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Classification:
livres
livres
Titre:
The Manifesta decade : debates on contemporary art exhibitions and biennials in post-wall Europe
The Manifesta decade : debates on contemporary art exhibitions and biennials in post-wall Europe
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Manifesta, the first itinerant European biennial for contemporary art, emerged in a post-wall, globalizing Europe. Founded in 1993, it organized traveling exhibitions aimed at providing a new framework for cultural exchange and collaboration between artists and curators from across the continent. "The Manifesta decade" marks Manifesta's ten years of exhibits with original(...)
$43.95
(disponible sur commande)
Résumé:
Manifesta, the first itinerant European biennial for contemporary art, emerged in a post-wall, globalizing Europe. Founded in 1993, it organized traveling exhibitions aimed at providing a new framework for cultural exchange and collaboration between artists and curators from across the continent. "The Manifesta decade" marks Manifesta's ten years of exhibits with original(...)
Sujet:
Muséologie
Muséologie
Publication:
septembre 2005, Cambridge, Mass.
septembre 2005, Cambridge, Mass.
Titre:
The Manifesta decade : debates on contemporary art exhibitions and biennials in post-wall Europe
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$43.95
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Résumé:
Manifesta, the first itinerant European biennial for contemporary art, emerged in a post-wall, globalizing Europe. Founded in 1993, it organized traveling exhibitions aimed at providing a new framework for cultural exchange and collaboration between artists and curators from across the continent. "The Manifesta decade" marks Manifesta's ten years of exhibits with original essays, unpublished images, and texts that not only document the different Manifesta exhibits but also examine the cultural, curatorial, and political terrain of the Europe from which they sprang. Including contributions from philosophers, historians, and anthropologists, interviews with architect Rem Koolhaas and historian Jacques Le Goff, and essays by such curators and writers as Okwui Enwezor, Boris Groys, Maria Hlavajova, and Hans Ulrich Obrist, the collection traces the cultural and political developments of Europe in the 1990s. It reflects the debates incited by exhibitions such as "Magiciens de la terre", Documenta, and "After the wall" and explores the changing roles of curators and artists in the new geo-political context. The issues discussed include the effect of communism's collapse on Eastern Europe, the role of biennials in the context of globalization, and the ephemerality of exhibitions versus the permanence of the museum. The book's second section traces the history of Manifesta, from its conceptual foundations and contributions to artistic practices of the 1990s to the relationship of a roving biennial to themes of multiculturalism, migration and diaspora. At a moment when biennials continue to proliferate worldwide, "The Manifesta decade" takes Manifesta as a case study to look critically at the landscape from which new exhibition paradigms have emerged. The book's 100 images, both color and black and white, include unpublished installation shots of each Manifesta exhibition.
The Manifesta decade : debates on contemporary art exhibitions and biennials in post-wall Europe
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$43.95
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Résumé:
Manifesta, the first itinerant European biennial for contemporary art, emerged in a post-wall, globalizing Europe. Founded in 1993, it organized traveling exhibitions aimed at providing a new framework for cultural exchange and collaboration between artists and curators from across the continent. "The Manifesta decade" marks Manifesta's ten years of exhibits with original essays, unpublished images, and texts that not only document the different Manifesta exhibits but also examine the cultural, curatorial, and political terrain of the Europe from which they sprang. Including contributions from philosophers, historians, and anthropologists, interviews with architect Rem Koolhaas and historian Jacques Le Goff, and essays by such curators and writers as Okwui Enwezor, Boris Groys, Maria Hlavajova, and Hans Ulrich Obrist, the collection traces the cultural and political developments of Europe in the 1990s. It reflects the debates incited by exhibitions such as "Magiciens de la terre", Documenta, and "After the wall" and explores the changing roles of curators and artists in the new geo-political context. The issues discussed include the effect of communism's collapse on Eastern Europe, the role of biennials in the context of globalization, and the ephemerality of exhibitions versus the permanence of the museum. The book's second section traces the history of Manifesta, from its conceptual foundations and contributions to artistic practices of the 1990s to the relationship of a roving biennial to themes of multiculturalism, migration and diaspora. At a moment when biennials continue to proliferate worldwide, "The Manifesta decade" takes Manifesta as a case study to look critically at the landscape from which new exhibition paradigms have emerged. The book's 100 images, both color and black and white, include unpublished installation shots of each Manifesta exhibition.
