Olivetti, Poesia Concreta [electronic resource].

EDHEA art&fiction 2018

Open access content

We are sitting here at ECAV in our current working place, which is the salle de réunion at the administration. Our fingers are typing this letter to invite you to contribute a text within the Art Work(ers) research project. We are thinking about how closing factories and the use of industrial ruins have affected our ways of working in the arts, and of the promises of creative economies. What narratives have been created to tell stories of art and industrial production as well as of deindustrialisation. Besides looking at historical examples such as EAT, Artist Placement Group, Equipo 57 & Grupo Y, Solidarnos & Ryszand Wasko, or Agricola Cornelia, whose work emerges in between art and (industrial) production modes, we are thinking of perruques (homers) and strategies to “reinterpret” the Taylorist use of machines with Situationist strategies. The question that we have in mind is less “why X has happened” but rather “why the alternatives Y did not take place”… Our idea would be to collect in Blackout 2 writings on Olivetti.
https://www.librarystack.org/olivetti-poesia-concreta/?ref=unknown

Art--Study and teaching
Graphic arts
Industrial design
Socialism

Text

Art Work(ers)
Federica Martini
Christof Nüssli
Andrea Bellini
Donatella Bernardi
Alexandros Kyriakatos
Marcella Turchetti
Petra Köhle
Robert Ireland
Aurélie Strumans
Daniela Almansi
Jasmine Bakalarz
typosalon