6554 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP174.S1.2006.D2
Description:
This project file documents unbuilt designs by Testa & Weiser for Strand Tower (2006), a continuation of the Carbon Tower research project. Various iterations of Strand Tower are woven out of carbon fibre according to a pattern algorithmically generated by the Weaver software. “The complexity of the final design is produced by arraying a basic fiber bundle of 114 strands; stacked 70 times for a total of approximately 8,000 strands.”[1] The file contains a large number of digital files which document the conceptual and design development of the project, fabrication of 3D printed physical models, and exhibition of the project at several museums and galleries, including the Museum of Contemporary Art, Los Angeles. The file also includes six physical models produced by the 3D printing firm 3D Systems. Sources: [1] "Strand Tower project and credit text" (AP174.S1.2006.D2.007). Testa & Weiser records, Centre Canadien d’Architecture/Canadian Centre for Architecture.
AP174.S1.2006.D2
Description:
This project file documents unbuilt designs by Testa & Weiser for Strand Tower (2006), a continuation of the Carbon Tower research project. Various iterations of Strand Tower are woven out of carbon fibre according to a pattern algorithmically generated by the Weaver software. “The complexity of the final design is produced by arraying a basic fiber bundle of 114 strands; stacked 70 times for a total of approximately 8,000 strands.”[1] The file contains a large number of digital files which document the conceptual and design development of the project, fabrication of 3D printed physical models, and exhibition of the project at several museums and galleries, including the Museum of Contemporary Art, Los Angeles. The file also includes six physical models produced by the 3D printing firm 3D Systems. Sources: [1] "Strand Tower project and credit text" (AP174.S1.2006.D2.007). Testa & Weiser records, Centre Canadien d’Architecture/Canadian Centre for Architecture.
Personnes et institutions:
Date:
2006-2014
2006-2014
Titre:
Strand Tower (2006)
Actions:
AP174.S1.2006.D2
Description:
This project file documents unbuilt designs by Testa & Weiser for Strand Tower (2006), a continuation of the Carbon Tower research project. Various iterations of Strand Tower are woven out of carbon fibre according to a pattern algorithmically generated by the Weaver software. “The complexity of the final design is produced by arraying a basic fiber bundle of 114 strands; stacked 70 times for a total of approximately 8,000 strands.”[1] The file contains a large number of digital files which document the conceptual and design development of the project, fabrication of 3D printed physical models, and exhibition of the project at several museums and galleries, including the Museum of Contemporary Art, Los Angeles. The file also includes six physical models produced by the 3D printing firm 3D Systems. Sources: [1] "Strand Tower project and credit text" (AP174.S1.2006.D2.007). Testa & Weiser records, Centre Canadien d’Architecture/Canadian Centre for Architecture.
Strand Tower (2006)
Actions:
AP174.S1.2006.D2
Description:
This project file documents unbuilt designs by Testa & Weiser for Strand Tower (2006), a continuation of the Carbon Tower research project. Various iterations of Strand Tower are woven out of carbon fibre according to a pattern algorithmically generated by the Weaver software. “The complexity of the final design is produced by arraying a basic fiber bundle of 114 strands; stacked 70 times for a total of approximately 8,000 strands.”[1] The file contains a large number of digital files which document the conceptual and design development of the project, fabrication of 3D printed physical models, and exhibition of the project at several museums and galleries, including the Museum of Contemporary Art, Los Angeles. The file also includes six physical models produced by the 3D printing firm 3D Systems. Sources: [1] "Strand Tower project and credit text" (AP174.S1.2006.D2.007). Testa & Weiser records, Centre Canadien d’Architecture/Canadian Centre for Architecture.
