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books
books
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296 pages : illustrations (some color) ; 28 cm
Description:
296 pages : illustrations (some color) ; 28 cm
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New York : Museum of Modern Art : Distributed by H.N. Abrams, [1999], ©1999
New York : Museum of Modern Art : Distributed by H.N. Abrams, [1999], ©1999
Title:
The museum as muse : artists reflect / Kynaston McShine.
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Description:
296 pages : illustrations (some color) ; 28 cm
The museum as muse : artists reflect / Kynaston McShine.
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Description:
296 pages : illustrations (some color) ; 28 cm
Form:
books
books
Publication:
New York : Museum of Modern Art : Distributed by H.N. Abrams, [1999], ©1999
New York : Museum of Modern Art : Distributed by H.N. Abrams, [1999], ©1999
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books
books
Title:
Sugimoto : architecture
Sugimoto : architecture
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$82.50
(available to order)
Summary:
Known for his long-exposure photographic series of empty movie theaters and drive-ins, seascapes, museum dioramas, and waxworks, Hiroshi Sugimoto has been turning his camera on international icons of 20th-century architecture since 1997. His deliberately blurred and seemingly timeless photographs depict structures as diverse as the Empire State Building, Le Corbusier's(...)
$82.50
(available to order)
Summary:
Known for his long-exposure photographic series of empty movie theaters and drive-ins, seascapes, museum dioramas, and waxworks, Hiroshi Sugimoto has been turning his camera on international icons of 20th-century architecture since 1997. His deliberately blurred and seemingly timeless photographs depict structures as diverse as the Empire State Building, Le Corbusier's(...)
Subject:
Photography monographs
Photography monographs
Publication:
March 2003, New York
March 2003, New York
Title:
Sugimoto : architecture
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$82.50
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Known for his long-exposure photographic series of empty movie theaters and drive-ins, seascapes, museum dioramas, and waxworks, Hiroshi Sugimoto has been turning his camera on international icons of 20th-century architecture since 1997. His deliberately blurred and seemingly timeless photographs depict structures as diverse as the Empire State Building, Le Corbusier's Chapel de Nôtre Dame du Haut, and Tadao Ando's Church of Light in Osaka. The resulting black-and-white photographs, shot distinctly out of focus and from unusual angles, are not attempts at documentation but rather evocation--meant to isolate the buildings from their contexts, allowing them to exist as dreamlike, uninhabited ideals. Among the other buildings represented in the series are Philippe Starck's Asahi Breweries, Fumihiko Maki's Fujisawa Municipal Gymnasium, the United Nations Building, the Chrysler Building, Giuseppi Terragni's Santelia Monument Como, the World Trade Center, Mies van der Rohe's Seagram Building, Antonio Gaudí's Casa Batlló II, the 1922 Schindler House, and buildings by Frank Gehry, Frank Lloyd Wright, and many others in Europe, North America, and Asia.
Sugimoto : architecture
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$82.50
(available to order)
Summary:
Known for his long-exposure photographic series of empty movie theaters and drive-ins, seascapes, museum dioramas, and waxworks, Hiroshi Sugimoto has been turning his camera on international icons of 20th-century architecture since 1997. His deliberately blurred and seemingly timeless photographs depict structures as diverse as the Empire State Building, Le Corbusier's Chapel de Nôtre Dame du Haut, and Tadao Ando's Church of Light in Osaka. The resulting black-and-white photographs, shot distinctly out of focus and from unusual angles, are not attempts at documentation but rather evocation--meant to isolate the buildings from their contexts, allowing them to exist as dreamlike, uninhabited ideals. Among the other buildings represented in the series are Philippe Starck's Asahi Breweries, Fumihiko Maki's Fujisawa Municipal Gymnasium, the United Nations Building, the Chrysler Building, Giuseppi Terragni's Santelia Monument Como, the World Trade Center, Mies van der Rohe's Seagram Building, Antonio Gaudí's Casa Batlló II, the 1922 Schindler House, and buildings by Frank Gehry, Frank Lloyd Wright, and many others in Europe, North America, and Asia.
Form:
books
books
Publication:
March 2003, New York
March 2003, New York
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Looking through Duchamp's door, art and perspective in the work of Duchamp, Sugimoto, Jeff Wall
Looking through Duchamp's door, art and perspective in the work of Duchamp, Sugimoto, Jeff Wall
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$60.00
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In this new book by Hans Belting, three essays are united by one theme—the persistence of perspective after its supposed demise in the hands of modernism. Belting addresses perspective in the works of Marcel Duchamp, Hiroshi Sugimoto and Jeff Wall, in the process opening up new approaches to their work. According to Belting, the door that Marcel Duchamp installed for his(...)