Classification:
livres
livres
Publication:
septembre 2005, Cambridge, Mass.
septembre 2005, Cambridge, Mass.
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$30.00
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We owe our idea of the contemporary exhibition to Harald Szeemann--the first of the jet-setting international curators. From 1961 to 1969, he was Curator of the Kunsthalle Bern, where in 1968 he had the foresight to give Christo and Jeanne-Claude the opportunity to wrap the entire museum building. Szeemann's groundbreaking 1969 exhibition When Attitudes Become Form, also(...)
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We owe our idea of the contemporary exhibition to Harald Szeemann--the first of the jet-setting international curators. From 1961 to 1969, he was Curator of the Kunsthalle Bern, where in 1968 he had the foresight to give Christo and Jeanne-Claude the opportunity to wrap the entire museum building. Szeemann's groundbreaking 1969 exhibition When Attitudes Become Form, also(...)
Sujet:
Muséologie
Muséologie
Publication:
mars 2008, Berlin, Dijon, New York, Manchester
mars 2008, Berlin, Dijon, New York, Manchester
Titre:
Harald Szeemann Individual Methodology
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Résumé:
We owe our idea of the contemporary exhibition to Harald Szeemann--the first of the jet-setting international curators. From 1961 to 1969, he was Curator of the Kunsthalle Bern, where in 1968 he had the foresight to give Christo and Jeanne-Claude the opportunity to wrap the entire museum building. Szeemann's groundbreaking 1969 exhibition When Attitudes Become Form, also at the Kunsthalle, introduced European audiences to artists like Joseph Beuys, Eva Hesse, Richard Serra and Lawrence Weiner. It also introduced the now-commonplace practice of curating an exhibition around a theme. Since Szeemann's death in 2005, there has been research underway at his archive in Tessin, Switzerland. An invaluable resource, this volume provides access to previously unpublished plans, documents and photographs from the archive, along with important essays by Hal Foster and Jean-Marc Poinsot. There is also an informative interview with Tobia Bezzola--curator at the Kunsthauz Zurich and Szeemann's collaborator for many years. Two of Szeemann's most ambitious exhibitions are presented as case studies: Documenta V (1972) and L'Autre, the 4th Lyon Biennial (1997). A biography, an illustrated chronology of Szeemann's exhibitions and a selection of his writings complete this exhaustive survey.
Harald Szeemann Individual Methodology
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We owe our idea of the contemporary exhibition to Harald Szeemann--the first of the jet-setting international curators. From 1961 to 1969, he was Curator of the Kunsthalle Bern, where in 1968 he had the foresight to give Christo and Jeanne-Claude the opportunity to wrap the entire museum building. Szeemann's groundbreaking 1969 exhibition When Attitudes Become Form, also at the Kunsthalle, introduced European audiences to artists like Joseph Beuys, Eva Hesse, Richard Serra and Lawrence Weiner. It also introduced the now-commonplace practice of curating an exhibition around a theme. Since Szeemann's death in 2005, there has been research underway at his archive in Tessin, Switzerland. An invaluable resource, this volume provides access to previously unpublished plans, documents and photographs from the archive, along with important essays by Hal Foster and Jean-Marc Poinsot. There is also an informative interview with Tobia Bezzola--curator at the Kunsthauz Zurich and Szeemann's collaborator for many years. Two of Szeemann's most ambitious exhibitions are presented as case studies: Documenta V (1972) and L'Autre, the 4th Lyon Biennial (1997). A biography, an illustrated chronology of Szeemann's exhibitions and a selection of his writings complete this exhaustive survey.