Niveau de description archivistique:
Project
Project
Date:
2006-2014
2006-2014
Personnes et institutions:
Classification:
expositions
expositions
Titre:
Espaces oscillants
Espaces oscillants
Actions:
Localisation:
Salle octogonale
Salle octogonale
Date:
25 avril 2025 au 1 février 2026
25 avril 2025 au 1 février 2026
Classification:
expositions
expositions
Date:
25 avril 2025 au
1 février 2026
25 avril 2025 au
1 février 2026
Localisation:
Salle octogonale
Salle octogonale
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Numéro de référence:
CD042
Résumé:
The collection documents the research of Susan Wagg, one of the curators of the exhibition “Money Matters: A Critical Look at Bank Architecture”, on bank buildings in the United States and in Canada, from 1795 to 1979. It contains her research files on each of the bank buildings presented in the exhibition and the photograhic commission of the banks by photographers Robert Bourdeau, Edward Burtynsky, David Duchow, David Miller, Marilyn Bridges, James Iska, Len Jenshel, John Pfahl, George Tice, Catherine Wagner and Serge Hambourg.
CD042
Résumé:
The collection documents the research of Susan Wagg, one of the curators of the exhibition “Money Matters: A Critical Look at Bank Architecture”, on bank buildings in the United States and in Canada, from 1795 to 1979. It contains her research files on each of the bank buildings presented in the exhibition and the photograhic commission of the banks by photographers Robert Bourdeau, Edward Burtynsky, David Duchow, David Miller, Marilyn Bridges, James Iska, Len Jenshel, John Pfahl, George Tice, Catherine Wagner and Serge Hambourg.
Personnes et institutions:
Date:
1926-1993
1926-1993
Titre:
Collection de l’exposition Money Matters
Actions:
CD042
Résumé:
The collection documents the research of Susan Wagg, one of the curators of the exhibition “Money Matters: A Critical Look at Bank Architecture”, on bank buildings in the United States and in Canada, from 1795 to 1979. It contains her research files on each of the bank buildings presented in the exhibition and the photograhic commission of the banks by photographers Robert Bourdeau, Edward Burtynsky, David Duchow, David Miller, Marilyn Bridges, James Iska, Len Jenshel, John Pfahl, George Tice, Catherine Wagner and Serge Hambourg.
Collection de l’exposition Money Matters
Actions:
CD042
Résumé:
The collection documents the research of Susan Wagg, one of the curators of the exhibition “Money Matters: A Critical Look at Bank Architecture”, on bank buildings in the United States and in Canada, from 1795 to 1979. It contains her research files on each of the bank buildings presented in the exhibition and the photograhic commission of the banks by photographers Robert Bourdeau, Edward Burtynsky, David Duchow, David Miller, Marilyn Bridges, James Iska, Len Jenshel, John Pfahl, George Tice, Catherine Wagner and Serge Hambourg.
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Date:
1926-1993
1926-1993
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Bernard Tschumi fonds
Bernard Tschumi fonds
Numéro de référence:
AP214
Résumé:
The Bernard Tschumi fonds, dating from approximately 1965-2015, documents the professional activities of Bernard Tschumi including Tschumi’s career in academia and his professional practice as an architect through approximately 75 projects dating from the late 1980s to 2012.
AP214
Résumé:
The Bernard Tschumi fonds, dating from approximately 1965-2015, documents the professional activities of Bernard Tschumi including Tschumi’s career in academia and his professional practice as an architect through approximately 75 projects dating from the late 1980s to 2012.
Personnes et institutions:
Date:
circa 1964-2015
circa 1964-2015
Titre:
Bernard Tschumi fonds
Actions:
AP214
Résumé:
The Bernard Tschumi fonds, dating from approximately 1965-2015, documents the professional activities of Bernard Tschumi including Tschumi’s career in academia and his professional practice as an architect through approximately 75 projects dating from the late 1980s to 2012.
Bernard Tschumi fonds
Actions:
AP214
Résumé:
The Bernard Tschumi fonds, dating from approximately 1965-2015, documents the professional activities of Bernard Tschumi including Tschumi’s career in academia and his professional practice as an architect through approximately 75 projects dating from the late 1980s to 2012.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
circa 1964-2015
circa 1964-2015
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP168
Résumé:
The Neil Denari Interrupted Projections project records, 1994-2004 (predominant 1994-1996), document the development and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The archive consists of original born-digital files and a small amount of physical material, including drawings, transparencies, slides, and promotional materials.
