol Herselle Krinsky.
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xv, 357 pages : illustrations ; 27 cm.
Gordon Bunshaft of Skidmore, Owings & Merrill / Carol Herselle Krinsky.
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xv, 357 pages : illustrations ; 27 cm.
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books
books
Publication:
New York, N.Y. : Architectural History Foundation ; Cambridge, Mass. : MIT Press, [1988], ©1988
New York, N.Y. : Architectural History Foundation ; Cambridge, Mass. : MIT Press, [1988], ©1988
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xvi, 140 pages : chiefly illustrations, plans, portrait ; 34 cm
Description:
xvi, 140 pages : chiefly illustrations, plans, portrait ; 34 cm
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New York : Bramhall House, [1971?], ©1968.
New York : Bramhall House, [1971?], ©1968.
Title:
Frank Lloyd Wright, the early work.
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xvi, 140 pages : chiefly illustrations, plans, portrait ; 34 cm
Frank Lloyd Wright, the early work.
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xvi, 140 pages : chiefly illustrations, plans, portrait ; 34 cm
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books
books
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New York : Bramhall House, [1971?], ©1968.
New York : Bramhall House, [1971?], ©1968.
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books
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80 pages : illustrations, plans, portrait ; 22 cm
Description:
80 pages : illustrations, plans, portrait ; 22 cm
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Bruxelles : CIVA : A16, ©2006.
Bruxelles : CIVA : A16, ©2006.
Title:
Artgineering : territoires équivoques = blurred boundaries / sous la direction de Jean-Didier Bergilez, Vincent Brunetta, Véronique Patteeuw ; [auteur invité, Friedrich von Borries].
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80 pages : illustrations, plans, portrait ; 22 cm
Artgineering : territoires équivoques = blurred boundaries / sous la direction de Jean-Didier Bergilez, Vincent Brunetta, Véronique Patteeuw ; [auteur invité, Friedrich von Borries].
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80 pages : illustrations, plans, portrait ; 22 cm
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books
books
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Bruxelles : CIVA : A16, ©2006.
Bruxelles : CIVA : A16, ©2006.
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books
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35 pages : illustrations, plans, portrait ; 23 cm
Description:
35 pages : illustrations, plans, portrait ; 23 cm
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Firenze : Alinea, ©1989.
Firenze : Alinea, ©1989.
Title:
Louis I. Kahn, Salk Institute / Andrea Savio.
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35 pages : illustrations, plans, portrait ; 23 cm
Louis I. Kahn, Salk Institute / Andrea Savio.
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35 pages : illustrations, plans, portrait ; 23 cm
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books
books
Publication:
Firenze : Alinea, ©1989.
Firenze : Alinea, ©1989.
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books
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208 pages : illustrations (some color), plans, portrait ; 30 cm
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208 pages : illustrations (some color), plans, portrait ; 30 cm
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Stuttgart : Deutsche Verlags-Anstalt, ©1985.
Stuttgart : Deutsche Verlags-Anstalt, ©1985.
Title:
Hans Poelzig : Bauten und Entwürfe : das Lebensbild eines deutschen Baumeisters / Theodor Heuss ; [die Auswahl und Zusammenstellung der Bilder besorgten Marlene Poelzig und Carl-Heinz Schwennicke].
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208 pages : illustrations (some color), plans, portrait ; 30 cm
Hans Poelzig : Bauten und Entwürfe : das Lebensbild eines deutschen Baumeisters / Theodor Heuss ; [die Auswahl und Zusammenstellung der Bilder besorgten Marlene Poelzig und Carl-Heinz Schwennicke].
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208 pages : illustrations (some color), plans, portrait ; 30 cm
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books
books
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Stuttgart : Deutsche Verlags-Anstalt, ©1985.
Stuttgart : Deutsche Verlags-Anstalt, ©1985.
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102 pages : illustrations (some color), plans, portrait ; 23 x 26 cm
Description:
102 pages : illustrations (some color), plans, portrait ; 23 x 26 cm
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Rockport, Mass. : Rockport Publishers, ©1995.
Rockport, Mass. : Rockport Publishers, ©1995.
Title:
Ten houses : Gwathmey Siegel / edited by Oscar Riera Ojeda ; [text by Megan Moynihan].
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102 pages : illustrations (some color), plans, portrait ; 23 x 26 cm
Ten houses : Gwathmey Siegel / edited by Oscar Riera Ojeda ; [text by Megan Moynihan].
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102 pages : illustrations (some color), plans, portrait ; 23 x 26 cm
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books
books
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Rockport, Mass. : Rockport Publishers, ©1995.
Rockport, Mass. : Rockport Publishers, ©1995.
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60 pages (2 folded) : illustrations (some color), plans, portrait ; 21 cm.
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60 pages (2 folded) : illustrations (some color), plans, portrait ; 21 cm.
