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Form:
textual records

Title:
The suspense of cutting the rigid parts free of its whole.

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Reference number:
PHCON2002:0016:001:024.3

People:

Gordon Matta-Clark (artist)

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Date:
1970-1978

Title:
The suspense of cutting the rigid parts free of its whole.

Actions:

PHCON2002:0016:001:024.3

Form:
textual records

The suspense of cutting the rigid parts free of its whole.

Date:
1970-1978

People:

Gordon Matta-Clark (artist)

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Form:
textual records

Title:
Rethinking a building awakening new stresses... All parts works a part a part works all parts / not taking a part to suit the whole / Transporting a structure by drawing through it

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Reference number:
PHCON2002:0016:001:024.4

People:

Gordon Matta-Clark (artist)

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Date:
ca. 1973

Title:
Rethinking a building awakening new stresses... All parts works a part a part works all parts / not taking a part to suit the whole / Transporting a structure by drawing through it

Actions:

PHCON2002:0016:001:024.4

Form:
textual records

Rethinking a building awakening new stresses... All parts works a part a part works all parts / not taking a part to suit the whole / Transporting a structure by drawing through it

Date:
ca. 1973

People:

Gordon Matta-Clark (artist)

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Form:
textual records

Title:
Anarchitecture: Liberating our mine from over theirs

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Reference number:
PHCON2002:0016:001:025.1

People:

Gordon Matta-Clark (artist)

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Date:
1970-1978

Title:
Anarchitecture: Liberating our mine from over theirs

Actions:

PHCON2002:0016:001:025.1

Form:
textual records

Anarchitecture: Liberating our mine from over theirs

Date:
1970-1978

People:

Gordon Matta-Clark (artist)

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Form:
textual records

Title:
Anarchitecture-a building with a view

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Reference number:
PHCON2002:0016:001:025.2

People:

Gordon Matta-Clark (artist)

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Date:
1970-1978

Title:
Anarchitecture-a building with a view

Actions:

PHCON2002:0016:001:025.2

Form:
textual records

Date:
1970-1978

People:

Gordon Matta-Clark (artist)

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Form:
textual records

Title:
Drawing through the whole to summerize its parts. / The sub-total of all the parts equals the whole.

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Reference number:
PHCON2002:0016:001:025.3

People:

Gordon Matta-Clark (artist)

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Date:
1970-1978

Title:
Drawing through the whole to summerize its parts. / The sub-total of all the parts equals the whole.

Actions:

PHCON2002:0016:001:025.3

Form:
textual records

Drawing through the whole to summerize its parts. / The sub-total of all the parts equals the whole.

Date:
1970-1978

People:

Gordon Matta-Clark (artist)

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Form:
textual records

Title:
Opening up view to the invisible -

Actions:

Reference number:
PHCON2002:0016:001:025.4

People:

Gordon Matta-Clark (artist)

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Date:
1970-1978

Title:
Opening up view to the invisible -

Actions:

PHCON2002:0016:001:025.4

Form:
textual records

Date:
1970-1978

People:

Gordon Matta-Clark (artist)

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Form:
textual records

Title:
The distant horizon constantly inaccessible space / The horizon she is away 'der or (just out here)

Actions:

Reference number:
PHCON2002:0016:001:026.1

People:

Gordon Matta-Clark (artist)

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Date:
1970-1978

Title:
The distant horizon constantly inaccessible space / The horizon she is away 'der or (just out here)

Actions:

PHCON2002:0016:001:026.1

Form:
textual records

The distant horizon constantly inaccessible space / The horizon she is away 'der or (just out here)

Date:
1970-1978

People:

Gordon Matta-Clark (artist)

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Form:
textual records

Title:
Drawers full of time and [illegible] / 10 oz glass of water and false teeth. [verso] 10 oz of glass eyes, contact lenses, false teeth and 'co-cola.'

Actions:

Reference number:
PHCON2002:0016:001:026.2

People:

Gordon Matta-Clark (artist)

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Date:
1970-1978

Title:
Drawers full of time and [illegible] / 10 oz glass of water and false teeth. [verso] 10 oz of glass eyes, contact lenses, false teeth and 'co-cola.'

Actions:

PHCON2002:0016:001:026.2

Form:
textual records

Drawers full of time and [illegible] / 10 oz glass of water and false teeth. [verso] 10 oz of glass eyes, contact lenses, false teeth and 'co-cola.'

