1
1
DARK DATA [electronic resource].
Title & Author:

DARK DATA [electronic resource].

Publication:

EFA Project Space Dylan Gauthier 2021

Restrictions:

Open access content

Notes:
Standard Copyright
Summary:

Dark Data presents the work of six artists who explore pervasive forms of data collection, mass-surveillance, and hypervisibility visited upon Black life through technologies of predictive policing, data-mining, algorithmic violence, and artificial intelligence. The project situates these emergent data technologies within a broader lineage of anti-Black surveillance and quantification. Dark Data highlights a host of artistic and social tactics exercised by Black practitioners to actively respond to these conditions through experimental archival strategies, inventive modes of technological encryption, and gestures of digital worldmaking. The term “dark data” refers to information assets that are collected and stored by corporations and governments but which ultimately go unutilized due to constraints of storage or the expiration of the data’s relevance. While temporarily sourced and captured, these vast reserves of information are eventually purged, never to be monetized, analyzed, and assimilated into systems of control and profit. This exhibition explores the continuities between “dark data” and Black data, the latter defined by scholar Shaka McGlotten as the forms of data collection and quantification which, or pertain, to Black bodies, citizens, and consumers for the purposes of commercial profit and social control. Dark Data invites viewers to consider current technological efforts to quantify Black life alongside a broader lineage of Black surveillance and racial capitalism. A trajectory that extends from the middle passage, in which the Black body was quantified as a unit of value, to our contemporary moment, in which the Black consumer is figured alternatively as revenue streams with consumer profiles, vectors of risk in algorithmic systems of control, and data points within predictive policing programs. This exhibition proposes dark data as both a method for imaging and imagining forms of technological opacity, digital encryption, and online illegibility whi
https://www.librarystack.org/dark-data/?ref=unknown

Resources:
Item Resolution URL
Subject:

Algorithms
Artificial intelligence
Data mining
Electronic surveillance
Racism
Electronic surveillance in art

Form/genre:

Text

Added entries:

American Artist
Hannah Black
Stephanie Dinkins
E. Jane
Mimi Ọnụọha
Sondra Perry
Gee Wesley
Bianca Dominguez
Mae Miller
Unyimeabasi Udoh
Dylan Gauthier
Yann Chashanovski

Actions:
1
1

Sign up to get news from us

Email address
First name
Last name
By signing up you agree to receive our newsletter and communications about CCA activities. You can unsubscribe at any time. For more information, consult our privacy policy or contact us.

Thank you for signing up. You'll begin to receive emails from us shortly.

We’re not able to update your preferences at the moment. Please try again later.

You’ve already subscribed with this email address. If you’d like to subscribe with another, please try again.

This email was permanently deleted from our database. If you’d like to resubscribe with this email, please contact us

Please complete the form below to buy:
[Title of the book, authors]
ISBN: [ISBN of the book]
Price [Price of book]

First name
Last name
Address (line 1)
Address (line 2) (optional)
Postal code
City
Country
Province/state
Email address
Phone (day) (optional)
Notes

Thank you for placing an order. We will contact you shortly.

We’re not able to process your request at the moment. Please try again later.

Folder ()

Your folder is empty.

Email:
Subject:
Notes:
Please complete this form to make a request for consultation. A copy of this list will also be forwarded to you.

Your contact information
First name:
Last name:
Email:
Phone number:
Notes (optional):
We will contact you to set up an appointment. Please keep in mind that your consultation date will be based on the type of material you wish to study. To prepare your visit, we'll need:
  • — At least 2 weeks for primary sources (prints and drawings, photographs, archival documents, etc.)
  • — At least 48 hours for secondary sources (books, periodicals, vertical files, etc.)
...