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The post-war years were a very intense period of experiments, visions and imagination. The end of such a tragic period for the world enabled intellectuals and architects in particular, but also film-makers to rethink the future and imagine new situations with an optimistic use of technologies. For some of them, such as Buckminster Fuller, technology was the resource that(...)
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The post-war years were a very intense period of experiments, visions and imagination. The end of such a tragic period for the world enabled intellectuals and architects in particular, but also film-makers to rethink the future and imagine new situations with an optimistic use of technologies. For some of them, such as Buckminster Fuller, technology was the resource that(...)
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Archphoto 2.0, 06: Visionary Thinkers
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The post-war years were a very intense period of experiments, visions and imagination. The end of such a tragic period for the world enabled intellectuals and architects in particular, but also film-makers to rethink the future and imagine new situations with an optimistic use of technologies. For some of them, such as Buckminster Fuller, technology was the resource that was to save the world, as in the case of covering Manhattan with a glass dome, almost to preserve it like an ancient ruin. Thus, this new issue of archphoto2.0 is dedicated to the "Visionary Thinkers", to those who turned their minds to imagine new scenarios.
Archphoto 2.0, 06: Visionary Thinkers
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The post-war years were a very intense period of experiments, visions and imagination. The end of such a tragic period for the world enabled intellectuals and architects in particular, but also film-makers to rethink the future and imagine new situations with an optimistic use of technologies. For some of them, such as Buckminster Fuller, technology was the resource that was to save the world, as in the case of covering Manhattan with a glass dome, almost to preserve it like an ancient ruin. Thus, this new issue of archphoto2.0 is dedicated to the "Visionary Thinkers", to those who turned their minds to imagine new scenarios.
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journals and magazines
journals and magazines
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October 2017
October 2017
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journals and magazines
journals and magazines
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This issue of archphoto2.0 is about the italian-brazilian architect Lina Bo Bardi was born 100 years ago in Rome in 1914.
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This issue of archphoto2.0 is about the italian-brazilian architect Lina Bo Bardi was born 100 years ago in Rome in 1914.
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Archphoto 2.0 04: Lina Bo Bardi
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This issue of archphoto2.0 is about the italian-brazilian architect Lina Bo Bardi was born 100 years ago in Rome in 1914.
Archphoto 2.0 04: Lina Bo Bardi
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This issue of archphoto2.0 is about the italian-brazilian architect Lina Bo Bardi was born 100 years ago in Rome in 1914.
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journals and magazines
journals and magazines
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October 2014
October 2014
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Magazines
Magazines
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journals and magazines
journals and magazines
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"Holiday Houses" is the new critical survey that projects archphoto2.0’s fourth issue as the most architectural one, without the interdisciplinary crossbreeding and political connotation that were ingredients of the previous issues. But thinking about this issue also means reflecting on the concept of holiday’s evolution now that one doesn’t need to own a holiday house(...)
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"Holiday Houses" is the new critical survey that projects archphoto2.0’s fourth issue as the most architectural one, without the interdisciplinary crossbreeding and political connotation that were ingredients of the previous issues. But thinking about this issue also means reflecting on the concept of holiday’s evolution now that one doesn’t need to own a holiday house(...)
Title:
Archphoto 2.0 03: Holiday Houses
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"Holiday Houses" is the new critical survey that projects archphoto2.0’s fourth issue as the most architectural one, without the interdisciplinary crossbreeding and political connotation that were ingredients of the previous issues. But thinking about this issue also means reflecting on the concept of holiday’s evolution now that one doesn’t need to own a holiday house and can very well use a rental house for this purpose. And not even any house at that, but the result of a project of education to modernity like the one developed by philosopher Alain de Botton who asked celebrated and less known architects to address the issue of home-living in different locations in Great Britain. An interesting project in its attempt to establish a “modern” collective conscience although conflicting in its fluctuating between vernacular cottages and more contemporary designs.
Archphoto 2.0 03: Holiday Houses
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"Holiday Houses" is the new critical survey that projects archphoto2.0’s fourth issue as the most architectural one, without the interdisciplinary crossbreeding and political connotation that were ingredients of the previous issues. But thinking about this issue also means reflecting on the concept of holiday’s evolution now that one doesn’t need to own a holiday house and can very well use a rental house for this purpose. And not even any house at that, but the result of a project of education to modernity like the one developed by philosopher Alain de Botton who asked celebrated and less known architects to address the issue of home-living in different locations in Great Britain. An interesting project in its attempt to establish a “modern” collective conscience although conflicting in its fluctuating between vernacular cottages and more contemporary designs.
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journals and magazines
journals and magazines
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October 2013
October 2013
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Magazines
Magazines
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journals and magazines
journals and magazines
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The city is where Italian radical architecture represented and experimented its theories. While the early projects remained theoretical proposals, some contributions by Archizoom, Superstudio, or Strum established an ambiguous relationship with design that became crucial after the international exhibition "Italy: the new domestic landscape", curated by Emilio Ambasz at(...)
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The city is where Italian radical architecture represented and experimented its theories. While the early projects remained theoretical proposals, some contributions by Archizoom, Superstudio, or Strum established an ambiguous relationship with design that became crucial after the international exhibition "Italy: the new domestic landscape", curated by Emilio Ambasz at(...)
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Archphoto 2.0 01: Radical City
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The city is where Italian radical architecture represented and experimented its theories. While the early projects remained theoretical proposals, some contributions by Archizoom, Superstudio, or Strum established an ambiguous relationship with design that became crucial after the international exhibition "Italy: the new domestic landscape", curated by Emilio Ambasz at the Museum of Modern Art New York in 1972. With the exception of Zziggurat, all participants, such as UFO, Gianni Pettena, Ugo La Pietra and 9999, chose the "piazza" - the public space - for their theoretical and practical experimentation as the adequate venue for installations and performances that used the same language as that of artists.
Archphoto 2.0 01: Radical City
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The city is where Italian radical architecture represented and experimented its theories. While the early projects remained theoretical proposals, some contributions by Archizoom, Superstudio, or Strum established an ambiguous relationship with design that became crucial after the international exhibition "Italy: the new domestic landscape", curated by Emilio Ambasz at the Museum of Modern Art New York in 1972. With the exception of Zziggurat, all participants, such as UFO, Gianni Pettena, Ugo La Pietra and 9999, chose the "piazza" - the public space - for their theoretical and practical experimentation as the adequate venue for installations and performances that used the same language as that of artists.
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journals and magazines
journals and magazines
Publication:
October 2012
October 2012
Subject:
Current Exhibitions
Current Exhibitions
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journals and magazines
journals and magazines
Title:
Archphoto 2.0 00: 1861-2011
Archphoto 2.0 00: 1861-2011
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archphoto 2.0 is a print magazine spawned by the now well-established Archphoto.it, a digital webzine started in 2002 as a critical review of architecture and design issues in connection with visual arts- and social sciences-related disciplines. This new venture aims at consolidating the critical thought expressed on the web by Archphoto, that will go on and will be(...)
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archphoto 2.0 is a print magazine spawned by the now well-established Archphoto.it, a digital webzine started in 2002 as a critical review of architecture and design issues in connection with visual arts- and social sciences-related disciplines. This new venture aims at consolidating the critical thought expressed on the web by Archphoto, that will go on and will be(...)
Title:
Archphoto 2.0 00: 1861-2011
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archphoto 2.0 is a print magazine spawned by the now well-established Archphoto.it, a digital webzine started in 2002 as a critical review of architecture and design issues in connection with visual arts- and social sciences-related disciplines. This new venture aims at consolidating the critical thought expressed on the web by Archphoto, that will go on and will be complemented by the print magazine’s new contributions. A debate on the theoretical discussion of the issues related to architecture and society seen from the multiple points of view of the disciplines that complement architecture: contemporary art, anthropology, sociology, photography, cinema, literature, music, design.
Archphoto 2.0 00: 1861-2011
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archphoto 2.0 is a print magazine spawned by the now well-established Archphoto.it, a digital webzine started in 2002 as a critical review of architecture and design issues in connection with visual arts- and social sciences-related disciplines. This new venture aims at consolidating the critical thought expressed on the web by Archphoto, that will go on and will be complemented by the print magazine’s new contributions. A debate on the theoretical discussion of the issues related to architecture and society seen from the multiple points of view of the disciplines that complement architecture: contemporary art, anthropology, sociology, photography, cinema, literature, music, design.
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journals and magazines
journals and magazines
Publication:
October 2012
October 2012
Subject:
Magazines
Magazines
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journals and magazines
journals and magazines
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When Frederick Jackson Turner published his thesis on American history in 1893, he saw in the frontier – a sparsely inhabited territory in direct contact with the wilderness – the essence of a new Weltanschauung.
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When Frederick Jackson Turner published his thesis on American history in 1893, he saw in the frontier – a sparsely inhabited territory in direct contact with the wilderness – the essence of a new Weltanschauung.
Title:
Archphoto 2.0 05: American Frontier
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When Frederick Jackson Turner published his thesis on American history in 1893, he saw in the frontier – a sparsely inhabited territory in direct contact with the wilderness – the essence of a new Weltanschauung.
Archphoto 2.0 05: American Frontier
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When Frederick Jackson Turner published his thesis on American history in 1893, he saw in the frontier – a sparsely inhabited territory in direct contact with the wilderness – the essence of a new Weltanschauung.
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journals and magazines
journals and magazines
Publication:
October 2015
October 2015
Subject:
Magazines
Magazines