$60.00
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Summary:
In this new book by Hans Belting, three essays are united by one theme—the persistence of perspective after its supposed demise in the hands of modernism. Belting addresses perspective in the works of Marcel Duchamp, Hiroshi Sugimoto and Jeff Wall, in the process opening up new approaches to their work. According to Belting, the door that Marcel Duchamp installed for his(...)
Title:
Looking through Duchamp's door, art and perspective in the work of Duchamp, Sugimoto, Jeff Wall
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$60.00
(available to order)
Summary:
In this new book by Hans Belting, three essays are united by one theme—the persistence of perspective after its supposed demise in the hands of modernism. Belting addresses perspective in the works of Marcel Duchamp, Hiroshi Sugimoto and Jeff Wall, in the process opening up new approaches to their work. According to Belting, the door that Marcel Duchamp installed for his final masterpiece, “Etant Donnés” was a decisive touchstone for both Sugimoto and Wall in their formative years, and he demonstrates how they have referenced its maker many times since.
Looking through Duchamp's door, art and perspective in the work of Duchamp, Sugimoto, Jeff Wall
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Price:
$60.00
(available to order)
Summary:
In this new book by Hans Belting, three essays are united by one theme—the persistence of perspective after its supposed demise in the hands of modernism. Belting addresses perspective in the works of Marcel Duchamp, Hiroshi Sugimoto and Jeff Wall, in the process opening up new approaches to their work. According to Belting, the door that Marcel Duchamp installed for his final masterpiece, “Etant Donnés” was a decisive touchstone for both Sugimoto and Wall in their formative years, and he demonstrates how they have referenced its maker many times since.
Form:
books
books
Publication:
February 2010
February 2010
Subject:
Art Theory
Art Theory
Form:
books
books
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Description:
703 pages : illustrations (some color) ; 28 cm
Description:
703 pages : illustrations (some color) ; 28 cm
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Publication:
Karlsruhe : ZKM ; London : MIT Press, [©2002]
Karlsruhe : ZKM ; London : MIT Press, [©2002]
Title:
Iconoclash / edited by Bruno Latour and Peter Weibel.
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Description:
703 pages : illustrations (some color) ; 28 cm
Iconoclash / edited by Bruno Latour and Peter Weibel.
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Description:
703 pages : illustrations (some color) ; 28 cm
Form:
books
books
Publication:
Karlsruhe : ZKM ; London : MIT Press, [©2002]
Karlsruhe : ZKM ; London : MIT Press, [©2002]
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books
books
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$72.00
(available in store)
Summary:
This book unites the work of contemporary artists who address the experience of time as a material: Jeff Wall, Hiroshi Sugimoto, Joachim Koester, Ceal Floyer, Steven Pippin, Michael Weseley, Paul Pfeiffer, Michael Snow, Daniel Blaufuks, Mabel Palacín, David Claerbout, Erwin Wurm, Tacita Dean, Iñaki Bonillas and Clare Strand.
$72.00
(available in store)
Summary:
This book unites the work of contemporary artists who address the experience of time as a material: Jeff Wall, Hiroshi Sugimoto, Joachim Koester, Ceal Floyer, Steven Pippin, Michael Weseley, Paul Pfeiffer, Michael Snow, Daniel Blaufuks, Mabel Palacín, David Claerbout, Erwin Wurm, Tacita Dean, Iñaki Bonillas and Clare Strand.
Subject:
Photography Collections
Photography Collections
Publication:
August 2010
August 2010
Title:
Between times: instants, intervals, durations
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$72.00
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Summary:
This book unites the work of contemporary artists who address the experience of time as a material: Jeff Wall, Hiroshi Sugimoto, Joachim Koester, Ceal Floyer, Steven Pippin, Michael Weseley, Paul Pfeiffer, Michael Snow, Daniel Blaufuks, Mabel Palacín, David Claerbout, Erwin Wurm, Tacita Dean, Iñaki Bonillas and Clare Strand.
Between times: instants, intervals, durations
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Price:
$72.00
(available in store)
Summary:
This book unites the work of contemporary artists who address the experience of time as a material: Jeff Wall, Hiroshi Sugimoto, Joachim Koester, Ceal Floyer, Steven Pippin, Michael Weseley, Paul Pfeiffer, Michael Snow, Daniel Blaufuks, Mabel Palacín, David Claerbout, Erwin Wurm, Tacita Dean, Iñaki Bonillas and Clare Strand.
