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Sir John Vanbrugh was one of Britain’s greatest architects and the designer of some of the most important and best beloved English country houses, including Castle Howard and Blenheim Palace. This beautifully illustrated biography draws on close study of Vanbrugh's letters to bring to life his ideas, beliefs, friendships and buildings, as well as providing insight into(...)
John Vanbrugh: the drama of architecture
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$80.99
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Summary:
Sir John Vanbrugh was one of Britain’s greatest architects and the designer of some of the most important and best beloved English country houses, including Castle Howard and Blenheim Palace. This beautifully illustrated biography draws on close study of Vanbrugh's letters to bring to life his ideas, beliefs, friendships and buildings, as well as providing insight into his professional practice and working relationships. Vanbrugh was, by the standards of architects of the time, a worldly figure, friend and ally of the great, with a strong sense of the imaginative characteristics of architecture, its power of evocation, and the emotional impact of a building’s massing, particularly when compared to the more disciplined and scholarly work of his contemporaries Sir Christopher Wren and Nicholas Hawksmoor.
Architecture Monographs
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How have art museums changed in the past century? Where are they headed in the future? Charles Saumarez Smith is uniquely qualified to answer these questions, having been at the helm of three major institutions over the course of his distinguished career. For "The art museum in modern times," Saumarez Smith has undertaken an odyssey, visiting art museums across the globe(...)
The art museum in modern times
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$53.95
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Summary:
How have art museums changed in the past century? Where are they headed in the future? Charles Saumarez Smith is uniquely qualified to answer these questions, having been at the helm of three major institutions over the course of his distinguished career. For "The art museum in modern times," Saumarez Smith has undertaken an odyssey, visiting art museums across the globe and examining how the experience of art is shaped by the buildings that house it. His story starts with the Museum of Modern Art in New York, one of the first museums to focus squarely on the art of the present rather than the past. When it opened in 1939, MoMA’s boldly modernist building represented a stark riposte to the neoclassicism of most earlier art museums. From there, Saumarez Smith investigates dozens of other museums, including the Tate Modern in London, the Getty Center in Los Angeles, the West Bund Museum in Shanghai, and the Centre Pompidou in Paris. He explores our shifting reasons for visiting museums, changes to the way exhibits are organized and displayed, and the spectacular new architectural landmarks that have become destinations in their own right.
Museums and Universal Exhibitions