Date:
1970-1978

People:

Gordon Matta-Clark (artist)

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Form:
textual records

Title:
Anarchitecture attempts to solve no problem but to rejoice in an informed well-intended celebration of conditions that best describe and locate a place

Actions:

Reference number:
PHCON2002:0016:001:026.3

People:

Gordon Matta-Clark (artist)

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Date:
1970-1978

Title:
Anarchitecture attempts to solve no problem but to rejoice in an informed well-intended celebration of conditions that best describe and locate a place

Actions:

PHCON2002:0016:001:026.3

Form:
textual records

Anarchitecture attempts to solve no problem but to rejoice in an informed well-intended celebration of conditions that best describe and locate a place

Date:
1970-1978

People:

Gordon Matta-Clark (artist)

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Form:
textual records

Title:
Trees make their own best neighbors / A neighbor's best friend: Trees ....

Actions:

Reference number:
PHCON2002:0016:001:026.4

People:

Gordon Matta-Clark (artist)

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Date:
1970-1978

Title:
Trees make their own best neighbors / A neighbor's best friend: Trees ....

Actions:

PHCON2002:0016:001:026.4

Form:
textual records

Trees make their own best neighbors / A neighbor's best friend: Trees ....

Date:
1970-1978

People:

Gordon Matta-Clark (artist)

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Form:
textual records

Title:
Anarchitecture - working in several dimentions / Making the discussions the show and the work. - / Keeping it an ongoing open process. not finishing just keeping going and strarting & over and over

Actions:

Reference number:
PHCON2002:0016:001:026.5

People:

Gordon Matta-Clark (artist)

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Date:
1970-1978

Title:
Anarchitecture - working in several dimentions / Making the discussions the show and the work. - / Keeping it an ongoing open process. not finishing just keeping going and strarting & over and over

Actions:

PHCON2002:0016:001:026.5

Form:
textual records

Anarchitecture - working in several dimentions / Making the discussions the show and the work. - / Keeping it an ongoing open process. not finishing just keeping going and strarting & over and over

Date:
1970-1978

People:

Gordon Matta-Clark (artist)

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Form:
textual records

Title:
The boundries of a cities buried parts

Actions:

Reference number:
PHCON2002:0016:001:026.6

People:

Gordon Matta-Clark (artist)

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Date:
1970-1978

Title:
The boundries of a cities buried parts

Actions:

PHCON2002:0016:001:026.6

Form:
textual records

Date:
1970-1978

People:

Gordon Matta-Clark (artist)

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Form:
textual records

Title:
No problem gained in loss of detail...

Actions:

Reference number:
PHCON2002:0016:001:026.7

People:

Gordon Matta-Clark (artist)

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Date:
1970-1978

Title:
No problem gained in loss of detail...

Actions:

PHCON2002:0016:001:026.7

Form:
textual records

Date:
1970-1978

People:

Gordon Matta-Clark (artist)

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Form:
textual records

Title:
Standing on your own shoulders while holding you head up in out stretched hands to make sure no one will walk all over you. / Rubbish !!

Actions:

Reference number:
PHCON2002:0016:001:026.8

People:

Gordon Matta-Clark (artist)

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Date:
1970-1978

Title:
Standing on your own shoulders while holding you head up in out stretched hands to make sure no one will walk all over you. / Rubbish !!

Actions:

PHCON2002:0016:001:026.8

Form:
textual records

Standing on your own shoulders while holding you head up in out stretched hands to make sure no one will walk all over you. / Rubbish !!

Date:
1970-1978

People:

Gordon Matta-Clark (artist)

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Form:
textual records

Title:
The first and last steps of anywhere

Actions:

Reference number:
PHCON2002:0016:001:027.1

People:

Gordon Matta-Clark (artist)

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Date:
1970-1978

Title:
The first and last steps of anywhere

Actions:

PHCON2002:0016:001:027.1

Form:
textual records

Date:
1970-1978

People:

Gordon Matta-Clark (artist)

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Form:
textual records

Title:
A response to cosmetic design / Completion through removal / Completion through collapse / Completion in emptyness

Actions:

Reference number:
PHCON2002:0016:001:027.10

People:

Gordon Matta-Clark (artist)

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Date:
1970-1978

Title:
A response to cosmetic design / Completion through removal / Completion through collapse / Completion in emptyness

Actions:

PHCON2002:0016:001:027.10

Form:
textual records

A response to cosmetic design / Completion through removal / Completion through collapse / Completion in emptyness

Date:
1970-1978

People:

Gordon Matta-Clark (artist)

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Form:
textual records

Title:
Drop your pants / Hand your hat / Tie your shots / Buckle your boots. / Make your face (face up) / Dropping the other shoe / Where

Actions:

Reference number:
PHCON2002:0016:001:027.2

People:

Gordon Matta-Clark (artist)

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Date:
1970-1978

Title:
Drop your pants / Hand your hat / Tie your shots / Buckle your boots. / Make your face (face up) / Dropping the other shoe / Where

Actions:

PHCON2002:0016:001:027.2

Form:
textual records

Drop your pants / Hand your hat / Tie your shots / Buckle your boots. / Make your face (face up) / Dropping the other shoe / Where

Date:
1970-1978

People:

Gordon Matta-Clark (artist)

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Form:
textual records

Title:
Two index pages from any architecture book - .

