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Montréal, comme d’autres grandes villes, a inspiré un nombre étonnant de photographes avides de capturer l'expérience urbaine. Dans certains cas, l'appareil photo a servi de mécanisme d'adaptation pour composer avec les difficultés de la vie en ville. Dans d'autres cas, il fut employé comme un outil de documentation, pour sauver de l'oubli des aspects essentiels de(...)
Battre le pavé : La photo de rue à Montréal
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Montréal, comme d’autres grandes villes, a inspiré un nombre étonnant de photographes avides de capturer l'expérience urbaine. Dans certains cas, l'appareil photo a servi de mécanisme d'adaptation pour composer avec les difficultés de la vie en ville. Dans d'autres cas, il fut employé comme un outil de documentation, pour sauver de l'oubli des aspects essentiels de Montréal. Dans d'autres encore, l'appareil a été un moyen d'expression faisant partie intégrante d'un processus de création personnel. "Battre le pavé" réunit trente corpus d’œuvres qui illustrent les multiples approches adoptées par les photographes pour représenter la métropole. Il ressort de cet assemblage non conventionnel une histoire de la ville, ou du moins une histoire des façons dont les Montréalais et les Montréalaises se sont approprié la rue. Les images révèlent parfois la beauté de la ville, mais plus souvent, elles témoignent de sa complexité, de ses contradictions, de sa diversité et de son humour. Avant tout, elles évoquent ce qui pousse certaines personnes à vouloir quitter Montréal, et d'autres à vouloir y rester à jamais.
Photography Collections
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Since the 1980s, critical regionalism has been globally celebrated for imbuing modern architecture with local sensibilities. After rising to international stardom, however, several critical regionalists soon began to erect distinctive albeit “placeless” buildings around the world. Aris Konstantinidis (1913–1993), a Greek architect less well known outside of his home(...)
Critical Regionalism Abroad: Aris Konstantinidis without Greece
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Since the 1980s, critical regionalism has been globally celebrated for imbuing modern architecture with local sensibilities. After rising to international stardom, however, several critical regionalists soon began to erect distinctive albeit “placeless” buildings around the world. Aris Konstantinidis (1913–1993), a Greek architect less well known outside of his home country, instead propagated his vision of regional modernism to global audiences on his own terms through his publishing and teaching beyond national borders. This operative history of his life and work outside Greece unveils the potential for alternative practices of critical regionalism abroad.
Architecture Monographs
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Architecte et dessinateur, voyageur infatigable, savant précis et scrupuleux, Carl Haller von Hallerstein (1774-1817) occupe une place centrale parmi les précurseurs de l’archéologie classique, bien que sa disparition prématurée l’ait privé d’une plus large renommé, notamment en France. S’appuyant sur l’exploration du fonds d’archives conservé à la bibliothèque nationale(...)
Dessiner la Grèce : L'oeil et la main de Carl Haller von Hallerstein
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Architecte et dessinateur, voyageur infatigable, savant précis et scrupuleux, Carl Haller von Hallerstein (1774-1817) occupe une place centrale parmi les précurseurs de l’archéologie classique, bien que sa disparition prématurée l’ait privé d’une plus large renommé, notamment en France. S’appuyant sur l’exploration du fonds d’archives conservé à la bibliothèque nationale et universitaire de Strasbourg, cet ouvrage croise les perspectives d’historiens de l’art, d’historiens du livre et d’archéologues et permet ainsi de mieux appréhender le regard porté par Haller von Hallerstein, non seulement sur les vestiges archéologiques de la Grèce ancienne, mais également sur les paysages et les populations qrecques, albanaises et turques qui, au début du XIXe siècle, peuplent la Grèce à la veille de son indépendance.
Architectural Drawing
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Capital’s voracious appetite forces architecture into a regime of "never enough." The current realities of building involve extraction and exploitation, which, in turn, cause climate breakdown, environmental ruin, alienated labor conditions, and the destruction of local construction knowledge. But what if we could do architecture differently? What does non-extractivist(...)
Architecture Monographs
September 2025
Abundance not capital: The lively architecture of Anapuma Kundoo
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Capital’s voracious appetite forces architecture into a regime of "never enough." The current realities of building involve extraction and exploitation, which, in turn, cause climate breakdown, environmental ruin, alienated labor conditions, and the destruction of local construction knowledge. But what if we could do architecture differently? What does non-extractivist architecture look like? In this book, Angelika Fitz and Elke Krasny introduce the concept of abundance to call for a paradigm shift in architecture. Using as its example the exceptional work of architect Anupama Kundoo, this book shows that non-extractivist and non-exploitative architecture is undeniably possible. Kundoo, born in Pune, India, weaves together innovative technological experimentation and traditional crafts. With careful consideration of local resources, building skills, climate, and environment, she makes buildings that embody spatial beauty and graceful materiality.