AP168
Résumé:
The Neil Denari Interrupted Projections project records, 1994-2004 (predominant 1994-1996), document the development and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The archive consists of original born-digital files and a small amount of physical material, including drawings, transparencies, slides, and promotional materials.
Personnes et institutions:
Date:
1994-2004
1994-2004
Titre:
Documents d’archives de Neil Denari pour le projet Interrupted Projections
Actions:
AP168
Résumé:
The Neil Denari Interrupted Projections project records, 1994-2004 (predominant 1994-1996), document the development and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The archive consists of original born-digital files and a small amount of physical material, including drawings, transparencies, slides, and promotional materials.
Documents d’archives de Neil Denari pour le projet Interrupted Projections
Actions:
AP168
Résumé:
The Neil Denari Interrupted Projections project records, 1994-2004 (predominant 1994-1996), document the development and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The archive consists of original born-digital files and a small amount of physical material, including drawings, transparencies, slides, and promotional materials.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1994-2004
1994-2004
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP164.S2
Description:
This series documents publications by Ábalos&Herreros and by the firm's publishing house Liga Multimedia Internaciónal (LMI). It includes a doctoral thesis “La Casa de Don Giovanni” by D. José Queglas; a book series titled “Exit”; writings about the firm for an issue of 2G: International Architecture Review, no. 22; “Técnica y architectura en la ciudad contemporánea” by Abalos & Herreros; as well as various publications by Abalos & Herreros and other authors. “La Casa de Don Giovanni” by D. José Queglas was published at the LMI. Documenting the publication are copies of the doctoral thesis, dummies, proofs, correspondence, contracts, reports, and an ISBN (International Standard Book Number) request form. Material was produced between 1972 and 1996. The book series “Exit” was also published by the LMI. Five titles were published and a sixth was in development, when the project was abandoned for unknown reasons. The publications in the series were titled: Exit 1: Exit; Exit 2: Las Afueras : siete visiones de la vida metropolitana; Exit 3: Le Corbusier. Rascacielos; Exit 4: [unknown]; and Exit 5: Natural artificial. Exit 2’s project title was “Madrid Metrópolis” and was changed later to “Las Afueras […]”. However, Abalos & Herreros did publish a book entitled “Madrid Metrópolis”, but there is no relation between the two publications. Documenting the book series are correspondence, a dummy, publications, notes, clippings, plans, invoices, contracts, and reference, digital, graphic and photographic materials. The publication “Abalos & Herreros” featured in the 2G: International architecture review, no 22 includes plans and illustrations. The issue is about Abalos & Herreros’ work from the 1990s. Documenting the publication are design development, presentation, and work drawings, as well as textual records. The publication of “Técnica y architectura en la ciudad contemporánea” by Abalos & Herreros was documented in phases of its creation. This publication was translated in English under the title “Tower and Office: from Modernist Theory to Contemporary Practice”. It was published as Buell Center / Columbia Books of Practice by MIT Press. Documenting the publication are proofs, illustrations, design development drawings, correspondence, reference and photographic materials. Various publications by Abalos & Herreros and titles published by the firm’s publishing house LMI include writings and correspondence, as well as reference, graphic and photographic materials.