Actions:

Reference number:
PHCON2002:0016:001:027.3

People:

Gordon Matta-Clark (artist)

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Date:
1970-1978

Title:
Two index pages from any architecture book - .

Actions:

PHCON2002:0016:001:027.3

Form:
textual records

Two index pages from any architecture book - .

Date:
1970-1978

People:

Gordon Matta-Clark (artist)

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Form:
textual records

Title:
Dealing with nothing more complex than the limits of human space

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Reference number:
PHCON2002:0016:001:027.4

People:

Gordon Matta-Clark (artist)

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Date:
1970-1978

Title:
Dealing with nothing more complex than the limits of human space

Actions:

PHCON2002:0016:001:027.4

Form:
textual records

Dealing with nothing more complex than the limits of human space

Date:
1970-1978

People:

Gordon Matta-Clark (artist)

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Form:
textual records

Title:
A bearly endurable discomfort / Anything to loose a few pounds.

Actions:

Reference number:
PHCON2002:0016:001:027.5

People:

Gordon Matta-Clark (artist)

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Date:
1970-1978

Title:
A bearly endurable discomfort / Anything to loose a few pounds.

Actions:

PHCON2002:0016:001:027.5

Form:
textual records

A bearly endurable discomfort / Anything to loose a few pounds.

Date:
1970-1978

People:

Gordon Matta-Clark (artist)

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Form:
textual records

Title:
[The Space] The air [Falls] behind you as you move -

Actions:

Reference number:
PHCON2002:0016:001:027.6

People:

Gordon Matta-Clark (artist)

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Date:
1970-1978

Title:
[The Space] The air [Falls] behind you as you move -

Actions:

PHCON2002:0016:001:027.6

Form:
textual records

[The Space] The air [Falls] behind you as you move -

Date:
1970-1978

People:

Gordon Matta-Clark (artist)

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Form:
textual records

Title:
The New York Dept of healths definition of suitable surfaces impermeable and washable

Actions:

Reference number:
PHCON2002:0016:001:027.7

People:

Gordon Matta-Clark (artist)

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Date:
1970-1978

Title:
The New York Dept of healths definition of suitable surfaces impermeable and washable

Actions:

PHCON2002:0016:001:027.7

Form:
textual records

The New York Dept of healths definition of suitable surfaces impermeable and washable

Date:
1970-1978

People:

Gordon Matta-Clark (artist)

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Form:
textual records

Title:
(Requesting the ideas) / Not as alternatives to architecture - but as a playful metaphoric departure from the rigid structurees of that tradition.

Actions:

Reference number:
PHCON2002:0016:001:027.8

People:

Gordon Matta-Clark (artist)

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Date:
1970-1978

Title:
(Requesting the ideas) / Not as alternatives to architecture - but as a playful metaphoric departure from the rigid structurees of that tradition.

Actions:

PHCON2002:0016:001:027.8

Form:
textual records

(Requesting the ideas) / Not as alternatives to architecture - but as a playful metaphoric departure from the rigid structurees of that tradition.

Date:
1970-1978

People:

Gordon Matta-Clark (artist)

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Form:
textual records

Title:
Architecture as a foreground nature or the city a back drop.

Actions:

Reference number:
PHCON2002:0016:001:027.9

People:

Gordon Matta-Clark (artist)

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Date:
1970-1978

Title:
Architecture as a foreground nature or the city a back drop.

Actions:

PHCON2002:0016:001:027.9

Form:
textual records

Architecture as a foreground nature or the city a back drop.

