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Dans un monde saturé d’images, certaines font singulièrement défaut. Cette édition de MOMENTA ouvre des perspectives d’expérimentation et de spéculation autour de la nature, des usages et de la production de cesimages manquantes. Éloges de l’image manquante interroge aussi bien lesenjeux contemporains de l’image que les conséquences actuelles desdynamiques complexes de(...)
Éloges de l'image manquante (Momenta Biennale)
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Dans un monde saturé d’images, certaines font singulièrement défaut. Cette édition de MOMENTA ouvre des perspectives d’expérimentation et de spéculation autour de la nature, des usages et de la production de cesimages manquantes. Éloges de l’image manquante interroge aussi bien lesenjeux contemporains de l’image que les conséquences actuelles desdynamiques complexes de construction des récits. Quelles histoires sontracontées, comment le sont-elles et par qui ? Cette publication réunit un texte de la commissaire invitée, lesprésentations des 22 expositions de la Biennale et une série exclusive departitions graphiques de l’artiste Lou Sheppard.
Habitante no. 7
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Retropéleriner : l'écrivaine française Laure Limongi nous entraîne dans les pas du saint médecin italien Giuseppe Moscati (1880-1927) à travers Naples. Scroller l'antespace : l'architecte Clara Baudy nous parle de la façon dont l'architecture domestique se réinvente dans un quasi-mouvement esthétique au filtre de l'algorithme d'Instagram. Intranquille à Clichy :(...)
Habitante no. 7
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Retropéleriner : l'écrivaine française Laure Limongi nous entraîne dans les pas du saint médecin italien Giuseppe Moscati (1880-1927) à travers Naples. Scroller l'antespace : l'architecte Clara Baudy nous parle de la façon dont l'architecture domestique se réinvente dans un quasi-mouvement esthétique au filtre de l'algorithme d'Instagram. Intranquille à Clichy : Soline Nivet enquête sur la vie des hôtels de Clichy, du confinement aux Jeux Olympiques. Dans l'hémicycle (Livecam) : le chercheur Dennis Pohl analyse l'entrée progressive du public au sein du parlement européen à travers la TV puis l'internet.
Magazines
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Un ouvrage complet sur ce lieu extraordinaire, labellisé « Patrimoine du XXe siècle », qui accueille 150 000 visiteurs par an pour découvrir une collection permanente forte de plus de 13 000 oeuvres et 40 000 ouvrages… La proposition tout en discrétion de Silvio d'Ascia reconvertit 80 m2, glisse une grande salle de 390 m2 en sous-sol sous la cour Giacometti, une autre,(...)
Fondation Marguerite et Aimé Maeght
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Un ouvrage complet sur ce lieu extraordinaire, labellisé « Patrimoine du XXe siècle », qui accueille 150 000 visiteurs par an pour découvrir une collection permanente forte de plus de 13 000 oeuvres et 40 000 ouvrages… La proposition tout en discrétion de Silvio d'Ascia reconvertit 80 m2, glisse une grande salle de 390 m2 en sous-sol sous la cour Giacometti, une autre, plus petite, de 66 m2 sous la cour Miró et tire parti d'une galerie de 44 m2 formant passage entre les deux salles. Le tout en incluant un ascenseur pour l'accessibilité PMR et en purgeant les ajouts parasites disgracieux accumulés au fil des ans. Les nouveaux espaces viennent s'inscrire dans le dénivelé du site pour s'ouvrir par des baies monumentales vers les lointains et la pinède. L'attention scrupuleuse portée au « génie du lieu » a orienté le choix des matériaux : terre cuite, travertin, béton de site, verre et acier.
Modernism
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« Je préfère faire de l'architecture, très souvent de l'architecture temporaire, avec les outils de l'art. Mais comment agir sur l'environnement sans exercer une certaine violence ? », se demande Gianni Pettena dans une conversation avec son ami de longue date et architecte James Wines publié en 2010. Soit une question qui contient tout l'enjeu du catalogue de(...)
Gianni Pettena : Anarchitecture
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« Je préfère faire de l'architecture, très souvent de l'architecture temporaire, avec les outils de l'art. Mais comment agir sur l'environnement sans exercer une certaine violence ? », se demande Gianni Pettena dans une conversation avec son ami de longue date et architecte James Wines publié en 2010. Soit une question qui contient tout l'enjeu du catalogue de l'exposition "Anarchitecture" consacré au travail de Gianni Pettena (né à Bolzano en 1940) à la croisée de l'art et l'architecture. L'ouvrage prend le parti pris des lieux arpentés par Gianni Pettena, en mettant l'accent sur l'influence et la prise en considération dans sa pratique des spécificités de deux géographies.
Architecture Monographs
Prosodic notes
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The exhibition Prosodic Grains at ''BY ART MATTERS'' (??????) draws inspiration from Chinese literature's pursuit of natural law and balanced beauty in phonology. It features works from over a dozen artists across different countries and regions, exploring the origins, elasticity, and limitations of human communication. For individuals, language and music carry fleeting(...)