Classification:
livres
livres
Publication:
mars 2008, Berlin, Dijon, New York, Manchester
mars 2008, Berlin, Dijon, New York, Manchester
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Titre:
Hans Ulrich Obrist : Everything you always wanted to know about curating (but were afraid to ask)
Hans Ulrich Obrist : Everything you always wanted to know about curating (but were afraid to ask)
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Everything you ever wanted to know about Hans Ulrich Obrist butwere afraid to ask has now been asked, revealing the truth from the beginning of his career as a young curator in his Zurich kitchen to his recent position as co-director of the Serpentine in London. This book is a "production of reality conversations", otherwise known as interviews. It undertakes the(...)
$27.00
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Résumé:
Everything you ever wanted to know about Hans Ulrich Obrist butwere afraid to ask has now been asked, revealing the truth from the beginning of his career as a young curator in his Zurich kitchen to his recent position as co-director of the Serpentine in London. This book is a "production of reality conversations", otherwise known as interviews. It undertakes the(...)
Titre:
Hans Ulrich Obrist : Everything you always wanted to know about curating (but were afraid to ask)
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$27.00
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Everything you ever wanted to know about Hans Ulrich Obrist butwere afraid to ask has now been asked, revealing the truth from the beginning of his career as a young curator in his Zurich kitchen to his recent position as co-director of the Serpentine in London. This book is a "production of reality conversations", otherwise known as interviews. It undertakes the impossible: pinning down this peripatetic curator, and affirming the wisdom of an artist who told Obrist "don't go" when he contemplated leaving the art world for other fields. Interviews by Jean Max Colard, Robert Fleck, Jefferson Hack, Nav Haq, Sophia Krzys Acord, Brendan McGetrick, Ingo Niermann, Paul O'Neill,Philippe Parreno & Alex Poots, Juri Steiner, Gavin Wade, et al. Foreword by Tino Sehgal, afterword by Yona Friedman.
Hans Ulrich Obrist : Everything you always wanted to know about curating (but were afraid to ask)
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Résumé:
Everything you ever wanted to know about Hans Ulrich Obrist butwere afraid to ask has now been asked, revealing the truth from the beginning of his career as a young curator in his Zurich kitchen to his recent position as co-director of the Serpentine in London. This book is a "production of reality conversations", otherwise known as interviews. It undertakes the impossible: pinning down this peripatetic curator, and affirming the wisdom of an artist who told Obrist "don't go" when he contemplated leaving the art world for other fields. Interviews by Jean Max Colard, Robert Fleck, Jefferson Hack, Nav Haq, Sophia Krzys Acord, Brendan McGetrick, Ingo Niermann, Paul O'Neill,Philippe Parreno & Alex Poots, Juri Steiner, Gavin Wade, et al. Foreword by Tino Sehgal, afterword by Yona Friedman.
Classification:
livres
livres
Publication:
mars 2011
mars 2011
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Titre:
Institutional critique
Institutional critique
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This contemporary reassessment of the Institutional Critique movement, launched in the late 1960s by artists including Michael Asher and Hans Haacke, grew out of a symposium held at the Los Angeles County Museum of Art. It looks at Institutional Critique's central aim, the exposure and ironization of the structures and logic of museums and art galleries, and recent(...)
$29.00
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Résumé:
This contemporary reassessment of the Institutional Critique movement, launched in the late 1960s by artists including Michael Asher and Hans Haacke, grew out of a symposium held at the Los Angeles County Museum of Art. It looks at Institutional Critique's central aim, the exposure and ironization of the structures and logic of museums and art galleries, and recent(...)
