1
1
Painting in Italy, 1500 to 1600 / S.J. Freedberg.
Main entry:

Freedberg, S. J. (Sydney Joseph), 1914-1997.

Title & Author:

Painting in Italy, 1500 to 1600 / S.J. Freedberg.

Publication:

Harmondsworth, England : Penguin Books, 1971.
©1970

Description:

xix, 554 pages : 300 illustrations, 1 color plate ; 27 cm

Series:

The Pelican history of art

Notes:
Includes bibliographical references (pages 515-527).
Central Italy 1500 – 1520 : Leonardo ; Michaelangelo ; Raphael ; The school in Florence : Fra Bartolommeo ; Andrea del Sarto ; Franciabigio ; Piero di Cosimo ; Lesser Florentines ; Pontormo. Painters in Rome : Peruzzi ; Sebastiano. Siena -- Venice 1500 – 1520 : Giorgione ; The earliest titian ; The venetian Sebastiano ; Titian: the post-Giorgionesque decade ; Palma Vecchio: his earlier career ; ‘Giorgionismo’ and its variations in the second decade ; Persistence and accommodation of the quattrocentesque tradition -- Central Italy 1520-1535 : Post-classical experiment and the first maniera ; Florence: I Michelangelo and Florentine mannerism ; Pontormo ; Rosso. Rome, the experimental phase of mannerism :The school of Raphael ; Perino del Vaga ; Parmigianino ; Polidoro da Caravaggio ; Sebastiano. Florence: 2 : The persistence and alteration of classical style ; Andrea del Sarto ; Franciabigio ; Puligo ; Lesser Florentines. Siena ; The dissemination of Roman mannerism ; Giulio ; Perino ; Parmigianino ; Romanist example in Umbria and the marches -- Post-classical innovators in North Italy : Correggio ; Pordenone ; Lotto ; Dosso -- Venice 1520-1540 : Titian ; Palma Vecchio: His later works ; The Veneto-Lombard colony ; Francesco Vecellio ; Bonifazio and Bordone: their earlier careers -- North Italy 1500-1550 : The Veneto ; Veneto-Lombardy ; Milan and Piedmont ; Emilia -- Central Italy 1535-1575 : The Florentines in the formation of the High Maniera : Bronzino ; Salviati ; Jacopino del Conte ; Vasari ; The later Bronzino ; The later Pontormo ; Lesser Florentines. Rome : Michelangelo ; The moderation of Maniera and the rise of counter-Maniera. Daniele da Volterra and the Michelangeleschi ; The later Salviati ; The Zuccari ; Siciolante ; Muziano -- Venice 1540-1600 : Titian after 1540 ; Tintoretto ; Mannerizing modes in Venice ; The Bassani ; Veronese and his followers in Venice ; Palma Giovane -- North Italy 1550-1600 : Venetian Dependencies ; Emilian centres ; Lombardy ; Genoa -- Central Italy 1570-1600 : Florence : The late Maniera ; The Florentine reformers. Barocci and his school ; Rome : Federico Zuccaro ; Painters of the late Maniera ; Late counter-Maniera ; Roncalli and the Cavaliere d’Arpino.
Summary:

This book is an account of painting in Italy during the period of the High and the Late Renaissance, the period which included the most remarkable concentration of accomplishments in the artistic history of Italy. No other time and place can offer a roster like the Cinquecento: Leonardo, Michelangelo, Raphael, Giorgione, Titian, and Correggio are the exalted luminaries in the constellation, and around them there is company of the magnitude of Sarto, Rosso, Pontormo, Bronzino, Parmigianino, Lotto, Tintoretto, and Veronese, to mention only some. The diversity of achievement of the painters is as remarkable as its quality; probably no earlier period offers so complex a picture of self-conscious differences of artistic style, in which an ethical attitude is often a major factor within an aesthetic one. The author delineates the painters' individualities and characterizes their important works. At the same time, however, he relates these individual events to categories and patterns that appear to a more general view of Cinquecento art. In ten carefully interwoven chapters he discusses the history of the classical style of the High Renaissance in the earlier decades of the century, the rise, spread, and eventual adulteration of the Mannerist style, and the events, in Venice and North Italy especially, that resist generalization and help make up the whole rich historical texture that is called the Late Renaissance. -- Inside jacket flap.

ISBN:

0140560351
9780140560350
0300053045
9780300053043

Subject:

Painting, Italian.
Painting, Renaissance Italy.
Mannerism (Art) Italy.
Peinture italienne 16e siècle.
Peinture de la Renaissance Italie.
Maniérisme (Art) Italie.
Peinture italienne.
Mannerism (Art)
Painting, Renaissance
Malerei
Schilderkunst.
Italy
Italien

Added entries:

Pelican history of art.

Holdings:

Location: Library study room 77848
Call No.: ND615 (PO1759)
Status: Available

Actions:
1
1

Sign up to get news from us

Email address
First name
Last name
By signing up you agree to receive our newsletter and communications about CCA activities. You can unsubscribe at any time. For more information, consult our privacy policy or contact us.

Thank you for signing up. You'll begin to receive emails from us shortly.

We’re not able to update your preferences at the moment. Please try again later.

You’ve already subscribed with this email address. If you’d like to subscribe with another, please try again.

This email was permanently deleted from our database. If you’d like to resubscribe with this email, please contact us

Please complete the form below to buy:
[Title of the book, authors]
ISBN: [ISBN of the book]
Price [Price of book]

First name
Last name
Address (line 1)
Address (line 2) (optional)
Postal code
City
Country
Province/state
Email address
Phone (day) (optional)
Notes

Thank you for placing an order. We will contact you shortly.

We’re not able to process your request at the moment. Please try again later.

Folder ()

Your folder is empty.

Email:
Subject:
Notes:
Please complete this form to make a request for consultation. A copy of this list will also be forwarded to you.

Your contact information
First name:
Last name:
Email:
Phone number:
Notes (optional):
We will contact you to set up an appointment. Please keep in mind that your consultation date will be based on the type of material you wish to study. To prepare your visit, we'll need:
  • — At least 2 weeks for primary sources (prints and drawings, photographs, archival documents, etc.)
  • — At least 48 hours for secondary sources (books, periodicals, vertical files, etc.)
...