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Ancient scripts & modern experience on the English stage, 1500-1700 / by Bruce R. Smith.
Main entry:

Smith, Bruce R., 1946- author.

Title & Author:

Ancient scripts & modern experience on the English stage, 1500-1700 / by Bruce R. Smith.

Publication:

Princeton : Princeton University Press, 1988.

Description:

xii, 289 pages : illustrations ; 23 cm.

Notes:
Includes bibliographical references and index.
Critical Contexts -- Spatial Contexts -- Social Contexts -- Comedy -- Tragedy
Summary:

Unlike the contrast between the sacred and the taboo, the opposition of "comic" and "tragic" is not a way of categorizing experience that we find in cultures all over the world or even at different periods in Western civilization. Though medieval writers and readers distinguished stories with happy endings from stories with unhappy endings, it was not until the sixteenth and seventeenth centuries--fifteen hundred years after Sophocles, Euripides, Plautus, and Terence had last been performed in the theaters of the Roman Empire--that tragedy and comedy regained their ancient importance as ways of giving dramatic coherence to human events. Ancient Scripts and Modern Experience on the English Stage charts that rediscovery, not in the pages of scholars' books, but on the stages of England's schools, colleges, inns of court, and royal court, and finally in the public theaters of sixteenth-and seventeenth-century London. In bringing to imaginative life the scripts, eyewitness accounts, and financial records of these productions, Bruce Smith turns to the structuralist models that anthropologists have used to explain how human beings as social creatures organize and systematize experience. He sets in place the critical, physical, and social structures in which sixteenth-and seventeenth-century Englishmen watched productions of classical comedy and classical tragedy. Seen in these three contexts, these productions play out a conflict between classical and medieval ways of understanding and experiencing comedy's interplay between satiric and romantic impulses and tragedy's clash between individuals and society.

ISBN:

0691067392 (alk. paper)
9780691067391 (alk. paper)

Subject:

Classical drama Appreciation England.
Theater England History 16th century.
Theater England History 17th century.
Tragedy.
Comedy.
Théâtre ancien Appréciation Angleterre.
Théâtre Angleterre Histoire 16e siècle.
Théâtre Angleterre Histoire 17e siècle.
Tragédie.
Comédie.
tragedies.
Civilization Greek influences.
Civilization Roman influences.
Classical drama Appreciation.
Theater.
Antike
Aufführung
Drama
Théâtre (genre littéraire) Grande-Bretagne Histoire et critique 16e siècle.
Théâtre (genre littéraire) Grande-Bretagne Histoire et critique 17e siècle.
Tragédie Influence classique.
Comédie anglaise.
Great Britain Civilization Greek influences.
Great Britain Civilization Roman influences.
England.
Great Britain.
Großbritannien
Grande-Bretagne Civilisation Influence grecque.
Griechisch.
Latein.
Theatre History

Form/genre:

Tragedy.
Comedy.
History.
Tragedies.
Comedies.

Added entries:

Ancient scripts and modern experience on the English stage, 1500-1700.

Ancient scripts and modern experience on the English stage, 1500-1700

Holdings:

Location: Library main 37553
Call No.: ID:88-B8497
Status: Available

Actions:
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