Titre:
Institutional critique
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$29.00
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Résumé:
This contemporary reassessment of the Institutional Critique movement, launched in the late 1960s by artists including Michael Asher and Hans Haacke, grew out of a symposium held at the Los Angeles County Museum of Art. It looks at Institutional Critique's central aim, the exposure and ironization of the structures and logic of museums and art galleries, and recent developments that engage with and echo it. IC has been raised again by Andrea Fraser, Renee Green and Fred Wilson, among others, and has been vigorously reoriented in recent years to address issues such as globalization. Contributors include Alexander Alberro, Mike Kelley, Hans Haacke, Lauri Firstenberg, Andrea Fraser, Renee Green and others.
Institutional critique
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Résumé:
This contemporary reassessment of the Institutional Critique movement, launched in the late 1960s by artists including Michael Asher and Hans Haacke, grew out of a symposium held at the Los Angeles County Museum of Art. It looks at Institutional Critique's central aim, the exposure and ironization of the structures and logic of museums and art galleries, and recent developments that engage with and echo it. IC has been raised again by Andrea Fraser, Renee Green and Fred Wilson, among others, and has been vigorously reoriented in recent years to address issues such as globalization. Contributors include Alexander Alberro, Mike Kelley, Hans Haacke, Lauri Firstenberg, Andrea Fraser, Renee Green and others.
Classification:
livres
livres
Publication:
octobre 2007, Zurich
octobre 2007, Zurich
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Titre:
Curating Subjects
Curating Subjects
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$36.00
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Résumé:
This book is a welcome addition to he growing literature about exhibition making. Moving away from autobiographical, first person narratives, Curating Subjects instead invites its broad range of contributors to comment upon the curatorial endeavours of others. Conflating and colliding the past and the present with possible futures this book unfolds as an idiosyncratic(...)
$36.00
(disponible sur commande)
Résumé:
This book is a welcome addition to he growing literature about exhibition making. Moving away from autobiographical, first person narratives, Curating Subjects instead invites its broad range of contributors to comment upon the curatorial endeavours of others. Conflating and colliding the past and the present with possible futures this book unfolds as an idiosyncratic(...)
Titre:
Curating Subjects
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$36.00
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Résumé:
This book is a welcome addition to he growing literature about exhibition making. Moving away from autobiographical, first person narratives, Curating Subjects instead invites its broad range of contributors to comment upon the curatorial endeavours of others. Conflating and colliding the past and the present with possible futures this book unfolds as an idiosyncratic conversation that is at once informative, entertaining, and often revealing.
Curating Subjects
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$36.00
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Résumé:
This book is a welcome addition to he growing literature about exhibition making. Moving away from autobiographical, first person narratives, Curating Subjects instead invites its broad range of contributors to comment upon the curatorial endeavours of others. Conflating and colliding the past and the present with possible futures this book unfolds as an idiosyncratic conversation that is at once informative, entertaining, and often revealing.
Classification:
livres
livres
Publication:
octobre 2011, London
octobre 2011, London
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Prix:
$39.95
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Résumé:
With this richly illustrated history of industrial design reform in nineteenth-century Britain, Lara Kriegel demonstrates that preoccupations with trade, labor, and manufacture lay at the heart of Victorian-era debates about cultural institutions. Through aesthetic reform, Victorians sought to redress the inferiority of British crafts in comparison to those made on the(...)
$39.95
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Résumé:
With this richly illustrated history of industrial design reform in nineteenth-century Britain, Lara Kriegel demonstrates that preoccupations with trade, labor, and manufacture lay at the heart of Victorian-era debates about cultural institutions. Through aesthetic reform, Victorians sought to redress the inferiority of British crafts in comparison to those made on the(...)