Date:
1970-1978

People:

Gordon Matta-Clark (artist)

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Form:
textual records

Title:
If the best of architecture is building towards a neutral matrix then the human experience becomes the object

Actions:

Reference number:
PHCON2002:0016:001:028.1

People:

Gordon Matta-Clark (artist)

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Date:
1970-1978

Title:
If the best of architecture is building towards a neutral matrix then the human experience becomes the object

Actions:

PHCON2002:0016:001:028.1

Form:
textual records

If the best of architecture is building towards a neutral matrix then the human experience becomes the object

Date:
1970-1978

People:

Gordon Matta-Clark (artist)

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Form:
textual records

Title:
Traffic traps - A fixed spot surrounded by dangerous motion

Actions:

Reference number:
PHCON2002:0016:001:028.2

People:

Gordon Matta-Clark (artist)

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Date:
1970-1978

Title:
Traffic traps - A fixed spot surrounded by dangerous motion

Actions:

PHCON2002:0016:001:028.2

Form:
textual records

Traffic traps - A fixed spot surrounded by dangerous motion

Date:
1970-1978

People:

Gordon Matta-Clark (artist)

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Form:
textual records

Title:
A primary architectural failing / A systematized consistant approach to a world of total "wonderful" chaos.

Actions:

Reference number:
PHCON2002:0016:001:028.3

People:

Gordon Matta-Clark (artist)

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Date:
1970-1978

Title:
A primary architectural failing / A systematized consistant approach to a world of total "wonderful" chaos.

Actions:

PHCON2002:0016:001:028.3

Form:
textual records

A primary architectural failing / A systematized consistant approach to a world of total "wonderful" chaos.

Date:
1970-1978

People:

Gordon Matta-Clark (artist)

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Form:
textual records

Title:
Steping in as many directions at once

Actions:

Reference number:
PHCON2002:0016:001:028.4

People:

Gordon Matta-Clark (artist)

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Date:
1970-1978

Title:
Steping in as many directions at once

Actions:

PHCON2002:0016:001:028.4

Form:
textual records

Date:
1970-1978

People:

Gordon Matta-Clark (artist)

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Form:
textual records

Title:
The pockets that carry you through the day [verso] Identity papers & keys is a an ultimate context in society especially before the law that gives you a constant fixed position

Actions:

Reference number:
PHCON2002:0016:001:028.5

People:

Gordon Matta-Clark (artist)

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Date:
1970-1978

Title:
The pockets that carry you through the day [verso] Identity papers & keys is a an ultimate context in society especially before the law that gives you a constant fixed position

Actions:

PHCON2002:0016:001:028.5

Form:
textual records

The pockets that carry you through the day [verso] Identity papers & keys is a an ultimate context in society especially before the law that gives you a constant fixed position

Date:
1970-1978

People:

Gordon Matta-Clark (artist)

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Form:
textual records

Title:
Bore Holes

Actions:

Reference number:
PHCON2002:0016:001:028.6

People:

Gordon Matta-Clark (artist)

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Date:
1970-1978

Title:
Bore Holes

Actions:

PHCON2002:0016:001:028.6

Form:
textual records

Date:
1970-1978

People:

Gordon Matta-Clark (artist)

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Form:
textual records

Title:
Proposing a non science-fiction of housing (problematic)

Actions:

Reference number:
PHCON2002:0016:001:028.7

People:

Gordon Matta-Clark (artist)

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Date:
1970-1978

Title:
Proposing a non science-fiction of housing (problematic)

Actions:

PHCON2002:0016:001:028.7

Form:
textual records

Proposing a non science-fiction of housing (problematic)

Date:
1970-1978

People:

Gordon Matta-Clark (artist)

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Form:
textual records

Title:
Life is a bowl of cheeries or carrots....

Actions:

Reference number:
PHCON2002:0016:001:028.8

People:

Gordon Matta-Clark (artist)

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Date:
1970-1978

Title:
Life is a bowl of cheeries or carrots....

Actions:

PHCON2002:0016:001:028.8

Form:
textual records

Life is a bowl of cheeries or carrots....

Date:
1970-1978

People:

Gordon Matta-Clark (artist)

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Form:
textual records

Title:
Cyclotron impact drawings. Translated to incorporate

Actions:

Reference number:
PHCON2002:0016:001:028.9

People:

Gordon Matta-Clark (artist)

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Date:
1970-1978

Title:
Cyclotron impact drawings. Translated to incorporate

Actions:

PHCON2002:0016:001:028.9

Form:
textual records

Cyclotron impact drawings. Translated to incorporate

Date:
1970-1978

People:

Gordon Matta-Clark (artist)

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Form:
textual records

Title:
The area trees occupy is from the bottom up...; verso: The forest leaves its way on down the street

Actions:

Reference number:
PHCON2002:0016:001:029.1

People:

Gordon Matta-Clark (artist)

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Date:
1970-1978

Title:
The area trees occupy is from the bottom up...; verso: The forest leaves its way on down the street

Actions:

PHCON2002:0016:001:029.1

Form:
textual records

The area trees occupy is from the bottom up...; verso: The forest leaves its way on down the street

Date:
1970-1978

People:

Gordon Matta-Clark (artist)

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Form:
textual records

Title:
Ghosts - wind - and grand st. store fronts. / Windagoes the wind will eat you - / The street chases you until [verso] The need to save you life is nothing more than a sound solid wall. / The worst wind noises will eat your brain.