Form:
books
books
Publication:
August 2010
August 2010
Subject:
Photography Collections
Photography Collections
Form:
books
books
Title:
Through the looking brain
Through the looking brain
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$66.00
(available to order)
Summary:
Founded in 1990, Luwa AG's rarely exhibited photography collection is one of the world's most comprehensive gatherings of conceptual photography. It contains major works by artists such as Bernd and Hilla Becher, Sigmar Polke, Imi Knoebel, Martin Kippenberger, Thomas Ruff, Andreas Gursky, Fischli/Weiss, Roman Signer, Richard Prince, Jeff Wall, Hiroshi Sugimoto, Stan(...)
$66.00
(available to order)
Summary:
Founded in 1990, Luwa AG's rarely exhibited photography collection is one of the world's most comprehensive gatherings of conceptual photography. It contains major works by artists such as Bernd and Hilla Becher, Sigmar Polke, Imi Knoebel, Martin Kippenberger, Thomas Ruff, Andreas Gursky, Fischli/Weiss, Roman Signer, Richard Prince, Jeff Wall, Hiroshi Sugimoto, Stan(...)
Title:
Through the looking brain
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$66.00
(available to order)
Summary:
Founded in 1990, Luwa AG's rarely exhibited photography collection is one of the world's most comprehensive gatherings of conceptual photography. It contains major works by artists such as Bernd and Hilla Becher, Sigmar Polke, Imi Knoebel, Martin Kippenberger, Thomas Ruff, Andreas Gursky, Fischli/Weiss, Roman Signer, Richard Prince, Jeff Wall, Hiroshi Sugimoto, Stan Douglas and Gabriel Orozco.
Through the looking brain
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Price:
$66.00
(available to order)
Summary:
Founded in 1990, Luwa AG's rarely exhibited photography collection is one of the world's most comprehensive gatherings of conceptual photography. It contains major works by artists such as Bernd and Hilla Becher, Sigmar Polke, Imi Knoebel, Martin Kippenberger, Thomas Ruff, Andreas Gursky, Fischli/Weiss, Roman Signer, Richard Prince, Jeff Wall, Hiroshi Sugimoto, Stan Douglas and Gabriel Orozco.
Form:
books
books
Publication:
October 2011
October 2011
Subject:
Photography Collections
Photography Collections
Form:
books
books
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$39.95
(available to order)
Summary:
Visual Time offers a rare consideration of the idea of time in art history. The author discusses the art, and writing about the art, of modern and contemporary artists, such as Gerard Sekoto, Thomas Demand, Hiroshi Sugimoto, and Cindy Sherman, as well as the sixteenth-century figures Pieter Bruegel the Elder, Albrecht Dürer, Matthias Grünewald, and Hans Holbein. In the(...)
$39.95
(available to order)
Summary:
Visual Time offers a rare consideration of the idea of time in art history. The author discusses the art, and writing about the art, of modern and contemporary artists, such as Gerard Sekoto, Thomas Demand, Hiroshi Sugimoto, and Cindy Sherman, as well as the sixteenth-century figures Pieter Bruegel the Elder, Albrecht Dürer, Matthias Grünewald, and Hans Holbein. In the(...)
Title:
Visual time : the image in History
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$39.95
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Summary:
Visual Time offers a rare consideration of the idea of time in art history. The author discusses the art, and writing about the art, of modern and contemporary artists, such as Gerard Sekoto, Thomas Demand, Hiroshi Sugimoto, and Cindy Sherman, as well as the sixteenth-century figures Pieter Bruegel the Elder, Albrecht Dürer, Matthias Grünewald, and Hans Holbein. In the process, he addresses the phenomenological turn in the study of the image, its application to the understanding of particular artists, the ways verisimilitude eludes time in both the past and the present, and the role of time in nationalist accounts of the past.
Visual time : the image in History
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$39.95
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Summary:
Visual Time offers a rare consideration of the idea of time in art history. The author discusses the art, and writing about the art, of modern and contemporary artists, such as Gerard Sekoto, Thomas Demand, Hiroshi Sugimoto, and Cindy Sherman, as well as the sixteenth-century figures Pieter Bruegel the Elder, Albrecht Dürer, Matthias Grünewald, and Hans Holbein. In the process, he addresses the phenomenological turn in the study of the image, its application to the understanding of particular artists, the ways verisimilitude eludes time in both the past and the present, and the role of time in nationalist accounts of the past.
