Inventing future cities
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We cannot predict future cities, but we can invent them. Cities are largely unpredictable because they are complex systems that are more like organisms than machines. Neither the laws of economics nor the laws of mechanics apply; cities are the product of countless individual and collective decisions that do not conform to any grand plan. They are the product of our(...)
Inventing future cities
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We cannot predict future cities, but we can invent them. Cities are largely unpredictable because they are complex systems that are more like organisms than machines. Neither the laws of economics nor the laws of mechanics apply; cities are the product of countless individual and collective decisions that do not conform to any grand plan. They are the product of our inventions; they evolve. In Inventing Future Cities, Michael Batty explores what we need to understand about cities in order to invent their future. Batty outlines certain themes—principles—that apply to all cities. He investigates not the invention of artifacts but inventive processes. Today form is becoming ever more divorced from function; information networks now shape the traditional functions of cities as places of exchange and innovation. By the end of this century, most of the world's population will live in cities, large or small, sometimes contiguous, and always connected; in an urbanized world, it will be increasingly difficult to define a city by its physical boundaries.
Urban Theory
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Depuis plus de trois siècles, se pose la question de la place de la nature dans l'aménagement des villes. Des premiers jardins ouverts au public à la fin du XVIe siècle, comme les Tuileries à Paris ou Hyde Park à Londres, aux forêts urbaines contemporaines, les réponses apportées par les architectes, ingénieurs, paysagistes et leurs commanditaires sont inséparables de(...)
Natures urbaines : Une histoire technique et sociale 1600-2030
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Depuis plus de trois siècles, se pose la question de la place de la nature dans l'aménagement des villes. Des premiers jardins ouverts au public à la fin du XVIe siècle, comme les Tuileries à Paris ou Hyde Park à Londres, aux forêts urbaines contemporaines, les réponses apportées par les architectes, ingénieurs, paysagistes et leurs commanditaires sont inséparables de préoccupations sociales. En même temps qu'elle contribue à l'hygiène publique, la nature participe à créer des liens entre les citadins. L'histoire révèle également la dimension technique de ces jardins et parcs urbains, inséparable par exemple des plantations de Paris sous le Second Empire ou de la création de Central Park à New York à la même époque. Face à la crise climatique actuelle, la nature joue un rôle central. Etudier l'évolution de la ou des natures urbaines, c'est aussi s'interroger sur le devenir des villes.
Urban Landscapes
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This book bridges generations of powerful Indigenous feminist thinking to demonstrate the movement’s cruciality for today. ''Indigenous feminists'' in the first edition fought for feminism to be considered a valid and essential intellectual and activist position. The second edition animated Indigenous feminisms through real-world applications. This third edition, curated(...)
Making space for indigenous feminism 3rd edition
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This book bridges generations of powerful Indigenous feminist thinking to demonstrate the movement’s cruciality for today. ''Indigenous feminists'' in the first edition fought for feminism to be considered a valid and essential intellectual and activist position. The second edition animated Indigenous feminisms through real-world applications. This third edition, curated by award-winning scholar Gina Starblanket, reflects and celebrates Indigenous feminism’s intergenerational longevity through the changing landscape of anti-colonial struggle and theory. Diverse contributors examine Indigenous feminism’s ongoing relevance to contemporary contexts and debates, including queer and Two-Spirit approaches to decolonization, gendered and sexualized violence, storytelling and narrative, land-based presence, Black and Indigenous relationalities and more. Feminism has much to offer Indigenous women, and all Indigenous Peoples, in their struggles against oppression.
indigenous
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''A User's Manual to Claire Fontaine'' explores the work of the feminist conceptual artist collective Claire Fontaine through the lens of her theoretical and political innovations, both inside and outside the context of contemporary art. Theorizing the ways in which Claire Fontaine's experimental approach can illuminate a more haptic, embodied practice of critical theory,(...)
A user's manual to Claire Fontaine
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''A User's Manual to Claire Fontaine'' explores the work of the feminist conceptual artist collective Claire Fontaine through the lens of her theoretical and political innovations, both inside and outside the context of contemporary art. Theorizing the ways in which Claire Fontaine's experimental approach can illuminate a more haptic, embodied practice of critical theory, this book delineates a series of theoretical techniques and procedures at the core of the artist's work, among them defunctionalization, Institutional Critique, human strike, tactile mimesis, desubjectivation, détournement, magic materialism, and feminist materialism.
Art Theory
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Initié par l'artiste, l'architecte et scénographe tunisien Chedly Atallah, dont la pratique explore les changements géopolitiques dans le monde arabe à travers l'Histoire, l'architecture et les récits mythologiques, ''Matar, Matar, Matar'' est un travail sur le temps de la représentation et de la mémoire, une enquête artistique au cours de laquelle histoires de vie, passé(...)
Contemporary Art Monographs
July 2024
Chedly Atallah: Matar, Matar, Matar
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Initié par l'artiste, l'architecte et scénographe tunisien Chedly Atallah, dont la pratique explore les changements géopolitiques dans le monde arabe à travers l'Histoire, l'architecture et les récits mythologiques, ''Matar, Matar, Matar'' est un travail sur le temps de la représentation et de la mémoire, une enquête artistique au cours de laquelle histoires de vie, passé et actualités s'entrecroisent, autour de l'eau pour métaphore du souvenir.
Contemporary Art Monographs
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Sea gardens have been created by First Peoples on the Northwest coast for more than three thousand years. These gardens consist of stone reefs that are constructed at the lowest tide line, encouraging the growth of clams and other marine life on the gently sloped beach. This lyrical story follows a young child and an older family member who set out to visit a sea(...)
