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''Of Wu-Tang and things…I’d say off the bat it’s the Ol' dirty bastard, asking me to destroy the negatives, that will never leave me. Meth showing me his new trick with eye and cap. U-god with a plaster on his face. The Rza in a bath tub at the Met hotel. Watching the entire Wu-Tang Clan getting passport pictures at Earl Court station. The Shows. The distinct smell of(...)
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''Of Wu-Tang and things…I’d say off the bat it’s the Ol' dirty bastard, asking me to destroy the negatives, that will never leave me. Meth showing me his new trick with eye and cap. U-god with a plaster on his face. The Rza in a bath tub at the Met hotel. Watching the entire Wu-Tang Clan getting passport pictures at Earl Court station. The Shows. The distinct smell of(...)
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Eddie Otchere: Wu-Tang Clan 1994-2004
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''Of Wu-Tang and things…I’d say off the bat it’s the Ol' dirty bastard, asking me to destroy the negatives, that will never leave me. Meth showing me his new trick with eye and cap. U-god with a plaster on his face. The Rza in a bath tub at the Met hotel. Watching the entire Wu-Tang Clan getting passport pictures at Earl Court station. The Shows. The distinct smell of blunts and weed that hung in the air. Papa Wu inviting me on the coach and traveling from Putney to Kentish Town with a pit stop in Earls Court. Young dirty Bastard’s performance of Shimmy Shimmy Ya Shimmy Yam Shimmy yah. From the first encounter to my last, the Wu have never failed to disappoint. What you have here a rarified glimpse at the lead images and contact sheets of seeking out members of the Wu-Tang Clan and putting their mythos on blast. I got one shot. This was the last time we held a cipher.'' -EO
Eddie Otchere: Wu-Tang Clan 1994-2004
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''Of Wu-Tang and things…I’d say off the bat it’s the Ol' dirty bastard, asking me to destroy the negatives, that will never leave me. Meth showing me his new trick with eye and cap. U-god with a plaster on his face. The Rza in a bath tub at the Met hotel. Watching the entire Wu-Tang Clan getting passport pictures at Earl Court station. The Shows. The distinct smell of blunts and weed that hung in the air. Papa Wu inviting me on the coach and traveling from Putney to Kentish Town with a pit stop in Earls Court. Young dirty Bastard’s performance of Shimmy Shimmy Ya Shimmy Yam Shimmy yah. From the first encounter to my last, the Wu have never failed to disappoint. What you have here a rarified glimpse at the lead images and contact sheets of seeking out members of the Wu-Tang Clan and putting their mythos on blast. I got one shot. This was the last time we held a cipher.'' -EO
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books
books
Publication:
January 2023
January 2023
Subject:
Photography monographs
Photography monographs
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books
books
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''My pictures were part of an extended project on Hull, then suffering both the loss of its fishing industry and a programme of extensive redevelopment which appeared to be turning its back on the city's history and replacing areas which had been human and vibrant with depressing wastelands, failing to learn the lessons that were already apparent from elsewhere in the(...)
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''My pictures were part of an extended project on Hull, then suffering both the loss of its fishing industry and a programme of extensive redevelopment which appeared to be turning its back on the city's history and replacing areas which had been human and vibrant with depressing wastelands, failing to learn the lessons that were already apparent from elsewhere in the(...)
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Peter Marshall: The River Hull 1977-85
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''My pictures were part of an extended project on Hull, then suffering both the loss of its fishing industry and a programme of extensive redevelopment which appeared to be turning its back on the city's history and replacing areas which had been human and vibrant with depressing wastelands, failing to learn the lessons that were already apparent from elsewhere in the country. 'Still Occupied - A View of Hull' was shown at the Ferens Art Gallery in Hull in 1983, and the work here is from one of the eight sections of my self-published book and web site on Hull.'' - PM
Peter Marshall: The River Hull 1977-85
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''My pictures were part of an extended project on Hull, then suffering both the loss of its fishing industry and a programme of extensive redevelopment which appeared to be turning its back on the city's history and replacing areas which had been human and vibrant with depressing wastelands, failing to learn the lessons that were already apparent from elsewhere in the country. 'Still Occupied - A View of Hull' was shown at the Ferens Art Gallery in Hull in 1983, and the work here is from one of the eight sections of my self-published book and web site on Hull.'' - PM
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books
books
Publication:
January 2018
January 2018
Subject:
Photography monographs
Photography monographs
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books
books
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''I used my first camera, an Asahi Pentax Spotmatic with 20-, 28-, 50-, 135- and 300mm Super Takumar lenses, until I bought a Leica M4 in 1971. From then on I used the Leica with 35- and 50mm Summicron lenses exclusively. I printed only very rarely and very little, and for the next forty-odd years I had these photographs, taken in 1968-77, only in the form of contact(...)