AP164.S2
Description:
This series documents publications by Ábalos&Herreros and by the firm's publishing house Liga Multimedia Internaciónal (LMI). It includes a doctoral thesis “La Casa de Don Giovanni” by D. José Queglas; a book series titled “Exit”; writings about the firm for an issue of 2G: International Architecture Review, no. 22; “Técnica y architectura en la ciudad contemporánea” by Abalos & Herreros; as well as various publications by Abalos & Herreros and other authors. “La Casa de Don Giovanni” by D. José Queglas was published at the LMI. Documenting the publication are copies of the doctoral thesis, dummies, proofs, correspondence, contracts, reports, and an ISBN (International Standard Book Number) request form. Material was produced between 1972 and 1996. The book series “Exit” was also published by the LMI. Five titles were published and a sixth was in development, when the project was abandoned for unknown reasons. The publications in the series were titled: Exit 1: Exit; Exit 2: Las Afueras : siete visiones de la vida metropolitana; Exit 3: Le Corbusier. Rascacielos; Exit 4: [unknown]; and Exit 5: Natural artificial. Exit 2’s project title was “Madrid Metrópolis” and was changed later to “Las Afueras […]”. However, Abalos & Herreros did publish a book entitled “Madrid Metrópolis”, but there is no relation between the two publications. Documenting the book series are correspondence, a dummy, publications, notes, clippings, plans, invoices, contracts, and reference, digital, graphic and photographic materials. The publication “Abalos & Herreros” featured in the 2G: International architecture review, no 22 includes plans and illustrations. The issue is about Abalos & Herreros’ work from the 1990s. Documenting the publication are design development, presentation, and work drawings, as well as textual records. The publication of “Técnica y architectura en la ciudad contemporánea” by Abalos & Herreros was documented in phases of its creation. This publication was translated in English under the title “Tower and Office: from Modernist Theory to Contemporary Practice”. It was published as Buell Center / Columbia Books of Practice by MIT Press. Documenting the publication are proofs, illustrations, design development drawings, correspondence, reference and photographic materials. Various publications by Abalos & Herreros and titles published by the firm’s publishing house LMI include writings and correspondence, as well as reference, graphic and photographic materials.
Personnes et institutions:
Date:
1920, 1990-2008
1920, 1990-2008
Titre:
Publications
Actions:
AP164.S2
Description:
This series documents publications by Ábalos&Herreros and by the firm's publishing house Liga Multimedia Internaciónal (LMI). It includes a doctoral thesis “La Casa de Don Giovanni” by D. José Queglas; a book series titled “Exit”; writings about the firm for an issue of 2G: International Architecture Review, no. 22; “Técnica y architectura en la ciudad contemporánea” by Abalos & Herreros; as well as various publications by Abalos & Herreros and other authors. “La Casa de Don Giovanni” by D. José Queglas was published at the LMI. Documenting the publication are copies of the doctoral thesis, dummies, proofs, correspondence, contracts, reports, and an ISBN (International Standard Book Number) request form. Material was produced between 1972 and 1996. The book series “Exit” was also published by the LMI. Five titles were published and a sixth was in development, when the project was abandoned for unknown reasons. The publications in the series were titled: Exit 1: Exit; Exit 2: Las Afueras : siete visiones de la vida metropolitana; Exit 3: Le Corbusier. Rascacielos; Exit 4: [unknown]; and Exit 5: Natural artificial. Exit 2’s project title was “Madrid Metrópolis” and was changed later to “Las Afueras […]”. However, Abalos & Herreros did publish a book entitled “Madrid Metrópolis”, but there is no relation between the two publications. Documenting the book series are correspondence, a dummy, publications, notes, clippings, plans, invoices, contracts, and reference, digital, graphic and photographic materials. The publication “Abalos & Herreros” featured in the 2G: International architecture review, no 22 includes plans and illustrations. The issue is about Abalos & Herreros’ work from the 1990s. Documenting the publication are design development, presentation, and work drawings, as well as textual records. The publication of “Técnica y architectura en la ciudad contemporánea” by Abalos & Herreros was documented in phases of its creation. This publication was translated in English under the title “Tower and Office: from Modernist Theory to Contemporary Practice”. It was published as Buell Center / Columbia Books of Practice by MIT Press. Documenting the publication are proofs, illustrations, design development drawings, correspondence, reference and photographic materials. Various publications by Abalos & Herreros and titles published by the firm’s publishing house LMI include writings and correspondence, as well as reference, graphic and photographic materials.
