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This publication documents new work by ten international artists who tackle Modernism by engaging in a dialogue with a specific designer, architect or work from this pivotal period of the 20th century. By creating “conversions” between the past and the present, these artists look into the future through the media of video, painting, sculpture, installation and photography.
Les lendemains d'hier / Yesterday's tomorrows
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This publication documents new work by ten international artists who tackle Modernism by engaging in a dialogue with a specific designer, architect or work from this pivotal period of the 20th century. By creating “conversions” between the past and the present, these artists look into the future through the media of video, painting, sculpture, installation and photography.
Expositions collectives
Dwelling for intervals
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Dwelling for Intervals is a morphing International Artist Residency program, based on a forest retreat, that has hosted more than 150 resident artists from around the world since it began in 2001. First known as “A Week in the Woods”, it was situated in a room, in an apartment, in Montreal. Three years later, it became “This Neck of the Woods”, in a cabin in a backyard in(...)
Dwelling for intervals
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Dwelling for Intervals is a morphing International Artist Residency program, based on a forest retreat, that has hosted more than 150 resident artists from around the world since it began in 2001. First known as “A Week in the Woods”, it was situated in a room, in an apartment, in Montreal. Three years later, it became “This Neck of the Woods”, in a cabin in a backyard in Rotterdam, The Netherlands. Finally, the project became a roving para-site called “Knock on Woods” which has temporarily staked claim to land in Holland, France, Portugal, Berlin, Japan, and Canada. Dwelling for Intervals is an independent state, a sculpture, a series of collaborations, an international artist residency, a wilderness, a tree house, a travelling circus and a relative site/situation for temporary doing and undoing. The publication documents both the sites and the on-site work of the residents.
Expositions collectives
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Au siècle de l'urbanisation galopante, la mutation rapide des villes est au coeur de leurs interrogations. Des études de Robert Venturi consacrées au Las Vegas des années 1970 à l'ouvrage de Rem Koolhaas New York Délire, qui fait du Luna Park de Coney Island l'" incubateur " mythologique de Manhattan, des cités idéales rêvées par Watt Disney aux fantaisies architecturales(...)
Dreamlands: des parcs d'attractions aux cités du futur
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Au siècle de l'urbanisation galopante, la mutation rapide des villes est au coeur de leurs interrogations. Des études de Robert Venturi consacrées au Las Vegas des années 1970 à l'ouvrage de Rem Koolhaas New York Délire, qui fait du Luna Park de Coney Island l'" incubateur " mythologique de Manhattan, des cités idéales rêvées par Watt Disney aux fantaisies architecturales des urbanistes de Dubaï ou de Shanghai, cette punlication retrace les étapes d'une métamorphose ludique de la ville, qui est peut-être aussi celle de la culture, à l'heure du tourisme de masse.
Expositions collectives
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This book features eleven internationally acclaimed artists, including Jan Albers, Michael Borremans, Marc Brandenburg, Fernando Bryce, Kate Davis, Monika Grzymala, David Haines, Kim Hiorthoy, Sandra Vasquez de la Horra, Garrett Phelan and Naoyuki Tsuji. As a group, their work represents a vast range of possible interpretations of drawing, from meticulously rendered(...)
The end of the line: attitudes in drawing
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This book features eleven internationally acclaimed artists, including Jan Albers, Michael Borremans, Marc Brandenburg, Fernando Bryce, Kate Davis, Monika Grzymala, David Haines, Kim Hiorthoy, Sandra Vasquez de la Horra, Garrett Phelan and Naoyuki Tsuji. As a group, their work represents a vast range of possible interpretations of drawing, from meticulously rendered quotidian scenes to three-dimensional drawings that merge with and respond to architectural space. Though drawing foundered in art schools during the 1970s, tainted by academicism, recently it has undergone a resurgence of popularity, partly because of its accessibility as a tool for communicating personal visions and ideas.