Form:
books
books
Publication:
May 2013
May 2013
Subject:
Art Theory
Art Theory
Form:
books
books
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$69.95
(available to order)
Summary:
Art and film are the subject of a recent exhibition at one of the leading Swiss art museums, Aargauer Kunsthaus, featuring works by internationally acclaimed artists who engaged with themes surrounding film in art. "Cinéma mon amour" brings together works by Martin Arnold, John Baldessari, Fiona Banner, Marc Bauer, Pierre Bismuth, Candice Breitz, Janet Cardiff and George(...)
$69.95
(available to order)
Summary:
Art and film are the subject of a recent exhibition at one of the leading Swiss art museums, Aargauer Kunsthaus, featuring works by internationally acclaimed artists who engaged with themes surrounding film in art. "Cinéma mon amour" brings together works by Martin Arnold, John Baldessari, Fiona Banner, Marc Bauer, Pierre Bismuth, Candice Breitz, Janet Cardiff and George(...)
Subject:
Architecture and Film, Set Design
Architecture and Film, Set Design
Publication:
August 2017
August 2017
Title:
Cinéma mon amour: film in art
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$69.95
(available to order)
Summary:
Art and film are the subject of a recent exhibition at one of the leading Swiss art museums, Aargauer Kunsthaus, featuring works by internationally acclaimed artists who engaged with themes surrounding film in art. "Cinéma mon amour" brings together works by Martin Arnold, John Baldessari, Fiona Banner, Marc Bauer, Pierre Bismuth, Candice Breitz, Janet Cardiff and George Bures Miller, collectif_fact, Tacita Dean, Stan Douglas, Thomas Galler, Christoph Girardet and Matthias Müller, Douglas Gordon, Teresa Hubbard and Alexander Birchler, Samson Kambalu, Daniela Keiser, Urs Lüthi, Philippe Parreno, Julian Rosefeldt, Hiroshi Sugimoto, Sam Taylor-Johnson, and Mark Wallinger, alongside essays that discuss topics such as the film industry, found footage, specific movies and genres, the mechanisms of film, cinema as space, and the filmmaker’s gaze.
Cinéma mon amour: film in art
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Price:
$69.95
(available to order)
Summary:
Art and film are the subject of a recent exhibition at one of the leading Swiss art museums, Aargauer Kunsthaus, featuring works by internationally acclaimed artists who engaged with themes surrounding film in art. "Cinéma mon amour" brings together works by Martin Arnold, John Baldessari, Fiona Banner, Marc Bauer, Pierre Bismuth, Candice Breitz, Janet Cardiff and George Bures Miller, collectif_fact, Tacita Dean, Stan Douglas, Thomas Galler, Christoph Girardet and Matthias Müller, Douglas Gordon, Teresa Hubbard and Alexander Birchler, Samson Kambalu, Daniela Keiser, Urs Lüthi, Philippe Parreno, Julian Rosefeldt, Hiroshi Sugimoto, Sam Taylor-Johnson, and Mark Wallinger, alongside essays that discuss topics such as the film industry, found footage, specific movies and genres, the mechanisms of film, cinema as space, and the filmmaker’s gaze.
Form:
books
books
Publication:
August 2017
August 2017
Subject:
Architecture and Film, Set Design
Architecture and Film, Set Design
Form:
books
books
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$30.00
(available to order)
Summary:
Making a Museum in the 21st Century addresses some of the most pressing issues for museums in a new era of popularity and audience engagement. Over the past decade, spectacular buildings and increased attendance have been accompanied by increased expectations for museums to create new ways for visitors to interact with art. Against a backdrop of large demographic shifts(...)
$30.00
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Summary:
Making a Museum in the 21st Century addresses some of the most pressing issues for museums in a new era of popularity and audience engagement. Over the past decade, spectacular buildings and increased attendance have been accompanied by increased expectations for museums to create new ways for visitors to interact with art. Against a backdrop of large demographic shifts(...)
Title:
Making a museum in the 21st century
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$30.00
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Making a Museum in the 21st Century addresses some of the most pressing issues for museums in a new era of popularity and audience engagement. Over the past decade, spectacular buildings and increased attendance have been accompanied by increased expectations for museums to create new ways for visitors to interact with art. Against a backdrop of large demographic shifts and geopolitical shuffles resulting in rapid museum growth in Asia and the Middle East, museums around the world face new opportunities and challenges. This book brings together the perspectives of prominent museum leaders, directors, curators, architects and artists such as David Adjaye, Melissa Chiu (the Hirshhorn), Adam Lerner (MCA Denver), Glenn Lowry (MoMA), Walid Raad (Cooper Union), Hiroshi Sugimoto and others.