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Bern : Gesellschaft für Schweizerische Kunstgeschichte, ©2007.
Bern : Gesellschaft für Schweizerische Kunstgeschichte, ©2007.
Title:
Der Hofplatz zu Wil, Kanton St. Gallen / Hans Peter Mathis [and others].
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60 pages (2 folded) : illustrations (some color), plans, portrait ; 21 cm.
Der Hofplatz zu Wil, Kanton St. Gallen / Hans Peter Mathis [and others].
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60 pages (2 folded) : illustrations (some color), plans, portrait ; 21 cm.
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books
books
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Bern : Gesellschaft für Schweizerische Kunstgeschichte, ©2007.
Bern : Gesellschaft für Schweizerische Kunstgeschichte, ©2007.
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224 pages : illustrations, portrait ; 28 cm
Description:
224 pages : illustrations, portrait ; 28 cm
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Publication:
London : Murray, ©1989.
London : Murray, ©1989.
Title:
The work of Grinling Gibbons / Geoffrey Beard.
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224 pages : illustrations, portrait ; 28 cm
The work of Grinling Gibbons / Geoffrey Beard.
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224 pages : illustrations, portrait ; 28 cm
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books
books
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London : Murray, ©1989.
London : Murray, ©1989.
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books
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120 pages : illustrations, plans, portrait ; 18 cm.
Description:
120 pages : illustrations, plans, portrait ; 18 cm.
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Publication:
Santiago, Chile : Ediciones ARQ, 1995.
Santiago, Chile : Ediciones ARQ, 1995.
Title:
Enric Miralles, Martínez Lapeña & Torres Tur : arquitectos catalanes.
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120 pages : illustrations, plans, portrait ; 18 cm.
Enric Miralles, Martínez Lapeña & Torres Tur : arquitectos catalanes.
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120 pages : illustrations, plans, portrait ; 18 cm.
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books
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Santiago, Chile : Ediciones ARQ, 1995.
Santiago, Chile : Ediciones ARQ, 1995.
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books
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Title:
Grid-Portraits
Grid-Portraits
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$75.00
(available to order)
Summary:
In the mid-1980s, Stu Levy began making “grid-portraits” in order to overcome his his frustration with traditional portraiture’s limited point of view. These constructs of photographs, consisting of twelve to twenty-five individual images, scan the architecture and flow of time in a subject’s living or working environment. The resulting portraits, usually of artists,(...)
$75.00
(available to order)
Summary:
In the mid-1980s, Stu Levy began making “grid-portraits” in order to overcome his his frustration with traditional portraiture’s limited point of view. These constructs of photographs, consisting of twelve to twenty-five individual images, scan the architecture and flow of time in a subject’s living or working environment. The resulting portraits, usually of artists,(...)
Subject:
Photography monographs
Photography monographs
Publication:
October 2010
October 2010
Title:
Grid-Portraits
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Price:
$75.00
(available to order)
Summary:
In the mid-1980s, Stu Levy began making “grid-portraits” in order to overcome his his frustration with traditional portraiture’s limited point of view. These constructs of photographs, consisting of twelve to twenty-five individual images, scan the architecture and flow of time in a subject’s living or working environment. The resulting portraits, usually of artists, craftspeople and musicians, are made in the subjects’ studios or living spaces and serve as a backstage tour of the artist’s mind and creative process. Levy is fascinated by the artifacts that fill these spaces – the possessions by which the subjects are themselves possessed. Rather than confining himself to a single “decisive” moment, Levy explore its antithesis, a maze of scrambled time. These are made with a view camera using 4 x 5-inch negatives to allow for precision of detail. The sections are printed together to form the illusion of glancing through a window at a “snapshot” of an event, which in reality might consist of fragmentary views made months apart and in totally separate rooms or environments.
Grid-Portraits
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Price:
$75.00
(available to order)
Summary:
In the mid-1980s, Stu Levy began making “grid-portraits” in order to overcome his his frustration with traditional portraiture’s limited point of view. These constructs of photographs, consisting of twelve to twenty-five individual images, scan the architecture and flow of time in a subject’s living or working environment. The resulting portraits, usually of artists, craftspeople and musicians, are made in the subjects’ studios or living spaces and serve as a backstage tour of the artist’s mind and creative process. Levy is fascinated by the artifacts that fill these spaces – the possessions by which the subjects are themselves possessed. Rather than confining himself to a single “decisive” moment, Levy explore its antithesis, a maze of scrambled time. These are made with a view camera using 4 x 5-inch negatives to allow for precision of detail. The sections are printed together to form the illusion of glancing through a window at a “snapshot” of an event, which in reality might consist of fragmentary views made months apart and in totally separate rooms or environments.
Form:
books
books
Publication:
October 2010
October 2010
Subject:
Photography monographs
Photography monographs