Expositions collectives
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Curated by Anthony Huberman at the Contemporary Art Museum St. Louis, the group exhibition and catalogue For the Blind Man in the Dark Room Looking for the Black Cat That Isn't There explores the speculative nature of knowledge and insists on the importance of curiosity and the things we don't understand. Arranged around the premise that the world--and art--is not a code(...)
For the blind man in the dark room looking for the black cat that isn't there
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Curated by Anthony Huberman at the Contemporary Art Museum St. Louis, the group exhibition and catalogue For the Blind Man in the Dark Room Looking for the Black Cat That Isn't There explores the speculative nature of knowledge and insists on the importance of curiosity and the things we don't understand. Arranged around the premise that the world--and art--is not a code that needs cracking, the works in the exhibition center on the fruitfulness of not-knowing, un-learning, and productive confusion. David Hullfish Bailey, Marcel Broodthaers, Hans-Peter Feldmann, Fischli & Weiss, Rachel Harrison, Giorgio Morandi, Matt Mullican, Rosalind Nashashibi & Lucy Skaer, Frances Stark, Rosemarie Trockel and others present explanations that playfully don't explain. Dedicated to the inquisitive mind, For The Blind Man celebrates our ability to get lost and the stories we use to find our way in the dark. The book is edited, arranged and designed by London-based writer Will Holder and includes a new essay by curator Anthony Huberman.
Expositions collectives
$20.00
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Klara Hobza's The New Millennium Paper Airplane Book is a collection of some of the artist's favorite paper airplanes and stories by their creators, gathered from The New Millennium Paper Airplane Contest exhibition, held at the New York Hall of Science in Queens, New York, in 2008. This project was itself an homage to the historic paper airplane contest that took place(...)
Expositions collectives
septembre 2009
Klara Hobza The new millennium paper airplane book
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Klara Hobza's The New Millennium Paper Airplane Book is a collection of some of the artist's favorite paper airplanes and stories by their creators, gathered from The New Millennium Paper Airplane Contest exhibition, held at the New York Hall of Science in Queens, New York, in 2008. This project was itself an homage to the historic paper airplane contest that took place in 1967 at the same venue--which, in a note of minor irony, was built to display rockets for the 1964 World's Fair. The competition was open to the public, and participants were invited to fly their planes in a number of judging categories including distance flown, duration aloft, beauty, spectacular failure and children's designs. For this book, Hobza has also included some additional paper airplane contributions from fellow enthusiasts met along the way. Each page within the book is designed to be torn out and folded into a paper airplane. A complete list of step-by-step folding instructions is also included, so you can remake your favorites. Klara Hobza was born in Plzen, Czech Republic, and currently lives and works in New York City.
Expositions collectives
$55.00
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Over the past few years the debate concerning the traditional relationships between art and design, largely based on a division of ground and on more or less accepted hierarchical relationships, has intensified. New intrigues have built up between art and design, different modalities have to be examined.
Expositions collectives
août 2009
Ac/dc contemporary art contemporary design
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Over the past few years the debate concerning the traditional relationships between art and design, largely based on a division of ground and on more or less accepted hierarchical relationships, has intensified. New intrigues have built up between art and design, different modalities have to be examined.
Expositions collectives
$57.95
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The exhibition sets its sights on modernity's design for a more humane and contemporary society since the early twentieth century: a design for new forms of living and new cityscapes. What happened to this utopia? With works by Yona Friedman, Giuseppe Gabellone, Cyprien Gaillard, Isa Genzken, Dan Graham, Gordon Matta-Clark, Florian Pumhösl, Jeroen de Rijke / Willem de(...)
Expositions collectives
septembre 2009
Modernism as a ruin: an archaeology of the present
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The exhibition sets its sights on modernity's design for a more humane and contemporary society since the early twentieth century: a design for new forms of living and new cityscapes. What happened to this utopia? With works by Yona Friedman, Giuseppe Gabellone, Cyprien Gaillard, Isa Genzken, Dan Graham, Gordon Matta-Clark, Florian Pumhösl, Jeroen de Rijke / Willem de Rooij, Robert Smithson, Rob Voerman, Stephen Willats.
Expositions collectives