Publications
Actions:
AP164.S2
Description:
This series documents publications by Ábalos&Herreros and by the firm's publishing house Liga Multimedia Internaciónal (LMI). It includes a doctoral thesis “La Casa de Don Giovanni” by D. José Queglas; a book series titled “Exit”; writings about the firm for an issue of 2G: International Architecture Review, no. 22; “Técnica y architectura en la ciudad contemporánea” by Abalos & Herreros; as well as various publications by Abalos & Herreros and other authors. “La Casa de Don Giovanni” by D. José Queglas was published at the LMI. Documenting the publication are copies of the doctoral thesis, dummies, proofs, correspondence, contracts, reports, and an ISBN (International Standard Book Number) request form. Material was produced between 1972 and 1996. The book series “Exit” was also published by the LMI. Five titles were published and a sixth was in development, when the project was abandoned for unknown reasons. The publications in the series were titled: Exit 1: Exit; Exit 2: Las Afueras : siete visiones de la vida metropolitana; Exit 3: Le Corbusier. Rascacielos; Exit 4: [unknown]; and Exit 5: Natural artificial. Exit 2’s project title was “Madrid Metrópolis” and was changed later to “Las Afueras […]”. However, Abalos & Herreros did publish a book entitled “Madrid Metrópolis”, but there is no relation between the two publications. Documenting the book series are correspondence, a dummy, publications, notes, clippings, plans, invoices, contracts, and reference, digital, graphic and photographic materials. The publication “Abalos & Herreros” featured in the 2G: International architecture review, no 22 includes plans and illustrations. The issue is about Abalos & Herreros’ work from the 1990s. Documenting the publication are design development, presentation, and work drawings, as well as textual records. The publication of “Técnica y architectura en la ciudad contemporánea” by Abalos & Herreros was documented in phases of its creation. This publication was translated in English under the title “Tower and Office: from Modernist Theory to Contemporary Practice”. It was published as Buell Center / Columbia Books of Practice by MIT Press. Documenting the publication are proofs, illustrations, design development drawings, correspondence, reference and photographic materials. Various publications by Abalos & Herreros and titles published by the firm’s publishing house LMI include writings and correspondence, as well as reference, graphic and photographic materials.
Niveau de description archivistique:
Series
Series
Date:
1920, 1990-2008
1920, 1990-2008
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1988.PR09
Description:
This project series documents renovations and additions to the Art Gallery of Ontario in Toronto from 1988-1993. The office identified the project number as 18703. This project, known as Phase 3, built upon two other major expansion projects to the art gallery, Phase I and Phase II, that were completed by the architecture firm Parkin Architects Planners in the 1970s. Phase 3 was the winning entry for a limited competition won by KPMB, with Thomas Payne as partner-in-charge, in joint venture with the firm of Barton Myers Inc. This project consisted of 100,000 square feet of additions to the building including a prints and drawings study centre, a reference library and administrative offices in the southwest corner and new vaulted galleries, a tower and pyramidal arrival hall along Dundas Street. The Dundas Street elevation was transformed by these additions and brick facades were added. A new double height sculpture atrium, connected to the Victorian Grange mansion, was also added. This project also included 190,000 square feet of renovations to the existing building including changes to galleries, circulation, vaults, staff areas, the restaurant, bookstore and volunteer shop. The goal of these changes was to create a more coherent design between old and new parts of the building and to reinforce the role of art galleries in contemporary life by increasing the scale of the building and creating new spaces for interaction and participation. This project won the Canadian Architect Award of Excellence in 1988. The project is recorded through drawings, photographic materials and accompanying notes dating from 1986-1992. The drawings include site plans and surveys, sketches, plans, elevations, sections, perspectives, details, studies, axonometric drawings, furnishing and structural drawings and some presentation drawings.