If you want to visit a sea garden
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Sea gardens have been created by First Peoples on the Northwest coast for more than three thousand years. These gardens consist of stone reefs that are constructed at the lowest tide line, encouraging the growth of clams and other marine life on the gently sloped beach. This lyrical story follows a young child and an older family member who set out to visit a sea garden early one morning, as the lowest tides often occur at dawn. After anchoring their boat, they explore the beach, discover the many sea creatures that live there, hear the sputtering of clams and look closely at the reef. They reflect on the people who built the wall long ago, as well as those who have maintained it over the years. After digging for clams, they tidy up the beach, then return home.
Current Exhibitions
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In recent years, the intersection between ecological thought and contemporary art has sparked a generative reflection encompassing sustainability, conservation, and survivability. Confronted with the climate catastrophe, ecology questions the feasibility of conserving collapsing ecosystems as well as our imperative of survival, alongside other humans, and non-humans,(...)
Museums at the ecological turn
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In recent years, the intersection between ecological thought and contemporary art has sparked a generative reflection encompassing sustainability, conservation, and survivability. Confronted with the climate catastrophe, ecology questions the feasibility of conserving collapsing ecosystems as well as our imperative of survival, alongside other humans, and non-humans, amidst the ruins of a world we have already irreversibly altered. In November 2023, the second edition of the Museo Ventuno conference, Museums at the Ecological Turn, curated for AMACI by Caterina Riva together with NERO, brought together voices and perspectives from inside and outside of the art institutions to intercept and amplify the debate around these issues. Reflecting on the role of museums and how they must embrace new forms of responsibility and awareness, this book gathers contributions from curators, philosophers and activists, artists and writers.
Museology
Cura no. 42: We monsters
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Pour le quinzième anniversaire de la revue, « Cura. » dédie son 42e numéro à la figure du monstre, un numéro spécial « horreur » consacré à l'exploration du rôle révolutionnaire des monstres dans la civilisation moderne. À travers une vaste série de figures monstrueuses, de personnages bestiaux, d'aberrations et de masques, d'hybrides humains et animaux, de cauchemars et(...)
Cura no. 42: We monsters
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Pour le quinzième anniversaire de la revue, « Cura. » dédie son 42e numéro à la figure du monstre, un numéro spécial « horreur » consacré à l'exploration du rôle révolutionnaire des monstres dans la civilisation moderne. À travers une vaste série de figures monstrueuses, de personnages bestiaux, d'aberrations et de masques, d'hybrides humains et animaux, de cauchemars et de chimères, ce numéro examine l'intérêt des artistes pour les formes de vie étranges produites par l'imagination, ainsi que la déconstruction d'une idée fictive de la normalité et de ses catégorisations qui divisent. Dans un monde qui cache la monstruosité derrière l'« altérité », les monstres révèlent ainsi un univers dynamique, varié, multiforme et transformateur.
Magazines
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How can urban housing, and the land underneath, now account for half of all global wealth? According to Patrick Condon in ''Broken City'', the simple answer is that land has become an asset rather than a utility. If the rich only indulged themselves with gold, jewels, and art, we wouldn’t have a global housing crisis. But once global capital markets realized land was a(...)
Broken city: Land speculation, inequality, and urban crisis
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How can urban housing, and the land underneath, now account for half of all global wealth? According to Patrick Condon in ''Broken City'', the simple answer is that land has become an asset rather than a utility. If the rich only indulged themselves with gold, jewels, and art, we wouldn’t have a global housing crisis. But once global capital markets realized land was a good speculative investment, runaway housing costs ensued. For example, in Vancouver, land prices increased by six hundred percent between 2008 and 2016. How much wealth have investors extracted from urban land? In this engaging, readable, and insightful treatise, Patrick Condon explains how we have let land, our most durable resource, shift away from the common good and proposes bold strategies for how cities in North America can shift it back.
Urban Theory
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In 1892 seventeen Haida artists were commissioned to carve a model of HlGaagilda Llnagaay (the village of Skidegate on Haida Gwaii, British Columbia) for the 1893 World’s Fair in Chicago. The Skidegate model, featuring twenty-nine large houses and forty-two poles, is the only known model village in North America carved by nineteenth-century Indigenous residents of the(...)
Skidegate House Models: From Haida Gwaii to the Chicago World's Fair and Beyond
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In 1892 seventeen Haida artists were commissioned to carve a model of HlGaagilda Llnagaay (the village of Skidegate on Haida Gwaii, British Columbia) for the 1893 World’s Fair in Chicago. The Skidegate model, featuring twenty-nine large houses and forty-two poles, is the only known model village in North America carved by nineteenth-century Indigenous residents of the village it portrayed. Based on over twenty years of collaborative research with the Skidegate Haida community, the book features vital cultural context. Robin K. Wright explores how Haida people represented their culture to the outside world at a time when they were suffering from devastating population loss due to introduced diseases and from ongoing attempts by the settler government to suppress their culture by making the potlatch illegal. While promoters of the Chicago World’s Fair used the village to celebrate the perceived “progress” of the dominant society, for Skidegate residents it provided a means to preserve their history and culture. After the exposition, many models were dispersed to the Field Museum of Natural History and other collections, but fourteen of the model houses have not yet been located. The book provides extensive archival information and photographs that contextualize the model village and might help locate the missing houses. Wright’s community-engaged research offers valuable insights into Northwest Coast art history.
Indigenous architecture