Where 2 [electronic resource].

Where 2013

Open access content

Where 2 December 15, 2013 – February 14, 2014 Opening reception: Sat., December 14, 7-10pm Curated by A.E. Benenson, Where 2 recontextualizes Douglas Gordon’s super-durational appropriation work, 24 Hour Psycho (1993) within contemporary networks of live-streaming and digital media piracy. Working as an act of recursive appropriation, the exhibition will screen Hitchcock’s Psycho once daily in the gallery at 6:30 pm, streaming the footage via webcam to gallery’s website at Gordon’s prescribed speed of 2 frames per second to create a continuous, unauthorized digital version of 24 Hour Psycho. — Where 2 is the current state of 20 years of ongoing research. The first findings were developed in the early ’90s on a copy of SimCity for Super Nintendo located in my father’s spare bedroom. I only had access to the game every other weekend, and so before leaving I would raise taxes to 99%, select the maximum gameplay speed (a Cheetah icon), and then turn the television off while leaving the game’s persistent simulation running. There was no predicting the state of my city when I returned twelve days later (approximately 1000 years in-game), though the bank was inevitably full and so usually the most prudent course of action was to destroy the whole city and fill the map with the two most expensive buildings, the Airport and the Football Stadium. Research continued in my teens when my brother and I operated a small server for pirated games and media. Relevant experiments included spending a week downloading a handycam bootleg of The Blair Witch Project (1999) which had been divided into forty parts, and hosting a low-res copy of the infamous Tyson v. Holyfield “Bite Fight” (1997) the morning after it had been broadcast live on television. Presently, my research has taken the form of a digital system for reproducing Douglas Gordon’s super-durational appropriation work 24 Hour Psycho (1993). The system consists of a pirated copy of Hitchcock’s film Psycho (1960), screened in th
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Artists
Motion pictures
Art and the Internet
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Where
A.E. Benenson
David Phelps
David Joselit
Douglas Gordon
Alfred Hitchcock
The New York Office