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''I used my first camera, an Asahi Pentax Spotmatic with 20-, 28-, 50-, 135- and 300mm Super Takumar lenses, until I bought a Leica M4 in 1971. From then on I used the Leica with 35- and 50mm Summicron lenses exclusively. I printed only very rarely and very little, and for the next forty-odd years I had these photographs, taken in 1968-77, only in the form of contact(...)
Title:
Dragan Novakovic: Manchester & Oldham 1970s
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''I used my first camera, an Asahi Pentax Spotmatic with 20-, 28-, 50-, 135- and 300mm Super Takumar lenses, until I bought a Leica M4 in 1971. From then on I used the Leica with 35- and 50mm Summicron lenses exclusively. I printed only very rarely and very little, and for the next forty-odd years I had these photographs, taken in 1968-77, only in the form of contact sheets. Thanks to digital, I saw them properly as 'enlargements' for the first time in 2012 after I had scanned the negatives and post-processed the files.'' - DN Dragan Novakovic is a Serbian photographer born in 1946. He bought his first camera in 1968 and taught himself to develop and print. He photographed London and Northern England, mostly as a hobby.
Dragan Novakovic: Manchester & Oldham 1970s
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''I used my first camera, an Asahi Pentax Spotmatic with 20-, 28-, 50-, 135- and 300mm Super Takumar lenses, until I bought a Leica M4 in 1971. From then on I used the Leica with 35- and 50mm Summicron lenses exclusively. I printed only very rarely and very little, and for the next forty-odd years I had these photographs, taken in 1968-77, only in the form of contact sheets. Thanks to digital, I saw them properly as 'enlargements' for the first time in 2012 after I had scanned the negatives and post-processed the files.'' - DN Dragan Novakovic is a Serbian photographer born in 1946. He bought his first camera in 1968 and taught himself to develop and print. He photographed London and Northern England, mostly as a hobby.
Form:
books
books
Publication:
January 2020
January 2020
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$23.50
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''In 1969 the Architectural Review invited guest editor Tim Rock to produce a few issues of the magazine. His brief was to take a hard look at the state of Britain, which must have come as a rude awakening for the readers of this conservative journal. I was lucky to receive the opening assignment for this ambitious project and spent the following six weeks recording the(...)
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''In 1969 the Architectural Review invited guest editor Tim Rock to produce a few issues of the magazine. His brief was to take a hard look at the state of Britain, which must have come as a rude awakening for the readers of this conservative journal. I was lucky to receive the opening assignment for this ambitious project and spent the following six weeks recording the(...)
Title:
Patrick Ward : Manplan 1 & 2, Britain in the late 1960s (2 vol.)
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''In 1969 the Architectural Review invited guest editor Tim Rock to produce a few issues of the magazine. His brief was to take a hard look at the state of Britain, which must have come as a rude awakening for the readers of this conservative journal. I was lucky to receive the opening assignment for this ambitious project and spent the following six weeks recording the frustrations surrounding life, work and leisure in the Britain of the late 1960s. The result was a photo essay called 'Manplan' which ran for 75 pages in the magazine and from which these images are drawn. The project ran for several more issues, with other editorial photographers exploring more specific subjects for the project. However, I think it’s fair to surmise that the magazine, its readers, and its advertisers were relieved to return to the safer territory of architectural photography, with its correct verticals and its political correctness too!'' - PW
Patrick Ward : Manplan 1 & 2, Britain in the late 1960s (2 vol.)
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''In 1969 the Architectural Review invited guest editor Tim Rock to produce a few issues of the magazine. His brief was to take a hard look at the state of Britain, which must have come as a rude awakening for the readers of this conservative journal. I was lucky to receive the opening assignment for this ambitious project and spent the following six weeks recording the frustrations surrounding life, work and leisure in the Britain of the late 1960s. The result was a photo essay called 'Manplan' which ran for 75 pages in the magazine and from which these images are drawn. The project ran for several more issues, with other editorial photographers exploring more specific subjects for the project. However, I think it’s fair to surmise that the magazine, its readers, and its advertisers were relieved to return to the safer territory of architectural photography, with its correct verticals and its political correctness too!'' - PW
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books
books
Publication:
January 2023
January 2023
Subject:
Photography monographs
Photography monographs
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books
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''This is Toronto 50 years ago, 52 years had passed since 1918, the end of the first World War and 1970 the first year of these pictures. And since the last of the photos were made in 1972, another 50 years have passed. The appearance of people has changed little, smoking is not as common, there were no computers. The cars and phones are greater visual cues. But it is a(...)
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''This is Toronto 50 years ago, 52 years had passed since 1918, the end of the first World War and 1970 the first year of these pictures. And since the last of the photos were made in 1972, another 50 years have passed. The appearance of people has changed little, smoking is not as common, there were no computers. The cars and phones are greater visual cues. But it is a(...)
Title:
Tony Bock: Social Landscapes Toronto 1970-72
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''This is Toronto 50 years ago, 52 years had passed since 1918, the end of the first World War and 1970 the first year of these pictures. And since the last of the photos were made in 1972, another 50 years have passed. The appearance of people has changed little, smoking is not as common, there were no computers. The cars and phones are greater visual cues. But it is a very different world we live in today.'' - TB Tony Bock is a British-born photographer who emigrated to Canada with his parents in 1952. His photographs provide a glimpse into the changing social and cultural fabric of Toronto during a time of significant transformation. Bock worked as photographer for the Toronto Star for over 30 years.
Tony Bock: Social Landscapes Toronto 1970-72
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''This is Toronto 50 years ago, 52 years had passed since 1918, the end of the first World War and 1970 the first year of these pictures. And since the last of the photos were made in 1972, another 50 years have passed. The appearance of people has changed little, smoking is not as common, there were no computers. The cars and phones are greater visual cues. But it is a very different world we live in today.'' - TB Tony Bock is a British-born photographer who emigrated to Canada with his parents in 1952. His photographs provide a glimpse into the changing social and cultural fabric of Toronto during a time of significant transformation. Bock worked as photographer for the Toronto Star for over 30 years.
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books
books
Publication:
January 2023
January 2023
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Melanie Friend: China 1986
Melanie Friend: China 1986
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A selection of images from Melanie Friend’s 1986 travels as a photojournalist in China, during a time of social and economic change.
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A selection of images from Melanie Friend’s 1986 travels as a photojournalist in China, during a time of social and economic change.
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Melanie Friend: China 1986
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A selection of images from Melanie Friend’s 1986 travels as a photojournalist in China, during a time of social and economic change.
Melanie Friend: China 1986
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A selection of images from Melanie Friend’s 1986 travels as a photojournalist in China, during a time of social and economic change.
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books
books
Publication:
October 2024
October 2024
Subject:
Photography monographs
Photography monographs
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books
books
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Taken by Ian Clegg (b. Wavertree, 1960) between 1970 and 1980, the images were hidden under his bed for more than 40 years. In 2020 he and Laura Robertson held an exhibition, ''Tell It Like It Is, Liverpool, 1978-80'', at Open Eye Gallery, in Liverpool — a reason to review his negatives. Some of the images in this title were included in that show.
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Taken by Ian Clegg (b. Wavertree, 1960) between 1970 and 1980, the images were hidden under his bed for more than 40 years. In 2020 he and Laura Robertson held an exhibition, ''Tell It Like It Is, Liverpool, 1978-80'', at Open Eye Gallery, in Liverpool — a reason to review his negatives. Some of the images in this title were included in that show.
Title:
Ian Clegg: Liverpool 1979-1980
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Taken by Ian Clegg (b. Wavertree, 1960) between 1970 and 1980, the images were hidden under his bed for more than 40 years. In 2020 he and Laura Robertson held an exhibition, ''Tell It Like It Is, Liverpool, 1978-80'', at Open Eye Gallery, in Liverpool — a reason to review his negatives. Some of the images in this title were included in that show.
Ian Clegg: Liverpool 1979-1980
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Taken by Ian Clegg (b. Wavertree, 1960) between 1970 and 1980, the images were hidden under his bed for more than 40 years. In 2020 he and Laura Robertson held an exhibition, ''Tell It Like It Is, Liverpool, 1978-80'', at Open Eye Gallery, in Liverpool — a reason to review his negatives. Some of the images in this title were included in that show.
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books
books
Publication:
December 2024
December 2024
Subject:
Photography monographs
Photography monographs
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books
books
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"In April 2020, during the Covid-19 lockdown, I discovered (quite by chance) some 35mm film negatives from weekend visits to Stockport Market in Greater Manchester, in 1976 and 1977. I had shot several rolls of film with the old Leica M4 camera passed on to me by my father. At that time I was an undergraduate student at Stirling University. Soon after that my life became(...)
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"In April 2020, during the Covid-19 lockdown, I discovered (quite by chance) some 35mm film negatives from weekend visits to Stockport Market in Greater Manchester, in 1976 and 1977. I had shot several rolls of film with the old Leica M4 camera passed on to me by my father. At that time I was an undergraduate student at Stirling University. Soon after that my life became(...)
Title:
Heidi Alexander: Stockport Market 1976-1977
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"In April 2020, during the Covid-19 lockdown, I discovered (quite by chance) some 35mm film negatives from weekend visits to Stockport Market in Greater Manchester, in 1976 and 1977. I had shot several rolls of film with the old Leica M4 camera passed on to me by my father. At that time I was an undergraduate student at Stirling University. Soon after that my life became all about parenthood and a full-time career in social work. So the negatives from my 1970’s adventures went into storage, occasionally dragged around house moves in Scotland, but mainly forgotten for over four decades..." Heidi Alexander
Heidi Alexander: Stockport Market 1976-1977
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"In April 2020, during the Covid-19 lockdown, I discovered (quite by chance) some 35mm film negatives from weekend visits to Stockport Market in Greater Manchester, in 1976 and 1977. I had shot several rolls of film with the old Leica M4 camera passed on to me by my father. At that time I was an undergraduate student at Stirling University. Soon after that my life became all about parenthood and a full-time career in social work. So the negatives from my 1970’s adventures went into storage, occasionally dragged around house moves in Scotland, but mainly forgotten for over four decades..." Heidi Alexander
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books
books
Publication:
December 2024
December 2024
Subject:
Photography monographs
Photography monographs
Form:
books
books
Price:
$40.00
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A few years ago, Martin Mayer contacted Café Royal Books with a large archive of work he had made in the 1970s. From these photographs, a set of 5 books with 5 different themes : Liverpool 1970s, Northern Ireland 1970s, Miners 1974, London Liverpool Hull Docks 1970s, London 1970s.
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Summary:
A few years ago, Martin Mayer contacted Café Royal Books with a large archive of work he had made in the 1970s. From these photographs, a set of 5 books with 5 different themes : Liverpool 1970s, Northern Ireland 1970s, Miners 1974, London Liverpool Hull Docks 1970s, London 1970s.
Title:
Martin Mayer: 1970s. Miners, NI, London, Liverpool & Dockers (set of 5)
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A few years ago, Martin Mayer contacted Café Royal Books with a large archive of work he had made in the 1970s. From these photographs, a set of 5 books with 5 different themes : Liverpool 1970s, Northern Ireland 1970s, Miners 1974, London Liverpool Hull Docks 1970s, London 1970s.
Martin Mayer: 1970s. Miners, NI, London, Liverpool & Dockers (set of 5)
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$40.00
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A few years ago, Martin Mayer contacted Café Royal Books with a large archive of work he had made in the 1970s. From these photographs, a set of 5 books with 5 different themes : Liverpool 1970s, Northern Ireland 1970s, Miners 1974, London Liverpool Hull Docks 1970s, London 1970s.
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books
books
Publication:
December 2024
December 2024
Subject:
Photography monographs
Photography monographs
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books
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Virginia Turbett photographed everyone from the Sex Pistols to David Bowie, working for a decade on assignments for Sounds, Smash Hits, The Face and ID. She captured the fashion music fusion of punk, new romantics, the mods and more. Famously having photographed The Clash, Blondie, Iggy Pop, Prince, U2, Andy Warhol, Frank Zappa, Nick Cave, Depeche Mode, the Jam, Madness,(...)
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Virginia Turbett photographed everyone from the Sex Pistols to David Bowie, working for a decade on assignments for Sounds, Smash Hits, The Face and ID. She captured the fashion music fusion of punk, new romantics, the mods and more. Famously having photographed The Clash, Blondie, Iggy Pop, Prince, U2, Andy Warhol, Frank Zappa, Nick Cave, Depeche Mode, the Jam, Madness,(...)
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Virginia Turbett: Punks 1979-1983
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Virginia Turbett photographed everyone from the Sex Pistols to David Bowie, working for a decade on assignments for Sounds, Smash Hits, The Face and ID. She captured the fashion music fusion of punk, new romantics, the mods and more. Famously having photographed The Clash, Blondie, Iggy Pop, Prince, U2, Andy Warhol, Frank Zappa, Nick Cave, Depeche Mode, the Jam, Madness, David Bowie and Duran Duran. Her other interest has been ‘'social reportage'’ photographing the final days of Billingsgate fish market, demonstrations and marches and significant musical events such as Rock Against Racism in East London’s Victoria Park.
Virginia Turbett: Punks 1979-1983
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Virginia Turbett photographed everyone from the Sex Pistols to David Bowie, working for a decade on assignments for Sounds, Smash Hits, The Face and ID. She captured the fashion music fusion of punk, new romantics, the mods and more. Famously having photographed The Clash, Blondie, Iggy Pop, Prince, U2, Andy Warhol, Frank Zappa, Nick Cave, Depeche Mode, the Jam, Madness, David Bowie and Duran Duran. Her other interest has been ‘'social reportage'’ photographing the final days of Billingsgate fish market, demonstrations and marches and significant musical events such as Rock Against Racism in East London’s Victoria Park.
Form:
books
books
Publication:
February 2025
February 2025
Subject:
Photography monographs
Photography monographs
