Title & Author:

Red House To Ronchamp. Part 2 (1900 - 1910). / [presented by] Edward Cullinan (Cullinan Studio).

Publication:

London, England : Pidgeon Digital, 1983.

Description:

1 online resource (1 video file (28 minutes)) : sound, color

Notes:
Tigbourne Court, 1900, Edwin Lutyens -- Ford Car, 1902 -- Amsterdam Stock Exchange, 1897 -- 1903, H.P. Berlage -- Newspaper Building, 1903, Georges Chedanne -- Fagus Factory, 1910, Meier & Gropius -- Glasgow School Of Art, 1897 -- 1909, C.R. Mackintosh. North Elevation -- Glasgow School Of Art, 1897 -- 1909, C.R. Mackintosh. Plan Diagram -- Glasgow School Of Art, 1897 -- 1909, C.R. Mackintosh. Staircase Through Museum -- Glasgow School Of Art, 1897 -- 1909, C.R. Mackintosh. Sections -- Glasgow School Of Art, 1897 -- 1909, C.R. Mackintosh. Main Gallery -- Glasgow School Of Art, 1897 -- 1909, C.R. Mackintosh. Top: Stairs From Director's Study To Studio Above. Bottom: Light Fitting Over Staircase -- Glasgow School Of Art, 1897 -- 1909, C.R. Mackintosh. Library Exterior At West End Of Building -- Glasgow School Of Art, 1897 -- 1909, C.R. Mackintosh. Library Interior -- Palais Stoclet, Brussels, 1905 -- 1911, Josef Hoffman -- Robie House, Chicago, 1906 -- 1909, Frank Lloyd Wright -- Top: House In New York, 1882, McKim Mead & White. Bottom: Frank Lloyd Wright's Studio, Wisconsin, 1890 -- A & S Auditorium Building, Chicago, 1888, Louis Sullivan -- Ward Willets House, 1902 -- 1903, Frank Lloyd Wright -- Plan & Perspective Of Willets House -- Martin House, 1904, Frank Lloyd Wright. Interior & Exterior -- Gamble House, Pasadena, California, 1908, Greene & Greene -- Casa Batlló, Barcelona, 1906, Antoni Gaudi -- Renault Car, 1910.

Summary:

Edward Cullinan, RIBA Gold Medal Award winner in 2007, was born in 1931. He trained at Cambridge, the Architectural Association and Berkeley before starting to practice in 1957. His office is run as a co-operative. He has taught in England and North America, and his projects have been widely published and exhibited and have received a number of awards. His architecture has firm roots in the Modern movement, both in its design philosophy, and in its sense of social responsibility. But he stresses simplicity of technique rather than of form, believing that it is the expression of its construction that gives a building its meaning. The clarity of the thinking behind his own designs is apparent in this presentation of architectural development between about 1850 and 1960. He looks at the period not as traditional history, but through the ideas that informed certain key buildings, seen against their social background and studied through the eyes of an architect and builder. His aim has been to develop a clear description of a few simple ideas and one dominant one, the interconnection of spaces and places.

Subject:

Architecture Aesthetics.
Architecture, Modern 20th century.
Architecture Esthétique.
Architecture 20e siècle.
Architecture, Modern.

Added entries:

Cullinan, Edward, narrator.