AP056.S1.1988.PR09
Description:
This project series documents renovations and additions to the Art Gallery of Ontario in Toronto from 1988-1993. The office identified the project number as 18703. This project, known as Phase 3, built upon two other major expansion projects to the art gallery, Phase I and Phase II, that were completed by the architecture firm Parkin Architects Planners in the 1970s. Phase 3 was the winning entry for a limited competition won by KPMB, with Thomas Payne as partner-in-charge, in joint venture with the firm of Barton Myers Inc. This project consisted of 100,000 square feet of additions to the building including a prints and drawings study centre, a reference library and administrative offices in the southwest corner and new vaulted galleries, a tower and pyramidal arrival hall along Dundas Street. The Dundas Street elevation was transformed by these additions and brick facades were added. A new double height sculpture atrium, connected to the Victorian Grange mansion, was also added. This project also included 190,000 square feet of renovations to the existing building including changes to galleries, circulation, vaults, staff areas, the restaurant, bookstore and volunteer shop. The goal of these changes was to create a more coherent design between old and new parts of the building and to reinforce the role of art galleries in contemporary life by increasing the scale of the building and creating new spaces for interaction and participation. This project won the Canadian Architect Award of Excellence in 1988. The project is recorded through drawings, photographic materials and accompanying notes dating from 1986-1992. The drawings include site plans and surveys, sketches, plans, elevations, sections, perspectives, details, studies, axonometric drawings, furnishing and structural drawings and some presentation drawings.
Personnes et institutions:
Date:
1986-1992
1986-1992
Titre:
Art Gallery of Ontario, Phase 3, Toronto (1988-1993)
Actions:
AP056.S1.1988.PR09
Description:
This project series documents renovations and additions to the Art Gallery of Ontario in Toronto from 1988-1993. The office identified the project number as 18703. This project, known as Phase 3, built upon two other major expansion projects to the art gallery, Phase I and Phase II, that were completed by the architecture firm Parkin Architects Planners in the 1970s. Phase 3 was the winning entry for a limited competition won by KPMB, with Thomas Payne as partner-in-charge, in joint venture with the firm of Barton Myers Inc. This project consisted of 100,000 square feet of additions to the building including a prints and drawings study centre, a reference library and administrative offices in the southwest corner and new vaulted galleries, a tower and pyramidal arrival hall along Dundas Street. The Dundas Street elevation was transformed by these additions and brick facades were added. A new double height sculpture atrium, connected to the Victorian Grange mansion, was also added. This project also included 190,000 square feet of renovations to the existing building including changes to galleries, circulation, vaults, staff areas, the restaurant, bookstore and volunteer shop. The goal of these changes was to create a more coherent design between old and new parts of the building and to reinforce the role of art galleries in contemporary life by increasing the scale of the building and creating new spaces for interaction and participation. This project won the Canadian Architect Award of Excellence in 1988. The project is recorded through drawings, photographic materials and accompanying notes dating from 1986-1992. The drawings include site plans and surveys, sketches, plans, elevations, sections, perspectives, details, studies, axonometric drawings, furnishing and structural drawings and some presentation drawings.
Art Gallery of Ontario, Phase 3, Toronto (1988-1993)
Actions:
AP056.S1.1988.PR09
Description:
This project series documents renovations and additions to the Art Gallery of Ontario in Toronto from 1988-1993. The office identified the project number as 18703. This project, known as Phase 3, built upon two other major expansion projects to the art gallery, Phase I and Phase II, that were completed by the architecture firm Parkin Architects Planners in the 1970s. Phase 3 was the winning entry for a limited competition won by KPMB, with Thomas Payne as partner-in-charge, in joint venture with the firm of Barton Myers Inc. This project consisted of 100,000 square feet of additions to the building including a prints and drawings study centre, a reference library and administrative offices in the southwest corner and new vaulted galleries, a tower and pyramidal arrival hall along Dundas Street. The Dundas Street elevation was transformed by these additions and brick facades were added. A new double height sculpture atrium, connected to the Victorian Grange mansion, was also added. This project also included 190,000 square feet of renovations to the existing building including changes to galleries, circulation, vaults, staff areas, the restaurant, bookstore and volunteer shop. The goal of these changes was to create a more coherent design between old and new parts of the building and to reinforce the role of art galleries in contemporary life by increasing the scale of the building and creating new spaces for interaction and participation. This project won the Canadian Architect Award of Excellence in 1988. The project is recorded through drawings, photographic materials and accompanying notes dating from 1986-1992. The drawings include site plans and surveys, sketches, plans, elevations, sections, perspectives, details, studies, axonometric drawings, furnishing and structural drawings and some presentation drawings.