Titre:
Grand Designs: Labor, empire and the museum in Victorian culture
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$39.95
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With this richly illustrated history of industrial design reform in nineteenth-century Britain, Lara Kriegel demonstrates that preoccupations with trade, labor, and manufacture lay at the heart of Victorian-era debates about cultural institutions. Through aesthetic reform, Victorians sought to redress the inferiority of British crafts in comparison to those made on the continent and in the colonies. Declaring a crisis of design and workmanship among the British laboring classes, reformers pioneered schools of design, copyright protections, and spectacular displays of industrial and imperial wares, most notably the Great Exhibition of 1851. Their efforts culminated with the establishment of the South Kensington Museum, predecessor to the Victoria and Albert Museum, which stands today as home to the world’s foremost collection of the decorative and applied arts. Kriegel’s identification of the significant links between markets and museums, and between economics and aesthetics, amounts to a rethinking of Victorian cultural formation. Drawing on a wide range of sources, including museum guidebooks, design manuals, illustrated newspapers, pattern books, and government reports, Kriegel brings to life the many Victorians who claimed a stake in aesthetic reform during the middle years of the nineteenth century. The aspiring artists who attended the Government School of Design, the embattled provincial printers who sought a strengthened industrial copyright, the Exhibition-going millions who visited the Crystal Palace, the lower-middle-class consumers who learned new principles of taste in metropolitan museums, and the working men of London who critiqued the city’s art and design collections are all cast by Kriegel as leading cultural actors of their day. Grand Designs shows how these Victorians vied to upend aesthetic hierarchies in an imperial age and, in the process, to refashion London’s public culture.
Grand Designs: Labor, empire and the museum in Victorian culture
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$39.95
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Résumé:
With this richly illustrated history of industrial design reform in nineteenth-century Britain, Lara Kriegel demonstrates that preoccupations with trade, labor, and manufacture lay at the heart of Victorian-era debates about cultural institutions. Through aesthetic reform, Victorians sought to redress the inferiority of British crafts in comparison to those made on the continent and in the colonies. Declaring a crisis of design and workmanship among the British laboring classes, reformers pioneered schools of design, copyright protections, and spectacular displays of industrial and imperial wares, most notably the Great Exhibition of 1851. Their efforts culminated with the establishment of the South Kensington Museum, predecessor to the Victoria and Albert Museum, which stands today as home to the world’s foremost collection of the decorative and applied arts. Kriegel’s identification of the significant links between markets and museums, and between economics and aesthetics, amounts to a rethinking of Victorian cultural formation. Drawing on a wide range of sources, including museum guidebooks, design manuals, illustrated newspapers, pattern books, and government reports, Kriegel brings to life the many Victorians who claimed a stake in aesthetic reform during the middle years of the nineteenth century. The aspiring artists who attended the Government School of Design, the embattled provincial printers who sought a strengthened industrial copyright, the Exhibition-going millions who visited the Crystal Palace, the lower-middle-class consumers who learned new principles of taste in metropolitan museums, and the working men of London who critiqued the city’s art and design collections are all cast by Kriegel as leading cultural actors of their day. Grand Designs shows how these Victorians vied to upend aesthetic hierarchies in an imperial age and, in the process, to refashion London’s public culture.
Classification:
livres
livres
Publication:
novembre 2007
novembre 2007
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Prix:
$79.50
(disponible en magasin)
Résumé:
Au sein de l'histoire de l'architecture du XXe siècle, ce livre explore l'histoire des relations internationales et de la profession d'architecte après la Seconde Guerre mondiale, en particulier au travers des grands concours d'architecture et d'urbanisme. Pris ici comme une métaphore architecturale des tensions diplomatiques de la période, les compétitions(...)
$79.50
(disponible en magasin)
Résumé:
Au sein de l'histoire de l'architecture du XXe siècle, ce livre explore l'histoire des relations internationales et de la profession d'architecte après la Seconde Guerre mondiale, en particulier au travers des grands concours d'architecture et d'urbanisme. Pris ici comme une métaphore architecturale des tensions diplomatiques de la période, les compétitions(...)
Titre:
L'apogée des concours d'architecture : L'action de l'uia 1948-1975
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$79.50
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Au sein de l'histoire de l'architecture du XXe siècle, ce livre explore l'histoire des relations internationales et de la profession d'architecte après la Seconde Guerre mondiale, en particulier au travers des grands concours d'architecture et d'urbanisme. Pris ici comme une métaphore architecturale des tensions diplomatiques de la période, les compétitions internationales connaissent un regain d'intérêts après 1945, notamment grâce à l'action de l'Union internationale des architectes (UTA).