Making a museum in the 21st century
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Price:
$30.00
(available to order)
Summary:
Making a Museum in the 21st Century addresses some of the most pressing issues for museums in a new era of popularity and audience engagement. Over the past decade, spectacular buildings and increased attendance have been accompanied by increased expectations for museums to create new ways for visitors to interact with art. Against a backdrop of large demographic shifts and geopolitical shuffles resulting in rapid museum growth in Asia and the Middle East, museums around the world face new opportunities and challenges. This book brings together the perspectives of prominent museum leaders, directors, curators, architects and artists such as David Adjaye, Melissa Chiu (the Hirshhorn), Adam Lerner (MCA Denver), Glenn Lowry (MoMA), Walid Raad (Cooper Union), Hiroshi Sugimoto and others.
Form:
books
books
Publication:
February 2015
February 2015
Subject:
Museology
Museology
Form:
books
books
Title:
The unphotographable
The unphotographable
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$55.00
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Summary:
The Unphotographable is published to coincide with an exhibition of the same name at Fraenkel Gallery in San Francisco, presenting photographs by anonymous amateurs alongside those of artists such as Diane Arbus, Bruce Conner, Liz Deschenes, Adam Fuss, Man Ray, Christian Marclay, Ralph Eugene Meatyard, Alfred Stieglitz and Hiroshi Sugimoto. Jules-Bernard Luys and Émile(...)
$55.00
(available to order)
Summary:
The Unphotographable is published to coincide with an exhibition of the same name at Fraenkel Gallery in San Francisco, presenting photographs by anonymous amateurs alongside those of artists such as Diane Arbus, Bruce Conner, Liz Deschenes, Adam Fuss, Man Ray, Christian Marclay, Ralph Eugene Meatyard, Alfred Stieglitz and Hiroshi Sugimoto. Jules-Bernard Luys and Émile(...)
Title:
The unphotographable
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$55.00
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Summary:
The Unphotographable is published to coincide with an exhibition of the same name at Fraenkel Gallery in San Francisco, presenting photographs by anonymous amateurs alongside those of artists such as Diane Arbus, Bruce Conner, Liz Deschenes, Adam Fuss, Man Ray, Christian Marclay, Ralph Eugene Meatyard, Alfred Stieglitz and Hiroshi Sugimoto. Jules-Bernard Luys and Émile David are represented by a photograph taken toward the end of the nineteenth century, of fluidic emission from the fingers of two hands; Richard Misrach captures a sandstorm in California in 1976; and Conner is represented by "Angel Light," one of the Angels series of dramatic, life-sized photograms he created in 1973-75, and which explore the disjunction between vision and phenomenological experience. Since opening in 1979, Fraenkel Gallery has presented close to 300 exhibitions exploring photography and its interrelations with the other arts, and The Unphotographable is one of its most ambitious projects to date. The catalogue is edited with an essay by Jeffrey Fraenkel, and includes 50 images in color.
The unphotographable
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Price:
$55.00
(available to order)
Summary:
The Unphotographable is published to coincide with an exhibition of the same name at Fraenkel Gallery in San Francisco, presenting photographs by anonymous amateurs alongside those of artists such as Diane Arbus, Bruce Conner, Liz Deschenes, Adam Fuss, Man Ray, Christian Marclay, Ralph Eugene Meatyard, Alfred Stieglitz and Hiroshi Sugimoto. Jules-Bernard Luys and Émile David are represented by a photograph taken toward the end of the nineteenth century, of fluidic emission from the fingers of two hands; Richard Misrach captures a sandstorm in California in 1976; and Conner is represented by "Angel Light," one of the Angels series of dramatic, life-sized photograms he created in 1973-75, and which explore the disjunction between vision and phenomenological experience. Since opening in 1979, Fraenkel Gallery has presented close to 300 exhibitions exploring photography and its interrelations with the other arts, and The Unphotographable is one of its most ambitious projects to date. The catalogue is edited with an essay by Jeffrey Fraenkel, and includes 50 images in color.
Form:
books
books
Publication:
March 2013
March 2013
Subject:
Photography Collections
Photography Collections