Niveau de description archivistique:
Project
Project
Date:
1986-1992
1986-1992
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
CP138
Résumé:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
CP138
Résumé:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
Personnes et institutions:
Date:
1914-2008
1914-2008
Titre:
Collection Gordon Matta-Clark
Actions:
CP138
Résumé:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
Collection Gordon Matta-Clark
Actions:
CP138
Résumé:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Date:
1914-2008
1914-2008
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
Quand Gordon Matta-Clark se procure les titres de propriété et la documentation d’une douzaine de petites parcelles non occupées à New York entre 1974 et 1977 (qui, en 1992, ont fait l’objet d’une exposition intitulée Reality Properties: Fake Estates), il n’a pas d’intention précise – autre que sa conviction suivant laquelle « l’existence de lots vacants et sous-utilisés(...)
Quand Gordon Matta-Clark se procure les titres de propriété et la documentation d’une douzaine de petites parcelles non occupées à New York entre 1974 et 1977 (qui, en 1992, ont fait l’objet d’une exposition intitulée Reality Properties: Fake Estates), il n’a pas d’intention précise – autre que sa conviction suivant laquelle « l’existence de lots vacants et sous-utilisés(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
22 septembre 2016, 18h
22 septembre 2016, 18h
Titre:
Nicholas de Monchaux : Local Code
Actions:
Description:
Quand Gordon Matta-Clark se procure les titres de propriété et la documentation d’une douzaine de petites parcelles non occupées à New York entre 1974 et 1977 (qui, en 1992, ont fait l’objet d’une exposition intitulée Reality Properties: Fake Estates), il n’a pas d’intention précise – autre que sa conviction suivant laquelle « l’existence de lots vacants et sous-utilisés(...)
Nicholas de Monchaux : Local Code
Actions:
Description:
Quand Gordon Matta-Clark se procure les titres de propriété et la documentation d’une douzaine de petites parcelles non occupées à New York entre 1974 et 1977 (qui, en 1992, ont fait l’objet d’une exposition intitulée Reality Properties: Fake Estates), il n’a pas d’intention précise – autre que sa conviction suivant laquelle « l’existence de lots vacants et sous-utilisés(...)
Classification:
événements
événements
Date:
22 septembre 2016
18h
22 septembre 2016
18h
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Actions:
Numéro de référence:
DR2007:0020
Description:
This consists of a boxed set of related pieces from L.W. Richards participation in "The Architecture Series" at the Power Plant contemporary art gallery in 1988-89. L.W. Richards renovated and drove a Pontiac Firebird, named "Power Plant". The project was the subject of Vikky Alexander's essay "Back to the Future" in the Power Plant Gallery's "The Architecture Series", 1989, pp.25-31. The project was reviewed by Adele Freedman (Globe and Mail, March 5, 1988, p.C12), Christopher Hume (Architect designs gallery on wheels, Toronto Star, Feb. 27, 1988, p. G15), and pictured and discussed in The Canadian Architect, Vol. 33, no. 4, April 1988, p.6. The set pf pieces includes: a) B&W photograph of the Power Plant car in an auto-body workshop, b) The Architecture Series, booklet with Alexander's essay, c)newspaper and magazine clippings/reviews, d)orangesteel brochure rack, that L.W. Richards designed, from the Power Plant car (~ 18" x 18" x 3"), e) nine B&W brochures titled "Cars by Architects" that fit into the red-orange rack, and f) ~ 20 colour slides of the Power Plant car in various locations in Toronto.