Prosodic notes
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The exhibition Prosodic Grains at ''BY ART MATTERS'' (??????) draws inspiration from Chinese literature's pursuit of natural law and balanced beauty in phonology. It features works from over a dozen artists across different countries and regions, exploring the origins, elasticity, and limitations of human communication. For individuals, language and music carry fleeting emotions and thoughts; for human communities, they embody living histories and shared memories that reside in our collective consciousness. Embracing this holistic vision, the exhibition weaves individual breaths into the tapestry of global currents, embarking on a journey that awakens synesthetic sensations and delves into the realms of listening, perception, and resonance. In this information age, where attention fragments amidst discord and conflict, perhaps by experiencing and conveying the ineffable rhythmic beauty that transcends time and space, we can guide people back to their primal yearning for connection and mutual understanding. The publication ''Prosodic Notes'' emerges from the exhibition but isn't strictly bound by its concepts—it can be viewed as an alternative aspect of the exhibition. As we shaped this publication, we maintained an open dialogue with artists around the question: "How can works that pulse with sound and language find new life within the bounds of pages?" Some content consists of the original creations by artists. Another thread weaves in the artists' journeys toward their final works, including sketches, notes, archives, and interviews. These elements serve as passageways connecting living memories and experiences of the exhibition.
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Marble and natural stone have poetically captured the evolution of Earth since the dawn of existence. For thousands of years, civilisations have borrowed these magical measures of time to narrate their own history, through sculpture, monoliths, sanctuaries, and more. ''Rocked'' captures how contemporary designers are revolutionising the use of marble and natural stone(...)
Rocked: Architects, designers & artists
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Marble and natural stone have poetically captured the evolution of Earth since the dawn of existence. For thousands of years, civilisations have borrowed these magical measures of time to narrate their own history, through sculpture, monoliths, sanctuaries, and more. ''Rocked'' captures how contemporary designers are revolutionising the use of marble and natural stone through innovative technology, history, and craftsmanship. By looking back, these designers have leaped ahead, and this book is a testament to their work.
Interior Design
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In Toronto, a paradox persists: amidst a widely acknowledged housing crisis, construction has ground to a halt. As of mid-2025, home starts have plummeted, and predictably, families are departing the province for more affordable regions. Building, by its nature, isn’t something that can change course quickly or easily. This needn’t mean that all creativity is stifled.(...)
Impossible Toronto: On the courtyard learning from European blocks
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In Toronto, a paradox persists: amidst a widely acknowledged housing crisis, construction has ground to a halt. As of mid-2025, home starts have plummeted, and predictably, families are departing the province for more affordable regions. Building, by its nature, isn’t something that can change course quickly or easily. This needn’t mean that all creativity is stifled. Architects can still draw and urbanists can still write. Imagination persists. ''On the Courtyard'' has been created in this spirit. The culmination of a year-long architectural study collaboratively conducted by Studio VAARO and Gabriel Fain Architects, it marks the first of a series of research projects exploring building designs that could be suitable for, but are currently unbuildable in, Toronto. Funded by The Neptis Foundation, ''On the Courtyard'' examines European courtyard blocks and identifies opportunities for and challenges to their integration into Toronto’s urban landscape.
Architecture in Canada
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The latest issue of Niche MTL focuses on the underground. "The underground is anti-mid. It is concerned only with life at its most nascent and very latest stages. Shoots emerge to break new ground. They inevitably wither and die and fall back into the soil and the cycle begins again. We wade through these gardens of nano-shit with delight. Underground is a mode to(...)
Niche MTL, the underground issue: Yearbook 2025
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The latest issue of Niche MTL focuses on the underground. "The underground is anti-mid. It is concerned only with life at its most nascent and very latest stages. Shoots emerge to break new ground. They inevitably wither and die and fall back into the soil and the cycle begins again. We wade through these gardens of nano-shit with delight. Underground is a mode to embrace the fertile, the fundamental, the infinite." The issue includes a CD featuring music from 17 local artists.
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As Italian architect, engineer and curator Carlo Ratti puts it, "Architecture has always been a response to a hostile climate … our creations have always striven to bridge the gap between a harsh environment and the safe, livable spaces we require. Today, that dynamic approach is being taken to a new level—as climate becomes less forgiving. We have witnessed firsthand how(...)
Biennale Architettura 2025: Intelligens. Natural. Artificial. Collective.
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As Italian architect, engineer and curator Carlo Ratti puts it, "Architecture has always been a response to a hostile climate … our creations have always striven to bridge the gap between a harsh environment and the safe, livable spaces we require. Today, that dynamic approach is being taken to a new level—as climate becomes less forgiving. We have witnessed firsthand how water and fire are attacking us with unprecedented ferocity." This two-volume publication accompanies the 19th International Architecture Exhibition in Venice, titled "Intelligens. Natural. Artificial. Collective." Contributions from more than 750 participants—including architects and engineers, mathematicians and climate scientists, philosophers and artists, chefs and coders, writers and woodcarvers, farmers and fashion designers, and many more—explore how effective methods of adaptation to our changing environment demand inclusivity and collaboration.
Biennial
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"Building trans communities" is an invitation to approach trans identities and political struggles around the world through two angles: their collective dimension and their forever escape from clear-cut definitions, in particular those emerging from the West. Contributions includes reflections about/from Colombia (La Liga de Salud Trans), colonized Casablanca and Cairo(...)
The Funambulist n.62 EN : Building trans communities
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"Building trans communities" is an invitation to approach trans identities and political struggles around the world through two angles: their collective dimension and their forever escape from clear-cut definitions, in particular those emerging from the West. Contributions includes reflections about/from Colombia (La Liga de Salud Trans), colonized Casablanca and Cairo (Beshouy Botros), Britain (Mijke van der Drift and Nat Raha), India (Shripad Sinnakaar), newly independent Malaysia (Hoo Fan Chon and William Tham), Mexico (Mikaelah Drullard), and the US (Dean Spade and Ohan Breiding).
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