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Le dossier de ce numéro s’attachera à regarder comment depuis l’architecture jusqu’à la typographie, la tendance verte a envahi les bureaux des designers. Les différentes pistes existantes ou à l’étude pour un graphisme écologique seront ainsi abordées.
Étapes 243 : design et écologie
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Le dossier de ce numéro s’attachera à regarder comment depuis l’architecture jusqu’à la typographie, la tendance verte a envahi les bureaux des designers. Les différentes pistes existantes ou à l’étude pour un graphisme écologique seront ainsi abordées.
Graphic Design and Typography
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Dernier numéro disponible en librairie ! Sous forme de précis, bosquet expose les plantes d’intérieures et d’extérieures en abordant des thèmes variant à chaque publication. Des horticulteurs, peintres, illustrateurs, architectes paysagistes, designer, photographes, et écrivains francophones de partout à travers le monde sont réunis et partagent leurs perceptions des plantes.
Bosquet 5
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Dernier numéro disponible en librairie ! Sous forme de précis, bosquet expose les plantes d’intérieures et d’extérieures en abordant des thèmes variant à chaque publication. Des horticulteurs, peintres, illustrateurs, architectes paysagistes, designer, photographes, et écrivains francophones de partout à travers le monde sont réunis et partagent leurs perceptions des plantes.
Bauhaus no.9: substance
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What is the substance of the Bauhaus? What is the essence of things in the age of immateriality? Why are artists, designers and scientists increasingly interested in materials? What are the materials of the future? The Bauhaus magazine 9 deals with the topic of substance.
Bauhaus no.9: substance
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What is the substance of the Bauhaus? What is the essence of things in the age of immateriality? Why are artists, designers and scientists increasingly interested in materials? What are the materials of the future? The Bauhaus magazine 9 deals with the topic of substance.
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Marjan Teeuwen creates large-scale architectural installations in buildings that are subsequently demolished following her interventions. She disrupts the materials of construction and structure and builds new artistic images in which floors are tilted, walls are removed, and stacks of debris either run rampant or are painstakingly ordered into architectural sculptures.(...)
Marjan Teeuwen: destroyed house
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Marjan Teeuwen creates large-scale architectural installations in buildings that are subsequently demolished following her interventions. She disrupts the materials of construction and structure and builds new artistic images in which floors are tilted, walls are removed, and stacks of debris either run rampant or are painstakingly ordered into architectural sculptures. Constructive forces go hand in hand with destruction and decay in Teeuwen’s work. This book presents several installations from her ‘Destroyed House’ series, including the recent project ‘Destroyed House Gaza’. By choosing to work in occupied territory, Teeuwen allows the socio-political context to penetrate her method.
Contemporary Art Monographs
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À travers près de 300 illustrations, cette publication explore un chapitre méconnu de l'histoire de l'avant-garde russe : la rencontre de Marc Chagall avec les protagonistes de l'art abstrait El Lissitzky et Kazimir Malévitch, autour du projet d'une École populaire d'art fondée par Chagall dans sa ville natale, Vitebsk. Chacun des trois artistes élabore à sa façon, aux(...)
Chagall Lissitzky Malevitch : l'avant-garde russe à Vitebsk, 1918-1922
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À travers près de 300 illustrations, cette publication explore un chapitre méconnu de l'histoire de l'avant-garde russe : la rencontre de Marc Chagall avec les protagonistes de l'art abstrait El Lissitzky et Kazimir Malévitch, autour du projet d'une École populaire d'art fondée par Chagall dans sa ville natale, Vitebsk. Chacun des trois artistes élabore à sa façon, aux côtés des étudiants, un art nouveau - un art révolutionnaire. Une anthologie de textes inédits et une chronologie détaillée complètent l'ouvrage.
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Le cloître de Saint-Trophime à Arles, dont les deux premières galeries présentent des sculptures d’une exceptionnelle qualité, constitue un fleuron de l’art roman et gothique en Provence. Daté des XIIe et XIVe siècles, cet édifice propose des thèmes iconographiques riches et variés, mis en valeur par la très récente restauration réalisée par le World Monuments Fund et la(...)
Le cloître Saint-Trophime d'Arles
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Le cloître de Saint-Trophime à Arles, dont les deux premières galeries présentent des sculptures d’une exceptionnelle qualité, constitue un fleuron de l’art roman et gothique en Provence. Daté des XIIe et XIVe siècles, cet édifice propose des thèmes iconographiques riches et variés, mis en valeur par la très récente restauration réalisée par le World Monuments Fund et la ville d’Arles. Cet ouvrage, publié à l’occasion de l’achèvement de ces travaux débutés en 2006, vient compléter une réédition de l'étude sur le portail de la primatiale, chef-d’œuvre incontesté de l’art roman.
History until 1900, France
Real review 5
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We live in extremely uncertain times. Our faith in the future is increasingly?tested. Far from being a hopeful, utopian domain, the future now seems doubtful. But what does it mean to doubt today? Societal levels of anxiety are rising. Insecurity is now a generalised condition. Concern that civilisation itself is on the brink of some cataclysmic change is ubiquitous. And(...)
Real review 5
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We live in extremely uncertain times. Our faith in the future is increasingly?tested. Far from being a hopeful, utopian domain, the future now seems doubtful. But what does it mean to doubt today? Societal levels of anxiety are rising. Insecurity is now a generalised condition. Concern that civilisation itself is on the brink of some cataclysmic change is ubiquitous. And yet, doubting doubt – through the scientific method, imperial evidence and systemic thought – has not only created modernity, but offers the only hope to our worry.
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Real Review 6
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The challenges to our species have never been more obvious, yet the required actions have never seemed more impossible. After several decades, Just-in-Time production (only making what you need, only when you need it) has become a generalised model. We now expect everything on demand, from clothing to houses, and food to friends. The unreal magic by which objects come(...)
Real Review 6
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The challenges to our species have never been more obvious, yet the required actions have never seemed more impossible. After several decades, Just-in-Time production (only making what you need, only when you need it) has become a generalised model. We now expect everything on demand, from clothing to houses, and food to friends. The unreal magic by which objects come into being has also changed our relationship with the process of making. Increasingly, we are more interested in the how than the what, with even inferior artisanal and bespoke commanding a premium. Will we be able to redress social inequality, dampen the effects of global warming and reinvent democracy just in time?
Magazines
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This issue of "Harvard Design Magazine" treks into the woods to come to terms with its precarious status as habitat and resource, and to challenge assumptions about wood as material. We won’t be “out of the woods”—this looping conundrum—any time soon, even if the woods as we once knew it, and might still imagine it, has ceased to exist. At the intersection of wilderness,(...)
Harvard Design magazine 45: into the woods
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This issue of "Harvard Design Magazine" treks into the woods to come to terms with its precarious status as habitat and resource, and to challenge assumptions about wood as material. We won’t be “out of the woods”—this looping conundrum—any time soon, even if the woods as we once knew it, and might still imagine it, has ceased to exist. At the intersection of wilderness, urbanization, and myth, “Into the Woods” embraces contradiction, challenges destruction, and revisits our roots, biological and architectural alike.
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The latest issue is now in store!
032c 34th issue Berlin Summer 2018
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The latest issue is now in store!
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