DR2007:0020
Description:
This consists of a boxed set of related pieces from L.W. Richards participation in "The Architecture Series" at the Power Plant contemporary art gallery in 1988-89. L.W. Richards renovated and drove a Pontiac Firebird, named "Power Plant". The project was the subject of Vikky Alexander's essay "Back to the Future" in the Power Plant Gallery's "The Architecture Series", 1989, pp.25-31. The project was reviewed by Adele Freedman (Globe and Mail, March 5, 1988, p.C12), Christopher Hume (Architect designs gallery on wheels, Toronto Star, Feb. 27, 1988, p. G15), and pictured and discussed in The Canadian Architect, Vol. 33, no. 4, April 1988, p.6. The set pf pieces includes: a) B&W photograph of the Power Plant car in an auto-body workshop, b) The Architecture Series, booklet with Alexander's essay, c)newspaper and magazine clippings/reviews, d)orangesteel brochure rack, that L.W. Richards designed, from the Power Plant car (~ 18" x 18" x 3"), e) nine B&W brochures titled "Cars by Architects" that fit into the red-orange rack, and f) ~ 20 colour slides of the Power Plant car in various locations in Toronto.
Personnes et institutions:
Date:
1988-1989
1988-1989
Titre:
Power Plant (Cars by Architects), 1988-1989
Actions:
DR2007:0020
Description:
This consists of a boxed set of related pieces from L.W. Richards participation in "The Architecture Series" at the Power Plant contemporary art gallery in 1988-89. L.W. Richards renovated and drove a Pontiac Firebird, named "Power Plant". The project was the subject of Vikky Alexander's essay "Back to the Future" in the Power Plant Gallery's "The Architecture Series", 1989, pp.25-31. The project was reviewed by Adele Freedman (Globe and Mail, March 5, 1988, p.C12), Christopher Hume (Architect designs gallery on wheels, Toronto Star, Feb. 27, 1988, p. G15), and pictured and discussed in The Canadian Architect, Vol. 33, no. 4, April 1988, p.6. The set pf pieces includes: a) B&W photograph of the Power Plant car in an auto-body workshop, b) The Architecture Series, booklet with Alexander's essay, c)newspaper and magazine clippings/reviews, d)orangesteel brochure rack, that L.W. Richards designed, from the Power Plant car (~ 18" x 18" x 3"), e) nine B&W brochures titled "Cars by Architects" that fit into the red-orange rack, and f) ~ 20 colour slides of the Power Plant car in various locations in Toronto.
Power Plant (Cars by Architects), 1988-1989
Actions:
DR2007:0020
Description:
This consists of a boxed set of related pieces from L.W. Richards participation in "The Architecture Series" at the Power Plant contemporary art gallery in 1988-89. L.W. Richards renovated and drove a Pontiac Firebird, named "Power Plant". The project was the subject of Vikky Alexander's essay "Back to the Future" in the Power Plant Gallery's "The Architecture Series", 1989, pp.25-31. The project was reviewed by Adele Freedman (Globe and Mail, March 5, 1988, p.C12), Christopher Hume (Architect designs gallery on wheels, Toronto Star, Feb. 27, 1988, p. G15), and pictured and discussed in The Canadian Architect, Vol. 33, no. 4, April 1988, p.6. The set pf pieces includes: a) B&W photograph of the Power Plant car in an auto-body workshop, b) The Architecture Series, booklet with Alexander's essay, c)newspaper and magazine clippings/reviews, d)orangesteel brochure rack, that L.W. Richards designed, from the Power Plant car (~ 18" x 18" x 3"), e) nine B&W brochures titled "Cars by Architects" that fit into the red-orange rack, and f) ~ 20 colour slides of the Power Plant car in various locations in Toronto.
Date:
1988-1989
1988-1989
Personnes et institutions:
