406235 Results
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Project
Project
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Reference number:
AP164.S1.2003.D6
Description:
The project series documents the competition design for the reorganisation of the Max-Reinhardt Square, in Salzburg, Austria. Abalos & Herreros were invited to submit a proposal and collaborated with Albert Oehlen. They wanted to simplify the existing space and create an atmosphere where a visitor would be surrounded by art and vegetation. The firm identified this project as number 169. Documenting the project are conceptual drawings, graphic materials correspondence, and project descriptions.
AP164.S1.2003.D6
Description:
The project series documents the competition design for the reorganisation of the Max-Reinhardt Square, in Salzburg, Austria. Abalos & Herreros were invited to submit a proposal and collaborated with Albert Oehlen. They wanted to simplify the existing space and create an atmosphere where a visitor would be surrounded by art and vegetation. The firm identified this project as number 169. Documenting the project are conceptual drawings, graphic materials correspondence, and project descriptions.
People:
Date:
circa 2003-2004
circa 2003-2004
Title:
Reordenación del Max-Reinhardt Platz, Salzburg, Austria (2003)
Actions:
AP164.S1.2003.D6
Description:
The project series documents the competition design for the reorganisation of the Max-Reinhardt Square, in Salzburg, Austria. Abalos & Herreros were invited to submit a proposal and collaborated with Albert Oehlen. They wanted to simplify the existing space and create an atmosphere where a visitor would be surrounded by art and vegetation. The firm identified this project as number 169. Documenting the project are conceptual drawings, graphic materials correspondence, and project descriptions.
Reordenación del Max-Reinhardt Platz, Salzburg, Austria (2003)
Actions:
AP164.S1.2003.D6
Description:
The project series documents the competition design for the reorganisation of the Max-Reinhardt Square, in Salzburg, Austria. Abalos & Herreros were invited to submit a proposal and collaborated with Albert Oehlen. They wanted to simplify the existing space and create an atmosphere where a visitor would be surrounded by art and vegetation. The firm identified this project as number 169. Documenting the project are conceptual drawings, graphic materials correspondence, and project descriptions.
Level of archival description:
Project
Project
Date:
circa 2003-2004
circa 2003-2004
People:
Level of archival description:
Project
Project
Reference number:
AP164.S1.2003.D7
Description:
The project series documents Abalos & Herreros’ entry for an open competition for the national library José Vasconcelos, Mexico city, Mexico. The firm identified this project as number 170. “The central library is a county’s visible deposit for its culture, a legacy to the future; contemplating al [sic] periods of a culture in a holistic and integrated way crosses historic earas [sic] and puts human memory in relation to geological time, a substrate which shelters and protects human life. [The] library will establish this dialogue by anchoring in the site, the city and the country by basic gesture putting the geologic substrate, the lagoon and the volcanos which construct and nourish the earth as a relief. A lagoon perforated by seven craters composes the germlike landscape which starts the projects, giving us a first drawing which transforms the space almost into a lake of waterlilies.” (ARCH270975) Documenting the project are conceptual drawings, competition documents, resumes, correspondence and a map.
AP164.S1.2003.D7
Description:
The project series documents Abalos & Herreros’ entry for an open competition for the national library José Vasconcelos, Mexico city, Mexico. The firm identified this project as number 170. “The central library is a county’s visible deposit for its culture, a legacy to the future; contemplating al [sic] periods of a culture in a holistic and integrated way crosses historic earas [sic] and puts human memory in relation to geological time, a substrate which shelters and protects human life. [The] library will establish this dialogue by anchoring in the site, the city and the country by basic gesture putting the geologic substrate, the lagoon and the volcanos which construct and nourish the earth as a relief. A lagoon perforated by seven craters composes the germlike landscape which starts the projects, giving us a first drawing which transforms the space almost into a lake of waterlilies.” (ARCH270975) Documenting the project are conceptual drawings, competition documents, resumes, correspondence and a map.
People:
Date:
2001-2003
2001-2003
Title:
Biblioteca de México, Mexico City, Mexico
Actions:
AP164.S1.2003.D7
Description:
The project series documents Abalos & Herreros’ entry for an open competition for the national library José Vasconcelos, Mexico city, Mexico. The firm identified this project as number 170. “The central library is a county’s visible deposit for its culture, a legacy to the future; contemplating al [sic] periods of a culture in a holistic and integrated way crosses historic earas [sic] and puts human memory in relation to geological time, a substrate which shelters and protects human life. [The] library will establish this dialogue by anchoring in the site, the city and the country by basic gesture putting the geologic substrate, the lagoon and the volcanos which construct and nourish the earth as a relief. A lagoon perforated by seven craters composes the germlike landscape which starts the projects, giving us a first drawing which transforms the space almost into a lake of waterlilies.” (ARCH270975) Documenting the project are conceptual drawings, competition documents, resumes, correspondence and a map.
Biblioteca de México, Mexico City, Mexico
Actions:
AP164.S1.2003.D7
Description:
The project series documents Abalos & Herreros’ entry for an open competition for the national library José Vasconcelos, Mexico city, Mexico. The firm identified this project as number 170. “The central library is a county’s visible deposit for its culture, a legacy to the future; contemplating al [sic] periods of a culture in a holistic and integrated way crosses historic earas [sic] and puts human memory in relation to geological time, a substrate which shelters and protects human life. [The] library will establish this dialogue by anchoring in the site, the city and the country by basic gesture putting the geologic substrate, the lagoon and the volcanos which construct and nourish the earth as a relief. A lagoon perforated by seven craters composes the germlike landscape which starts the projects, giving us a first drawing which transforms the space almost into a lake of waterlilies.” (ARCH270975) Documenting the project are conceptual drawings, competition documents, resumes, correspondence and a map.
Level of archival description:
Project
Project
Date:
2001-2003
2001-2003
People:
Level of archival description:
Project
Project
Reference number:
AP164.S1.2003.D8
Description:
The project series documents the design for exhibition halls and offices for the Pepe Cobo art gallery on Argensola Street, Madrid, Spain. The firm identified this project as number 171. See also the project "Pepe Cobo II, galería de arte" (AP164.S1.2004.D7). The project documents conceptual and design development drawings, digital and reference materials, correspondence, project descriptions and budgets.
AP164.S1.2003.D8
Description:
The project series documents the design for exhibition halls and offices for the Pepe Cobo art gallery on Argensola Street, Madrid, Spain. The firm identified this project as number 171. See also the project "Pepe Cobo II, galería de arte" (AP164.S1.2004.D7). The project documents conceptual and design development drawings, digital and reference materials, correspondence, project descriptions and budgets.
People:
Date:
2003
2003
Title:
Galería de Pepe Cobo, Madrid, Spain (2003)
Actions:
AP164.S1.2003.D8
Description:
The project series documents the design for exhibition halls and offices for the Pepe Cobo art gallery on Argensola Street, Madrid, Spain. The firm identified this project as number 171. See also the project "Pepe Cobo II, galería de arte" (AP164.S1.2004.D7). The project documents conceptual and design development drawings, digital and reference materials, correspondence, project descriptions and budgets.
Galería de Pepe Cobo, Madrid, Spain (2003)
Actions:
AP164.S1.2003.D8
Description:
The project series documents the design for exhibition halls and offices for the Pepe Cobo art gallery on Argensola Street, Madrid, Spain. The firm identified this project as number 171. See also the project "Pepe Cobo II, galería de arte" (AP164.S1.2004.D7). The project documents conceptual and design development drawings, digital and reference materials, correspondence, project descriptions and budgets.
Level of archival description:
Project
Project
Date:
2003
2003
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP164.S1.2003.D9
Description:
The project series documents Abalos & Herreros’ competition entry organised by the Cabinet of Andalucia for the underground in Málaga, Spain. The firm identified this project as number 172. “The stations are the masterpieces of the interaction between the peasant and the new infrastructure. […] A diversity of additive materials – combinations opaque or luminous, translucent or transparent, vegetal or aerial – make of [Abalos & Herreros’] proposal an elaborate sting operation that can adaptate [sic] to every imaginable circumstances looking for an agreement of highest coincidence between underground stations and the surface. The building and finishing coincidence between underground stations and the surface. The building and finishing system not only pretends [sic] an unitary image for all the underground web, but also constitutes itself an orientation code, an indicator for movement, a locator of accesses and a resource of orientation in town.” (ARCH270975). The firm worked with Mike Schlaich and Schlaich Bergermann und Partner (Stuttgart). Documenting the project are conceptual drawings, correspondence, specifications, cartographic and digital materials.
AP164.S1.2003.D9
Description:
The project series documents Abalos & Herreros’ competition entry organised by the Cabinet of Andalucia for the underground in Málaga, Spain. The firm identified this project as number 172. “The stations are the masterpieces of the interaction between the peasant and the new infrastructure. […] A diversity of additive materials – combinations opaque or luminous, translucent or transparent, vegetal or aerial – make of [Abalos & Herreros’] proposal an elaborate sting operation that can adaptate [sic] to every imaginable circumstances looking for an agreement of highest coincidence between underground stations and the surface. The building and finishing coincidence between underground stations and the surface. The building and finishing system not only pretends [sic] an unitary image for all the underground web, but also constitutes itself an orientation code, an indicator for movement, a locator of accesses and a resource of orientation in town.” (ARCH270975). The firm worked with Mike Schlaich and Schlaich Bergermann und Partner (Stuttgart). Documenting the project are conceptual drawings, correspondence, specifications, cartographic and digital materials.
People:
Date:
2002-2003
2002-2003
Title:
Metro de Málaga, Spain, (2003)
Actions:
AP164.S1.2003.D9
Description:
The project series documents Abalos & Herreros’ competition entry organised by the Cabinet of Andalucia for the underground in Málaga, Spain. The firm identified this project as number 172. “The stations are the masterpieces of the interaction between the peasant and the new infrastructure. […] A diversity of additive materials – combinations opaque or luminous, translucent or transparent, vegetal or aerial – make of [Abalos & Herreros’] proposal an elaborate sting operation that can adaptate [sic] to every imaginable circumstances looking for an agreement of highest coincidence between underground stations and the surface. The building and finishing coincidence between underground stations and the surface. The building and finishing system not only pretends [sic] an unitary image for all the underground web, but also constitutes itself an orientation code, an indicator for movement, a locator of accesses and a resource of orientation in town.” (ARCH270975). The firm worked with Mike Schlaich and Schlaich Bergermann und Partner (Stuttgart). Documenting the project are conceptual drawings, correspondence, specifications, cartographic and digital materials.
Metro de Málaga, Spain, (2003)
Actions:
AP164.S1.2003.D9
Description:
The project series documents Abalos & Herreros’ competition entry organised by the Cabinet of Andalucia for the underground in Málaga, Spain. The firm identified this project as number 172. “The stations are the masterpieces of the interaction between the peasant and the new infrastructure. […] A diversity of additive materials – combinations opaque or luminous, translucent or transparent, vegetal or aerial – make of [Abalos & Herreros’] proposal an elaborate sting operation that can adaptate [sic] to every imaginable circumstances looking for an agreement of highest coincidence between underground stations and the surface. The building and finishing coincidence between underground stations and the surface. The building and finishing system not only pretends [sic] an unitary image for all the underground web, but also constitutes itself an orientation code, an indicator for movement, a locator of accesses and a resource of orientation in town.” (ARCH270975). The firm worked with Mike Schlaich and Schlaich Bergermann und Partner (Stuttgart). Documenting the project are conceptual drawings, correspondence, specifications, cartographic and digital materials.
Level of archival description:
Project
Project
Date:
2002-2003
2002-2003
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP164.S1.2003.D10
Description:
The project series documents the commission and built project for an urban development and a public park on the banks of the rivers Torio and Bernesca in the area of La Lastra, León, Spain. The firm identified the project as number 173. “The park of La Lastra is composed by the superpositioning [sic] of four different states of natural space: a fluvial park, an urban park, an agricultural park and a park with common installations. Being next to the urbanization of La Lastra, both public spaces, both adopt a minimum strategy of landscape bubbles and urbanized bubbles respectively in the way that the whole complex becomes a continuum and achieves a scale able to diffuse the traditional limits of either urban fabric or park, confirming a singular complex which responds to the way in which new generations can understand the relation between nature and artificial.” (ARCH270975) Two other projects are related to this one: Alcorque para León (AP164.S1.2004.D5) and Puentes de León (AP164.S1.2004.D6). Documenting the project are presentation documents, notes, a dummy and a proposal.
AP164.S1.2003.D10
Description:
The project series documents the commission and built project for an urban development and a public park on the banks of the rivers Torio and Bernesca in the area of La Lastra, León, Spain. The firm identified the project as number 173. “The park of La Lastra is composed by the superpositioning [sic] of four different states of natural space: a fluvial park, an urban park, an agricultural park and a park with common installations. Being next to the urbanization of La Lastra, both public spaces, both adopt a minimum strategy of landscape bubbles and urbanized bubbles respectively in the way that the whole complex becomes a continuum and achieves a scale able to diffuse the traditional limits of either urban fabric or park, confirming a singular complex which responds to the way in which new generations can understand the relation between nature and artificial.” (ARCH270975) Two other projects are related to this one: Alcorque para León (AP164.S1.2004.D5) and Puentes de León (AP164.S1.2004.D6). Documenting the project are presentation documents, notes, a dummy and a proposal.
People:
Date:
circa 2003-2004
circa 2003-2004
Title:
Urbanización del sector La Lastra, León, Spain (2003)
Actions:
AP164.S1.2003.D10
Description:
The project series documents the commission and built project for an urban development and a public park on the banks of the rivers Torio and Bernesca in the area of La Lastra, León, Spain. The firm identified the project as number 173. “The park of La Lastra is composed by the superpositioning [sic] of four different states of natural space: a fluvial park, an urban park, an agricultural park and a park with common installations. Being next to the urbanization of La Lastra, both public spaces, both adopt a minimum strategy of landscape bubbles and urbanized bubbles respectively in the way that the whole complex becomes a continuum and achieves a scale able to diffuse the traditional limits of either urban fabric or park, confirming a singular complex which responds to the way in which new generations can understand the relation between nature and artificial.” (ARCH270975) Two other projects are related to this one: Alcorque para León (AP164.S1.2004.D5) and Puentes de León (AP164.S1.2004.D6). Documenting the project are presentation documents, notes, a dummy and a proposal.
Urbanización del sector La Lastra, León, Spain (2003)
Actions:
AP164.S1.2003.D10
Description:
The project series documents the commission and built project for an urban development and a public park on the banks of the rivers Torio and Bernesca in the area of La Lastra, León, Spain. The firm identified the project as number 173. “The park of La Lastra is composed by the superpositioning [sic] of four different states of natural space: a fluvial park, an urban park, an agricultural park and a park with common installations. Being next to the urbanization of La Lastra, both public spaces, both adopt a minimum strategy of landscape bubbles and urbanized bubbles respectively in the way that the whole complex becomes a continuum and achieves a scale able to diffuse the traditional limits of either urban fabric or park, confirming a singular complex which responds to the way in which new generations can understand the relation between nature and artificial.” (ARCH270975) Two other projects are related to this one: Alcorque para León (AP164.S1.2004.D5) and Puentes de León (AP164.S1.2004.D6). Documenting the project are presentation documents, notes, a dummy and a proposal.
Level of archival description:
Project
Project
Date:
circa 2003-2004
circa 2003-2004
People:
Level of archival description:
Project
Project
Reference number:
AP164.S1.2003.D11
Description:
The project series documents the commission and construction of the prototype of a terminal for an urban heliport in Barcelona, Spain. The heliport was built, but has since then been demolished. The firm identified the project as number 174. Documenting the project are design development drawings, correspondence, project descriptions, budgets, studies, specifications and digital materials.
AP164.S1.2003.D11
Description:
The project series documents the commission and construction of the prototype of a terminal for an urban heliport in Barcelona, Spain. The heliport was built, but has since then been demolished. The firm identified the project as number 174. Documenting the project are design development drawings, correspondence, project descriptions, budgets, studies, specifications and digital materials.
People:
Date:
2003-2004
2003-2004
Title:
Helipuerto Forum, Barcelona, Spain (2003)
Actions:
AP164.S1.2003.D11
Description:
The project series documents the commission and construction of the prototype of a terminal for an urban heliport in Barcelona, Spain. The heliport was built, but has since then been demolished. The firm identified the project as number 174. Documenting the project are design development drawings, correspondence, project descriptions, budgets, studies, specifications and digital materials.
Helipuerto Forum, Barcelona, Spain (2003)
Actions:
AP164.S1.2003.D11
Description:
The project series documents the commission and construction of the prototype of a terminal for an urban heliport in Barcelona, Spain. The heliport was built, but has since then been demolished. The firm identified the project as number 174. Documenting the project are design development drawings, correspondence, project descriptions, budgets, studies, specifications and digital materials.
Level of archival description:
Project
Project
Date:
2003-2004
2003-2004
People:
Level of archival description:
Project
Project
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Reference number:
AP164.S1.2003.D12
Description:
The project series documents the commission for the new Gallery Building in Miami, Florida, United States. The museum would include the Rosa de la Cruz and Craig Robins’ art collections. The building was designed to include temporary and permanent exhibitions’ showrooms, offices, architectural promenade, esplanade, interior patio with a garden, etc. The gallery was never built. The firm identified this project as number 175. Documenting the project are conceptual, design development and presentation drawings, correspondence, invoices, notes, agreements, proposals, and reference and graphic materials.
AP164.S1.2003.D12
Description:
The project series documents the commission for the new Gallery Building in Miami, Florida, United States. The museum would include the Rosa de la Cruz and Craig Robins’ art collections. The building was designed to include temporary and permanent exhibitions’ showrooms, offices, architectural promenade, esplanade, interior patio with a garden, etc. The gallery was never built. The firm identified this project as number 175. Documenting the project are conceptual, design development and presentation drawings, correspondence, invoices, notes, agreements, proposals, and reference and graphic materials.
People:
Date:
2003-2006
2003-2006
Title:
The Collection building, Miami, United States (2003)
Actions:
AP164.S1.2003.D12
Description:
The project series documents the commission for the new Gallery Building in Miami, Florida, United States. The museum would include the Rosa de la Cruz and Craig Robins’ art collections. The building was designed to include temporary and permanent exhibitions’ showrooms, offices, architectural promenade, esplanade, interior patio with a garden, etc. The gallery was never built. The firm identified this project as number 175. Documenting the project are conceptual, design development and presentation drawings, correspondence, invoices, notes, agreements, proposals, and reference and graphic materials.
The Collection building, Miami, United States (2003)
Actions:
AP164.S1.2003.D12
Description:
The project series documents the commission for the new Gallery Building in Miami, Florida, United States. The museum would include the Rosa de la Cruz and Craig Robins’ art collections. The building was designed to include temporary and permanent exhibitions’ showrooms, offices, architectural promenade, esplanade, interior patio with a garden, etc. The gallery was never built. The firm identified this project as number 175. Documenting the project are conceptual, design development and presentation drawings, correspondence, invoices, notes, agreements, proposals, and reference and graphic materials.
Level of archival description:
Project
Project
Date:
2003-2006
2003-2006
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP164.S1.2003.D13
Description:
The project series documents the design of a Molecular Sciences Complex (laboratories) adjoining a botanical garden for the University of Puerto Rico, in San Juan, Puerto Rico. The commissioned project was approved, but was eventually stopped. Abalos & Herreros worked with Renata Sentkiewicz, Hillier Group, Greenman-Pederson, Inc., BR+A and EBP Design Group. The firm identified this project as number 176. Documenting the project are conceptual, design development and presentation drawings, reference, graphic and digital materials, correspondence, notes, minutes, budgets, resumes, trade catalogues, proposals, agreements and reports.
AP164.S1.2003.D13
Description:
The project series documents the design of a Molecular Sciences Complex (laboratories) adjoining a botanical garden for the University of Puerto Rico, in San Juan, Puerto Rico. The commissioned project was approved, but was eventually stopped. Abalos & Herreros worked with Renata Sentkiewicz, Hillier Group, Greenman-Pederson, Inc., BR+A and EBP Design Group. The firm identified this project as number 176. Documenting the project are conceptual, design development and presentation drawings, reference, graphic and digital materials, correspondence, notes, minutes, budgets, resumes, trade catalogues, proposals, agreements and reports.
People:
Date:
2002-2006
2002-2006
Title:
Laboratorios de ciencias moleculares para la Universidad de Puerto Rico, San Juan, Puerto Rico (2003)
Actions:
AP164.S1.2003.D13
Description:
The project series documents the design of a Molecular Sciences Complex (laboratories) adjoining a botanical garden for the University of Puerto Rico, in San Juan, Puerto Rico. The commissioned project was approved, but was eventually stopped. Abalos & Herreros worked with Renata Sentkiewicz, Hillier Group, Greenman-Pederson, Inc., BR+A and EBP Design Group. The firm identified this project as number 176. Documenting the project are conceptual, design development and presentation drawings, reference, graphic and digital materials, correspondence, notes, minutes, budgets, resumes, trade catalogues, proposals, agreements and reports.
Laboratorios de ciencias moleculares para la Universidad de Puerto Rico, San Juan, Puerto Rico (2003)
Actions:
AP164.S1.2003.D13
Description:
The project series documents the design of a Molecular Sciences Complex (laboratories) adjoining a botanical garden for the University of Puerto Rico, in San Juan, Puerto Rico. The commissioned project was approved, but was eventually stopped. Abalos & Herreros worked with Renata Sentkiewicz, Hillier Group, Greenman-Pederson, Inc., BR+A and EBP Design Group. The firm identified this project as number 176. Documenting the project are conceptual, design development and presentation drawings, reference, graphic and digital materials, correspondence, notes, minutes, budgets, resumes, trade catalogues, proposals, agreements and reports.
Level of archival description:
Project
Project
Date:
2002-2006
2002-2006
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP164.S1.2004.D1
Description:
The project series documents the competition entry for the facade renovation of Saint Georges Center, Geneva, Switzerland. The firm identified the project as number 179. Documenting the project are reference materials, design development drawings, correspondence and a study.
AP164.S1.2004.D1
Description:
The project series documents the competition entry for the facade renovation of Saint Georges Center, Geneva, Switzerland. The firm identified the project as number 179. Documenting the project are reference materials, design development drawings, correspondence and a study.
People:
Date:
circa 2002-2004
circa 2002-2004
Title:
Renovación de la fachada del Saint Georges Center, Geneva, Switzerland (2004)
Actions:
AP164.S1.2004.D1
Description:
The project series documents the competition entry for the facade renovation of Saint Georges Center, Geneva, Switzerland. The firm identified the project as number 179. Documenting the project are reference materials, design development drawings, correspondence and a study.
Renovación de la fachada del Saint Georges Center, Geneva, Switzerland (2004)
Actions:
AP164.S1.2004.D1
Description:
The project series documents the competition entry for the facade renovation of Saint Georges Center, Geneva, Switzerland. The firm identified the project as number 179. Documenting the project are reference materials, design development drawings, correspondence and a study.
Level of archival description:
Project
Project
Date:
circa 2002-2004
circa 2002-2004
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP164.S1.2004.D2
Description:
The project series documents the competition entry for the library and botanical garden for the University of Alcalá de Henares, Spain. The firm identified the project as number 180. As described by the architects, the project “[…] concentrates on building two heads, different from each other, Library and Dining hall, shortening the fronts of the central building which are without interest and evidently expensive to undertake a functional and economic work. The project is therefore converted into a basic restoration of the old hangars and the construction of two new low cost buildings which also can be constructed when necessary or depending on economic availability” (ARCH270975). Documenting the project are models, conceptual, design development and presentation drawings, textual records and photographic materials.
AP164.S1.2004.D2
Description:
The project series documents the competition entry for the library and botanical garden for the University of Alcalá de Henares, Spain. The firm identified the project as number 180. As described by the architects, the project “[…] concentrates on building two heads, different from each other, Library and Dining hall, shortening the fronts of the central building which are without interest and evidently expensive to undertake a functional and economic work. The project is therefore converted into a basic restoration of the old hangars and the construction of two new low cost buildings which also can be constructed when necessary or depending on economic availability” (ARCH270975). Documenting the project are models, conceptual, design development and presentation drawings, textual records and photographic materials.
People:
Date:
circa 2003-2004
circa 2003-2004
Title:
Edificio de equipamiento, Alcalá de Henares, Spain (2004)
Actions:
AP164.S1.2004.D2
Description:
The project series documents the competition entry for the library and botanical garden for the University of Alcalá de Henares, Spain. The firm identified the project as number 180. As described by the architects, the project “[…] concentrates on building two heads, different from each other, Library and Dining hall, shortening the fronts of the central building which are without interest and evidently expensive to undertake a functional and economic work. The project is therefore converted into a basic restoration of the old hangars and the construction of two new low cost buildings which also can be constructed when necessary or depending on economic availability” (ARCH270975). Documenting the project are models, conceptual, design development and presentation drawings, textual records and photographic materials.
Edificio de equipamiento, Alcalá de Henares, Spain (2004)
Actions:
AP164.S1.2004.D2
Description:
The project series documents the competition entry for the library and botanical garden for the University of Alcalá de Henares, Spain. The firm identified the project as number 180. As described by the architects, the project “[…] concentrates on building two heads, different from each other, Library and Dining hall, shortening the fronts of the central building which are without interest and evidently expensive to undertake a functional and economic work. The project is therefore converted into a basic restoration of the old hangars and the construction of two new low cost buildings which also can be constructed when necessary or depending on economic availability” (ARCH270975). Documenting the project are models, conceptual, design development and presentation drawings, textual records and photographic materials.
Level of archival description:
Project
Project
Date:
circa 2003-2004
circa 2003-2004
People:
