1
1
The Painterly print : monotypes from the seventeenth to the twentieth century ; [exhibition] The Metropolitan Museum of Art, May 1-June 29, 1980, Museum of Fine Arts, Boston, July 29-September 28, 1981.
Title & Author:

The Painterly print : monotypes from the seventeenth to the twentieth century ; [exhibition] The Metropolitan Museum of Art, May 1-June 29, 1980, Museum of Fine Arts, Boston, July 29-September 28, 1981.

Publication:

New York : Metropolitan Museum of Art, ©1980.

Description:

xiii, 259 pages : illustrations (some color) ; 27 cm

Notes:
Includes index.
Includes bibliographical references (pages 255-259).
Summary:

Monotype is a print medium whose simple concept, spontaneous process, and elegant result attract both artists and collectors. The earliest monotypes date from the 1640s, when Giovanni Benedetto Castiglione printed compositions he drew into ink spread on un-incised metal plates. Since then, artists have periodically rediscovered the technique for themselves. Degas's prolific experiments with monotype at the end of the nineteenth century led to some of the most beautiful examples ever. Indeed, their exhibition in 1968 at the Fogg Art Museum in Cambridge, Massachusetts, was a major factor in the recent surge of interest in the medium by artists and art historians. This book presents the first historical survey of monotypes. Curators from the departments of prints, drawings, and photographs at The Metropolitan Museum of Art and the Museum of Fine Arts, Boston, discuss and illustrate 106 unique prints by forty-two artists ranging from Rembrandt and Castiglione, Matisse and Picasso, Prendergast and Chase, to such diverse contemporary figures as Jim Dine, Sam Francis, Robert Motherwell, and Richard Diebenkorn.
An essay by art historian Eugenia Parry Janis explains how the mid-nineteenth-century etching revival fostered a dramatic use of creatively inked etching plates and thus a renewed interest in monotypes. Finally, artist Michael Mazur describes the methods of monotyping as well as the exhilarations and frustrations it can produce for the printmaker. Working with special paper, inks and paints, multiple plates, and images altered in sequence, artists have expanded a personal and experimental medium into a brilliant means of exploring their ideas.

Resources:
Online version
ISBN:

0870992236
9780870992230
0870992244 (pbk.)
9780870992247 (pbk.)

Subject:

Monotype (Engraving) Exhibitions.
Monotype (Estampe) Expositions.
Monotype (Engraving)

Form/genre:

Catalog
Exhibition
Exhibition catalogues.
exhibition catalogs.
catalogs (documents)
Catalogs
Exhibition catalogs
Love stories.
Catalogues d'exposition.
Catalogues.

Added entries:

Metropolitan Museum of Art (New York, N.Y.)
Museum of Fine Arts, Boston.

Holdings:

Location: Library main 8542
Call No.: 6786
Status: Available

Actions:
1
1

Sign up to get news from us

Email address
First name
Last name
By signing up you agree to receive our newsletter and communications about CCA activities. You can unsubscribe at any time. For more information, consult our privacy policy or contact us.

Thank you for signing up. You'll begin to receive emails from us shortly.

We’re not able to update your preferences at the moment. Please try again later.

You’ve already subscribed with this email address. If you’d like to subscribe with another, please try again.

This email was permanently deleted from our database. If you’d like to resubscribe with this email, please contact us

Please complete the form below to buy:
[Title of the book, authors]
ISBN: [ISBN of the book]
Price [Price of book]

First name
Last name
Address (line 1)
Address (line 2) (optional)
Postal code
City
Country
Province/state
Email address
Phone (day) (optional)
Notes

Thank you for placing an order. We will contact you shortly.

We’re not able to process your request at the moment. Please try again later.

Folder ()

Your folder is empty.

Email:
Subject:
Notes:
Please complete this form to make a request for consultation. A copy of this list will also be forwarded to you.

Your contact information
First name:
Last name:
Email:
Phone number:
Notes (optional):
We will contact you to set up an appointment. Please keep in mind that your consultation date will be based on the type of material you wish to study. To prepare your visit, we'll need:
  • — At least 2 weeks for primary sources (prints and drawings, photographs, archival documents, etc.)
  • — At least 48 hours for secondary sources (books, periodicals, vertical files, etc.)
...