Actions:

Reference number:
PHCON2002:0016:001:029.2

People:

Gordon Matta-Clark (artist)

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Date:
1970-1978

Title:
Ghosts - wind - and grand st. store fronts. / Windagoes the wind will eat you - / The street chases you until [verso] The need to save you life is nothing more than a sound solid wall. / The worst wind noises will eat your brain.

Actions:

PHCON2002:0016:001:029.2

Form:
textual records

Ghosts - wind - and grand st. store fronts. / Windagoes the wind will eat you - / The street chases you until [verso] The need to save you life is nothing more than a sound solid wall. / The worst wind noises will eat your brain.

Date:
1970-1978

People:

Gordon Matta-Clark (artist)

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Form:
textual records

Title:
High voltage and danger zones. ! / A radio active landscape / A room with a wasp in it

Actions:

Reference number:
PHCON2002:0016:001:029.3

People:

Gordon Matta-Clark (artist)

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Date:
1970-1978

Title:
High voltage and danger zones. ! / A radio active landscape / A room with a wasp in it

Actions:

PHCON2002:0016:001:029.3

Form:
textual records

High voltage and danger zones. ! / A radio active landscape / A room with a wasp in it

Date:
1970-1978

People:

Gordon Matta-Clark (artist)

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Form:
textual records

Title:
Originally I had the notion of a special kind of confrontation in mind but as the differences between the pervasiveness of architecture and the delicate personality of our ideas I feel more and more like [verso] a urban gorilla - only using words ...

Actions:

Reference number:
PHCON2002:0016:001:029.4

People:

Gordon Matta-Clark (artist)

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Date:
1970-1978

Title:
Originally I had the notion of a special kind of confrontation in mind but as the differences between the pervasiveness of architecture and the delicate personality of our ideas I feel more and more like [verso] a urban gorilla - only using words ...

Actions:

PHCON2002:0016:001:029.4

Form:
textual records

Originally I had the notion of a special kind of confrontation in mind but as the differences between the pervasiveness of architecture and the delicate personality of our ideas I feel more and more like [verso] a urban gorilla - only using words ...

Date:
1970-1978

People:

Gordon Matta-Clark (artist)

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Form:
textual records

Title:
Methods of occupation (a term for transforming space to suit ones needs) / by superimposition / by envelopement / by consumpsion / by digestion

Actions:

Reference number:
PHCON2002:0016:001:029.5

People:

Gordon Matta-Clark (artist)

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Date:
1970-1978

Title:
Methods of occupation (a term for transforming space to suit ones needs) / by superimposition / by envelopement / by consumpsion / by digestion

Actions:

PHCON2002:0016:001:029.5

Form:
textual records

Methods of occupation (a term for transforming space to suit ones needs) / by superimposition / by envelopement / by consumpsion / by digestion

Date:
1970-1978

People:

Gordon Matta-Clark (artist)

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Form:
textual records

Title:
Dealing with the limits (of man made space) / [Limits]

Actions:

Reference number:
PHCON2002:0016:001:029.6

People:

Gordon Matta-Clark (artist)

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Date:
1970-1978

Title:
Dealing with the limits (of man made space) / [Limits]

Actions:

PHCON2002:0016:001:029.6

Form:
textual records

Dealing with the limits (of man made space) / [Limits]

Date:
1970-1978

People:

Gordon Matta-Clark (artist)

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Form:
textual records

Title:
Mangé management / Buildings are for eating the raw old beams lay served in generous piles better co-habited where they fall than taken out to lunch. [verso] Management mangé / Buildings are for eating the raw old beams lay served in generous pile..

Actions:

Reference number:
PHCON2002:0016:001:030.1

People:

Gordon Matta-Clark (artist)

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Date:
1970-1978

Title:
Mangé management / Buildings are for eating the raw old beams lay served in generous piles better co-habited where they fall than taken out to lunch. [verso] Management mangé / Buildings are for eating the raw old beams lay served in generous pile..

Actions:

PHCON2002:0016:001:030.1

Form:
textual records

Mangé management / Buildings are for eating the raw old beams lay served in generous piles better co-habited where they fall than taken out to lunch. [verso] Management mangé / Buildings are for eating the raw old beams lay served in generous pile..

Date:
1970-1978

People:

Gordon Matta-Clark (artist)

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