Safar 8: Tongues
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Made up of eight different muscles, Tongues are the focus of Safar’s forthcoming eighth issue. From speaking in tongues to translating them to tasting with them, the tongue is central to human connection, be it through language and communication, food and sustenance, or sex and intimacy. This eighth issue of Safar seeks to explore the tongue-in-cheek moments that get lost(...)
Safar 8: Tongues
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Made up of eight different muscles, Tongues are the focus of Safar’s forthcoming eighth issue. From speaking in tongues to translating them to tasting with them, the tongue is central to human connection, be it through language and communication, food and sustenance, or sex and intimacy. This eighth issue of Safar seeks to explore the tongue-in-cheek moments that get lost (and sometimes found) through translation; to map tastes and taste buds on the tip of the tongue; to chew over when and where to hold one’s tongue, and when not to; to consider slips of the tongue and tongue twisters; to visualize and engage with a lost mother tongue; and more.
Magazines
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Cette publication collective examine les points de rencontre multiformes qui existent dans l'histoire de l'art du XXe siècle entre les artistes et l'archéologie mais aussi entre les archéologues et l'art contemporain. Elle rassemble des textes scientifiques mais aussi des entretiens menés auprès d'artistes et de chercheurs des deux disciplines.
Vestiges des temps : Dialogue entre l'art contemporain et l'archéologie
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Cette publication collective examine les points de rencontre multiformes qui existent dans l'histoire de l'art du XXe siècle entre les artistes et l'archéologie mais aussi entre les archéologues et l'art contemporain. Elle rassemble des textes scientifiques mais aussi des entretiens menés auprès d'artistes et de chercheurs des deux disciplines.
Art Theory
Festina Lente n. 01
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Le premier numéro de la revue semestrielle qui prolonge et élargit les questionnements soulevés par le programme thématique du centre d'art « La Criée » à Rennes, imaginant avec des artistes, des penseuses et des penseurs, des formes d'adaptations, d'alternatives et de résistances aux diverses crises, écologiques, postcoloniales, politiques et sociales, qui rythment et(...)
Festina Lente n. 01
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Le premier numéro de la revue semestrielle qui prolonge et élargit les questionnements soulevés par le programme thématique du centre d'art « La Criée » à Rennes, imaginant avec des artistes, des penseuses et des penseurs, des formes d'adaptations, d'alternatives et de résistances aux diverses crises, écologiques, postcoloniales, politiques et sociales, qui rythment et affectent notre présent.
Magazines
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''LIGURIA: Recipes & Wanderings Along the Italian Riviera'' is the first in a new series, developed in partnership with Belmond, offering an exclusive window into culinary communities across the globe. Featuring vivid photography by Laura Jane Coulson alongside essays by Andy Baraghani, Corrado Corti, Gilda Bruno, and Luca Cesari, the book explores key ingredients,(...)
LIGURIA: Recipes & Wanderings Along the Italian Riviera
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''LIGURIA: Recipes & Wanderings Along the Italian Riviera'' is the first in a new series, developed in partnership with Belmond, offering an exclusive window into culinary communities across the globe. Featuring vivid photography by Laura Jane Coulson alongside essays by Andy Baraghani, Corrado Corti, Gilda Bruno, and Luca Cesari, the book explores key ingredients, people, and histories which make this rugged coastline so irresistible. From the world of Apartamento, an introduction by Ruth Rogers shares impressions gathered over decades of walking Liguria’s seaside paths, and two guest recipes from Fanny Singer and Max Rocha show how admires from afar might incorporate Ligurian cuisine into their kitchens. ''LIGURIA'' presents 24 classic dishes inspired by the kitchens of Belmond’s hotels in Portofino: Splendido, set in the hills overlooking the bay, and Splendido Mare, down in the piazzetta.
Food
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Le 11 novembre 2022, nous, cinq chercheurs, artistes, architecte, philosophe, professeurs à l’Université Laval, nous sommes rencontrés pour discuter des formes de langages servant à exprimer au mieux les concepts et les propositions que nous développons dans le champ de nos « micro-disciplines ». Comment chacune des personnes présentes à cette journée entrevoyait-elle les(...)
COLLECTIF
Marie-Christine Mathieu
Suzanne Leblanc
Alexandre St-Onge
Geneviève Chevalier
Michael Doyle
Art Theory
August 2024
Nous sommes tous des astronautes : scénarios et prototypes pour des temps extrêmes
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Le 11 novembre 2022, nous, cinq chercheurs, artistes, architecte, philosophe, professeurs à l’Université Laval, nous sommes rencontrés pour discuter des formes de langages servant à exprimer au mieux les concepts et les propositions que nous développons dans le champ de nos « micro-disciplines ». Comment chacune des personnes présentes à cette journée entrevoyait-elle les particularités et la complexité des idées dans l’élaboration d’un lexique spécifique propre à sa pratique et quelle forme adoptait-elle pour exprimer et théoriser sa recherche dans le contexte universitaire? Complément 1 présente les cinq textes produits à la suite de cette rencontre. Chaque forme d’écriture est singulière, elle est propre à chacune des pratiques.
Art Theory
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The Distant Early Warning Line, also known as the DEW Line, was a system of radar stations in the northern Arctic region of Canada, with additional stations along the north coast and Aleutian Islands of Alaska and the Faroe Islands, Greenland, and Iceland. It intended to detect incoming bombers of the Soviet Union during the Cold War and provide early warning of any sea(...)
Early warning systems: Art, the DEW line, and an arctic on the front lines
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The Distant Early Warning Line, also known as the DEW Line, was a system of radar stations in the northern Arctic region of Canada, with additional stations along the north coast and Aleutian Islands of Alaska and the Faroe Islands, Greenland, and Iceland. It intended to detect incoming bombers of the Soviet Union during the Cold War and provide early warning of any sea and land invasion. Today, the Arctic is seen as a place primed for data storage and vaults––doomsday structures with a utilitarian vernacular of architecture, protecting the "knowledge" of places further south rather than recognizing the local presence and expertise of place and Indigenous lifeways and Indigenous science. This book looks at the role of artists as early warning systems and explores the ways we connect and disconnect place and people through technology and the ideas of boundaries.
Art Theory
Log 61 : summer 2024
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From the Norwegian seaside to the Ethiopian highlands; from the Bavarian Forest to the Taiwanese coast; from Venice to the Las Vegas Venetian, Log 61 travels in pursuit of architecture. In this open summer issue, Christopher Pierce visits cabins designed by Kastler Skjeseth Architects, and Motuma Tulu drives across southern Ethiopia to document informal architecture; Tim(...)
Log 61 : summer 2024
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From the Norwegian seaside to the Ethiopian highlands; from the Bavarian Forest to the Taiwanese coast; from Venice to the Las Vegas Venetian, Log 61 travels in pursuit of architecture. In this open summer issue, Christopher Pierce visits cabins designed by Kastler Skjeseth Architects, and Motuma Tulu drives across southern Ethiopia to document informal architecture; Tim Altenhof rides along with architect Peter Haimerl to see his unique housing and restoration work while Thomas Daniell wrestles with the appendages of RUR Architecture’s Kaohsiung Port Terminal; and in Venice, Lina Malfona contemplates Tadao Ando’s exhibition design for painter Zeng Fanzhi, and behind the Venetian, Cameron Wu assess the geometric problems of Populous’s Sphere. Jimenez Lai checks out the architectural follies at Coachella, and Ben Fehrman-Lee sees the Frederick Kiesler exhibition in New York.
Magazines
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After an issue dedicated to the persistent structures of colonial domination and racialization in western and northern European societies, The Funambulist 55 (Sep-Oct 2024) Asian Imperialisms intends to decenter Europe, and examine historical and present processes of imperial and/or colonial domination by seven arguably ethnocratic Asian states, namely, Japan, the(...)
The Funambulist n.55: Asian imperialisms
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After an issue dedicated to the persistent structures of colonial domination and racialization in western and northern European societies, The Funambulist 55 (Sep-Oct 2024) Asian Imperialisms intends to decenter Europe, and examine historical and present processes of imperial and/or colonial domination by seven arguably ethnocratic Asian states, namely, Japan, the People’s Republic of China, the Russian Federation (and the Soviet Union), India, Pakistan, Iran, and Turkey (alongside Azerbaijan). This “Asian” denomination chosen for this issue’s title follows historic examples of solidarity at this massive continental scale, the most famous one being the 1955 Afro–Asian Conference in Bandung. The cover is an artwork by Korean artist Kyungmi Shin
Magazines
C Mag 158 : Almanac
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In C Magazine’s 40th year of publication, the writing and visual projects in this issue form an almanac in themselves, out of the impulse to make meaning out of the present state of contemporary art and liberatory organizing. As contributors find grounding in celestial time, ancestors, the stakes of censorship, the choreography of movement building, AI incantations, and(...)
C Mag 158 : Almanac
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In C Magazine’s 40th year of publication, the writing and visual projects in this issue form an almanac in themselves, out of the impulse to make meaning out of the present state of contemporary art and liberatory organizing. As contributors find grounding in celestial time, ancestors, the stakes of censorship, the choreography of movement building, AI incantations, and more, we express almanacs as projects of persistence between past, present, and future—and even of spell-casting.
Magazines
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Le dossier « Les histoires écologiques de la photographie » interroge dans une perspective historique les rapports entre la photographie et l’écologie, entendue dans la pluralité de ses acceptions : comme une science interdisciplinaire apparue dans le courant du XIXe siècle, recherchant une compréhension globale de l’environnement ; comme mouvement politique en faveur de(...)
Transbordeur n.08 : Les histoires écologiques de la photographie
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Le dossier « Les histoires écologiques de la photographie » interroge dans une perspective historique les rapports entre la photographie et l’écologie, entendue dans la pluralité de ses acceptions : comme une science interdisciplinaire apparue dans le courant du XIXe siècle, recherchant une compréhension globale de l’environnement ; comme mouvement politique en faveur de la qualité des milieux habités par les êtres humains et du maintien de la diversité des formes du vivant, nés durant la deuxième moitié du XXe siècle avec l’essor de sensibilités environnementales au sein des sociétés civiles ; comme courant philosophique et social interrogeant le rapport des sociétés à leur environnement et à la notion de « nature » ; et enfin au sens de l’impact environnemental des techniques et des industries photographiques.
Photography Collections