Dan Graham
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Since the 1960s, Dan Graham's heterogeneous practice has touched on such disparate subjects as tract housing, the Shakers, punk music, and architectural theory; he has made videos, architectural models, closed-circuit installations, and glass pavilions. Graham as situated his work on the borders between these different strains of contemporary practice. Although varying(...)
Dan Graham
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$23.95
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Summary:
Since the 1960s, Dan Graham's heterogeneous practice has touched on such disparate subjects as tract housing, the Shakers, punk music, and architectural theory; he has made videos, architectural models, closed-circuit installations, and glass pavilions. Graham as situated his work on the borders between these different strains of contemporary practice. Although varying widely in subject and medium, Graham's artwork and writings display a consistent interest in spectatorship, public-private relationships, and the constructed environment. Graham's extensive writings on his own work have made him, by default, the primary interpreter of his own art. This October Files volume provides a counterweight, gathering key texts by critics and theorists that offer alternative accounts of Graham's art. The essays span thirty years and include hard-to-find texts from exhibition catalogs and journals. The authors include such distinguished theorists, critics, and artists as Benjamin H. D. Buchloh, Beatriz Colomina, Thierry de Duve, and Jeff Wall.
Contemporary Art Monographs
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"The Expendable Reader" collects the key writings of John McHale (1922-1978): artist, theorist, graphic designer, sociologist, cofounder of the Independent Group and (according to Lawrence Alloway) "the father of Pop." It compiles over a dozen key texts from a range of rare magazines, bringing unavailable material back into the hands of a broader audience. In addition to(...)
John McHale: The expendable reader
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"The Expendable Reader" collects the key writings of John McHale (1922-1978): artist, theorist, graphic designer, sociologist, cofounder of the Independent Group and (according to Lawrence Alloway) "the father of Pop." It compiles over a dozen key texts from a range of rare magazines, bringing unavailable material back into the hands of a broader audience. In addition to these writings, "The Expendable Reader" reproduces samples of the dynamic page layouts deployed in McHale's texts. All of McHale's writings wrestle with questions of expendability and the future, and the way these phenomena affect traditional conceptions of culture. While many of the terms he dwells on, such as "expendability," "lifestyle" and "network," have become central terms of contemporary cultural criticism, McHale's voice is strangely missing from the debate.
Art Theory