Česálková, Lucie, 1983-
Non-Fiction Cinema in Postwar Europe : Visual Culture and the Reconstruction of Public Space.
1st ed.
Amsterdam : Amsterdam University Press, 2024.
©2024.
1 online resource (520 pages).
Film Culture in Transition Series
After WWII, cinema was everywhere: in movie theatres, public squares, factories, schools, trial courts, trains, museums, and political meetings. Seen today, documentaries and newsreels, as well as the amateur production, show the kaleidoscopic portrait of a changing Europe. How did these cinematic images contribute to shaping the new societies emerging from the ashes of war, both in the Western and in the Eastern bloc? Why were they so crucial in framing and regulating new places and practices, political systems, economic dynamics, educational frameworks, and memory communities? This edited volume explores the multiple ways nonfiction cinema reconfigured public spaces, collective participation, democratisation, and governmentality between 1944 and 1956. Looking back at it through a transnational perspective and the critical category of spatiality, nonfiction cinema appears in a new light: simultaneously as a specifically situated and as a highly mobile medium, it was a fundamental agent in reshaping Europe's shared identity and culture in a defining decade.
9048556627
9789048556625
Motion pictures Europe History.
Nonfiction films Europe History.
AUP Wetenschappelijk.
Amsterdam University Press.
Film Studies.
Film, Media, and Communication.
Media Studies.
Films autres que de fiction Europe Histoire.
Films, cinema.
Postwar 20th century history, from c 1945 to c 2000.
HISTORY / Europe / Western.
Film criticism
Historiography
Sociology
Film history, theory or criticism.
European history.
Social and cultural history.
South
Non-fiction cinema
reconstruction
post-war Europe
public space
transnational cinema
Discursive works.
Collections
Praetorius-Rhein, Johannes.
Val, Perrine.
Villa, Paolo.
Film culture in transition.
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