L'apogée des concours d'architecture : L'action de l'uia 1948-1975
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$79.50
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Résumé:
Au sein de l'histoire de l'architecture du XXe siècle, ce livre explore l'histoire des relations internationales et de la profession d'architecte après la Seconde Guerre mondiale, en particulier au travers des grands concours d'architecture et d'urbanisme. Pris ici comme une métaphore architecturale des tensions diplomatiques de la période, les compétitions internationales connaissent un regain d'intérêts après 1945, notamment grâce à l'action de l'Union internationale des architectes (UTA).
Classification:
livres
livres
Publication:
juin 2007, Paris
juin 2007, Paris
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Prix:
$21.95
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Résumé:
In 1990 Jacques Chirac, the future president of France and a passionate fan of non-European art, met Jacques Kerchache, a maverick art collector with the lifelong ambition of displaying African sculpture in the holy temple of French culture, the Louvre. Together they began laying plans, and ten years later African fetishes were on view under the same roof as the Mona(...)
$21.95
(disponible sur commande)
Résumé:
In 1990 Jacques Chirac, the future president of France and a passionate fan of non-European art, met Jacques Kerchache, a maverick art collector with the lifelong ambition of displaying African sculpture in the holy temple of French culture, the Louvre. Together they began laying plans, and ten years later African fetishes were on view under the same roof as the Mona(...)
Titre:
Paris primitive : Jacques Chirac's museum on the quai branly
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In 1990 Jacques Chirac, the future president of France and a passionate fan of non-European art, met Jacques Kerchache, a maverick art collector with the lifelong ambition of displaying African sculpture in the holy temple of French culture, the Louvre. Together they began laying plans, and ten years later African fetishes were on view under the same roof as the Mona Lisa. Then, in 2006, amidst a maelstrom of controversy and hype, Chirac presided over the opening of a new museum dedicated to primitive art in the shadow of the Eiffel Tower: the Musée du Quai Branly. Paris Primitive recounts the massive reconfiguration of Paris’s museum world that resulted from Chirac’s dream, set against a backdrop of personal and national politics, intellectual life, and the role of culture in French society. Along with exposing the machinations that led to the MQB’s creation, Sally Price addresses the thorny questions it raises about the legacy of colonialism, the balance between aesthetic judgments and ethnographic context, and the role of institutions of art and culture in an increasingly diverse France. Anyone with a stake in the myriad political, cultural, and anthropological issues raised by the MQB will find Price’s account fascinating.
Paris primitive : Jacques Chirac's museum on the quai branly
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Résumé:
In 1990 Jacques Chirac, the future president of France and a passionate fan of non-European art, met Jacques Kerchache, a maverick art collector with the lifelong ambition of displaying African sculpture in the holy temple of French culture, the Louvre. Together they began laying plans, and ten years later African fetishes were on view under the same roof as the Mona Lisa. Then, in 2006, amidst a maelstrom of controversy and hype, Chirac presided over the opening of a new museum dedicated to primitive art in the shadow of the Eiffel Tower: the Musée du Quai Branly. Paris Primitive recounts the massive reconfiguration of Paris’s museum world that resulted from Chirac’s dream, set against a backdrop of personal and national politics, intellectual life, and the role of culture in French society. Along with exposing the machinations that led to the MQB’s creation, Sally Price addresses the thorny questions it raises about the legacy of colonialism, the balance between aesthetic judgments and ethnographic context, and the role of institutions of art and culture in an increasingly diverse France. Anyone with a stake in the myriad political, cultural, and anthropological issues raised by the MQB will find Price’s account fascinating.
Classification:
livres
livres
Publication:
septembre 2007, Chicago London
septembre 2007, Chicago London
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Actions:
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$46.50
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Continuing her feminist reconceptualisation of the ways we can experience and study the visual arts, world-renowned art historian and cultural analyst Griselda Pollock proposes a series of new encounters throught virtuel exhibitions with art made by women over the twentieth century. Challenging the dominant museum models of art and history that have been so exclusive of(...)
$46.50
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Continuing her feminist reconceptualisation of the ways we can experience and study the visual arts, world-renowned art historian and cultural analyst Griselda Pollock proposes a series of new encounters throught virtuel exhibitions with art made by women over the twentieth century. Challenging the dominant museum models of art and history that have been so exclusive of(...)
Titre:
Encounters in the Virtual Feminist Museum : time, space and the archive
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Continuing her feminist reconceptualisation of the ways we can experience and study the visual arts, world-renowned art historian and cultural analyst Griselda Pollock proposes a series of new encounters throught virtuel exhibitions with art made by women over the twentieth century. Challenging the dominant museum models of art and history that have been so exclusive of women's artistic contributions to the twentieth century, the virtual feminist museum stages some of the complex relations between femininity, modernity and representation.
Encounters in the Virtual Feminist Museum : time, space and the archive
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$46.50
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Résumé:
Continuing her feminist reconceptualisation of the ways we can experience and study the visual arts, world-renowned art historian and cultural analyst Griselda Pollock proposes a series of new encounters throught virtuel exhibitions with art made by women over the twentieth century. Challenging the dominant museum models of art and history that have been so exclusive of women's artistic contributions to the twentieth century, the virtual feminist museum stages some of the complex relations between femininity, modernity and representation.
Classification:
livres
livres
Publication:
janvier 2008, London, New York
janvier 2008, London, New York
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$34.95
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Résumé:
Art museums have emerged in recent decades as the most vibrant and popular of all cultural institutions. Though art museums have never been more popular, their direction and values are now being contested as never before, both in the media and in the art world itself. This engaging thematic history of the art museum from its inception in the eighteenth century to the(...)
$34.95
(disponible sur commande)
Résumé:
Art museums have emerged in recent decades as the most vibrant and popular of all cultural institutions. Though art museums have never been more popular, their direction and values are now being contested as never before, both in the media and in the art world itself. This engaging thematic history of the art museum from its inception in the eighteenth century to the(...)
Titre:
The Art Museum from Boullée to Bilbao
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$34.95
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Art museums have emerged in recent decades as the most vibrant and popular of all cultural institutions. Though art museums have never been more popular, their direction and values are now being contested as never before, both in the media and in the art world itself. This engaging thematic history of the art museum from its inception in the eighteenth century to the present offers an essential framework for understanding contemporary debates as they have evolved in Europe and the United States. From the visionary museums of Boullée in the eighteenth century to the new Guggenheim in Bilbao and beyond, it explores key aspects of museum theory and practice: ideals and mission; architecture; collecting, classification, and display; the public; commercialism; and restitution and repatriation. The only single volume to give a comprehensive account of the issues critical to museums, the book also highlights the challenges they will face in the future.
The Art Museum from Boullée to Bilbao
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Résumé:
Art museums have emerged in recent decades as the most vibrant and popular of all cultural institutions. Though art museums have never been more popular, their direction and values are now being contested as never before, both in the media and in the art world itself. This engaging thematic history of the art museum from its inception in the eighteenth century to the present offers an essential framework for understanding contemporary debates as they have evolved in Europe and the United States. From the visionary museums of Boullée in the eighteenth century to the new Guggenheim in Bilbao and beyond, it explores key aspects of museum theory and practice: ideals and mission; architecture; collecting, classification, and display; the public; commercialism; and restitution and repatriation. The only single volume to give a comprehensive account of the issues critical to museums, the book also highlights the challenges they will face in the future.
Classification:
livres
livres
Publication:
novembre 2007, Berkeley, Los Angeles
novembre 2007, Berkeley, Los Angeles
Sujet:
Muséologie
Muséologie
