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Did the Romans have rakes? Did the monks get muddy? Did the potato seem really, really weird when it arrived on our shores? This lively 'potted' history of gardening in Britain takes us on a garden tour from the thorn hedges around prehistoric settlements to the rage for decking and ornamental grasses today. It tracks down the ordinary folk who worked the earth - the(...)
A little history of British gardening
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Did the Romans have rakes? Did the monks get muddy? Did the potato seem really, really weird when it arrived on our shores? This lively 'potted' history of gardening in Britain takes us on a garden tour from the thorn hedges around prehistoric settlements to the rage for decking and ornamental grasses today. It tracks down the ordinary folk who worked the earth - the apprentice boys and weeding women, the florists and nursery gardeners - as well as aristocrats and grand designers and famous plant-hunters. Coloured by Jenny Uglow's own love for plants, and brought to life in the many vivid illustrations, it deals not only with flowery-meads, grottoes and vistas, landscapes and ha-has, parks and allotments, but tells you, for example, how the Tudors made their curious knots; how housewives used herbs to stop freckles; how the suburbs dug for victory in World War II. With a brief guide to particular historic or evocative gardens open to the public, this is a book to put in your pocket when planning a summer day out - but also to read in your deckchair with a glass of cold wine, when dead-heading is simply too much.
Jardins
Cabinet 27 : mountains
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Looming large in both geological fact and sociocultural significance, mountains promise grandeur, picturesque natural beauty, good health and the chance to literally rise above the everyday - yet they also menace our imaginations with their harsh conditions, dangerous terrain and deep sense of isolation. These multivalent moods have proved an enticement to sportsmen,(...)
Cabinet 27 : mountains
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Looming large in both geological fact and sociocultural significance, mountains promise grandeur, picturesque natural beauty, good health and the chance to literally rise above the everyday - yet they also menace our imaginations with their harsh conditions, dangerous terrain and deep sense of isolation. These multivalent moods have proved an enticement to sportsmen, scientists, poets and philosophers. Indeed, our modern notion of the "sublime" was born in the Alps - where, as the English critic John Dennis wrote in 1693, nature was revealed as not solely a "delight that is consistent with reason," but also an experience "mingled with Horrours, and sometimes almost with despair." Cabinet 27 features Brian Dillon on the Cold War fact and Faustian fiction of Germany's Brocken; Allen S. Weiss on Petrarch and the winds of Mount Ventoux; and Jeffrey Kastner on the eighteenth-century Alpine panoramas of Hans Conrad Escher von der Linth. It also features Christopher Turner on the "lunar photographs" of James Nasmyth; Viktoria Tkaczyk on scientist Robert Hooke; biologist J.S.B. Haldane on being the right size; artist projects by Casey Logan and Walead Beshty; and Peter Lamborn Wilson's examination of the alchemical properties of building materials.
Revues
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This book is not about war, nor is it a history of war. Avoiding the shock and awe of wartime images, it explores the contemporary spatial configurations of power camouflaged in the infrastructures, environments, and scales of military operations. Instead of wartime highs, this book starts with drawdown lows, when demobilization and decommissioning morph into realignment(...)
Ecologies of Power: countermapping the logistical landscapes and military geographies of the US Department of Defense
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This book is not about war, nor is it a history of war. Avoiding the shock and awe of wartime images, it explores the contemporary spatial configurations of power camouflaged in the infrastructures, environments, and scales of military operations. Instead of wartime highs, this book starts with drawdown lows, when demobilization and decommissioning morph into realignment and prepositioning. It is in this transitional milieu that the full material magnitudes and geographic entanglements of contemporary militarism are laid bare. Through this perpetual cycle of build up and breakdown, the U.S. Department of Defense—the single largest developer, landowner, equipment contractor, and energy consumer in the world—has engineered a planetary assemblage of “operational environments” in which militarized, demilitarized, and non-militarized landscapes are increasingly inextricable. In a series of critical cartographic essays, Pierre Bélanger and Alexander Arroyo trace this footprint far beyond the battlefield, countermapping the geographies of U.S. militarism across five of the most important and embattled operational environments: the ocean, the atmosphere, the highway, the city, and the desert. From the Indian Ocean atoll of Diego Garcia to the defense-contractor archipelago around Washington, D.C.; from the A01 Highway circling Afghanistan’s high-altitude steppe to surveillance satellites pinging the planet from low-earth orbit; and from the vast cold chain conveying military perishables worldwide to the global constellation of military dumps, sinks, and scrapyards, the book unearths the logistical infrastructures and residual landscapes that render strategy spatial, militarism material, and power operational. In so doing, Bélanger and Arroyo reveal unseen ecologies of power at work in the making and unmaking of environments—operational, built, and otherwise—to come.
Théorie de l’architecture
livres
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Idealized representations of America, as both an aspiration and a menace, played an important role in shaping Russian architecture and urban design from the American Revolution until the fall of the Soviet Union. In Building a new New World, Jean-Louis Cohen traces the concept of “Amerikanizm” and its impact on Russia’s built environment from early czarist interest in(...)
Building a new New World: Amerikanizm in Russian Architecture
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Idealized representations of America, as both an aspiration and a menace, played an important role in shaping Russian architecture and urban design from the American Revolution until the fall of the Soviet Union. In Building a new New World, Jean-Louis Cohen traces the concept of “Amerikanizm” and its impact on Russia’s built environment from early czarist interest in Revolutionary America, through the spectacular World’s Fairs of the nineteenth century, to department stores, skyscrapers, and factories built in Russia using American methods during the twentieth century. Visions of America also captivated the Russian avant-garde, from El Lissitzky to Moisei Ginzburg, and Cohen explores the ongoing artistic dialogue maintained between the two countries at the mid-century and in the late Soviet era, when the Cold War induced a strategic competition. Tracing the many journeys of Russian writers, politicians, and planners through the American territory, foregrounding the constant streams of cultural and technological transfer from the U.S.A. to Russia, and revealing the parallel fascination among Russian and American intellectuals with the ongoing pursuit of land occupation and development within their respective borders, this study of Amerikanizm in the architecture and urban design of Russia makes a timely contribution to our understanding of modern architecture and its broader geopolitics.
livres
décembre 2019
Publications du CCA
Big, Formgiving
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''Formgiving : an architectural future history,'' the new book by BIG (Bjarke Ingels Group), is a visionary attempt to look at the horizon of time. With ''Formgiving,'' BIG presents the third part of its TASCHEN trilogy, which began with ''Yes is More,'' one of the most successful architectural books of its generation, and continued with ''Hot to Cold.'' The book is(...)
Big, Formgiving
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''Formgiving : an architectural future history,'' the new book by BIG (Bjarke Ingels Group), is a visionary attempt to look at the horizon of time. With ''Formgiving,'' BIG presents the third part of its TASCHEN trilogy, which began with ''Yes is More,'' one of the most successful architectural books of its generation, and continued with ''Hot to Cold.'' The book is presented in a timeline, stretching from the Big Bang into the most distant future. Projects are structured around six strands of evolution- ''Making,'' ''Sensing,'' ''Sustaining,'' ''Thinking,'' ''Healing,'' and ''Moving''- the multimedia-based, interdisciplinary concepts encompassing the building industry. Culture, climate, and landscape, as well as all the energies derived from the elements- the thermal mass of the ocean, the dynamics of currents, the energy and warmth of the sun, the power of the wind- are incorporated into these projects. Throughout more than 700 pages, Bjarke Ingels presents his personal selection of projects, including the 12,000-square-meter LEGO House in Denmark, the human-made ecosystems floating on oceans, the redesign of a World War II bunker into a contemplative museum, and the ski slope-infused power plant celebrating Copenhagen’s commitment to carbon neutrality. Through architecture and design, BIG gives shape to a sustainable and simultaneously colorful world.
Architecture, monographies
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The typical town springs up around a natural resource—a river, an ocean, an exceptionally deep harbor—or in proximity to a larger, already thriving town. Not so with “new towns,” which are created by decree rather than out of necessity and are often intended to break from the tendencies of past development. New towns aren’t a new thing—ancient Phoenicians named their(...)
Practicing Utopia: an intellectual history of the New Town movement
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The typical town springs up around a natural resource—a river, an ocean, an exceptionally deep harbor—or in proximity to a larger, already thriving town. Not so with “new towns,” which are created by decree rather than out of necessity and are often intended to break from the tendencies of past development. New towns aren’t a new thing—ancient Phoenicians named their colonies Qart Hadasht, or New City—but these utopian developments saw a resurgence in the twentieth century. 'In Practicing Utopia,' Rosemary Wakeman gives us a sweeping view of the new town movement as a global phenomenon. From Tapiola in Finland to Islamabad in Pakistan, Cergy-Pontoise in France to Irvine in California, Wakeman unspools a masterly account of the golden age of new towns, exploring their utopian qualities and investigating what these towns can tell us about contemporary modernization and urban planning. She presents the new town movement as something truly global, defying a Cold War East-West dichotomy or the north-south polarization of rich and poor countries. Wherever these new towns were located, whatever their size, whether famous or forgotten, they shared a utopian lineage and conception that, in each case, reveals how residents and planners imagined their ideal urban future.
Théorie de l’urbanisme
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By United Nations estimates, 60 percent of the world's population will be urban by 2030. With the increasing speed of urbanization, especially in the developing world, scholars are now rethinking standard concepts and histories of modern cities. "The Spaces of the Modern City" historicizes the contemporary discussion of urbanism, highlighting the local and global breadth(...)
Théorie de l’urbanisme
février 2008, Princeton, Oxford
The Spaces of the Modern city : imaginaries, politics, and everyday life
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By United Nations estimates, 60 percent of the world's population will be urban by 2030. With the increasing speed of urbanization, especially in the developing world, scholars are now rethinking standard concepts and histories of modern cities. "The Spaces of the Modern City" historicizes the contemporary discussion of urbanism, highlighting the local and global breadth of the city landscape. This interdisciplinary collection examines how the city develops in the interactions of space and imagination. The essays focus on issues such as street design in Vienna, the motion picture industry in Los Angeles, architecture in Marseilles and Algiers, and the kaleidoscopic paradox of post-apartheid Johannesburg. They explore the nature of spatial politics, examining the disparate worlds of eighteenth-century Baghdad, nineteenth-century Morelia, Cold War-era West Berlin, and postwar Los Angeles. They also show the meaning of everyday spaces to urban life, illuminating issues such as crime in metropolitan London, youth culture in Dakar, "memory projects" in Tokyo, and Bombay cinema. Informed by a range of theoretical writings, this collection offers a fresh and truly global perspective on the nature of the modern city. The contributors are Sheila Crane, Belinda Davis, Mamadou Diouf, Philip J. Ethington, David Frisby, Christina M. Jiménez, Dina Rizk Khoury, Ranjani Mazumdar, Frank Mort, Martin Murray, Jordan Sand, and Sarah Schrank.
Théorie de l’urbanisme
Turkey
$33.50
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This book is an account of modern architecture in Turkey, placing architecture's history in the larger social, political and cultural context of Turkey's development in the twentieth century. It takes the reader from the end of World War I, when the new Turkish Republic was born out of the disintegration of the Ottoman Empire, to the country's democratization after the(...)
novembre 2011
Turkey
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This book is an account of modern architecture in Turkey, placing architecture's history in the larger social, political and cultural context of Turkey's development in the twentieth century. It takes the reader from the end of World War I, when the new Turkish Republic was born out of the disintegration of the Ottoman Empire, to the country's democratization after the 1950s in the midst of the Cold War's competing ideological forces, and finally to the present, with Turkey continuing to be dramatically transformed through globalization, economic integration with the world market and transnational cultural influences, as well as with its renewed preoccupations with identity, including its Islamic and Ottoman heritage. Turkey explores a country on Europe's most eastern margin, and it is unique in tackling the issue of the modern and contemporary periods typically omitted in traditional surveys of modern architecture and Islamic art and architecture. The authors investigate how and why young Turkish architects adopted modernism early in the twentieth century and explore institutional and architect-designed buildings through the decades down to the present day, from government buildings, hotels and factories to apartment blocks and individual homes both urban and rural. They also focus on informal residential areas, and explain how some that have evolved from small settlements to colossal urban quarters exist at a slippery threshold between legality and illegality.
$27.50
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The American suburban dream house-a single-family, detached dwelling, frequently clustered in tight rows and cul-de-sacs-has been attacked for some time as homogeneous and barren, yet the suburbs are home to half of the American population. Architectural historian John Archer suggests the endurance of the ideal house is deeply rooted in the notions of privacy, property,(...)
Architecture and suburbia: from english villa to American dream house, 1690-2000
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The American suburban dream house-a single-family, detached dwelling, frequently clustered in tight rows and cul-de-sacs-has been attacked for some time as homogeneous and barren, yet the suburbs are home to half of the American population. Architectural historian John Archer suggests the endurance of the ideal house is deeply rooted in the notions of privacy, property, and selfhood that were introduced in late seventeenth-century England and became the foundation of the American nation and identity. Spanning four centuries, Architecture and Suburbia explores phenomena ranging from household furnishings and routines to the proliferation of the dream house in parallel with Cold War politics. Beginning with John Locke, whose Enlightenment philosophy imagined individuals capable of self-fulfillment, Archer examines the eighteenth-century British bourgeois villa and the earliest London suburbs. He recounts how early American homeowners used houses to establish social status and how twentieth-century Americans continued to flock to single-family houses in the suburbs, encouraged by patriotism, fueled by consumerism, and resisting disdain by disaffected youths, designers, and intellectuals. Finally, he recognizes “hybridized” or increasingly diverse American suburbs as the dynamic basis for a strengthened social fabric. From Enlightenment philosophy to rap lyrics, from the rise of a mercantile economy to discussions over neighborhoods, sprawl, and gated communities, Archer addresses the past, present, and future of the American dream house. John Archer is professor of cultural studies and comparative literature at the University of Minnesota. His book The Literature of British Domestic Architecture, 1715-1842, is the standard reference on the subject, and he also contributed to the Encyclopedia of Urban America and the Encyclopedia of Twentieth-Century Architecture.
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