Architecture Monographs
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In 1973, Derek Jarman set off from London to film the stones of Avebury. He was following in the footsteps of Paul Nash, who had photographed the ancient megaliths a generation before. Standing in that muddy field, by those stones, both artists had felt a direct connection to their hero – a man who had died a long, long time ago, yet who remained electrically alive to(...)
William Blake and the sea-monsters of love
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In 1973, Derek Jarman set off from London to film the stones of Avebury. He was following in the footsteps of Paul Nash, who had photographed the ancient megaliths a generation before. Standing in that muddy field, by those stones, both artists had felt a direct connection to their hero – a man who had died a long, long time ago, yet who remained electrically alive to them. In this alluring and poetic odyssey, Philip Hoare traces the enduring legacy of William Blake and how he came to inspire so many creative lives. Reaching out of his past and into our future, Blake draws together the natural world and metaphysical realms, merging the human and the animal and the spiritual, firing up twentieth-century artists, filmmakers, poets, writers and musicians with his radical promise of absolute freedom. This stirring, deeply felt book brings us back to Blake and shows that art still has the power to create positive change.
Art Theory
Digital Frontier 004
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You can’t escape history – and why would you want to? Issue 004 of Digital Frontier is built around echoes through time, the moments from the past still infiltrating the present, from cyberfeminist interpretations of ancient power dynamics to the cycle of tech criticism seen by every generation (fyi: it’s time to break it).
Digital Frontier 004
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You can’t escape history – and why would you want to? Issue 004 of Digital Frontier is built around echoes through time, the moments from the past still infiltrating the present, from cyberfeminist interpretations of ancient power dynamics to the cycle of tech criticism seen by every generation (fyi: it’s time to break it).
Magazines
Manera magazine n. 11, 2025
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Manera is a spanish language magazine on interiors, design, architecture and art.
Manera magazine n. 11, 2025
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Manera is a spanish language magazine on interiors, design, architecture and art.
Magazines
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Interior PULP is the trilingual (ENG, FR, NL) European magazine for every professional in the interior industry, packed with trends and journalistic insights about the sector. Interior PULP is about people, designers, and studios; about objects, furniture, and materials; about inspiring companies and brands; about places that inspire. A must-have for every interior(...)
Interior pulp, issue 3 : The big outdoors
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Interior PULP is the trilingual (ENG, FR, NL) European magazine for every professional in the interior industry, packed with trends and journalistic insights about the sector. Interior PULP is about people, designers, and studios; about objects, furniture, and materials; about inspiring companies and brands; about places that inspire. A must-have for every interior professional who wants to stay up-to-date with what’s happening in their world.
Magazines
Anima issue 3, spring 2025
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This is the third issue of Anima, and it has a new format and look, thanks to Cabinet Milano. They have worked hard to create a magazine that offers substance as well as a striking graphic identity. In this edition, Dalia Al-Dujaili writes about the essential role that design and architecture play in the struggle of the Palestinian people to protect their identity from(...)
Anima issue 3, spring 2025
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This is the third issue of Anima, and it has a new format and look, thanks to Cabinet Milano. They have worked hard to create a magazine that offers substance as well as a striking graphic identity. In this edition, Dalia Al-Dujaili writes about the essential role that design and architecture play in the struggle of the Palestinian people to protect their identity from erasure. She speaks to designer and architect Lara Salous, artist Jordan Nassar, and brothers Yousef and Elias Anastas, who are partners at AAU ANASTAS, and co-founders of Local Industries, Radio alHara and The Wonder Cabinet.
Magazines
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For centuries, monuments have telegraphed the values and origin myths of dominant culture in public space and on massive scale. They have signaled both who is part of a culture and who is not, often overlooking histories that complicate the stories they tell. Yet in the last 50 years in the United States, the role of monuments has changed significantly. Numerous(...)
Monumental: How a new generation of artists is shaping the memorial landscape
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For centuries, monuments have telegraphed the values and origin myths of dominant culture in public space and on massive scale. They have signaled both who is part of a culture and who is not, often overlooking histories that complicate the stories they tell. Yet in the last 50 years in the United States, the role of monuments has changed significantly. Numerous historical monuments have been removed or toppled, bringing to the fore a long-repressed conversation about the relationship between the monumental landscape and national identity. In Monumental, Cat Dawson takes up the social, political, and art historical causes and ramifications of this important shift. Examining the conditions that have led to and define this new era, Dawson reveals that these interventions are as indebted to the monumental tradition as they are to representational strategies that grew out of twentieth-century social justice efforts, from the Civil Rights movement to queer organizing during the AIDS crisis.
Art Theory