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Official catalog of the National Pavilion of Lebanon at the 19th Venice biennale of Architecture, The Land Remembers invites us to explore alternative ways of healing and preserving the natural environment by harnessing local knowledge and the land intelligens. The content of this catalog confronts the deliberate destruction of Lebanon's ecosystems and societies, drawing(...)
Contemporary Architecture
September 2025
The land remembers: A Collective exploration into the possibilities for regeneration
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Official catalog of the National Pavilion of Lebanon at the 19th Venice biennale of Architecture, The Land Remembers invites us to explore alternative ways of healing and preserving the natural environment by harnessing local knowledge and the land intelligens. The content of this catalog confronts the deliberate destruction of Lebanon's ecosystems and societies, drawing on the soil's memory as a testament to resilience and renewal. The format of the memory box is an archive of the land's richness, challenges, and potential, asking: How can we heal the land to build for future generations? The catalog combines expert analysis, personal stories, and diverse perspectives on destruction, regeneration, and coexistence. From ecological restoration to regenerative architecture and preservation of Lebanon's biodiversity, it underscores the urgent need for a symbiotic relationship between people and nature. By counter-mapping environmental destruction, reflecting on modern warfare's impacts, and embracing innovative solutions, this collective work envisions a legacy for future generations—one rooted in resilience, learning, and hope.
Contemporary Architecture
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When Ursula K. Le Guin started writing a new story, she would begin by drawing a map. "The Word for World" presents a selection of these images by the celebrated author, many of which have never been published before, to consider how her imaginary worlds enable us to re-envision our own. Le Guin’s maps offer journeys of consciousness beyond conventional cartography,(...)
The word for world: The maps of Ursula K. Leguin
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When Ursula K. Le Guin started writing a new story, she would begin by drawing a map. "The Word for World" presents a selection of these images by the celebrated author, many of which have never been published before, to consider how her imaginary worlds enable us to re-envision our own. Le Guin’s maps offer journeys of consciousness beyond conventional cartography, from the Rorschach-like archipelagos of Earthsea to the talismanic maps of "Always Coming Home." Rather than remaining within known terrain, they open up paradigms of knowledge, exemplified by the map’s edges and how a map is read, made and re-made, together. "The Word for World" brings her maps together with poems, stories, interviews, recipes and essays by contributors from a variety of perspectives to enquire into the relationship between worlds and how they are represented and imagined.
Architectural Plans and Cartography
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What happens when politics is everywhere, yet nothing seems to change? From the abandoned dance floors of Thatcher’s London to the mass mobilizations of Black Lives Matter, Anton Jäger traces how public life has become infused with protest, spectacle, and moral urgency — while the old infrastructure of parties, unions, and civic solidarity has been hollowed out.(...)
Hyperpolitics: Extreme politicization without political consequences
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What happens when politics is everywhere, yet nothing seems to change? From the abandoned dance floors of Thatcher’s London to the mass mobilizations of Black Lives Matter, Anton Jäger traces how public life has become infused with protest, spectacle, and moral urgency — while the old infrastructure of parties, unions, and civic solidarity has been hollowed out. "Hyperpolitics" revisits the illusions of the "end of history" and dissects the strange energies that replaced them: viral outrage, endless culture wars, and the digital rush of causes that flare and vanish overnight. Jäger shows how the promises of post–Cold War liberalism gave way to a restless, unsteady public sphere where private passions overflow into politics but rarely build enduring power.
Social
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Not for the first time, Jill "Doll" Blaine finds herself hurtling toward earth, reconstituting as she falls, right down to her favorite black pumps. She plummets towards her newest charge, yet another soul she must usher into the afterlife, and lands headfirst in the circular drive of his ornate mansion. She has performed this sacred duty 343 times since her own death.(...)
Vigil
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Not for the first time, Jill "Doll" Blaine finds herself hurtling toward earth, reconstituting as she falls, right down to her favorite black pumps. She plummets towards her newest charge, yet another soul she must usher into the afterlife, and lands headfirst in the circular drive of his ornate mansion. She has performed this sacred duty 343 times since her own death. Her charges, as a rule, have been greatly comforted in their final moments. But this charge, she soon discovers, isn’t like the others. The powerful K. J. Boone will not be consoled, because he has nothing to regret. He lived a big, bold, epic life, and the world is better for it. Isn’t it? "Vigil" transports us, careening, through the wild final evening of a complicated man. Visitors begin to arrive (worldly and otherworldly, alive and dead), clamoring for a reckoning. Birds swarm the dying man’s room; a black calf grazes on the love seat; a man from a distant, drought-ravaged village materializes; two oil-business cronies from decades past show up with chilling plans for Boone’s postdeath future.
Literature and poetry
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"Decoding density" is an international invitation to imagine new possibilities for six-storey plus apartment forms by addressing two of the most existential problems of today: climate change and housing affordability. Submissions will challenge the constraints of code and other regulations to do so.
Decoding density: Challenging constraints to affordable housing
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"Decoding density" is an international invitation to imagine new possibilities for six-storey plus apartment forms by addressing two of the most existential problems of today: climate change and housing affordability. Submissions will challenge the constraints of code and other regulations to do so.
Collective Housing
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In 2018, the Urbanarium held the Missing Middle Competition to invite explorations of ideas to address Metro Vancouver’s housing affordability and social well-being challenges and to increase density incrementally on sites of one or two standard residential lots. Enter the Mixing Middle Competition, which included mixed-use in the program of gentle densification.(...)
The mixing middle competition : Imagining mixed-use neighbourhoods
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In 2018, the Urbanarium held the Missing Middle Competition to invite explorations of ideas to address Metro Vancouver’s housing affordability and social well-being challenges and to increase density incrementally on sites of one or two standard residential lots. Enter the Mixing Middle Competition, which included mixed-use in the program of gentle densification. Conceived in the midst of the COVID-19 pandemic, the changes to the way people lived in their neighbourhoods and worked from their homes made evident the many ways that residential zoning might be adapted to support and enhance these changes and bring shops, services, and jobs within short walkable trips from homes.
Humans and cities
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In 2018 Urbanarium held an international design competition to develop and present exciting options for addressing Metro Vancouver’s unprecedented housing affordability crisis and social health challenges with outstanding design and social innovation. This document contains both the insight and policy recommendations gathered from the various competition entries for(...)
The missing middle competition
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In 2018 Urbanarium held an international design competition to develop and present exciting options for addressing Metro Vancouver’s unprecedented housing affordability crisis and social health challenges with outstanding design and social innovation. This document contains both the insight and policy recommendations gathered from the various competition entries for adding innovative density to existing single-family zones. Included are the winning projects located in one of four sites in Vancouver, Port Coquitlam, Burnaby and Surrey. Results from this competition inform the “Policy Impact Proposal,” suggesting five small shifts in current zoning policy that can contribute to housing affordability and vibrancy in communities, while maintaining existing character.
Humans and cities
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This is the second publication in ''The Walther Collection Books series'' at Steidl, focusing on a dialogue between two of the most important South African photographers of the twentieth century—David Goldblatt (1930–2018) and Santu Mofokeng (1956–2020). There are both profound similarities and differences between the two artists’ work. Goldblatt documented the ways in(...)
Beyond the binary: Santu Mofokeng and David Goldblatt
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This is the second publication in ''The Walther Collection Books series'' at Steidl, focusing on a dialogue between two of the most important South African photographers of the twentieth century—David Goldblatt (1930–2018) and Santu Mofokeng (1956–2020). There are both profound similarities and differences between the two artists’ work. Goldblatt documented the ways in which architecture and spatial planning reflect the ideology of apartheid, and how the land continues to bear its legacy in post-apartheid South Africa. His investigations explore both actual structures and how mental constructs reveal how ideology has shaped our landscape. Mofokeng’s photo essays shed light on everyday life in South Africa, beyond the stereotypical news pictures of Soweto depicting violence or poverty. Deeply personal, they record communities in townships and rural areas, religious rituals and landscapes imbued not only with historical significance but spiritual meaning, memory and trauma. The approach of Tamar Garb in Beyond the Binary is both daring and inquisitive—she “scrambles” and reassembles Mofokeng’s and Goldblatt’s photographs, blurring the boundaries between them and creates juxtapositions and insights that challenge prevailing views of these established images. By delineating 15 viewpoints around the themes of “Earthscapes,” “Edifices,” and “Sociality,” Garb decontextualizes the work and creates a platform for comparing and rethinking the artists’ practices.
Photography monographs
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Puerto Rico–born, New York–based artist Tony Bechara (born 1942) served as board president of El Museo del Barrio for 15 years, while also honing his own geometric abstraction process. Dividing his canvas into hundreds of quarter-inch squares, Bechara meticulously fills each space in with complementary colors. The resulting grid paintings thus evoke a variety of cultural(...)
Tony Bechara: Annotations on color schemes
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Puerto Rico–born, New York–based artist Tony Bechara (born 1942) served as board president of El Museo del Barrio for 15 years, while also honing his own geometric abstraction process. Dividing his canvas into hundreds of quarter-inch squares, Bechara meticulously fills each space in with complementary colors. The resulting grid paintings thus evoke a variety of cultural influences: from Seurat’s pioneering pointillism to hard-edge abstraction, traditional weaving and 8-bit "pixel art" of the last half century. In keeping with Bechara’s richly chromatic oeuvre, this artist’s book is inspired by Bechara’s notes and color formulas that form the basis for his acrylic paintings. It features over 130 illustrations, with foldouts and multiple materials, as well as a glossary of key motifs that introduces Bechara’s personal artistic language to the public for the first time.
Contemporary Art Monographs
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The sequel to the authors’ “Are We Human?”, this provocative book is an urgent manifesto for an alternative architectural philosophy. It treats bacteria as the real architects, construction workers, maintenance crews and inhabitants of buildings. Colomina and Wigley draw on the latest research into microbes to rethink the past and possible futures of the built(...)
We the bacteria: Notes towards biotic architecture
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The sequel to the authors’ “Are We Human?”, this provocative book is an urgent manifesto for an alternative architectural philosophy. It treats bacteria as the real architects, construction workers, maintenance crews and inhabitants of buildings. Colomina and Wigley draw on the latest research into microbes to rethink the past and possible futures of the built environment. The book explores the intimate entanglements of the microbes within bodies and buildings over the last 10,000 years, culminating in the antibiotic philosophy of contemporary architecture. The diseases of our time are diseases of the built environment. The deadly combination of rapidly declining microbial diversity and rising antibiotic-resistant bacteria is as great a threat as climate change. Hostility to bacteria has to give way to new forms of hospitality from a more symbiotic architecture that learns from bacteria, embracing them and reconnecting with soil, plants and other species. Buildings based on fear of bacteria, which is to say fear of life itself, must give way to buildings learning from models of coexistence based on bacteria themselves. The main goal of the book is to rethink the very idea of shelter in terms of forms of inclusion rather than prophylactic forms of exclusion.
Architecture ecologies