The Find and Tell program promotes new readings that highlight the intellectual relevance of particular aspects of this collection today. It is conceived as a series of residencies in which invited experts are asked to put forward arguments about our holdings by making a significant selection and interpretation of material within an archive or the photography collection. The curated selection can be based on key areas or periods, key projects, or a topical interest the expert thinks should be revealed. Following each residency, the material selected by the experts is made available through the CCA website, accompanied by an essay that supports their specific curatorial approach.
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Projects digitized during residency
240 objects digitized
(18 drawings, 156 photographs, 20 negatives, 45 textual records, 1 book)
AP156.S1.SS1.D1, Correspondence (sent and received)
AP156.S2.SS8, Files of the architect documenting his professional activities in India, principally in Chandigarh and Talwara
AP156.S3.SS2.D3, Single-room labour houses, Sansarpur Terrace
AP156.S3.SS2.D5, Talwara hostel
AP156.S3.SS2.D6, Rest houses, Bhakra-Nangal Project
AP156.S3.SS2.D9, House for Superintending Engineers T7
AP156.S3.SS2.D11, Community club (staff club)
AP156.S3.SS3.D9, Peon’s houses
AP156.S3.SS3.D31, Furniture and fixtures by Pierre Jeanneret and other architects
AP156.S3.SS3.D33, Portfolios for Chandigarh projects
AP156.S3.SS4.D2, Master plan, Mohali
AP156.S3.SS4.D3, Shopping centre, Mohali
AP156.S3.SS4.D4, Mohali Urban Estate, Mohali
AP156.S3.SS4.D6, Seog Terrace
AP156.S4.SS3.D1, Pierre Jeanneret and others at Chandigarh, India
AP156.S4.SS4.D1, Pierre Jeanneret
AP156.S4.SS4.D3, Unknown photographers
AP156.S4.SS5.D3, Heinz Dieter Finck
AAP156.S4.SS5.D4, Lucien Hervé
AP156.S4.SS5.D5, Jacqueline Jeanneret
AP156.S4.SS5.D7, Jeet Malhotra
AP156.S4.SS5.D10, Unknown photographers
AP156.S4.SS6.D3, Jeet Malhotra
AP156.S4.SS6.D5, Unknown photographers
AAP156.S5, Photographs of Chandigarh and India reproduced for exhibitions
The Find and Tell program is financed by the City of Montréal and the Quebec Department of Culture and Communications, in the framework of the Montréal Cultural Development grant. Support of Dr. Sangeeta Bagga’s research residency is made possible in partnership with Phantom Hands, which also contributed to the processing of the Pierre Jeanneret fonds.
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